mirror of
https://github.com/WallyS02/Song-Lyrics-Generator.git
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5249 lines
130 KiB
Plaintext
5249 lines
130 KiB
Plaintext
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,Title,Lyrics
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0,(You Need Meet) Don't Get No Further ,"You need meat,
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Go to the market.
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You need bread,
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Try the bakery.
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You need lovin',
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Look here, baby.
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I got just what you need.
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I gotta love somebody.
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I gotta love somebody.
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I gotta love somebody.
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Somebody gonna love me.
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You need money,
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Go to the bank, dear.
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You need honey,
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Look to the bees.
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You need lovin',
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Come on here, woman.
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Well, I got just what you need.
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I wanna love somebody.
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I gotta love somebody.
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I gotta love somebody.
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Somebody gonna love me.
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Oh, play it now.
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You need meat,
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Go to the market.
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You need bread,
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Try the bakery.
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If you need lovin',
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Come on here, baby.
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Well, I got just what you need.
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I wanna love somebody.
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Yeah, love somebody.
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I gotta love somebody.
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Somebody got to love me.
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Play your guitar.
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You need money,
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Go to the bank, dear.
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If you need honey,
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Go find a bee.
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If need lovin',
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Well I'm your doctor.
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I've got people sick
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On what you need.
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I gotta love somebody.
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Whoa, love.
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I wanna love somebody.
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Somebody gonna love me."
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1,A feast of friends ,"Wow, Im sick of doubt
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Live in the light of certain
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South
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Cruel bindings.
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The servants have the power
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Dog-men and their mean women
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Pulling poor blankets over
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Our sailors
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Im sick of dour faces
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Staring at me from the tv
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Tower, I want roses in
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My garden bower; dig?
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Royal babies, rubies
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Must now replace aborted
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Strangers in the mud
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These mutants, blood-meal
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For the plant thats plowed.
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They are waiting to take us into
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The severed garden
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Do you know how pale and wanton thrillful
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Comes death on a strange hour
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Unannounced, unplanned for
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Like a scaring over-friendly guest youve
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Brought to bed
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Death makes angels of us all
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And gives us wings
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Where we had shoulders
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Smooth as ravens
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Claws
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No more money, no more fancy dress
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This other kingdom seems by far the best
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Until its other jaw reveals incest
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And loose obedience to a vegetable law.
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I will not go
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Prefer a feast of friends
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To the giant family"
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2,A little game ,"Once I had a little game
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I liked to crawl back in my brain
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I think you know the game I mean
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I mean the game called ""go insane""
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Now you should try this little game
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Just close your eyes, forget you name
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Forget the world, forget the people
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And we`ll erect a different steeple
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This little game is fun to do
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Just close your eyes, no way to loose
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And I`m right here, I`m going too
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Release control, we`re breaking through "
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3,Across The Sea ,"Come, ride with me
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Across the sea.
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Endlessly.
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So happy we will be
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Across the sea.
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Endlessly.
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"
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4,Adolf Hitler ,"Adolf Hitler is still alive
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Ooooogh - sssssh
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I slept with her last night
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yeah
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Come out from behind
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that false mustache, Adolf
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I know your’re in there
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ha, ha, ha, ha, ha, ha
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You favor life
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He sides with Death
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I straddle the fence
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And my balls hurt "
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5,Alabama Song (Whisky Bar) ,"Well, show me the way
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To the next whisky bar
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Oh, don't ask why
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Oh, don't ask why
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Show me the way
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To the next whisky bar
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Oh, don't ask why
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Oh, don't ask why
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For if we don't find
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The next whisky bar
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I tell you we must die
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I tell you we must die
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I tell you, I tell you
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I tell you we must die
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Oh, moon of Alabama
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We now must say goodbye
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We've lost our good old mama
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And must have whisky, oh, you know why
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Oh, moon of Alabama
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We now must say goodbye
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We've lost our good old mama
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And must have whisky, oh, you know why
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Well, show me the way
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To the next little girl
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Oh, don't ask why
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Oh, don't ask why
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Show me the way
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To the next little girl
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Oh, don't ask why
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Oh, don't ask why
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For if we don't find
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The next little girl
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I tell you we must die
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I tell you we must die
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I tell you, I tell you
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I tell you we must die
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Oh, moon of Alabama
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We now must say goodbye
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We've lost our good old mama
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And must have whisky, oh, you know why"
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6,American night ,"All hail the American night!
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What was that?
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I don't know
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Sounds like guns...thunder.
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(Roadhouse Blues)
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...Alright! Alright! Alright!
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Hey, listen! Listen! Listen, man! listen, man!
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I don't know how many you people believe in astrology...
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Yeah, that's right...that's right, baby, I...I am a
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Sagittarius
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The most philosophical of all the signs
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But anyway, I don't believe in it
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I think it's a bunch of bullshit, myself
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But I tell you this, man, I tell you this
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I don't know what's gonna happen, man, but I wanna have
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my kicks before the whole shithouse goes up in flames
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Alright! "
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7,An American Prayer ,"Do you know the warm progress
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under the stars?
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Do you know we exist?
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Have you forgotten the keys
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to the kingdom
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Have you been borne yet
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& are you alive?
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Let's reinvent the gods, all teh myths
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of the ages
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Celebrate symbols from deep elder forests
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[Have you forgotten the lessons
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of the ancient war]
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We need great golden copulations
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The fathers are cackling in trees
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of the forest
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Our mother is dead in the sea
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Do you know we are being led to
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slaughters by placid admirals
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& that fat slow generals are getting
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obscene on young blood
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Do you know we are ruled by T.V.
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The moon is dry blood beast
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Guerrilla bands are rolling numbers
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in the next block of green vine
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amassing for warfare on innocent
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herdsman who are just dying
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O great creator of being
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grant us one more hour to
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perform our art
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The moths & atheists are doubly divine
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& dying
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We live, we die
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& death not ends it
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& perfect our lives
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Journey we more into the
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Nightmare
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Cling to life
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Our passion'd flower
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Cling to Cunts & cocks
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of despair
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We got our final vision
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by clap
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Columbus groin got
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filled w/green death
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(I touched her thigh
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& death smiled)
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We have assembled inside this ancient
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& insane theatre
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To propagate our lust for life
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& flee the swarming wisdom
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of the streets
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The barns are stormed
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The windows kept
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& only one of all the rest
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To dance & save us
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W/the divine mockery
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of words
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Music inflames temperament
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(When the true King's murderers
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are allowed to roam free
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a 1000 Magicians arise in the land)
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Where are the feasts
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we are promised
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Where is the wine
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The New Wine
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(dying on the vine)
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resident mockery
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give us an hour for magic
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We of the purple glove
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We of the starling flight
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& velvet hour
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We of arabic pleasures's breed
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We of sundome & the night
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Give us a creed
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To believe
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A nightr of lust
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Give us trust in
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The Night
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Give of color
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hundred hues
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a rich mandala
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for me & for you
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& for your silky
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pillowed house
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a head, wisdom
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& a bed
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Troubled decree
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Resident mockery
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has claimed thee
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We used to believe
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in the good old days
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We still receive
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In little ways
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The things of Kindness
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& unsporting brow
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Forget & allow
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Did you know freedom exists
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in school books
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Did you know madmen are
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running our prisons
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w/in a jail, w/in a gaol
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w/in a white free protestant
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maelstrom
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We're perched headlong
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on the edge of boredom
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We're reaching for death
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on the end of a candle
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We're trying for something
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that's already found us
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Wow, I'm sick of doubt
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Live in the light of certain
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south
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Cruel bindings
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The sevants have the power
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dog-men & their mean women
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pulling poor blankets over
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our sailors
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I'm sick of dour faces
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Starong at me from the T.V.
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Tower, I want roses in
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my garden bower; dig?
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Royal babies, rubies
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must now replace aborted
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Strangers in the mud
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These mutants, blood-meal
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for the plant that's plowed
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they are waiting to take us into
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the severed garden
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Do you know how pale & wanton thrillful
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comes death on a stranger hour
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unannounced, unplanned for
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like a scaring over-friendly guest you've
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brought to bed
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Death makes angels of us all
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& gives us wings
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where we had shoulders
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smooth as raven's
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claws
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No more money, no more fancy dress
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This other kingdom seems by far the best
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until its other jaw reveals incest
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& loose obedience to a vegetable law
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I will not go
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Prefer a feast of friends
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|||
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To the Giant family"
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8,Angels and sailors ,"Angels and sailors
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rich girls
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backyard fences
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tents
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Dreams watching each other narrowly
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soft luxuriant cars
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Girls in garages, stripped
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out to get liquor and clothes
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half gallons of wine and six-packs of beer
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Jumped, humped, born to suffer
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made to undress in the wilderness.
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I will never treat you mean
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Never start no kind of scene
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I'll tell you every place and person that I've been.
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Always a playground instructor, never a killer
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Always a bridesmaid on the verge of fame or over
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He maneuvered two girls into his hotel room
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One a friend, the other, the young one, a newer stranger
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Vaguely Mexican or Puerto Rican
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Poor boys thighs and buttock scarred by a father's belt
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She's trying to rise
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Story of her boyfriend, of teenage stoned death games
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Handsome lad, dead in a car
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Confusion
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|||
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No connections
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Come 'ere
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I love you
|
|||
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Peace on earth
|
|||
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Will you die for me?
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Eat me
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This way
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The end
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I'll always be true
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Never go out, sneaking out on you, babe
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If you'll only show me Far Arden again.
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I'm surprised you could get it up
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He whips her lightly, sardonically, with belt
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Haven't I been through enough? she asks
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Now dressed and leaving
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The Spanish girl begins to bleed
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She says her period
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It' sCatholic heaven
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I have an ancient Indian crucifix around my neck
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My chest is hard and brown
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Lying on stained, wretched sheets with a bleeding virgin
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We could plan a murder
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|||
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Or start a religion. "
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9,Awake ,"Shake dreams from your hair
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|||
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My pretty child
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|||
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My sweet one
|
|||
|
|
Choose the day
|
|||
|
|
And choose the sign of your day
|
|||
|
|
The day's divinity
|
|||
|
|
First thing you see
|
|||
|
|
|
|||
|
|
A vast radiant beach
|
|||
|
|
In a cool jeweled moon
|
|||
|
|
Couples naked race down by it's quiet side
|
|||
|
|
And we laugh like soft, mad children
|
|||
|
|
Smug in the wooly cotton brains of infancy
|
|||
|
|
The music and voices are all around us
|
|||
|
|
Choose they croon the ancient ones
|
|||
|
|
Beneath the moon
|
|||
|
|
Beside an ancient lake
|
|||
|
|
Enter again the sweet forest
|
|||
|
|
Enter the hot dream
|
|||
|
|
Come with us
|
|||
|
|
Everything is broken up and dances "
|
|||
|
|
10,Awake Ghost Song ,"Awake
|
|||
|
|
|
|||
|
|
Shake dreams from your hair
|
|||
|
|
My pretty child, my sweet one.
|
|||
|
|
Choose the day and choose the sign of your day
|
|||
|
|
The day's divinity
|
|||
|
|
First thing you see
|
|||
|
|
|
|||
|
|
A vast radiant beach in a cool jeweled moon
|
|||
|
|
Couples naked race down by it's quiet side
|
|||
|
|
And we laugh like soft, mad children
|
|||
|
|
Smug in the wooly cotton brains of infancy
|
|||
|
|
|
|||
|
|
The music and voices are all around us
|
|||
|
|
|
|||
|
|
Choose they croon the Ancient Ones
|
|||
|
|
The time has come again
|
|||
|
|
Choose now, they croon
|
|||
|
|
Beneath the moon
|
|||
|
|
Beside an ancient lake
|
|||
|
|
Enter again the sweet forest
|
|||
|
|
Enter the hot dream, come with us
|
|||
|
|
Everything is broken up and dances.
|
|||
|
|
|
|||
|
|
Indians scattered,
|
|||
|
|
On dawn's highway bleeding
|
|||
|
|
Ghosts crowd the young child's,
|
|||
|
|
Fragile eggshell mind
|
|||
|
|
|
|||
|
|
We have assembled inside,
|
|||
|
|
This ancient and insane theater
|
|||
|
|
To propagate our lust for life,
|
|||
|
|
And flee the swarming wisdom of the streets.
|
|||
|
|
|
|||
|
|
The barns have stormed
|
|||
|
|
The windows kept,
|
|||
|
|
And only one of all the rest
|
|||
|
|
To dance and save us
|
|||
|
|
From the divine mockery of words,
|
|||
|
|
Music inflames temperament.
|
|||
|
|
|
|||
|
|
Oh great creator of being
|
|||
|
|
Grant us one more hour,
|
|||
|
|
To perform our art
|
|||
|
|
And perfect our lives.
|
|||
|
|
|
|||
|
|
We need great golden copulations,
|
|||
|
|
|
|||
|
|
When the true kings murderers
|
|||
|
|
Are allowed to roam free,
|
|||
|
|
A thousand magicians arise in the land
|
|||
|
|
Where are the feast we are promised?"
|
|||
|
|
11,Away In India ,"Away, away, away,
|
|||
|
|
Away in India.
|
|||
|
|
Away, away, away,
|
|||
|
|
Away in India.
|
|||
|
|
"
|
|||
|
|
12,Baby please don't go ,"Baby, please don't go.
|
|||
|
|
Baby, please don't go.
|
|||
|
|
Baby, please don't go
|
|||
|
|
Down to New Orleans
|
|||
|
|
I'm gonna love you so.
|
|||
|
|
Baby, please don't go."
|
|||
|
|
13,Babylon fading ,"Then we hear a whistle like a bosun's pipe
|
|||
|
|
And the carnival immediately begins
|
|||
|
|
Gradually mixing rain,
|
|||
|
|
Thunder
|
|||
|
|
Bullfight
|
|||
|
|
Football
|
|||
|
|
Playground
|
|||
|
|
War
|
|||
|
|
Penny-arcade
|
|||
|
|
Babylon Fading..."
|
|||
|
|
14,Back Door Man ,"Wha, yeah!
|
|||
|
|
C'mon, yeah
|
|||
|
|
Yeah, c'mon, yeah
|
|||
|
|
Yeah, c'mon
|
|||
|
|
Oh, yeah, ma
|
|||
|
|
Yeah, I'm a back door man
|
|||
|
|
I'm a back door man
|
|||
|
|
|
|||
|
|
The men don't know
|
|||
|
|
But the little girl understand
|
|||
|
|
|
|||
|
|
Hey, all you people that tryin' to sleep
|
|||
|
|
I'm out to make it with my midnight dream, yeah
|
|||
|
|
'Cause I'm a back door man
|
|||
|
|
|
|||
|
|
The men don't know
|
|||
|
|
But the little girls understand
|
|||
|
|
All right, yeah
|
|||
|
|
|
|||
|
|
You men eat your dinner
|
|||
|
|
Eat your pork and beans
|
|||
|
|
I eat more chicken
|
|||
|
|
Than any man ever seen, yeah, yeah
|
|||
|
|
|
|||
|
|
I'm a back door man, wha
|
|||
|
|
The men don't know
|
|||
|
|
But the little girls understand
|
|||
|
|
|
|||
|
|
Well, I'm a back door man
|
|||
|
|
I'm a back door man
|
|||
|
|
Whoa, baby, I'm a back door man
|
|||
|
|
The men don't know
|
|||
|
|
But the little girls understand"
|
|||
|
|
15,Been down so long ,"Well
|
|||
|
|
I've been down so goddamn long
|
|||
|
|
That it looks like up to me
|
|||
|
|
Well
|
|||
|
|
I've been down so very damn long
|
|||
|
|
That it looks like up to me
|
|||
|
|
Yeah
|
|||
|
|
why don't one you people
|
|||
|
|
C'mon and set me free
|
|||
|
|
|
|||
|
|
I said
|
|||
|
|
Warden
|
|||
|
|
Warden
|
|||
|
|
Warden
|
|||
|
|
Won't you break your lock and key
|
|||
|
|
I said
|
|||
|
|
Warden
|
|||
|
|
Warden
|
|||
|
|
Warden
|
|||
|
|
Won't ya break your lock and key
|
|||
|
|
Yeah
|
|||
|
|
Come along here
|
|||
|
|
Mister
|
|||
|
|
C'mon and let the poor boy be
|
|||
|
|
|
|||
|
|
Baby
|
|||
|
|
Baby
|
|||
|
|
Baby
|
|||
|
|
Won't you get down on your knees
|
|||
|
|
Baby
|
|||
|
|
Baby
|
|||
|
|
Baby
|
|||
|
|
Won't you get down on your knees
|
|||
|
|
C'mon little darlin'
|
|||
|
|
C'mon and give your love to me
|
|||
|
|
Oh yeah
|
|||
|
|
|
|||
|
|
Well
|
|||
|
|
I've been down so Goddamn long
|
|||
|
|
That it looks like up to me
|
|||
|
|
Well
|
|||
|
|
I've been down so very damn long
|
|||
|
|
That it looks like up to me
|
|||
|
|
Yeah
|
|||
|
|
Why don't one you people
|
|||
|
|
C'mon
|
|||
|
|
C'mon
|
|||
|
|
C'mon and set me free"
|
|||
|
|
16,Bird of Prey ,"Bird of Prey
|
|||
|
|
Bird of Prey
|
|||
|
|
Flying high
|
|||
|
|
Flying high
|
|||
|
|
In the summer sky
|
|||
|
|
Bird of Prey
|
|||
|
|
Bird of Prey
|
|||
|
|
Flying high
|
|||
|
|
Flying high
|
|||
|
|
gently pass on by
|
|||
|
|
Bird of Prey
|
|||
|
|
Bird of Prey
|
|||
|
|
Flying high
|
|||
|
|
Flying high
|
|||
|
|
am i going to die
|
|||
|
|
Bird of Prey
|
|||
|
|
Bird of Prey
|
|||
|
|
Flying high
|
|||
|
|
Flying high
|
|||
|
|
take me on your flight "
|
|||
|
|
17,Black polished chrome ,"The music was new
|
|||
|
|
black polished chrome
|
|||
|
|
And came over the summer
|
|||
|
|
like liquid night.
|
|||
|
|
The DJ's took pills to stay awake
|
|||
|
|
and play for seven days
|
|||
|
|
They went to the studio
|
|||
|
|
And someone knew him
|
|||
|
|
Someone knew the TV showman
|
|||
|
|
He came to our homeroom party
|
|||
|
|
and played records
|
|||
|
|
And when he left in the hot noon sun
|
|||
|
|
and walked to his car
|
|||
|
|
We saw the chooks had written
|
|||
|
|
F-U-C-K on his windshield
|
|||
|
|
He wiped it off with a rag
|
|||
|
|
and smiling coolly drove away
|
|||
|
|
He's rich. Got a big car.
|
|||
|
|
|
|||
|
|
My gang will get you
|
|||
|
|
Scenes of rape in the arroyo
|
|||
|
|
Seduction in cars, abandoned buildings
|
|||
|
|
Fights at the food stand
|
|||
|
|
The dust
|
|||
|
|
the shoes
|
|||
|
|
Open shirts and raised collars
|
|||
|
|
Bright sculptured hair.
|
|||
|
|
|
|||
|
|
Hey man, you want girls, pills, grass? C'mon...
|
|||
|
|
I show you good time.
|
|||
|
|
This place has everything. C'mon...
|
|||
|
|
I show you. "
|
|||
|
|
18,Blue sunday ,"I found my own true love once
|
|||
|
|
On a Blue Sunday
|
|||
|
|
She looked at me and told me
|
|||
|
|
I was the only
|
|||
|
|
One in the world
|
|||
|
|
Now I have found my girl
|
|||
|
|
|
|||
|
|
My girl awaits for me in tender time
|
|||
|
|
My girl is mine
|
|||
|
|
She is the world
|
|||
|
|
She is my girl"
|
|||
|
|
19,Break On Through (To The Other Side) ,"You know the day destroys the night
|
|||
|
|
Night divides the day
|
|||
|
|
Tried to run
|
|||
|
|
Tried to hide
|
|||
|
|
|
|||
|
|
Break on through to the other side
|
|||
|
|
Break on through to the other side
|
|||
|
|
Break on through to the other side, yeah
|
|||
|
|
|
|||
|
|
We chased our pleasures here
|
|||
|
|
Dug our treasures there
|
|||
|
|
But can you still recall
|
|||
|
|
The time we cried
|
|||
|
|
|
|||
|
|
Break on through to the other side
|
|||
|
|
Break on through to the other side
|
|||
|
|
|
|||
|
|
Everybody loves my baby
|
|||
|
|
Everybody loves my baby
|
|||
|
|
She get high
|
|||
|
|
She get high
|
|||
|
|
She get high
|
|||
|
|
She get high
|
|||
|
|
|
|||
|
|
I found an island in your arms
|
|||
|
|
Country in your eyes
|
|||
|
|
Arms that chain
|
|||
|
|
Eyes that lie
|
|||
|
|
|
|||
|
|
Break on through to the other side
|
|||
|
|
Break on through to the other side
|
|||
|
|
Break on through, oww
|
|||
|
|
Oh yeah
|
|||
|
|
|
|||
|
|
Made the scene
|
|||
|
|
Week to week
|
|||
|
|
Day to day
|
|||
|
|
Hour to hour
|
|||
|
|
The gate is straight
|
|||
|
|
Deep and wide
|
|||
|
|
|
|||
|
|
Break on through to the other side
|
|||
|
|
Break on through to the other side
|
|||
|
|
Break on through
|
|||
|
|
Break on through
|
|||
|
|
Break on through
|
|||
|
|
Break on through
|
|||
|
|
Yeah yeah yeah yeah
|
|||
|
|
Yeah yeah yeah yeah yeah"
|
|||
|
|
20,Break On Through (To The Other Side) BT vs. The Doors Remix ,
|
|||
|
|
21,Build me a woman ,"Give me a witness, darling.
|
|||
|
|
I need a witness, babe.
|
|||
|
|
I got the poontang blues. I got the poontang blues.
|
|||
|
|
From the top of my head to the bottom of my cowboy shoes.
|
|||
|
|
Build me a woman,
|
|||
|
|
Make her ten feet tall.
|
|||
|
|
You got to build me a woman,
|
|||
|
|
Make her ten feet tall.
|
|||
|
|
Don't make her worthless,
|
|||
|
|
Don't make her small.
|
|||
|
|
Build me a woman,
|
|||
|
|
Make her ten feet tall.
|
|||
|
|
You got to build me a woman,
|
|||
|
|
Make her ten feet tall.
|
|||
|
|
Don't make her worthless,
|
|||
|
|
Don't make her small.
|
|||
|
|
Build me someone I can ball
|
|||
|
|
All night long."
|
|||
|
|
22,Carol ,"Oh, Carol!
|
|||
|
|
Don't let him steal your heart away.
|
|||
|
|
Yeah I've got to love you darling
|
|||
|
|
If it takes me all night and day.
|
|||
|
|
|
|||
|
|
Beat cool down,
|
|||
|
|
Motor cool down,
|
|||
|
|
I can hear that highway sound.
|
|||
|
|
|
|||
|
|
Carol!
|
|||
|
|
Don't let him steal your heart away.
|
|||
|
|
Well I'm gonna love you darling
|
|||
|
|
If it takes me all night and day.
|
|||
|
|
|
|||
|
|
Whoa, Carol!
|
|||
|
|
|
|||
|
|
Oh, Carol!
|
|||
|
|
Don't let him steal your heart away.
|
|||
|
|
Yeah I'm gonna love you darling
|
|||
|
|
If it takes me all night and day.
|
|||
|
|
|
|||
|
|
One more time!
|
|||
|
|
|
|||
|
|
Whoa, Carol!
|
|||
|
|
Come on, Carol!
|
|||
|
|
Oh yeah!
|
|||
|
|
Oh right!
|
|||
|
|
Well I'm gonna love you darling
|
|||
|
|
If it takes me all night and day."
|
|||
|
|
23,Cars Hiss By My Window ,"The cars hiss by my window
|
|||
|
|
Like the waves down on the beach
|
|||
|
|
The cars hiss by my window
|
|||
|
|
Like the waves down on the beach
|
|||
|
|
I got this girl beside me
|
|||
|
|
But she's out of reach
|
|||
|
|
Headlight through my window
|
|||
|
|
Shinin' on the wall
|
|||
|
|
Headlight through my window
|
|||
|
|
Shinin' on the wall
|
|||
|
|
Can't hear my baby
|
|||
|
|
Though I called and called
|
|||
|
|
Yeah, right
|
|||
|
|
Woo!
|
|||
|
|
Windows started tremblin'
|
|||
|
|
With a sonic boom
|
|||
|
|
Windows started tremblin'
|
|||
|
|
With a sonic boom, boom
|
|||
|
|
A cold girl'll kill you
|
|||
|
|
In a darkened room
|
|||
|
|
Yeah, woo
|
|||
|
|
Ride
|
|||
|
|
Ride on
|
|||
|
|
Weooooo!
|
|||
|
|
Wawa, eooo!
|
|||
|
|
Oooo, owa, owaaa!
|
|||
|
|
Wa, waaaaea!
|
|||
|
|
Ooo, wa, wa, wa, wa, waa!
|
|||
|
|
Uh-huh"
|
|||
|
|
24,Close To You ,"I want to get
|
|||
|
|
Close to you, baby
|
|||
|
|
Like black on white.
|
|||
|
|
Close to you, baby
|
|||
|
|
Like cold is to ice.
|
|||
|
|
Close to you, baby
|
|||
|
|
Like a siamese twin.
|
|||
|
|
Close to you, baby
|
|||
|
|
Like I'm feeling all right.
|
|||
|
|
|
|||
|
|
I want to get
|
|||
|
|
Close to you, baby.
|
|||
|
|
Well close to you, baby.
|
|||
|
|
Close to you, baby
|
|||
|
|
Till you don't know
|
|||
|
|
What to say or do.
|
|||
|
|
|
|||
|
|
I want to get
|
|||
|
|
Close to you, baby
|
|||
|
|
Like the side of your eye.
|
|||
|
|
Close to you, baby
|
|||
|
|
Like heat is to fire.
|
|||
|
|
Close to you, baby
|
|||
|
|
Close as I can get.
|
|||
|
|
Close to you, baby
|
|||
|
|
Like water's wet.
|
|||
|
|
|
|||
|
|
I want to get
|
|||
|
|
Close to you, baby.
|
|||
|
|
I said close to you, baby.
|
|||
|
|
Close to you, baby
|
|||
|
|
Till you don't know
|
|||
|
|
What to say or do.
|
|||
|
|
|
|||
|
|
I want to get
|
|||
|
|
Close to you, baby
|
|||
|
|
Till I'm feeling all right.
|
|||
|
|
Close to you, baby
|
|||
|
|
Gonna love you all night.
|
|||
|
|
Close to you, baby
|
|||
|
|
In New York City.
|
|||
|
|
I love you so much, woman
|
|||
|
|
You know it's a pity.
|
|||
|
|
|
|||
|
|
I want to get
|
|||
|
|
Close to you, baby.
|
|||
|
|
I said close to you, baby.
|
|||
|
|
I want to get
|
|||
|
|
Close to you, baby
|
|||
|
|
Till you don't know
|
|||
|
|
What to say or do.
|
|||
|
|
|
|||
|
|
I'm gonna get
|
|||
|
|
Closer and closer, babe.
|
|||
|
|
Closer and closer, babe.
|
|||
|
|
Closer and closer, babe.
|
|||
|
|
Closer and closer, babe.
|
|||
|
|
I want to get
|
|||
|
|
Close to you, baby
|
|||
|
|
Till you don't know
|
|||
|
|
What to say or do.
|
|||
|
|
|
|||
|
|
Well closer and closer, baby.
|
|||
|
|
Closer and closer, baby.
|
|||
|
|
Closer and closer, baby.
|
|||
|
|
Closer and closer, baby.
|
|||
|
|
|
|||
|
|
I want to get
|
|||
|
|
Close to you, baby
|
|||
|
|
Till you don't know
|
|||
|
|
What to say or do.
|
|||
|
|
"
|
|||
|
|
25,Crawling King Snake ,"Well, I'm the Crawlin' King Snake
|
|||
|
|
And I rule my den
|
|||
|
|
I'm the Crawlin' King Snake
|
|||
|
|
And I rule my den
|
|||
|
|
Yeah, don't mess 'round with my mate
|
|||
|
|
Gonna use her for myself
|
|||
|
|
Caught me crawlin', baby, window
|
|||
|
|
Grass is very high
|
|||
|
|
Keep on crawlin' till the day I die
|
|||
|
|
Crawlin' King Snake
|
|||
|
|
And I rule my den
|
|||
|
|
You better give me what I want
|
|||
|
|
Gonna crawl no more
|
|||
|
|
Caught me crawlin', baby
|
|||
|
|
Crawlin' 'round your door
|
|||
|
|
Seein' everything I want
|
|||
|
|
I'm gonna crawl on your floor
|
|||
|
|
Let's crawl
|
|||
|
|
And I rule my den
|
|||
|
|
C'mon, give me what I want
|
|||
|
|
Ain't gonna crawl no more
|
|||
|
|
Alright, crawl a while
|
|||
|
|
C'mon crawl
|
|||
|
|
C'mon crawl
|
|||
|
|
Get on out there on your hands and knees, baby
|
|||
|
|
Crawl all over me
|
|||
|
|
Just like the spider on the wall
|
|||
|
|
Ooo, we gonn' crawl, one more
|
|||
|
|
Well, I'm the Crawlin' King Snake
|
|||
|
|
And I rule my den
|
|||
|
|
Call me the Crawlin' King Snake
|
|||
|
|
And I rule my den
|
|||
|
|
Yeah, don't mess 'round with my mate
|
|||
|
|
Gonna use her for myself"
|
|||
|
|
26,Crossroads ,"Woke up this morning
|
|||
|
|
Got the crossroads on my mind.
|
|||
|
|
Well I woke up this morning
|
|||
|
|
Got the crossroads on my mind.
|
|||
|
|
Take a walk with me
|
|||
|
|
And everything will work out fine.
|
|||
|
|
|
|||
|
|
Well I woke up this morning
|
|||
|
|
Got the judgement on my mind.
|
|||
|
|
Well I woke up this morning
|
|||
|
|
Got the judgement on my mind.
|
|||
|
|
Take a walk with me
|
|||
|
|
And everything will work out fine.
|
|||
|
|
|
|||
|
|
Well I woke up this morning
|
|||
|
|
Got the H-bomb on my mind.
|
|||
|
|
Well I woke up this morning
|
|||
|
|
Got the H-bomb on my mind.
|
|||
|
|
Take a walk with me
|
|||
|
|
And everything will work out fine.
|
|||
|
|
|
|||
|
|
Woke up this morning
|
|||
|
|
Got the crossroads on my mind.
|
|||
|
|
Well I woke up this morning
|
|||
|
|
Got the crossroads on my mind.
|
|||
|
|
Take a walk with me
|
|||
|
|
And everything will work out fine.
|
|||
|
|
|
|||
|
|
Woke up this morning
|
|||
|
|
Got nothing on my mind.
|
|||
|
|
Well I woke up this morning
|
|||
|
|
Nothing on my mind.
|
|||
|
|
Take a walk with me
|
|||
|
|
And everything will work out fine.
|
|||
|
|
"
|
|||
|
|
27,"Curses, Invocation ","Curses, Invocations
|
|||
|
|
Weird bate-headed mongrels
|
|||
|
|
I keep expecting one of you to rise
|
|||
|
|
Large buxom obese queen
|
|||
|
|
Garden hogs and cunt veterans
|
|||
|
|
Quaint cabbage saints
|
|||
|
|
Shit hoarders and individualists
|
|||
|
|
Drag strip officials
|
|||
|
|
Tight lipped losers and
|
|||
|
|
Lustful fuck salesman
|
|||
|
|
My militant dandies
|
|||
|
|
All strange orders of monsters
|
|||
|
|
Hot on the tail of the woodvine
|
|||
|
|
We welcome you to our procession
|
|||
|
|
Here come the Comedians
|
|||
|
|
look at them smile
|
|||
|
|
Watch them dance an Indian mile
|
|||
|
|
Look at them gesture
|
|||
|
|
How aplomb
|
|||
|
|
So to gesture everyone
|
|||
|
|
Words dissemble
|
|||
|
|
Words be quick
|
|||
|
|
Words resemble walking sticks
|
|||
|
|
Plant them they will grow
|
|||
|
|
Watch them waver so
|
|||
|
|
I'll always be a word man
|
|||
|
|
Better then a bird man"
|
|||
|
|
28,Dawn's Highway ,"Indians scattered on dawn's highway bleeding
|
|||
|
|
Ghosts crowd the young child's fragile eggshell mind.
|
|||
|
|
Me and my -ah- mother and father - and a
|
|||
|
|
grandmother and a grandfather - were driving through
|
|||
|
|
the desert, at dawn, and a truck load of Indian
|
|||
|
|
workers had either hit another car, or just - I don't
|
|||
|
|
know what happened - but there were Indians scattered
|
|||
|
|
all over the highway, bleeding to death.
|
|||
|
|
So the car pulls up and stops. That was the first time
|
|||
|
|
I tasted fear. I musta' been about four - like a child is
|
|||
|
|
like a flower, his head is just floating in the
|
|||
|
|
breeze, man.
|
|||
|
|
The reaction I get now thinking about it, looking
|
|||
|
|
back - is that the souls of the ghosts of those dead
|
|||
|
|
Indians...maybe one or two of 'em...were just
|
|||
|
|
running around freaking out, and just leaped into my
|
|||
|
|
soul. And they're still in there.
|
|||
|
|
Indians scattered on dawn's highway bleeding
|
|||
|
|
Ghosts crowd the young child's fragile eggshell mind.
|
|||
|
|
Blood in the streets in the town of New Haven
|
|||
|
|
Blood stains the roofs and the palm trees of Venice
|
|||
|
|
Blood in my love in the terrible summer
|
|||
|
|
Bloody red sun of Phantastic L.A.
|
|||
|
|
Blood screams her brain as they chop off her fingers
|
|||
|
|
Blood will be born in the birth if a nation
|
|||
|
|
Blood is the rose of mysterious union
|
|||
|
|
Blood on the rise, it's following me.
|
|||
|
|
Indian, Indian what did you die for?
|
|||
|
|
Indian says, nothing at all."
|
|||
|
|
29,"Dead Cats, Dead Rats ","Dead cats, dead rats, did you see what they were at, alright
|
|||
|
|
Dead cat in a top hat
|
|||
|
|
Sucking on a young man's blood
|
|||
|
|
Wishing he could come, yeah
|
|||
|
|
Sucking on the soldier's brain
|
|||
|
|
Wishing it would be the same
|
|||
|
|
Dead cat, dead rat, did you see what they were at
|
|||
|
|
Fat cat in a top hat
|
|||
|
|
Thinks he's an aristocrat Thinks he can kill and slaughter
|
|||
|
|
Thinks he can shoot my daughter
|
|||
|
|
Dead cats, dead rats, think you're an aristocrat
|
|||
|
|
Crap...ha, that's crap"
|
|||
|
|
30,Do it ,"Yuppa tuppa ta ta,
|
|||
|
|
Yuppa tuppa chic ta
|
|||
|
|
Do thang, do thang, Do tuppa thang cho
|
|||
|
|
Rikki te tatar, Te teen tar
|
|||
|
|
De dow dow, Ha, ha, ha, ha, Ha, ha, ha, ha
|
|||
|
|
Yeah, Yeah please me, yeah
|
|||
|
|
Easy, babe, Please me
|
|||
|
|
Please, please listen to me children X3
|
|||
|
|
Said please, please listen to me children
|
|||
|
|
You are the ones who will rule the world
|
|||
|
|
Listen to me children X2
|
|||
|
|
Please, please listen to me children X2
|
|||
|
|
You are the ones who will rule the world, ha
|
|||
|
|
You gotta please me, All night
|
|||
|
|
Please, please listen to me children
|
|||
|
|
Said please, please listen to me children
|
|||
|
|
Please, yeah, please me, I'm askin' you
|
|||
|
|
Please, please listen to me children X3
|
|||
|
|
Please, my children
|
|||
|
|
Please, children, Please, children"
|
|||
|
|
31,Don't go no farther ,"You need meat--go to the market.
|
|||
|
|
You need bread--try the bakery.
|
|||
|
|
You need loving--look here, baby.
|
|||
|
|
I got just what you need.
|
|||
|
|
Chorus: I got to love somebody
|
|||
|
|
I got to love somebody,
|
|||
|
|
I got to love somebody,
|
|||
|
|
Somebody don't love me.
|
|||
|
|
You need money--go to the bank, dear.
|
|||
|
|
You need honey--look to the bee.
|
|||
|
|
You need loving--come on here, woman.
|
|||
|
|
Well, I got just what you need.
|
|||
|
|
Chorus
|
|||
|
|
Oh, play it now!
|
|||
|
|
You need meat--go to the market.
|
|||
|
|
You need bread--try the bakery.
|
|||
|
|
And you need loving--come on here, baby.
|
|||
|
|
Well, I got just what you need.
|
|||
|
|
I want to love somebody,
|
|||
|
|
Yeah, love somebody,
|
|||
|
|
I got to love somebody,
|
|||
|
|
Somebody got to love me.
|
|||
|
|
Play your guitar!
|
|||
|
|
You need money--go to the bank, dear.
|
|||
|
|
If you need honey--go find a bee.
|
|||
|
|
If need loving--well, I'm your doctor.
|
|||
|
|
I've got people sick on what you need.
|
|||
|
|
Chorus"
|
|||
|
|
32,Down On The Farm ,"Don't need none today
|
|||
|
|
Master's gone away
|
|||
|
|
his mind has gone astray
|
|||
|
|
'cause we don't need none today
|
|||
|
|
Did you hear what I say?
|
|||
|
|
Don't need none today
|
|||
|
|
Gonna run a rainbow ragged
|
|||
|
|
ask the mountain men, they've had it
|
|||
|
|
City life's a real bad habit
|
|||
|
|
all the boys are down on the farm
|
|||
|
|
Gonna run a rainbow ragged
|
|||
|
|
ask the mountain men, they've had it
|
|||
|
|
City life's a real bad habit
|
|||
|
|
c'mon along it won't do you no harm
|
|||
|
|
We're goin' down on the farm
|
|||
|
|
Gonna run a rainbow
|
|||
|
|
gonna run a rainbow
|
|||
|
|
gonna run a rainbow
|
|||
|
|
gonna run a rainbow
|
|||
|
|
gonna run a rainbow ragged
|
|||
|
|
Ask the mountain men, they've had it
|
|||
|
|
City life's a real bad habit
|
|||
|
|
all the boys are down on the farm"
|
|||
|
|
33,Easy ride ,"And I know
|
|||
|
|
It will be
|
|||
|
|
An easy ride
|
|||
|
|
All right
|
|||
|
|
And I know
|
|||
|
|
It will be
|
|||
|
|
Easy ride
|
|||
|
|
OK
|
|||
|
|
|
|||
|
|
The mask that you wore
|
|||
|
|
My fingers would explore
|
|||
|
|
Costume of control
|
|||
|
|
Excitement soon unfolds
|
|||
|
|
|
|||
|
|
And I know
|
|||
|
|
It will be
|
|||
|
|
Easy ride
|
|||
|
|
Yeah
|
|||
|
|
Joy
|
|||
|
|
For vaguely
|
|||
|
|
Which' your pride
|
|||
|
|
Which' your pride
|
|||
|
|
Yeah
|
|||
|
|
|
|||
|
|
Black polished stone
|
|||
|
|
Black polished stone
|
|||
|
|
I see your eyes
|
|||
|
|
Like burnin' glass
|
|||
|
|
Like burnin' glass
|
|||
|
|
Hear you smile
|
|||
|
|
Smile
|
|||
|
|
Babe
|
|||
|
|
|
|||
|
|
The mask that you wore
|
|||
|
|
My fingers would explore
|
|||
|
|
Costume of control
|
|||
|
|
Excitement soon unfolds
|
|||
|
|
Hey
|
|||
|
|
|
|||
|
|
Easy
|
|||
|
|
Baby
|
|||
|
|
|
|||
|
|
Call the queen
|
|||
|
|
Now
|
|||
|
|
Be my bride
|
|||
|
|
Ragin' darkness
|
|||
|
|
By my side
|
|||
|
|
Seize the summer
|
|||
|
|
In your pride
|
|||
|
|
Take the winter
|
|||
|
|
In your stride
|
|||
|
|
|
|||
|
|
Let's ride
|
|||
|
|
Yeah
|
|||
|
|
Easy
|
|||
|
|
Easy
|
|||
|
|
Easy
|
|||
|
|
Easy
|
|||
|
|
Easy
|
|||
|
|
Ease
|
|||
|
|
Easy
|
|||
|
|
Yeah
|
|||
|
|
Yeah
|
|||
|
|
Ride
|
|||
|
|
Dum
|
|||
|
|
Dum
|
|||
|
|
Dum
|
|||
|
|
Dum
|
|||
|
|
Dum
|
|||
|
|
Dum
|
|||
|
|
Dum
|
|||
|
|
Ride"
|
|||
|
|
34,End Of The Night ,"Take the highway to the end of the night
|
|||
|
|
End of the night, end of the night
|
|||
|
|
Take a journey to the bright midnight
|
|||
|
|
End of the night, end of the night
|
|||
|
|
|
|||
|
|
Realms of bliss, realms of light
|
|||
|
|
Some are born to sweet delight
|
|||
|
|
Some are born to sweet delight
|
|||
|
|
Some are born to the endless night
|
|||
|
|
End of the night, end of the night
|
|||
|
|
End of the night, end of the night
|
|||
|
|
|
|||
|
|
Realms of bliss, realms of light
|
|||
|
|
Some are born to sweet delight
|
|||
|
|
Some are born to sweet delight
|
|||
|
|
Some are born to the endless night
|
|||
|
|
End of the night, end of the night
|
|||
|
|
End of the night, end of the night"
|
|||
|
|
35,Ensenada ,"Ensenada, the dead seal.
|
|||
|
|
The dog crucifix.
|
|||
|
|
Ghost of the dead car's son."
|
|||
|
|
36,Fever ,"Everybody's got the fever.
|
|||
|
|
That is something we all know.
|
|||
|
|
Fever isn't such a new thing.
|
|||
|
|
Fever started a long time ago.
|
|||
|
|
|
|||
|
|
Summertime,
|
|||
|
|
The livin' is easy.
|
|||
|
|
Fish are jumpin'.
|
|||
|
|
The cotton is high.
|
|||
|
|
Your daddy's rich.
|
|||
|
|
Your momma's good lookin'.
|
|||
|
|
Hush little baby
|
|||
|
|
Don't you cry.
|
|||
|
|
|
|||
|
|
I went down to St. James Infirmary.
|
|||
|
|
I saw my baby there.
|
|||
|
|
Stretched out on a marble table.
|
|||
|
|
So cold.
|
|||
|
|
So white.
|
|||
|
|
So pale.
|
|||
|
|
|
|||
|
|
Everybody's got the fever.
|
|||
|
|
Everybody's got the fever.
|
|||
|
|
Everybody's got the fever.
|
|||
|
|
Everybody's got the fever.
|
|||
|
|
|
|||
|
|
When you kiss me, baby.
|
|||
|
|
When you hold me tight.
|
|||
|
|
Got the fever
|
|||
|
|
All through the night.
|
|||
|
|
|
|||
|
|
Fever.
|
|||
|
|
|
|||
|
|
Give me some fever, baby.
|
|||
|
|
I got the fever, yeah.
|
|||
|
|
You got the fever, yeah.
|
|||
|
|
|
|||
|
|
In the summertime.
|
|||
|
|
All through the night.
|
|||
|
|
When you kiss,
|
|||
|
|
When you hold me tight.
|
|||
|
|
|
|||
|
|
Got the fever.
|
|||
|
|
Got the fever.
|
|||
|
|
|
|||
|
|
Everybody loves the fever, yeah."
|
|||
|
|
37,Five to one ,"Yeah, c'mon
|
|||
|
|
Love my girl
|
|||
|
|
She lookin' good
|
|||
|
|
C'mon
|
|||
|
|
One more
|
|||
|
|
|
|||
|
|
Five to one, baby
|
|||
|
|
One in five
|
|||
|
|
No one here gets out alive, now
|
|||
|
|
You get yours, baby
|
|||
|
|
Il'l get mine
|
|||
|
|
Gonna make it, baby
|
|||
|
|
If we try
|
|||
|
|
|
|||
|
|
The old get old
|
|||
|
|
And the young get stronger
|
|||
|
|
May take a week
|
|||
|
|
And it may take longer
|
|||
|
|
They got the guns
|
|||
|
|
But we got the numbers
|
|||
|
|
Gonna win, yeah
|
|||
|
|
We're takin' over
|
|||
|
|
Come on!
|
|||
|
|
|
|||
|
|
Yeah!
|
|||
|
|
|
|||
|
|
Your ballroom days are over, baby
|
|||
|
|
Night is drawing near
|
|||
|
|
Shadows of the evening crawl across the years
|
|||
|
|
Ya walk across the floor with a flower in your hand
|
|||
|
|
Trying to tell me no one understands
|
|||
|
|
Trade in your hours for a handful dimes
|
|||
|
|
Gonna' make it, baby, in our prime
|
|||
|
|
|
|||
|
|
Come together one more time
|
|||
|
|
Get together one more time
|
|||
|
|
Get together one more time
|
|||
|
|
Get together, aha
|
|||
|
|
Get together one more time!
|
|||
|
|
Get together one more time!
|
|||
|
|
Get together one more time
|
|||
|
|
Get together one more time
|
|||
|
|
Get together, gotta, get together
|
|||
|
|
|
|||
|
|
Ohhhhhhhh!
|
|||
|
|
|
|||
|
|
Hey, c'mon, honey
|
|||
|
|
You won't have along wait for me, baby
|
|||
|
|
I'll be there in just a little while
|
|||
|
|
You see, I gotta go out in this car with these people and...
|
|||
|
|
|
|||
|
|
Get together one more time
|
|||
|
|
Get together one more time
|
|||
|
|
Get together, got to
|
|||
|
|
Get together, got to
|
|||
|
|
Get together, got to
|
|||
|
|
Take you up in my room and...
|
|||
|
|
Hah-hah-hah-hah-hah
|
|||
|
|
Love my girl
|
|||
|
|
She lookin' good, lookin' real good
|
|||
|
|
Love ya, c'mon"
|
|||
|
|
38,Four Billion Souls ,"One, two, three, four billion souls are gonna rest
|
|||
|
|
If all our friends don't try their best
|
|||
|
|
To change the way this world is headed for
|
|||
|
|
We can find our happiness, it ain't so hard to find
|
|||
|
|
But look a little further up the line
|
|||
|
|
Just a little further up in time
|
|||
|
|
Don't you see that we could be the first in history
|
|||
|
|
Leavin' all that we don't need behind
|
|||
|
|
We could clean it up and make it shine."
|
|||
|
|
39,Get Out Of My Life Woman ,"Get off of my life woman,
|
|||
|
|
You don't no love me no more.
|
|||
|
|
Get off of my life woman,
|
|||
|
|
You don't no love me no more.
|
|||
|
|
Get off of my life.
|
|||
|
|
You don't no love me, yeah.
|
|||
|
|
|
|||
|
|
Get off the ladder woman,
|
|||
|
|
Got to climb up to the top.
|
|||
|
|
Get off the ladder woman,
|
|||
|
|
Got to climb up to the top.
|
|||
|
|
Get off the ladder, yeah.
|
|||
|
|
You don't love me, yeah.
|
|||
|
|
|
|||
|
|
Get off my eye teardrop,
|
|||
|
|
You can't see your way 'round.
|
|||
|
|
Get off my eye teardrop,
|
|||
|
|
You can't see your way 'round.
|
|||
|
|
Get off my life woman, yeah.
|
|||
|
|
|
|||
|
|
Get out, get out.
|
|||
|
|
You don't love me,
|
|||
|
|
I don't want you hangin' round, babe.
|
|||
|
|
I don't want you no more.
|
|||
|
|
Get out my life woman,
|
|||
|
|
I...
|
|||
|
|
Get off my life woman
|
|||
|
|
I don't want you no more, yeah.
|
|||
|
|
Get off my life,
|
|||
|
|
I don't love you no more.
|
|||
|
|
Get off my life woman,
|
|||
|
|
I don't want you no more."
|
|||
|
|
40,Get Up And Dance ,"Oh people get up and dance
|
|||
|
|
The new day's comin',
|
|||
|
|
It's the end of the trance
|
|||
|
|
No need to worry, no need to hide
|
|||
|
|
Ev'rybody is on the same side
|
|||
|
|
|
|||
|
|
Oh people, get up and dance
|
|||
|
|
The future's ours if we just take a chance
|
|||
|
|
No need to hurry or no time to waste
|
|||
|
|
The year two thousand is the cut-off date
|
|||
|
|
|
|||
|
|
Oh people, get up and dance
|
|||
|
|
Like one long electric beam
|
|||
|
|
It's the old crystal Alice dream
|
|||
|
|
|
|||
|
|
Oh people, get up and dance
|
|||
|
|
The new day's comin',
|
|||
|
|
It's the end of the trance
|
|||
|
|
The future's ours if we just take a chance
|
|||
|
|
So come on people get up and dance
|
|||
|
|
|
|||
|
|
Yeah, get up and dance
|
|||
|
|
Come on, let's get up and dance
|
|||
|
|
Golden days, get up and dance
|
|||
|
|
We'll have diamond nights
|
|||
|
|
|
|||
|
|
Get up and dance
|
|||
|
|
We got sweet light shining
|
|||
|
|
Get up and dance
|
|||
|
|
Golden days, get up and dance
|
|||
|
|
|
|||
|
|
We'll have diamond nights,
|
|||
|
|
Get up and dance
|
|||
|
|
Come on people, get up and dance
|
|||
|
|
Come on, get up and dance
|
|||
|
|
Let's dance, get up and dance."
|
|||
|
|
41,Ghost Song ,"Shake dreams for your hair
|
|||
|
|
My pretty child, my sweet one.
|
|||
|
|
Choose the day
|
|||
|
|
And choose the sign of your day,
|
|||
|
|
The day's divinity.
|
|||
|
|
First thing you see.
|
|||
|
|
|
|||
|
|
A vast radiant beach
|
|||
|
|
And a cool jeweled moon.
|
|||
|
|
Couples naked race down
|
|||
|
|
By its quiet side,
|
|||
|
|
And we laugh like
|
|||
|
|
Soft mad children
|
|||
|
|
Smug in the wooly
|
|||
|
|
Cotton brains of infancy.
|
|||
|
|
|
|||
|
|
The music and voices
|
|||
|
|
Are all around us.
|
|||
|
|
|
|||
|
|
Choose they croon
|
|||
|
|
The ancient ones,
|
|||
|
|
The time has come again.
|
|||
|
|
Choose now they croon
|
|||
|
|
Beneath the moon
|
|||
|
|
Beside an ancient lake.
|
|||
|
|
Enter again the sweet forest.
|
|||
|
|
Enter the hot dream
|
|||
|
|
Come with us.
|
|||
|
|
Everything is broken up
|
|||
|
|
And dances.
|
|||
|
|
|
|||
|
|
Indians scattered on
|
|||
|
|
Dawn's highway bleeding,
|
|||
|
|
Ghosts crowd the young child's
|
|||
|
|
Fragile egg-shell mind."
|
|||
|
|
42,Gloria ,"Yeah, right.
|
|||
|
|
Did you hear about my baby? She come around,
|
|||
|
|
She come round here, her head to the ground?
|
|||
|
|
Come round here just about midnight,
|
|||
|
|
She makes me feel so good, make me feel all right.
|
|||
|
|
She come round my street, now
|
|||
|
|
She come to my house
|
|||
|
|
Knock upon my door
|
|||
|
|
Climbing up my stairs--one, two, three
|
|||
|
|
Come on baby
|
|||
|
|
Here she is in my room, oh boy
|
|||
|
|
Hey what's your name?
|
|||
|
|
How old are you?
|
|||
|
|
Where'd you go to school?
|
|||
|
|
Well, now that we know each other a little bit better,
|
|||
|
|
Why don't you come over here and make me feel all right!
|
|||
|
|
Chorus: Gloria--g-l-o-r-i-a
|
|||
|
|
Gloria--g-l-o-r-i-a
|
|||
|
|
Gloria--g-l-o-r-i-a
|
|||
|
|
Gloria--g-l-o-r-i-a
|
|||
|
|
You were my queen and I was your fool,
|
|||
|
|
Riding home after school.
|
|||
|
|
You took me home
|
|||
|
|
To your house.
|
|||
|
|
Your father's at work,
|
|||
|
|
Your mama's out shopping around.
|
|||
|
|
Check me into your room.
|
|||
|
|
Show me your thing.
|
|||
|
|
Why'd you do it baby?
|
|||
|
|
Getting softer--slow it down, etc.
|
|||
|
|
Now you show me your thing.
|
|||
|
|
Wrap your legs around my neck,
|
|||
|
|
Wrap your arms around my feet,
|
|||
|
|
Wrap your hair around my skin.
|
|||
|
|
I'm gonna huh--all right, ok, yeah.
|
|||
|
|
It's getting harder--It's getting too darn fast, etc.
|
|||
|
|
Come on, now, let's get it on.
|
|||
|
|
Too late, too late, too late, too late, too late,
|
|||
|
|
Make me feel all right!
|
|||
|
|
Chorus
|
|||
|
|
Keep the whole thing going, baby!"
|
|||
|
|
43,Goin' To New York ,"Yeah.
|
|||
|
|
|
|||
|
|
Well, I'm goin' to New York,
|
|||
|
|
Goin' to get me on a New York quiz show.
|
|||
|
|
Yeah, I'm goin' to New York,
|
|||
|
|
Goin' get on a New York quiz show.
|
|||
|
|
Goin' to New York,
|
|||
|
|
Gonna get me some more of that dough.
|
|||
|
|
|
|||
|
|
Goin' to New York,
|
|||
|
|
Goin' to get on a New York quiz show.
|
|||
|
|
Yeah, goin' to New York,
|
|||
|
|
Goin' get me on a New York quiz show.
|
|||
|
|
Yeah, goin' to New York,
|
|||
|
|
Gonna get me some more of that dough.
|
|||
|
|
|
|||
|
|
Yeah, all right.
|
|||
|
|
|
|||
|
|
Goin' to New York,
|
|||
|
|
Gonna get me on a New York quiz show.
|
|||
|
|
Yeah, goin' to New York,
|
|||
|
|
Get on a New York quiz show.
|
|||
|
|
Goin' to New York,
|
|||
|
|
Get me some more of that dough.
|
|||
|
|
|
|||
|
|
All right!
|
|||
|
|
|
|||
|
|
Yeah, goin' to New York,
|
|||
|
|
Get me on a New York quiz show.
|
|||
|
|
Yeah, I'm goin' to New York,
|
|||
|
|
Get on a New York quiz show.
|
|||
|
|
Goin' to New York,
|
|||
|
|
Get just some more of that dough.
|
|||
|
|
|
|||
|
|
All right!
|
|||
|
|
|
|||
|
|
Well, goin' to New York,
|
|||
|
|
Get on a New York quiz show.
|
|||
|
|
Yeah, goin' to New York,
|
|||
|
|
Get on a New York quiz show.
|
|||
|
|
Well, I'm goin' to New York,
|
|||
|
|
Get me some more of that dough. "
|
|||
|
|
44,Good Rockin' ,"Well I heard the news, there's good rockin' tonight
|
|||
|
|
Well I heard the news, there's good rockin' tonight
|
|||
|
|
Hold my baby tight as a pin
|
|||
|
|
Tonight she'll know how my mind might have been
|
|||
|
|
Well I heard the news, there's good rockin' tonight
|
|||
|
|
|
|||
|
|
Well meet me in a hurry, behind the barn
|
|||
|
|
Don't you be afraid 'cause I'll do you no harm
|
|||
|
|
Want you to bring along your rockin' shoes
|
|||
|
|
Tonight we're gonna rock away all of our blues
|
|||
|
|
Well I heard the news, there's good rockin' tonight
|
|||
|
|
Well I heard the news
|
|||
|
|
Well I heard the news
|
|||
|
|
Well it's good news
|
|||
|
|
Everyone's rockin, it's good news
|
|||
|
|
Got to keep on rockin'
|
|||
|
|
Have you heard the news?
|
|||
|
|
There's good rockin' tonight
|
|||
|
|
|
|||
|
|
Well I heard the news, there's good rockin' tonight
|
|||
|
|
|
|||
|
|
Well meet me in a hurry, behind the barn
|
|||
|
|
Don't you be afraid 'cause I'll do you no harm
|
|||
|
|
Want you to bring along your rockin' shoes
|
|||
|
|
Tonight we're gonna rock away all of our blues
|
|||
|
|
Well I heard the news, there's good rockin' tonight
|
|||
|
|
Well I heard the news
|
|||
|
|
Well I heard the news
|
|||
|
|
Yes, I heard the news
|
|||
|
|
Well it's good news
|
|||
|
|
The world is rockin'
|
|||
|
|
It's good news
|
|||
|
|
All of Russia is rockin'
|
|||
|
|
It's good news
|
|||
|
|
Argentina is rockin'
|
|||
|
|
Well I heard the news, there's good rockin' tonight
|
|||
|
|
Rock 'n' roll
|
|||
|
|
|
|||
|
|
Have you heard the news?
|
|||
|
|
Good news
|
|||
|
|
Have you heard the news
|
|||
|
|
Rock 'n' roll is taking over
|
|||
|
|
Well I heard the news, there's good rockin' tonight
|
|||
|
|
Rock 'n' roll
|
|||
|
|
Feels good
|
|||
|
|
Love my baby
|
|||
|
|
Well I heard the news, there's good rockin' tonight
|
|||
|
|
Yes I heard the news
|
|||
|
|
Well I heard the news
|
|||
|
|
Yes I heard the news
|
|||
|
|
Well I heard the news, there's good rockin' tonight
|
|||
|
|
Well it's good news
|
|||
|
|
Everybody's rockin'
|
|||
|
|
Good news
|
|||
|
|
Keep on rockin'
|
|||
|
|
Good news
|
|||
|
|
The world is rockin'
|
|||
|
|
Rock 'n' roll
|
|||
|
|
I heard the news
|
|||
|
|
Well I heard the news, there's good rockin' tonight"
|
|||
|
|
45,Graveyard poem ,"It was the greatest night of my life.
|
|||
|
|
Although I still had not found a wife
|
|||
|
|
I had my friends
|
|||
|
|
Right there beside me.
|
|||
|
|
We were close together.
|
|||
|
|
We tripped the wall and we scaled the graveyard
|
|||
|
|
Ancient shapes were all around us.
|
|||
|
|
The wet dew felt fresh beside the fog.
|
|||
|
|
Two made love in an ancient spot
|
|||
|
|
One chased a rabbit into the dark
|
|||
|
|
A girl got drunk and balled the dead
|
|||
|
|
And I gave empty sermons to my head.
|
|||
|
|
Cemetary, cool and quiet
|
|||
|
|
Hate to leave your sacred lay
|
|||
|
|
Dread the milky coming of the day. "
|
|||
|
|
46,Hang On To Your Life ,"Sweet bird of prey you've gone below
|
|||
|
|
All soft and black it's time to grow
|
|||
|
|
Don't be afraid to touch the light
|
|||
|
|
Don't run from love in the starless night
|
|||
|
|
|
|||
|
|
Hang on to your life it's begun now
|
|||
|
|
Hang on paradise here we come now
|
|||
|
|
Life is like the wind, where does it begin?
|
|||
|
|
|
|||
|
|
Time come again, where's your day now?
|
|||
|
|
Bring me your sunlight, it's the way now
|
|||
|
|
Just spread your wings and taste the sky
|
|||
|
|
It's time to laugh, it's time to fly
|
|||
|
|
The mountain air is clear and bright
|
|||
|
|
Your shadow world is endless night
|
|||
|
|
|
|||
|
|
Hang on to your life it's begun now
|
|||
|
|
Hang on paradise here we come now
|
|||
|
|
|
|||
|
|
Hang on to your life it's begun now
|
|||
|
|
Hang on paradise here we come now
|
|||
|
|
Life is like the wind, where's it gonna end?"
|
|||
|
|
47,Hardwood Floor ,"Go and tell your daddy that we need some dough
|
|||
|
|
We're gonna get married down in Mexico
|
|||
|
|
We got love don't need no more
|
|||
|
|
But all we got to live on is a hardwood floor
|
|||
|
|
You know, all we got to live on is a hardwood floor
|
|||
|
|
We got love don't need no more
|
|||
|
|
But all we got to live on is this hardwood floor
|
|||
|
|
All we got to live on is this hardwood floor
|
|||
|
|
All we got to live on, all we got to live on
|
|||
|
|
All we got to live on is this hardwood floor
|
|||
|
|
Like I said before
|
|||
|
|
Well I had a lot of money 'bout a year ago
|
|||
|
|
Spent all my money on a rock and roll show
|
|||
|
|
I got a lot to tell you, got nothing to show
|
|||
|
|
All we got to live on is this hardwood floor
|
|||
|
|
On this hardwood floor
|
|||
|
|
Oh, oh, on this hardwood floor
|
|||
|
|
Well I went to see your daddy but he sure got sore
|
|||
|
|
He said you ought to be out there fightin' the war
|
|||
|
|
I asked him for some money, he said what for
|
|||
|
|
I told him all we got to live on is a hardwood floor
|
|||
|
|
You know, all we got to live on is a hardwood floor
|
|||
|
|
We got love, don't need no more
|
|||
|
|
All we got to live on is a hardwood floor
|
|||
|
|
On a hardwood floor, on this hardwood floor
|
|||
|
|
All we got to live on is a hardwood floor."
|
|||
|
|
48,Heartbreak Hotel ,"Since my baby left me,
|
|||
|
|
I found a new place to dwell.
|
|||
|
|
It's down at the end of lonely street,
|
|||
|
|
That's -
|
|||
|
|
|
|||
|
|
You feel so lonely, baby.
|
|||
|
|
I am so lonely.
|
|||
|
|
Feel so lonely,
|
|||
|
|
I could die.
|
|||
|
|
|
|||
|
|
Although it's always crowded,
|
|||
|
|
You still can find some room.
|
|||
|
|
For broken-hearted lovin'
|
|||
|
|
Is to cry back in your gloom.
|
|||
|
|
|
|||
|
|
I feel so lonely, baby.
|
|||
|
|
So lonely.
|
|||
|
|
Feel so lonely,
|
|||
|
|
I could die.
|
|||
|
|
|
|||
|
|
Although it's always crowded,
|
|||
|
|
You still can find some room.
|
|||
|
|
For broken-hearted lovin'
|
|||
|
|
Is to cry back in your gloom.
|
|||
|
|
|
|||
|
|
Feel so lonely.
|
|||
|
|
Feel so lonely.
|
|||
|
|
Well I feel so lonely,
|
|||
|
|
I could die. "
|
|||
|
|
49,"Hello, I love you ","Hello, I love you
|
|||
|
|
Won't you tell me your name?
|
|||
|
|
Hello, I love you
|
|||
|
|
Let me jump in your game
|
|||
|
|
Hello, I love you
|
|||
|
|
Won't you tell me your name?
|
|||
|
|
Hello, I love you
|
|||
|
|
Let me jump in your game
|
|||
|
|
|
|||
|
|
She's walkin' down the street
|
|||
|
|
Blind to every eye she meets
|
|||
|
|
Do you think you'll be the guy
|
|||
|
|
To make the queen of the angels sigh?
|
|||
|
|
|
|||
|
|
Hello, I love you
|
|||
|
|
Won't you tell me your name?
|
|||
|
|
Hello, I love you
|
|||
|
|
Let me jump in your game
|
|||
|
|
Hello, I love you
|
|||
|
|
Won't you tell me your name?
|
|||
|
|
Hello, I love you
|
|||
|
|
Let me jump in your game
|
|||
|
|
|
|||
|
|
She holds her head so high
|
|||
|
|
Like a statue in the sky
|
|||
|
|
Her arms are wicked and her legs are long
|
|||
|
|
When she moves my brain screams out this song
|
|||
|
|
|
|||
|
|
Sidewalk crouches at her feet
|
|||
|
|
Like a dog that begs for something sweet
|
|||
|
|
Do you hope to make her see you, fool?
|
|||
|
|
Do you hope to pluck this dusky jewel?
|
|||
|
|
|
|||
|
|
Hello
|
|||
|
|
Hello
|
|||
|
|
Hello
|
|||
|
|
Hello
|
|||
|
|
Hello
|
|||
|
|
Hello
|
|||
|
|
Hello
|
|||
|
|
I want you
|
|||
|
|
I need you
|
|||
|
|
Love
|
|||
|
|
Love
|
|||
|
|
Hello
|
|||
|
|
Hello
|
|||
|
|
Hello"
|
|||
|
|
50,Horse Latitudes ,"When the still sea conspires an armor
|
|||
|
|
And her sullen and aborted
|
|||
|
|
Currents breed tiny monsters
|
|||
|
|
True sailing is dead
|
|||
|
|
|
|||
|
|
Awkward instant
|
|||
|
|
And the first animal is jettisoned
|
|||
|
|
Legs furiously pumping
|
|||
|
|
Their stiff green gallop
|
|||
|
|
|
|||
|
|
And heads bob up
|
|||
|
|
Poise
|
|||
|
|
Delicate
|
|||
|
|
Pause
|
|||
|
|
Consent
|
|||
|
|
|
|||
|
|
In mute nostril agony
|
|||
|
|
Carefully refined
|
|||
|
|
And sealed over"
|
|||
|
|
51,House Announcer ,"
|
|||
|
|
All right, wait a second. We have a long show, we have a hell of a show for you. A beautiful thing. All right, now look, look, we've...we've seen a lot of things happene in the city, and everything's turned around. Everything's beautiful. Nobody thought we'd be able to bring the Doors here, and we did. But we've got a couple of thi... Wait a second man! Look, we've just got a couple of little things that we've gotta tell you about. The fire-marshal is not gonna let this show go on, and I just had a long meeting with him, and man, this is no joke, you either gotta sit down, and you gotta go back to your seats, you gotta make isles, and that's it man. You gotta move back. Hey look! Hey look! Wait a second, hold on! Let's have a little help, man. Come on, everybody go back to their seats. People are gonna get hurt up here, they're gonna pass out. Now we don't want that man, and the Doors don't want that either.
|
|||
|
|
Ladies and gentlemen, the Doors!
|
|||
|
|
|
|||
|
|
Now hold it, we've gotta tune up. Hey Philadelphia! Do you feel all right?
|
|||
|
|
"
|
|||
|
|
52,Hyacinth house ,"What are they doing in the Hyacinth House?
|
|||
|
|
What are they doing in the Hyacinth House?
|
|||
|
|
To please the lions in this day
|
|||
|
|
|
|||
|
|
I need a brand new friend who doesn't bother me
|
|||
|
|
I need a brand new friend who doesn't trouble me
|
|||
|
|
I need someone and who doesn't need me
|
|||
|
|
|
|||
|
|
I see the bathroom is clear
|
|||
|
|
I think that somebody's near
|
|||
|
|
I'm sure that someone is following me
|
|||
|
|
Oh yeah
|
|||
|
|
|
|||
|
|
Why did you throw the Jack of Hearts away?
|
|||
|
|
Why did you throw the Jack of Hearts away?
|
|||
|
|
It was the only card in the deck
|
|||
|
|
That I had left to play
|
|||
|
|
|
|||
|
|
And I'll say it again
|
|||
|
|
I need a brand new friend
|
|||
|
|
And I'll say it again
|
|||
|
|
I need a brand new friend
|
|||
|
|
And I'll say it again
|
|||
|
|
I need a brand new friend
|
|||
|
|
The end"
|
|||
|
|
53,I Can't See Your Face in My Mind ,"I can't see your face in my mind
|
|||
|
|
I can't see your face in my mind
|
|||
|
|
|
|||
|
|
Carnival dogs consume the lines
|
|||
|
|
Can't see your face in my mind
|
|||
|
|
|
|||
|
|
Don't you cry
|
|||
|
|
Baby, please, don't cry
|
|||
|
|
And don't look at me with your eyes
|
|||
|
|
|
|||
|
|
I can't seem to find the right lie
|
|||
|
|
I can't seem to find the right lie
|
|||
|
|
|
|||
|
|
Insanity's horse adorns the sky
|
|||
|
|
Can't seem to find the right lie
|
|||
|
|
|
|||
|
|
Carnival dogs consume the lines
|
|||
|
|
Can't see your face in my mind
|
|||
|
|
|
|||
|
|
Don't you cry
|
|||
|
|
Baby, please, don't cry
|
|||
|
|
I won't need your picture until we say goodbye"
|
|||
|
|
54,I Looked At You ,"I looked at you
|
|||
|
|
You looked at me
|
|||
|
|
I smiled at you
|
|||
|
|
You smiled at me
|
|||
|
|
|
|||
|
|
And we're on our way
|
|||
|
|
No we can't turn back, babe
|
|||
|
|
Yeah, we're on our way
|
|||
|
|
And we can't turn back
|
|||
|
|
|
|||
|
|
'Cause it's too late
|
|||
|
|
Too late, too late
|
|||
|
|
Too late, too late
|
|||
|
|
|
|||
|
|
And we're on our way
|
|||
|
|
No we can't turn back, babe
|
|||
|
|
Yeah, we're on our way
|
|||
|
|
And we can't turn back, yeah
|
|||
|
|
|
|||
|
|
C'mon, yeah!
|
|||
|
|
|
|||
|
|
I walked with you
|
|||
|
|
You walked with me
|
|||
|
|
I talked to you
|
|||
|
|
You talked to me
|
|||
|
|
|
|||
|
|
And we're on our way
|
|||
|
|
No we can't turn back, yeah
|
|||
|
|
Yeah, we're on our way
|
|||
|
|
And we can't turn back, yeah
|
|||
|
|
|
|||
|
|
'Cause it's too late
|
|||
|
|
Too late, too late
|
|||
|
|
Too late, too late
|
|||
|
|
|
|||
|
|
And we're on our way
|
|||
|
|
No we can't turn back
|
|||
|
|
Yeah, we're on our way
|
|||
|
|
And we can't turn back
|
|||
|
|
|
|||
|
|
'Cause it's too late
|
|||
|
|
Too late, too late
|
|||
|
|
Too late, too late"
|
|||
|
|
55,I will never be untrue ,"I will never be untrue
|
|||
|
|
Do anything you would want me to
|
|||
|
|
Never stay out drinking
|
|||
|
|
no later than two
|
|||
|
|
(two thirty...)
|
|||
|
|
|
|||
|
|
I will never treat you mean
|
|||
|
|
and I won't cause no kind of scene
|
|||
|
|
Tell you all the people
|
|||
|
|
all the places I have been
|
|||
|
|
|
|||
|
|
I will always treat you kind
|
|||
|
|
try to give you peace of mind
|
|||
|
|
Only you tell me that you love me
|
|||
|
|
one more time
|
|||
|
|
|
|||
|
|
Now darling
|
|||
|
|
please don't be sad
|
|||
|
|
Don't run off like that
|
|||
|
|
when you get mad
|
|||
|
|
Cause if you do
|
|||
|
|
you gonna lose
|
|||
|
|
the best friend
|
|||
|
|
that you ever had
|
|||
|
|
That's no lie...
|
|||
|
|
|
|||
|
|
I will never be untrue
|
|||
|
|
Do everything you want me to do
|
|||
|
|
Bring all my loving all my money
|
|||
|
|
bring it all home to you
|
|||
|
|
|
|||
|
|
I never be untrue "
|
|||
|
|
56,I'm a king bee ,"Well I'm a king bee, want you to be my queen
|
|||
|
|
Well I'm a king bee baby, want you to be my queen
|
|||
|
|
Together we can make honey, the world ever never seen
|
|||
|
|
|
|||
|
|
I'm young and able to buzz all night long
|
|||
|
|
I'm young and able to buzz all night long
|
|||
|
|
Well when you hear me buzzin' baby, some stinging is going on
|
|||
|
|
|
|||
|
|
Well I'm a king bee, buzzing around your hive
|
|||
|
|
Well I'm a king bee, buzzing around your hive
|
|||
|
|
Well I can make honey baby, let me come inside
|
|||
|
|
|
|||
|
|
Well I'm a king bee, can buzz all night long
|
|||
|
|
Well I'm a king bee, can buzz all night long
|
|||
|
|
Well I can buzz better baby, when your man is gone"
|
|||
|
|
57,I'm A Man ,"I was a young boy.
|
|||
|
|
I was just about five.
|
|||
|
|
I had a thing in my pocket,
|
|||
|
|
I kept alive.
|
|||
|
|
|
|||
|
|
Now I'm a man.
|
|||
|
|
I'm past twenty-one.
|
|||
|
|
You know baby,
|
|||
|
|
We have a lot of fun.
|
|||
|
|
|
|||
|
|
Yeah, I'm a man.
|
|||
|
|
No boy.
|
|||
|
|
Listen here.
|
|||
|
|
What I'm sayin'.
|
|||
|
|
|
|||
|
|
I know
|
|||
|
|
What's going down.
|
|||
|
|
All you people,
|
|||
|
|
Shut those discos down.
|
|||
|
|
|
|||
|
|
Well I'm a man.
|
|||
|
|
And so are these other guys.
|
|||
|
|
I got three men with me,
|
|||
|
|
And they know where it's at.
|
|||
|
|
Got some young studs.
|
|||
|
|
And we're nothing but love
|
|||
|
|
Everyday
|
|||
|
|
And everyone.
|
|||
|
|
We're grown up.
|
|||
|
|
We're taking it on.
|
|||
|
|
|
|||
|
|
All you people,
|
|||
|
|
Try holdin' on.
|
|||
|
|
Come with us.
|
|||
|
|
We'll take over the world.
|
|||
|
|
We're gonna own it.
|
|||
|
|
Make it like we want it.
|
|||
|
|
|
|||
|
|
You got to feel it in your hand.
|
|||
|
|
You got to understand.
|
|||
|
|
You got to come along.
|
|||
|
|
I'm telling you to grow up fast.
|
|||
|
|
I'm telling you to grow up now.
|
|||
|
|
I'm telling ya you ain't no children.
|
|||
|
|
I'm telling ya you're not little girls.
|
|||
|
|
I'm telling ya you're not little boys.
|
|||
|
|
|
|||
|
|
You're men, don't you understand.
|
|||
|
|
You're women, don't you understand.
|
|||
|
|
|
|||
|
|
You men and women.
|
|||
|
|
Get together.
|
|||
|
|
Hold your hands.
|
|||
|
|
We're gonna take it over.
|
|||
|
|
With a girl by your side.
|
|||
|
|
And a woman has her man.
|
|||
|
|
There's nothing they can't stop.
|
|||
|
|
|
|||
|
|
They own it, you own it.
|
|||
|
|
How do you want it to be?
|
|||
|
|
Do you like it the way it is?
|
|||
|
|
You want to be something?
|
|||
|
|
You want them to be good?
|
|||
|
|
Want them to love?
|
|||
|
|
You want all the things.
|
|||
|
|
When I get high he tells me that.
|
|||
|
|
I think I'm gonna love.
|
|||
|
|
|
|||
|
|
I want to touch you everyone.
|
|||
|
|
I want to touch you down there.
|
|||
|
|
I want to know you.
|
|||
|
|
I want to feel you.
|
|||
|
|
I want to feed you.
|
|||
|
|
I want you to know me.
|
|||
|
|
I want you to feel me.
|
|||
|
|
|
|||
|
|
And we're all right here.
|
|||
|
|
What are we gonna do with it?
|
|||
|
|
We're gonna ---
|
|||
|
|
Are we gonna be something.
|
|||
|
|
Or are we gonna let it fall apart.
|
|||
|
|
|
|||
|
|
Are we gonna let them take it?
|
|||
|
|
Or are we gonna take it?
|
|||
|
|
Are we gonna take it?
|
|||
|
|
And make it something great, you know.
|
|||
|
|
And make it something beautiful.
|
|||
|
|
And make it what we want.
|
|||
|
|
And make it something we need.
|
|||
|
|
|
|||
|
|
So you realize.
|
|||
|
|
So you realize.
|
|||
|
|
So you feel.
|
|||
|
|
So you know the deal.
|
|||
|
|
So you ---
|
|||
|
|
So you feel the groove.
|
|||
|
|
So you don't stop.
|
|||
|
|
|
|||
|
|
I'm telling you you're gods.
|
|||
|
|
You people are gods.
|
|||
|
|
You're all gods here.
|
|||
|
|
We're all gods here.
|
|||
|
|
We own the universe.
|
|||
|
|
We own the stars.
|
|||
|
|
We own the sky.
|
|||
|
|
We own the world.
|
|||
|
|
We own it all.
|
|||
|
|
---
|
|||
|
|
Come on let's get it.
|
|||
|
|
Come on let's get it.
|
|||
|
|
"
|
|||
|
|
58,"I'm Horny, I'm Stoned ","Well, I'm tired, I'm nervous, I'm bored, I'm stoned
|
|||
|
|
Don't you know
|
|||
|
|
Life ain't so easy when you're on your own
|
|||
|
|
Well, I'm lonely, I'm ugly, I'm horny, I'm cold
|
|||
|
|
Don't you know
|
|||
|
|
Life ain't so easy when you're on your own
|
|||
|
|
Leavin' home
|
|||
|
|
Well, I got ripped off, wiped out, I got burned
|
|||
|
|
Don't you know
|
|||
|
|
life ain't so easy when you're on your own
|
|||
|
|
I feel my mind is shaken out of place
|
|||
|
|
I look like a truck ran over my face
|
|||
|
|
The doctor says I'm not a hopeless case
|
|||
|
|
I really wanna join the human race
|
|||
|
|
Well, I got ripped off, wiped out, I got burned
|
|||
|
|
Don't you know
|
|||
|
|
life ain't so easy when you're on your own
|
|||
|
|
Well, I'm tired, I'm nervous, I'm bored, I'm stoned
|
|||
|
|
Don't you know
|
|||
|
|
Life ain't so easy when you're on your own
|
|||
|
|
Leavin' home
|
|||
|
|
On your own
|
|||
|
|
On your own
|
|||
|
|
Da da da da da
|
|||
|
|
Da da da da da"
|
|||
|
|
59,I'm Your Doctor ,"Headache strike you baybeh.
|
|||
|
|
You begin to feel so feel so gloan.
|
|||
|
|
Ain't nothin' you need..
|
|||
|
|
But a double dose of love.
|
|||
|
|
Woman, I'm your doctor.
|
|||
|
|
And oh yes, I know just what ya need. (Jim: Let me see your credentials.)
|
|||
|
|
I.. got my doctor's certificate. (Jim: PHD or MD or RX?)
|
|||
|
|
I got it right here.. in my pants. (Jim: Whooaaa. Show it to me.)
|
|||
|
|
Listen here, baybeh.
|
|||
|
|
You're not feelin' so good.
|
|||
|
|
I know what ya need.
|
|||
|
|
Double-dose a' love.
|
|||
|
|
Woman, I'm your doctor. (Jim: Prove it!)
|
|||
|
|
And I know.. what you need. (Jim: Waa-wow!)
|
|||
|
|
You need a hot-beef injection.
|
|||
|
|
And whoa yes, it have to come from me. (Jim: Is that like gettn' a hot dick?)
|
|||
|
|
You wake up in da mornin'..
|
|||
|
|
Girl you're not feelin' so good.
|
|||
|
|
You need a man ta love you.
|
|||
|
|
Just like you knew you would.
|
|||
|
|
Listen, baybeh.
|
|||
|
|
Well, I'm your doctor.
|
|||
|
|
And I know.. what ya need.
|
|||
|
|
You need a Polish sausage.
|
|||
|
|
Whoa yeah, baybeh, have to come from me.
|
|||
|
|
Jim: I could go along with everything except the Polish sausage. What does that got to do with it, man?
|
|||
|
|
Ray: Well, just that little sausage.
|
|||
|
|
A polish ???.
|
|||
|
|
Ray: Magnificent ivory.
|
|||
|
|
John: That's right that was toxic, man."
|
|||
|
|
60,In The Eye Of The Sun ,"In the eye of the sun,
|
|||
|
|
before the world had begun
|
|||
|
|
Taking it easy,
|
|||
|
|
I was having some funLoafin' and a jokin',
|
|||
|
|
it was all energy
|
|||
|
|
No such thing as you and or meNo time,
|
|||
|
|
pure mind
|
|||
|
|
In the eye of the sun,
|
|||
|
|
before the world had begun
|
|||
|
|
It had been a lot of work the last time around
|
|||
|
|
I needed a rest,
|
|||
|
|
a chance to just lie downAlways on the go,
|
|||
|
|
no time to kill
|
|||
|
|
a lot of runnin' to and fro,
|
|||
|
|
hard workin' at the mill
|
|||
|
|
So it blew up,
|
|||
|
|
and I flew upinto the eye of the sun
|
|||
|
|
before the world had begun
|
|||
|
|
Well I hung around,
|
|||
|
|
I don't know how many yearsNo more troubles,
|
|||
|
|
no more fears
|
|||
|
|
Had a lot of rest with-a nothing to do
|
|||
|
|
I wanted flesh and blood and skin and bonesa
|
|||
|
|
multi-dimensional universal home
|
|||
|
|
I wanted space and time,
|
|||
|
|
up and downlife and death,
|
|||
|
|
and love all around
|
|||
|
|
I knew there'd be trouble,
|
|||
|
|
but I could pull through
|
|||
|
|
so,
|
|||
|
|
I thought up the world and you did too"
|
|||
|
|
61,Indian summer ,"I love you, the best
|
|||
|
|
Better than all the rest
|
|||
|
|
I love you, the best
|
|||
|
|
Better than all the rest
|
|||
|
|
That I meet in the summer
|
|||
|
|
|
|||
|
|
Indian summer
|
|||
|
|
|
|||
|
|
That I meet in the summer
|
|||
|
|
|
|||
|
|
Indian summer
|
|||
|
|
|
|||
|
|
I love you, the best
|
|||
|
|
Better than all the rest"
|
|||
|
|
62,It Slipped My Mind ,"You know, it just done slipped my mind
|
|||
|
|
It just done slipped my mind
|
|||
|
|
It's just so hard to find
|
|||
|
|
It just done slipped my mind
|
|||
|
|
I left my body somewhere down the line
|
|||
|
|
It's just so easy to lose track of time
|
|||
|
|
It just done slipped my mind
|
|||
|
|
It just done slipped my mind
|
|||
|
|
It wouldn't matter, but it's time to meditate.
|
|||
|
|
You know, it just done slipped my mind
|
|||
|
|
My memory's unrefined
|
|||
|
|
They must have spiked my wine
|
|||
|
|
Because it just done slipped my mind
|
|||
|
|
My mind and body are still out of tune
|
|||
|
|
I hope they run into each other real soon
|
|||
|
|
It just done slipped my mind
|
|||
|
|
It just done slipped my mind
|
|||
|
|
I wouldn't mind, but it's cold here on the moon
|
|||
|
|
It just done slipped my mind.
|
|||
|
|
You now, it just done slipped my mind
|
|||
|
|
My memory's unrefined
|
|||
|
|
It just done slipped my mind
|
|||
|
|
You know, they must have spiked my wine
|
|||
|
|
My mind and body are still out of tune
|
|||
|
|
I hope they run into each other real soon
|
|||
|
|
Because it just done slipped my mind
|
|||
|
|
It just done slipped my mind."
|
|||
|
|
63,L.A. woman ,"Well, I just got into town about an hour ago
|
|||
|
|
Took a look around, see which way the wind blow
|
|||
|
|
Where the little girls in their Hollywood bungalows
|
|||
|
|
Are you a lucky little lady in The City of Light?
|
|||
|
|
Or just another lost angel
|
|||
|
|
City of Night...
|
|||
|
|
(Woah, c'mon!)
|
|||
|
|
|
|||
|
|
L.A. Woman, L.A. Woman
|
|||
|
|
L.A. Woman, Sunday afternoon...
|
|||
|
|
Drive thru your suburbs into your blues
|
|||
|
|
Into your blues, yeah!
|
|||
|
|
Into your blue-blue Blues,
|
|||
|
|
Into your blues
|
|||
|
|
(Oh, yeah!)
|
|||
|
|
|
|||
|
|
I see your hair is burnin'
|
|||
|
|
Hills are filled with fire
|
|||
|
|
If they say I never loved you
|
|||
|
|
You know they are a liar
|
|||
|
|
Drivin' down your freeways
|
|||
|
|
Midnight alleys roam
|
|||
|
|
Cops in cars, the topless bars
|
|||
|
|
Never saw a woman so alone,
|
|||
|
|
So alone, yeah
|
|||
|
|
So alone, so alone
|
|||
|
|
Motel Money Murder Madness
|
|||
|
|
Let's change the mood from glad
|
|||
|
|
To sadness
|
|||
|
|
(...)
|
|||
|
|
|
|||
|
|
|
|||
|
|
Mr. Mojo Risin'...
|
|||
|
|
Got to keep on risin'
|
|||
|
|
Mr. Mojo Risin', Mr. Mojo Risin',
|
|||
|
|
Mojo Risin'
|
|||
|
|
Gotta Mojo Risin',
|
|||
|
|
Mr. Mojo Risin',
|
|||
|
|
Gotta keep on risin'
|
|||
|
|
Risin', risin'
|
|||
|
|
Gone risin', risin'
|
|||
|
|
I'm gonna risin', risin'
|
|||
|
|
I gotta risin', risin'
|
|||
|
|
Well, risin', risin'
|
|||
|
|
I gotta...
|
|||
|
|
(Woah, yeah!)
|
|||
|
|
|
|||
|
|
|
|||
|
|
Well, I just got into town about an hour ago
|
|||
|
|
Took a look around, see which way the wind blow
|
|||
|
|
Where the little girls in their Hollywood bungalows
|
|||
|
|
Are you a lucky little lady in The City of Light?
|
|||
|
|
Or just another lost angel
|
|||
|
|
City of Night...
|
|||
|
|
(Woah, c'mon!)
|
|||
|
|
|
|||
|
|
L.A. Woman, L.A. Woman
|
|||
|
|
L.A. Woman, you're my woman
|
|||
|
|
Little L.A. Woman, little L.A. Woman
|
|||
|
|
L.A., L.A. Woman, woman...
|
|||
|
|
C'mon..."
|
|||
|
|
64,l'America ,"Yeeeaahh
|
|||
|
|
|
|||
|
|
I took a trip down to L'America
|
|||
|
|
To trade some beads for a pint of gold
|
|||
|
|
I took a trip down to L'America
|
|||
|
|
To trade some beads for a pint of gold
|
|||
|
|
L'America, L'America, L'America
|
|||
|
|
L'America, L'America, L'America
|
|||
|
|
|
|||
|
|
C'mon people, don't ya look so down
|
|||
|
|
You know the rain man's comin' ta town
|
|||
|
|
Change the weather, change your luck
|
|||
|
|
And then he'll teach ya how ta...find yourself
|
|||
|
|
L'America
|
|||
|
|
|
|||
|
|
Freindly strangers came to town
|
|||
|
|
All the people put them down
|
|||
|
|
But, the women loved their ways
|
|||
|
|
Come again some other day
|
|||
|
|
Like the gentle rain
|
|||
|
|
Like the gentle rain that falls
|
|||
|
|
|
|||
|
|
I took a trip down to L'America
|
|||
|
|
To trade some beads for a pint of gold
|
|||
|
|
I took a trip down to L'America
|
|||
|
|
To trade some beads for a pint of gold
|
|||
|
|
L'America, L'America, L'America
|
|||
|
|
L'America, L'America, L'America
|
|||
|
|
L'America"
|
|||
|
|
65,Lament ,"Lament for my cock
|
|||
|
|
Sore and crucified
|
|||
|
|
I seek to know you
|
|||
|
|
Aquiring soulful wisdom
|
|||
|
|
You can open walls of mystery
|
|||
|
|
Stripshow
|
|||
|
|
How to aquire death in the morning show
|
|||
|
|
TV death which the child absorbs
|
|||
|
|
Deathwell mystery which makes me write
|
|||
|
|
Slow train, the death of my cock gives life
|
|||
|
|
Forgive the poor old people who gave us entry
|
|||
|
|
Taught us god in the child's praye in the night
|
|||
|
|
Guitar player
|
|||
|
|
Ancient wise satyr
|
|||
|
|
Sing your ode to my cock
|
|||
|
|
Caress it's lament
|
|||
|
|
Stiffen and guide us, we frozen
|
|||
|
|
Lost cells
|
|||
|
|
The knowledge of cancer
|
|||
|
|
To speak to the heart
|
|||
|
|
And give the great gift
|
|||
|
|
Words Power Trance
|
|||
|
|
this stable friend and the beast of his zoo
|
|||
|
|
Wild haired chicks
|
|||
|
|
Women flowering in their summit
|
|||
|
|
Monsters of skin
|
|||
|
|
Each color connects
|
|||
|
|
to create the boat
|
|||
|
|
which rocks the race
|
|||
|
|
Could any hell be more horrible
|
|||
|
|
than now
|
|||
|
|
and real?
|
|||
|
|
I pressed her thigh and death smiled
|
|||
|
|
death, old friend
|
|||
|
|
death and my cock are the world
|
|||
|
|
I can forgive my injuries in the name of
|
|||
|
|
Wisdom Luxury Romance
|
|||
|
|
Sentence upon sentence
|
|||
|
|
Words are the healing lament
|
|||
|
|
For the death of my cock's spirit
|
|||
|
|
Has no meaning in the soft fire
|
|||
|
|
Words got me the wound and will get me well
|
|||
|
|
I you believe it
|
|||
|
|
All join now and lament the death of my cock
|
|||
|
|
A tounge of knowledge in the feathered night
|
|||
|
|
Boys get crazy in the head and suffer
|
|||
|
|
I sacrifice my cock on the alter of silence"
|
|||
|
|
66,Land ho ,"Grand-Ma loved a sailor
|
|||
|
|
Who sailed the frozen sea.
|
|||
|
|
Grand-Pa was a whaler
|
|||
|
|
And he took me on his knee.
|
|||
|
|
He said, ""Son, I'm goin' crazy
|
|||
|
|
From livin' on the land.
|
|||
|
|
Got to find my shipmates
|
|||
|
|
And walk on foreign sands.""
|
|||
|
|
|
|||
|
|
This old man was graceful,
|
|||
|
|
With silver in his smile.
|
|||
|
|
He smoked a briar pipe and
|
|||
|
|
He walked four country miles.
|
|||
|
|
Singing song of shady sisters
|
|||
|
|
And old time liberty,
|
|||
|
|
Songs of love and songs of death,
|
|||
|
|
And songs to set me free.
|
|||
|
|
|
|||
|
|
I've got three ships and sixty men,
|
|||
|
|
A course for ports unread.
|
|||
|
|
I'll stand at mast, let north winds blow
|
|||
|
|
Till half of us are dead.
|
|||
|
|
Land Ho!
|
|||
|
|
|
|||
|
|
Well, if I get my hands on a dollar bill,
|
|||
|
|
Gonna buy a bottle and drink my fill.
|
|||
|
|
If I get my hands on a number five,
|
|||
|
|
Gonna skin that little girl aline.
|
|||
|
|
If I get my hands on a number two
|
|||
|
|
Come back home and merry you,
|
|||
|
|
Merry you, merry you. All right!
|
|||
|
|
and ho!"
|
|||
|
|
67,Light My Fire ,"You know that it would be untrue
|
|||
|
|
You know that I would be a liar
|
|||
|
|
If I was to say to you
|
|||
|
|
Girl, we couldn't get much higher
|
|||
|
|
Come on baby, light my fire
|
|||
|
|
Come on baby, light my fire
|
|||
|
|
Try to set the night on fire
|
|||
|
|
|
|||
|
|
The time to hesitate is through
|
|||
|
|
No time to wallow in the mire
|
|||
|
|
Try now we can only lose
|
|||
|
|
And our love become a funeral pyre
|
|||
|
|
Come on baby, light my fire
|
|||
|
|
Come on baby, light my fire
|
|||
|
|
Try to set the night on fire, yeah
|
|||
|
|
|
|||
|
|
The time to hesitate is through
|
|||
|
|
No time to wallow in the mire
|
|||
|
|
Try now we can only lose
|
|||
|
|
And our love become a funeral pyre
|
|||
|
|
Come on baby, light my fire
|
|||
|
|
Come on baby, light my fire
|
|||
|
|
Try to set the night on fire, yeah
|
|||
|
|
|
|||
|
|
You know that it would be untrue
|
|||
|
|
You know that I would be a liar
|
|||
|
|
If I was to say to you
|
|||
|
|
Girl, we couldn't get much higher
|
|||
|
|
Come on baby, light my fire
|
|||
|
|
Come on baby, light my fire
|
|||
|
|
Try to set the night on fire
|
|||
|
|
Try to set the night on fire
|
|||
|
|
Try to set the night on fire
|
|||
|
|
Try to set the night on fire"
|
|||
|
|
68,Lions in the street ,"Lions in the street and roaming
|
|||
|
|
Dogs in heat, rabid, foaming
|
|||
|
|
A beast caged in the heart of the city
|
|||
|
|
|
|||
|
|
The body of his mother rotting in the summer ground
|
|||
|
|
He fled the town
|
|||
|
|
Went down south and crossed the border
|
|||
|
|
Left the chaos and disorder
|
|||
|
|
Back there over his shoulder
|
|||
|
|
|
|||
|
|
One morning he awoke in a green hotel
|
|||
|
|
With a strange creature groaning beside him
|
|||
|
|
Sweat oozed from it`s shiny skin
|
|||
|
|
|
|||
|
|
Is everbody in?
|
|||
|
|
The ceremony is about to begin "
|
|||
|
|
69,Little red rooster ,"I'm the little red rooster
|
|||
|
|
Too lazy to crow the day.
|
|||
|
|
I'm the little red rooster
|
|||
|
|
Too lazy to crow the day.
|
|||
|
|
Keep everything in the barnyard
|
|||
|
|
Upset in every way.
|
|||
|
|
Dogs begin to bark
|
|||
|
|
The hounds begin to howl.
|
|||
|
|
Dogs begin to bark
|
|||
|
|
The hounds begin to howl.
|
|||
|
|
Look out strange cat people
|
|||
|
|
The rooster's on the prowl.
|
|||
|
|
If you see my little red rooster
|
|||
|
|
Please drive him home.
|
|||
|
|
If you see my little red rooster
|
|||
|
|
Please drive him home.
|
|||
|
|
Ain't been no peace in the barnyard
|
|||
|
|
Since my little red rooster been gone."
|
|||
|
|
70,Love her madly ,"Don't you love her madly, Don't you need her badly
|
|||
|
|
Don't you love her ways, Tell me what you say
|
|||
|
|
Don't you love her madly, Wanna be her daddy
|
|||
|
|
Don't you love her face
|
|||
|
|
Don't you love her as she's walkin' out the door
|
|||
|
|
Like she did one thousand times before
|
|||
|
|
Don't you love her ways, Tell me what you say
|
|||
|
|
Don't you love her as she's walkin' out the door
|
|||
|
|
|
|||
|
|
All your love x 4
|
|||
|
|
All your love is gone,
|
|||
|
|
So sing a lonely song
|
|||
|
|
Of a deep blue dream,
|
|||
|
|
Seven horses seem to be on the mark
|
|||
|
|
|
|||
|
|
Yeah, don't you love her
|
|||
|
|
Don't you love her as she's walkin' out the door
|
|||
|
|
All your love x 3
|
|||
|
|
Yeah, all your love is gone
|
|||
|
|
So sing a lonely song
|
|||
|
|
Of a deep blue dream
|
|||
|
|
Seven horses seem to be on the mark
|
|||
|
|
Well, don't you love her madly
|
|||
|
|
Don't you love her madly
|
|||
|
|
Don't you love her madly"
|
|||
|
|
71,Love hides ,"Love hides in the strangest places.
|
|||
|
|
Love hides in familiar faces.
|
|||
|
|
Love comes when you least expect it.
|
|||
|
|
Love hides in narrow corners.
|
|||
|
|
Love comes to those who seek it.
|
|||
|
|
Love hides inside the rainbow.
|
|||
|
|
Love hides in molecular structures.
|
|||
|
|
Love is the answer."
|
|||
|
|
72,Love Me Tender ,"All your dreams fullfilled.
|
|||
|
|
I am yours and you are mine,
|
|||
|
|
And we always will.
|
|||
|
|
|
|||
|
|
Love me tender,
|
|||
|
|
Love me true,
|
|||
|
|
All my dreams fullfilled.
|
|||
|
|
You are mine,
|
|||
|
|
And I am yours,
|
|||
|
|
And I always will.
|
|||
|
|
|
|||
|
|
Love me tender,
|
|||
|
|
Love me true,
|
|||
|
|
All my dreams fullfilled.
|
|||
|
|
You are mine,
|
|||
|
|
And I am yours,
|
|||
|
|
And I always will."
|
|||
|
|
73,Love Me Two Times ,"Love me two times, baby
|
|||
|
|
Love me twice today
|
|||
|
|
Love me two times, girl
|
|||
|
|
I'm goin' away
|
|||
|
|
Love me two times, girl
|
|||
|
|
One for tomorrow
|
|||
|
|
One just for today
|
|||
|
|
|
|||
|
|
Love me two times
|
|||
|
|
I'm goin' away
|
|||
|
|
|
|||
|
|
Love me one time
|
|||
|
|
Could not speak
|
|||
|
|
Love me one time
|
|||
|
|
Yeah, my knees got weak
|
|||
|
|
Love me two times, girl
|
|||
|
|
Last me all through the week
|
|||
|
|
|
|||
|
|
Love me two times
|
|||
|
|
I'm goin' away
|
|||
|
|
|
|||
|
|
Love me two times
|
|||
|
|
I'm goin' away
|
|||
|
|
Alright, yeah
|
|||
|
|
|
|||
|
|
Love me one time
|
|||
|
|
Could not speak
|
|||
|
|
Love me one time, baby
|
|||
|
|
Yeah, my knees got weak
|
|||
|
|
Love me two times, girl
|
|||
|
|
Last|s| me all through the week
|
|||
|
|
|
|||
|
|
Love me two times
|
|||
|
|
I'm goin' away
|
|||
|
|
|
|||
|
|
Love me two times, babe
|
|||
|
|
Love me twice today
|
|||
|
|
Love me two times, babe
|
|||
|
|
'Cause I'm goin' away
|
|||
|
|
Love me two times, girl
|
|||
|
|
One for tomorrow
|
|||
|
|
One just for today
|
|||
|
|
|
|||
|
|
Love me two times
|
|||
|
|
I'm goin' away
|
|||
|
|
|
|||
|
|
Love me two times
|
|||
|
|
I'm goin' away
|
|||
|
|
|
|||
|
|
Love me two times
|
|||
|
|
I'm goin' away"
|
|||
|
|
74,Love street ,"She lives on Love Street
|
|||
|
|
Lingers long on Love Street
|
|||
|
|
She has a house and garden
|
|||
|
|
I would like to see what happens
|
|||
|
|
|
|||
|
|
She has robes and she has monkeys
|
|||
|
|
Lazy diamond studded flunkies
|
|||
|
|
She has wisdom and knows what to do
|
|||
|
|
She has me and she has you
|
|||
|
|
|
|||
|
|
She has wisdom and knows what to do
|
|||
|
|
She has me and she has you
|
|||
|
|
|
|||
|
|
I see you live on Love Street
|
|||
|
|
There's this store where the creatures meet
|
|||
|
|
I wonder what they do in there
|
|||
|
|
Summer Sunday and a year
|
|||
|
|
I guess I like it fine, so far
|
|||
|
|
|
|||
|
|
She lives on Love Street
|
|||
|
|
Lingers long on Love Street
|
|||
|
|
She has a house and garden
|
|||
|
|
I would like to see what happens
|
|||
|
|
|
|||
|
|
La, la, la, la, la, la, la
|
|||
|
|
La, la, la, la, la, la, la
|
|||
|
|
La, la, la, la, la, la, la
|
|||
|
|
La, la, la, la, la, la, la
|
|||
|
|
La, la, la, la, la, la, la"
|
|||
|
|
75,Mack The Knife ,"Well the shark has pretty teeth, dear
|
|||
|
|
And he shows them pearly white.
|
|||
|
|
But MacHeath, dear, is a sailor
|
|||
|
|
And he keeps them out of sight.
|
|||
|
|
Ha, huh, huh.
|
|||
|
|
|
|||
|
|
You know he keeps them out of sight, hmm yeah.
|
|||
|
|
They're white, white, white,
|
|||
|
|
White, white, white,
|
|||
|
|
White, white, white, yeah."
|
|||
|
|
76,Maggie M'Gill ,"Ms. Maggie M'Gill, She lived on a hill.
|
|||
|
|
Her daddy got drunk And left her the will.
|
|||
|
|
So she went down, Down to Tangie Town.
|
|||
|
|
|
|||
|
|
People down there Really like to get it on.
|
|||
|
|
|
|||
|
|
Now if you're sad, And you're feeling blue.
|
|||
|
|
Go out and buy a Brand new pair of shoes.
|
|||
|
|
And you go down, Dow to Tangie Town.
|
|||
|
|
|
|||
|
|
'Cause people down there Really like to get it on.
|
|||
|
|
Get it on.
|
|||
|
|
|
|||
|
|
Illegitimate son Of a Rock n' Roll star.
|
|||
|
|
Illegitimate son Of a Rock n' Roll star.
|
|||
|
|
|
|||
|
|
Mom met dad in the back Of a Rock n' Roll car, yea
|
|||
|
|
Well, I'm an old blues man And I think that you understand.
|
|||
|
|
I've been singing the blues Ever since the world began.
|
|||
|
|
|
|||
|
|
Maggie, Maggie, Maggie M'Gill. Roll on, roll on, Maggie M'Gill.
|
|||
|
|
*repeat and fade*"
|
|||
|
|
77,Mean Mustard Blues ,"Well baby,
|
|||
|
|
You been away so long, woman.
|
|||
|
|
I said baby,
|
|||
|
|
You've been away so long.
|
|||
|
|
Well come on back, baby
|
|||
|
|
Cause your man wants you home.
|
|||
|
|
|
|||
|
|
I got a fine little baby
|
|||
|
|
Weighs about five hundred pounds.
|
|||
|
|
I got a fine little baby
|
|||
|
|
Weighs about five hundred pounds.
|
|||
|
|
Well my woman makes love, boys
|
|||
|
|
You oughta come around.
|
|||
|
|
|
|||
|
|
Well we're fighting in the war,
|
|||
|
|
People gonna ball,
|
|||
|
|
Sitsaw conka cheecha aw...
|
|||
|
|
All right now, baby
|
|||
|
|
Well it's all right...
|
|||
|
|
I'm going home,
|
|||
|
|
Back where I belong.
|
|||
|
|
|
|||
|
|
""Oh Detroit,
|
|||
|
|
You're looking good, tonight.
|
|||
|
|
I feel good in Detroit City.
|
|||
|
|
Make those Cadillacs,
|
|||
|
|
And make those other cars...
|
|||
|
|
|
|||
|
|
You know what the blues is.
|
|||
|
|
You know.
|
|||
|
|
I know you people know out there.
|
|||
|
|
Cause I can feel you,
|
|||
|
|
I can feel you boogeyin' all night."""
|
|||
|
|
78,Mental floss ,"All deserters will be shot
|
|||
|
|
at 5 o'clock tomorrow morning
|
|||
|
|
so get yourselves together
|
|||
|
|
and quit messing around
|
|||
|
|
No more nonsense!
|
|||
|
|
|
|||
|
|
The assassination occurred at 3.30
|
|||
|
|
No one was there to witness it
|
|||
|
|
Even the breviaries had left their tapestries on the window
|
|||
|
|
And we were all silenced
|
|||
|
|
by the sad mildew cloud
|
|||
|
|
that followed around
|
|||
|
|
|
|||
|
|
I wish I was back in the land of the...
|
|||
|
|
of the...
|
|||
|
|
Aaahm uhm...
|
|||
|
|
|
|||
|
|
You can't pin that one on me
|
|||
|
|
I didn't do a goddamn thing
|
|||
|
|
I was just standing there
|
|||
|
|
Then a bunch of guys came up
|
|||
|
|
and started laying all this shit on me
|
|||
|
|
Now what am I supposed to do?
|
|||
|
|
I'm an American! You can't touch me!
|
|||
|
|
|
|||
|
|
Did you know all nuns are 42?
|
|||
|
|
And their eyes are blue?
|
|||
|
|
Did you know all table clothes
|
|||
|
|
are white in France?
|
|||
|
|
Did you know women wear underpants?
|
|||
|
|
Well, they do!
|
|||
|
|
How does a musician imitate
|
|||
|
|
the sound of underpants sliding
|
|||
|
|
over a woman's thighs,
|
|||
|
|
down over her ankles,
|
|||
|
|
and over her little toes?
|
|||
|
|
And the rings on her toes?
|
|||
|
|
And her unquipped toe nails?
|
|||
|
|
|
|||
|
|
Lightning struck the magic purse
|
|||
|
|
I didn't do a damn thing, man!
|
|||
|
|
I was just standing there
|
|||
|
|
in front of the 'Delicatessen'
|
|||
|
|
and all these rabbies ran up
|
|||
|
|
and a bunch of Indians and freaks
|
|||
|
|
and monsters and f.... just started ...
|
|||
|
|
mhmh... talking in all these weird languages...
|
|||
|
|
What aah ... what ... could I say?
|
|||
|
|
|
|||
|
|
Hey, I'm tired of being a freaky musician
|
|||
|
|
I wanna be Napoleon!
|
|||
|
|
Let's have some more wars around here!
|
|||
|
|
What a stinking, shitty little war we have running over there
|
|||
|
|
Let's get a big one!
|
|||
|
|
A real big one!
|
|||
|
|
With a lotta killings and bombs and blood!
|
|||
|
|
|
|||
|
|
Schooldays...
|
|||
|
|
Schooldays...
|
|||
|
|
Good old-fashioned rule days...
|
|||
|
|
|
|||
|
|
Schooldays...
|
|||
|
|
Schooldays...
|
|||
|
|
Good old-fashioned rule days... "
|
|||
|
|
79,Money ,"Want to tell you about
|
|||
|
|
Something I ain't seen
|
|||
|
|
For a very long time.
|
|||
|
|
Tell you about something
|
|||
|
|
I need real bad.
|
|||
|
|
|
|||
|
|
You know the best thing
|
|||
|
|
In life is free.
|
|||
|
|
You can give it to
|
|||
|
|
The birds and bees.
|
|||
|
|
I want some money.
|
|||
|
|
Yeah, yeah.
|
|||
|
|
I want some money.
|
|||
|
|
Yeah, yeah.
|
|||
|
|
|
|||
|
|
Your lovin' give me
|
|||
|
|
Such a thrill,
|
|||
|
|
But your lovin' can't
|
|||
|
|
Pay my bills.
|
|||
|
|
I want some money.
|
|||
|
|
Yeah.
|
|||
|
|
I want some money.
|
|||
|
|
Yeah, yeah.
|
|||
|
|
One time.
|
|||
|
|
|
|||
|
|
Your lovin' give me
|
|||
|
|
Such a thrill,
|
|||
|
|
But your lovin' can't
|
|||
|
|
Pay my bills.
|
|||
|
|
I want some money.
|
|||
|
|
Yeah, yeah.
|
|||
|
|
I want some money.
|
|||
|
|
Yeah, all right.
|
|||
|
|
|
|||
|
|
I want some money.
|
|||
|
|
Give me some money.
|
|||
|
|
More money, babe.
|
|||
|
|
I want some money.
|
|||
|
|
Yeah, yeah.
|
|||
|
|
One more time.
|
|||
|
|
|
|||
|
|
I want some money.
|
|||
|
|
More money, babe.
|
|||
|
|
Money.
|
|||
|
|
Lots of money.
|
|||
|
|
I want some money.
|
|||
|
|
All right."
|
|||
|
|
80,Moonlight Drive ,"Let's swim to the moon, uh huh
|
|||
|
|
Let's climb through the tide
|
|||
|
|
Penetrate the evening that the city sleeps to hide
|
|||
|
|
|
|||
|
|
Let's swim out tonight, love
|
|||
|
|
It's our time to try
|
|||
|
|
Park beside the ocean
|
|||
|
|
On our moonlight drive
|
|||
|
|
|
|||
|
|
Let's swim to the moon, uh huh
|
|||
|
|
Let's climb through the tide
|
|||
|
|
Surrender to the waking worlds that lap against our side
|
|||
|
|
|
|||
|
|
Nothing left open
|
|||
|
|
And no time to decide
|
|||
|
|
We've step into a river
|
|||
|
|
On our moonlight drive
|
|||
|
|
|
|||
|
|
Let's swim to the moon
|
|||
|
|
Let's climb through the tide
|
|||
|
|
You reach a hand to hold me
|
|||
|
|
But I can't be your guide
|
|||
|
|
|
|||
|
|
Easy, I love you as I watch you glide
|
|||
|
|
Falling through wet forests
|
|||
|
|
On our moonlight drive, baby
|
|||
|
|
Moonlight drive
|
|||
|
|
|
|||
|
|
Come on, baby, gonna take a little ride
|
|||
|
|
Down, down by the ocean side
|
|||
|
|
Gonna get real close, get real tight
|
|||
|
|
Baby gonna drown tonight
|
|||
|
|
Goin' down, down, down"
|
|||
|
|
81,My Eyes Have Seen You ,"My eyes have seen you
|
|||
|
|
My eyes have seen you
|
|||
|
|
My eyes have seen you
|
|||
|
|
Stand in your door
|
|||
|
|
Meet inside
|
|||
|
|
Show me some more
|
|||
|
|
Show me some more
|
|||
|
|
Show me some more
|
|||
|
|
|
|||
|
|
My eyes have seen you
|
|||
|
|
My eyes have seen you
|
|||
|
|
My eyes have seen you
|
|||
|
|
Turn and stare
|
|||
|
|
Fix your hair
|
|||
|
|
Move upstairs
|
|||
|
|
Move upstairs
|
|||
|
|
Move upstairs
|
|||
|
|
|
|||
|
|
My eyes have seen you
|
|||
|
|
My eyes have seen you
|
|||
|
|
My eyes have seen you
|
|||
|
|
Free from disguise
|
|||
|
|
Gazing on a city under television skies
|
|||
|
|
Television skies
|
|||
|
|
Television skies
|
|||
|
|
|
|||
|
|
My eyes have seen you
|
|||
|
|
My eyes have seen you
|
|||
|
|
Eyes have seen you
|
|||
|
|
Let them photograph your soul
|
|||
|
|
Memorize your alleys on an endless roll
|
|||
|
|
Endless roll, endless roll
|
|||
|
|
Endless roll, endless roll
|
|||
|
|
Endless roll, endless roll
|
|||
|
|
Endless roll, endless roll
|
|||
|
|
Endless roll, endless roll
|
|||
|
|
Endless roll, endless roll"
|
|||
|
|
82,My wild love ,"My wild love went ridin'
|
|||
|
|
She rode all the day
|
|||
|
|
She wrote to the devil
|
|||
|
|
And asked him to pay
|
|||
|
|
The devil was wiser
|
|||
|
|
It's time to repent
|
|||
|
|
He asked her to give back
|
|||
|
|
The money she spent
|
|||
|
|
|
|||
|
|
My wild love went ridin'
|
|||
|
|
She rode to the sea
|
|||
|
|
She gathered together
|
|||
|
|
Some shells for her head
|
|||
|
|
She rode and she rode on
|
|||
|
|
She rode for a while
|
|||
|
|
Then stopped for an evenin'
|
|||
|
|
And lay her head down
|
|||
|
|
|
|||
|
|
She rode on to Christmas
|
|||
|
|
She rode to the farm
|
|||
|
|
She rode to Japan
|
|||
|
|
And we entered a town
|
|||
|
|
By this time the river
|
|||
|
|
Had changed one degree
|
|||
|
|
She asked for the people
|
|||
|
|
To let her go free
|
|||
|
|
|
|||
|
|
My wild love is crazy
|
|||
|
|
She screams like a bird
|
|||
|
|
She moans like a cat
|
|||
|
|
When she wants to be heard
|
|||
|
|
My wild love went ridin'
|
|||
|
|
She rode for an hour
|
|||
|
|
She rode and she rested
|
|||
|
|
And then she rode on
|
|||
|
|
Ride, c'mon"
|
|||
|
|
83,Mystery Train ,"Train arrive
|
|||
|
|
Sixteen coaches long.
|
|||
|
|
Train arrive
|
|||
|
|
Sixteen coaches long.
|
|||
|
|
Well that mean old train,
|
|||
|
|
Took my baby;
|
|||
|
|
He's gone.
|
|||
|
|
|
|||
|
|
Train, train
|
|||
|
|
Coming 'round the bend.
|
|||
|
|
Train, train
|
|||
|
|
Coming 'round the bend.
|
|||
|
|
Yeah that mean old evil train
|
|||
|
|
Took my one and only friend.
|
|||
|
|
|
|||
|
|
Train, train
|
|||
|
|
Coming down the line.
|
|||
|
|
Train, train
|
|||
|
|
Coming down the line.
|
|||
|
|
Well that mean old rotten train
|
|||
|
|
Took the only friend of mine.
|
|||
|
|
|
|||
|
|
Train, train
|
|||
|
|
Coming down the track.
|
|||
|
|
Train, train
|
|||
|
|
Coming down the track.
|
|||
|
|
Yeah he took my baby
|
|||
|
|
And he never bring her back, alright.
|
|||
|
|
|
|||
|
|
Whoo, whoo.
|
|||
|
|
|
|||
|
|
Train, train
|
|||
|
|
Come and gone.
|
|||
|
|
Took my baby,
|
|||
|
|
Took my baby,
|
|||
|
|
Took my love
|
|||
|
|
Away...
|
|||
|
|
|
|||
|
|
Well I woke up this morning, yeah.
|
|||
|
|
Nothing on my mind.
|
|||
|
|
"
|
|||
|
|
84,Names of the kingdom ,"We came down the rivers and highways
|
|||
|
|
We came down from forests and falls
|
|||
|
|
We came down from Carson and Springfield
|
|||
|
|
We came dowm from Phoenix enthralled
|
|||
|
|
|
|||
|
|
And I can tell you the names of the kingdom
|
|||
|
|
I can tell you the things that you know
|
|||
|
|
Listening for a fistful of silence
|
|||
|
|
Climbing valleys into the shade "
|
|||
|
|
85,Newborn awakening ,"Gently they stir, gently rise
|
|||
|
|
The dead are newborn awakening
|
|||
|
|
With ravaged limbs and wet souls
|
|||
|
|
Gently they sigh in rapt funeral amazement
|
|||
|
|
Who called these dead to dance?
|
|||
|
|
Was it the young woman learning to play the ghost song on her baby grand?
|
|||
|
|
Was it the wilderness children?
|
|||
|
|
Was it the ghost god himself, stuttering, cheering, chatting blindly?
|
|||
|
|
I called you up to anoint the earth
|
|||
|
|
I called you to announce sadness falling like burned skin
|
|||
|
|
I called you to wish you well
|
|||
|
|
To glory in self like a new monster
|
|||
|
|
And now I call you to pray "
|
|||
|
|
86,No me moleste mosquitoes ,"No me moleste mosquito
|
|||
|
|
No me moleste mosquito
|
|||
|
|
No me moleste mosquito
|
|||
|
|
Why don't you go home
|
|||
|
|
No me moleste mosquito
|
|||
|
|
Let me eat my burrito
|
|||
|
|
No me moleste mosquito
|
|||
|
|
Why don't you go home."
|
|||
|
|
87,Not to touch the earth ,"Not to touch the earth
|
|||
|
|
Not to see the sun
|
|||
|
|
Nothing left to do, but
|
|||
|
|
Run, run, run
|
|||
|
|
Let's run
|
|||
|
|
Let's run
|
|||
|
|
|
|||
|
|
House upon the hill
|
|||
|
|
Moon is lying still
|
|||
|
|
Shadows of the trees
|
|||
|
|
Witnessing the wild breeze
|
|||
|
|
C'mon baby run with me
|
|||
|
|
Let's run
|
|||
|
|
|
|||
|
|
Run with me
|
|||
|
|
Run with me
|
|||
|
|
Run with me
|
|||
|
|
Let's run
|
|||
|
|
|
|||
|
|
The mansion is warm, at the top of the hill
|
|||
|
|
Rich are the rooms and the comforts there
|
|||
|
|
Red are the arms of luxuriant chairs
|
|||
|
|
And you won't know a thing till you get inside
|
|||
|
|
|
|||
|
|
Dead president's corpse in the driver's car
|
|||
|
|
The engine runs on glue and tar
|
|||
|
|
Come on along, not goin' very far
|
|||
|
|
To the East to meet the Czar
|
|||
|
|
|
|||
|
|
Run with me
|
|||
|
|
Run with me
|
|||
|
|
Run with me
|
|||
|
|
Let's run
|
|||
|
|
|
|||
|
|
Whoa!
|
|||
|
|
|
|||
|
|
Some outlaws lived by the side of a lake
|
|||
|
|
The minister's daughter's in love with the snake
|
|||
|
|
Who lives in a well by the side of the road
|
|||
|
|
Wake up, girl, we're almost home
|
|||
|
|
|
|||
|
|
Ya, c'mon!
|
|||
|
|
|
|||
|
|
We should see the gates by mornin'
|
|||
|
|
We should be inside the evenin'
|
|||
|
|
|
|||
|
|
Sun, sun, sun
|
|||
|
|
Burn, burn, burn
|
|||
|
|
Soon, soon, soon
|
|||
|
|
Moon, mono, moon
|
|||
|
|
I will get you
|
|||
|
|
Soon!
|
|||
|
|
Soon!
|
|||
|
|
Soon!
|
|||
|
|
|
|||
|
|
I am the Lizard King
|
|||
|
|
I can do anything"
|
|||
|
|
88,Orange county suite ,"Well I used to know someone fair
|
|||
|
|
She had orange ribbons in her hair
|
|||
|
|
She was such a trip
|
|||
|
|
She was hardly there
|
|||
|
|
But I loved her
|
|||
|
|
Just the same.
|
|||
|
|
|
|||
|
|
There was rain in our window,
|
|||
|
|
The FM set was ragged
|
|||
|
|
But she could talk, yeah,
|
|||
|
|
We learned to speak
|
|||
|
|
|
|||
|
|
And one year
|
|||
|
|
has gone by
|
|||
|
|
|
|||
|
|
Such a long long road to seek it
|
|||
|
|
All we did was break and freak it
|
|||
|
|
We had all
|
|||
|
|
That lovers ever had
|
|||
|
|
We just blew it
|
|||
|
|
And I'm not sad
|
|||
|
|
|
|||
|
|
Well I'm mad
|
|||
|
|
|
|||
|
|
And I'm bad
|
|||
|
|
|
|||
|
|
And two years
|
|||
|
|
have gone by
|
|||
|
|
|
|||
|
|
Now her world was bright orange
|
|||
|
|
And the fire glowed
|
|||
|
|
And her friend had a baby
|
|||
|
|
And she lived with us
|
|||
|
|
Yeah, we broke through the window
|
|||
|
|
Yeah, we knocked on the door
|
|||
|
|
Her phone would not answer,
|
|||
|
|
Yeah, but she's still home
|
|||
|
|
|
|||
|
|
Now her father has passed over
|
|||
|
|
and her sister is a star
|
|||
|
|
and her mother smokes diamonds
|
|||
|
|
and she sleeps out in the car
|
|||
|
|
|
|||
|
|
Yeah, but she remembers Chicago
|
|||
|
|
The musicians & guitars
|
|||
|
|
and grass by the lake
|
|||
|
|
and people who laugh'd
|
|||
|
|
and made her poor heart ache
|
|||
|
|
|
|||
|
|
Now we live down in the valley
|
|||
|
|
We work out on the farm
|
|||
|
|
We climb up to the mountains
|
|||
|
|
and everything's fine
|
|||
|
|
|
|||
|
|
and I'm still here
|
|||
|
|
and you're still there
|
|||
|
|
and we're still around"
|
|||
|
|
89,Paris blues ,"I wish I was a girl of sixteen
|
|||
|
|
Be the queen of the magazine
|
|||
|
|
I’d drive around in a great big car
|
|||
|
|
I’d have a chauffeur like a movie star
|
|||
|
|
And all night long you could hear me scream!
|
|||
|
|
|
|||
|
|
When you look all around, can you believe the shape she’s in?
|
|||
|
|
When you look all around, can you believe the shape she’s in?
|
|||
|
|
Look all around, can you believe the shape she’s in?
|
|||
|
|
|
|||
|
|
Know where I’m goin’, can’t remember where I’ve been
|
|||
|
|
Know right where I’m goin’, can’t remember where I’ve been
|
|||
|
|
Goin’ to the city of love, gonna start my life all over again
|
|||
|
|
|
|||
|
|
Once I was young now I’m gettin’ old
|
|||
|
|
Once I was warm, now I feel cold
|
|||
|
|
Well, I’m goin’ overseas, gonna grab me some of that gold"
|
|||
|
|
90,Peace Frog ,"There's blood in the streets, it's up to my ankles
|
|||
|
|
She came
|
|||
|
|
There's blood on the streets, it's up to my knee
|
|||
|
|
She came
|
|||
|
|
Blood on the streets in the town of Chicago
|
|||
|
|
She came
|
|||
|
|
Blood on the rise, it's following me
|
|||
|
|
Think about the break of day
|
|||
|
|
She came and then she drove away
|
|||
|
|
Sunlight in her hair
|
|||
|
|
She came
|
|||
|
|
Blood in the streets runs a river of sadness She came
|
|||
|
|
Blood in the streets it's up to my thigh She came
|
|||
|
|
Yeah the river runs red down the legs of the city
|
|||
|
|
She came
|
|||
|
|
The women are crying rivers of weepin'
|
|||
|
|
She came into town and then she drove away
|
|||
|
|
Sunlight in her hair
|
|||
|
|
Indians scattered on dawn's highway bleeding
|
|||
|
|
Ghosts crowd the young child's fragile eggshell mind
|
|||
|
|
Blood in the streets in the town of New Haven
|
|||
|
|
Blood stains the roofs and the palm trees of Venice
|
|||
|
|
Blood in my love in the terrible summer
|
|||
|
|
Bloody red sun of Phantastic L.A.
|
|||
|
|
Blood screams the pain as they chop off her fingers
|
|||
|
|
Blood will be born in the birth of a nation
|
|||
|
|
Blood is the rose of mysterious union
|
|||
|
|
There's blood in the streets, it's up to my ankles
|
|||
|
|
Blood in the streets, it's up to my knee
|
|||
|
|
Blood in the streets in the town of Chicago
|
|||
|
|
Blood on the rise, it's following me"
|
|||
|
|
91,People Are Strange ,"People are strange when you're a stranger
|
|||
|
|
Faces look ugly when you're alone
|
|||
|
|
Women seem wicked when you're unwanted
|
|||
|
|
Streets are uneven when you're down
|
|||
|
|
|
|||
|
|
When you're strange
|
|||
|
|
Faces come out of the rain
|
|||
|
|
When you're strange
|
|||
|
|
No one remembers your name
|
|||
|
|
When you're strange
|
|||
|
|
When you're strange
|
|||
|
|
When you're strange
|
|||
|
|
|
|||
|
|
People are strange when you're a stranger
|
|||
|
|
Faces look ugly when you're alone
|
|||
|
|
Women seem wicked when you're unwanted
|
|||
|
|
Streets are uneven when you're down
|
|||
|
|
|
|||
|
|
When you're strange
|
|||
|
|
Faces come out of the rain
|
|||
|
|
When you're strange
|
|||
|
|
No one remembers your name
|
|||
|
|
When you're strange
|
|||
|
|
When you're strange
|
|||
|
|
When you're strange, alright, yeah
|
|||
|
|
|
|||
|
|
When you're strange
|
|||
|
|
Faces come out of the rain
|
|||
|
|
When you're strange
|
|||
|
|
No one remembers your name
|
|||
|
|
When you're strange
|
|||
|
|
When you're strange
|
|||
|
|
When you're strange"
|
|||
|
|
92,People Get Ready ,"People get ready there's a train a comin',
|
|||
|
|
You don't need a ticket,
|
|||
|
|
Climb on board.
|
|||
|
|
Train arrive
|
|||
|
|
Sixteen coaches long.
|
|||
|
|
Train arrive
|
|||
|
|
Sixteen coaches long.
|
|||
|
|
Well that mean old train,
|
|||
|
|
Took my baby,
|
|||
|
|
He's gone.
|
|||
|
|
|
|||
|
|
Train, train
|
|||
|
|
Coming 'round the bend.
|
|||
|
|
Train, train
|
|||
|
|
Coming 'round the bend.
|
|||
|
|
Yeah that mean old evil train
|
|||
|
|
Took my one and only friend.
|
|||
|
|
|
|||
|
|
Train, train
|
|||
|
|
Coming down the line.
|
|||
|
|
Train, train
|
|||
|
|
Coming down the line.
|
|||
|
|
Well that mean old rotten train
|
|||
|
|
Took the only friend of mine.
|
|||
|
|
|
|||
|
|
Train, train
|
|||
|
|
Coming down the track.
|
|||
|
|
Train, train
|
|||
|
|
Coming down the track.
|
|||
|
|
Yeah he took my baby
|
|||
|
|
And he never bring her back, alright.
|
|||
|
|
|
|||
|
|
Away, away, away,
|
|||
|
|
Away in India.
|
|||
|
|
Away, away, away,
|
|||
|
|
Away in India.
|
|||
|
|
|
|||
|
|
Well I woke up this morning got the crossroads on my mind,
|
|||
|
|
Well I woke up this morning got the crossroads on my mind,
|
|||
|
|
Don't know what's going to be, everything will work out fine,
|
|||
|
|
Well I woke up this morning got nothing on my mind.
|
|||
|
|
Don't know what's going to be, everything will work out fine,
|
|||
|
|
Well I woke up this morning got the H-bomb on my mind.
|
|||
|
|
Well I woke up this morning got the H-bomb on my mind.
|
|||
|
|
Everything, everything will work out fine, yeah.
|
|||
|
|
|
|||
|
|
Well I woke up this morning got the crossroads on my mind,
|
|||
|
|
Well I woke up this morning got the crossroads on my mind,
|
|||
|
|
Don't know what's going to be, everything, everything, everything, everything gonna work out fine.
|
|||
|
|
|
|||
|
|
Train, train
|
|||
|
|
Come and gone.
|
|||
|
|
Took my baby,
|
|||
|
|
Took my baby,
|
|||
|
|
Took my love
|
|||
|
|
Away...
|
|||
|
|
|
|||
|
|
Well I woke up this morning, yeah.
|
|||
|
|
Nothing on my mind."
|
|||
|
|
93,Petition The Lord With Prayer ,"When I was back there in seminary school
|
|||
|
|
There was a person there
|
|||
|
|
Who put forth the proposition
|
|||
|
|
That you can petition the Lord with prayer
|
|||
|
|
Petition the lord with prayer
|
|||
|
|
Petition the lord with prayer
|
|||
|
|
You cannot petition the lord with prayer!"
|
|||
|
|
94,Queen of the highway ,"She was a princess
|
|||
|
|
Queen of the Highway
|
|||
|
|
Sign on the road said
|
|||
|
|
""Take us to Madre""
|
|||
|
|
No one could save her
|
|||
|
|
Save the blind tiger
|
|||
|
|
He was a a monster
|
|||
|
|
Black dressed in leather
|
|||
|
|
She was a princess
|
|||
|
|
Queen of the Highway
|
|||
|
|
|
|||
|
|
Now they are wedded
|
|||
|
|
She is a good girl
|
|||
|
|
Naked as children out in the Meadow
|
|||
|
|
Naked as children
|
|||
|
|
Wild as can be
|
|||
|
|
Soon to have offspring
|
|||
|
|
Start it all over
|
|||
|
|
Start it all over
|
|||
|
|
|
|||
|
|
American boy
|
|||
|
|
American girl
|
|||
|
|
Most beautiful people in the world!
|
|||
|
|
Son of a frontier Indian Swirl
|
|||
|
|
Dancing thru the midnight whirl-pool
|
|||
|
|
|
|||
|
|
Formless hope it can continue a little longer"
|
|||
|
|
95,Queen Of The Magazines ,"All right, all right, all right.
|
|||
|
|
All right, come on.
|
|||
|
|
|
|||
|
|
Baby love me.
|
|||
|
|
Baby, she can't care.
|
|||
|
|
Baby love me.
|
|||
|
|
Baby, she cannot care.
|
|||
|
|
|
|||
|
|
Well I wanna tell ya.
|
|||
|
|
She was seventeen.
|
|||
|
|
She was perfect.
|
|||
|
|
Queen of the magazines.
|
|||
|
|
|
|||
|
|
She doesn't care,
|
|||
|
|
What she did.
|
|||
|
|
She didn't give a damn,
|
|||
|
|
What she did.
|
|||
|
|
She was my woman, seventeen.
|
|||
|
|
|
|||
|
|
She was the queen of the magazines, oh right.
|
|||
|
|
|
|||
|
|
I don't know what to tell ya.
|
|||
|
|
She was so good.
|
|||
|
|
Used to feel,
|
|||
|
|
Like I thought she would.
|
|||
|
|
"
|
|||
|
|
96,Riders on the storm ,"Riders on the storm.
|
|||
|
|
Riders on the storm.
|
|||
|
|
Into this house we're born
|
|||
|
|
Into this world we're thrown
|
|||
|
|
Like a dog without a bone
|
|||
|
|
An actor on the loan
|
|||
|
|
Riders on the storm.
|
|||
|
|
There's a killer on the road.
|
|||
|
|
His brain is squirming like a toad.
|
|||
|
|
Take a long holiday
|
|||
|
|
Let your children play.
|
|||
|
|
If you give this man a ride
|
|||
|
|
Sweet family will die.
|
|||
|
|
Killer on the road.
|
|||
|
|
|
|||
|
|
Girl, you gotta love your man.
|
|||
|
|
Girl, you gotta love your man.
|
|||
|
|
Take him by the hand
|
|||
|
|
Make him understand
|
|||
|
|
The world that you depends on.
|
|||
|
|
Our life will never end.
|
|||
|
|
Girl, you gotta love your man.
|
|||
|
|
|
|||
|
|
Riders on the storm.
|
|||
|
|
Riders on the storm
|
|||
|
|
Into this house we're born
|
|||
|
|
Into this world we're thrown
|
|||
|
|
Like a dog without a bone
|
|||
|
|
An actor out alone
|
|||
|
|
Riders on the storm.
|
|||
|
|
|
|||
|
|
Riders on the storm.
|
|||
|
|
Riders on the storm.
|
|||
|
|
Riders on the storm.
|
|||
|
|
Riders on the storm."
|
|||
|
|
97,Roadhouse blues ,"Yeah
|
|||
|
|
Keep your eyes on the road, your hands upon the wheel X2
|
|||
|
|
Yeah, we're goin' to the Roadhouse
|
|||
|
|
We're gonna have a real
|
|||
|
|
Good time
|
|||
|
|
Yeah, back at the Roadhouse they got some bungalows
|
|||
|
|
Yeah, back at the Roadhouse they got some bungalows
|
|||
|
|
And that's for the people
|
|||
|
|
Who like to go down slow
|
|||
|
|
Let it roll, baby, roll X3
|
|||
|
|
Let it roll, all night long
|
|||
|
|
Do it, honey, do it
|
|||
|
|
You gotta roll, roll, roll
|
|||
|
|
You gotta thrill my soul, all right
|
|||
|
|
Roll, roll, roll, roll
|
|||
|
|
Thrill my soul
|
|||
|
|
You gotta beep a gunk a chucha
|
|||
|
|
Honk konk konk
|
|||
|
|
You gotta each you puna
|
|||
|
|
Each ya bop a luba
|
|||
|
|
Each yall bump a kechonk
|
|||
|
|
Ease sum konk
|
|||
|
|
Ya, ride
|
|||
|
|
Ashen lady, Ashen lady
|
|||
|
|
Give up your vows, give up your vows
|
|||
|
|
Save our city, save our city
|
|||
|
|
Right now
|
|||
|
|
Well, I woke up this morning, I got myself a beer
|
|||
|
|
Well, I woke up this morning, and I got myself a beer
|
|||
|
|
The future's uncertain, and the end is always near
|
|||
|
|
Let it roll, baby, roll X3
|
|||
|
|
Let it roll, all night long"
|
|||
|
|
98,Rock is dead ,"Hi you lady… alright babe… gonna love ya…
|
|||
|
|
|
|||
|
|
When I was just a little boy, ‘bout the age of five
|
|||
|
|
I went to sleep,
|
|||
|
|
I heard my mama and papa talking -
|
|||
|
|
She said
|
|||
|
|
We got to stop that boy, he’s gettin too far out,
|
|||
|
|
He’s goin’ wild, we gotta stop that child.
|
|||
|
|
And I lay there listening, feeling bad -
|
|||
|
|
You know, people, I was feeling bad.
|
|||
|
|
Mama didn’t like the way I did my thing.
|
|||
|
|
The old lady, she didn’t get with that thing.
|
|||
|
|
But my daddy was a sailor, get his head around,
|
|||
|
|
And he said
|
|||
|
|
Boy you got to do it son, get yourself intact,
|
|||
|
|
You gotta love love love love love my baby tonight.
|
|||
|
|
Let me tell you baby ‘bout the death of rock,
|
|||
|
|
I used to be a boy in my home block,
|
|||
|
|
Used to feel alone then I heard some news,
|
|||
|
|
Bunch o’cats got the rockin’ news.
|
|||
|
|
You know I love my rock’n’roll people,
|
|||
|
|
You know we got some fun,
|
|||
|
|
We gonna rock tonight, yeah c’mon…
|
|||
|
|
Rock and roll is dead.
|
|||
|
|
Rock and roll is dead,
|
|||
|
|
Must be something else instead.
|
|||
|
|
You got to lay right down and
|
|||
|
|
Die, die, die, die yeah…
|
|||
|
|
It’s all over baby
|
|||
|
|
That’s it
|
|||
|
|
We gotta go
|
|||
|
|
We had some good times
|
|||
|
|
But it’s gone
|
|||
|
|
It’s all over.
|
|||
|
|
|
|||
|
|
I got a few things on my chest, I got to get ‘em off…
|
|||
|
|
Now listen listen listen listen listen…
|
|||
|
|
Now I don’t want to hear no talk about no revolution,
|
|||
|
|
And I swear to God I don’t want to hear
|
|||
|
|
No talk about no constitution.
|
|||
|
|
And in my frame of mind I am in no mood for
|
|||
|
|
No talk about no… cremation.
|
|||
|
|
The only thing I’m interested in…
|
|||
|
|
I wanna have a good time.
|
|||
|
|
I don’t wanna hear no talk about no riots,
|
|||
|
|
No demonstrations, no cacitritions, no impablermations.
|
|||
|
|
There’s only one thing I want to see…
|
|||
|
|
That’s some dancin’ !
|
|||
|
|
We’re gonna have some fun !
|
|||
|
|
We’re gonna have a good time!
|
|||
|
|
Let’s roll !
|
|||
|
|
|
|||
|
|
O boogie… all night long… yeah…
|
|||
|
|
Rocky little woman be my pal,
|
|||
|
|
Gonna be the fool, gotta deep-dap-doo,
|
|||
|
|
You gotta love, love, love ya baby little lotta-gita-do.
|
|||
|
|
Yeah c’mon…
|
|||
|
|
|
|||
|
|
Yeah, wait a minute, wait a minute, wait a minute
|
|||
|
|
Wait a minute !
|
|||
|
|
Now listen here people !
|
|||
|
|
I’m talkin’ about the death of rock and roll,
|
|||
|
|
And who killed it.
|
|||
|
|
I’m talkin’ about the blues.
|
|||
|
|
I’m talkin’ about the news.
|
|||
|
|
Have you heard, have you heard,
|
|||
|
|
Have you heard the word ?
|
|||
|
|
Rock is dead.
|
|||
|
|
Rock is dead.
|
|||
|
|
Now I didn’t want to be the one to lay it on ya sweetheart,
|
|||
|
|
But I used to be a little fellow traveller.
|
|||
|
|
I used to think we had the whole thing sewed up, mama.
|
|||
|
|
Then I realised,
|
|||
|
|
Rock and roll is dying, baby.
|
|||
|
|
I wanna see some fun !
|
|||
|
|
I wanna see some hanging out !
|
|||
|
|
I wanna see my people
|
|||
|
|
Non-political
|
|||
|
|
Arithmetical
|
|||
|
|
Transcendental
|
|||
|
|
Irathamadental
|
|||
|
|
Coolambindang bupalookanimbo… !
|
|||
|
|
Are you ready ?
|
|||
|
|
Are you ready ?
|
|||
|
|
Are you ready to sing the blues my baby ?
|
|||
|
|
|
|||
|
|
Yeah, I like it real slow,
|
|||
|
|
I like it real bad,
|
|||
|
|
I like to get myself together
|
|||
|
|
I love to hear you get undressed -
|
|||
|
|
Naked woman, out of doors,
|
|||
|
|
I don’t care how loud you snore.
|
|||
|
|
Sun goin’ down, way out on the sea,
|
|||
|
|
Here she comes, little girl, gonna set me free.
|
|||
|
|
Alright c’mon, now… one more time…
|
|||
|
|
|
|||
|
|
Yeah…
|
|||
|
|
Train a’ride - - - sixteen coaches long
|
|||
|
|
Train a’ride - - - sixteen coaches long
|
|||
|
|
Well I got my baby,
|
|||
|
|
Gonna get on the train and run, yeah…
|
|||
|
|
Well that big black train gonna get my baby,
|
|||
|
|
Big black train,
|
|||
|
|
Yeah the big black train gonna get my love,
|
|||
|
|
Gonna take her, gonna hug her, gonna… whoa !!
|
|||
|
|
Gonna love, love, love, love a dingo yeah…
|
|||
|
|
Big black train.
|
|||
|
|
|
|||
|
|
Now when I got home,
|
|||
|
|
I heard my daddy say,
|
|||
|
|
|
|||
|
|
You want a little piece ?
|
|||
|
|
Do you want a little peace ?
|
|||
|
|
Do you want a little soul ?
|
|||
|
|
Do you want a little soul ?
|
|||
|
|
|
|||
|
|
I could not help myself, I could not help myself,
|
|||
|
|
I could not help !
|
|||
|
|
Help ! Help !
|
|||
|
|
I’m dyin’ ! I’m dyin’ ! I’m dyin’ !
|
|||
|
|
I’m die - die - digadigadoohdah whoa !
|
|||
|
|
|
|||
|
|
It’s over !
|
|||
|
|
It’s over !
|
|||
|
|
Have mercy !
|
|||
|
|
Have mercy !
|
|||
|
|
Have mercy on your poor son !
|
|||
|
|
|
|||
|
|
We had some good times.
|
|||
|
|
We had a few good times.
|
|||
|
|
But
|
|||
|
|
Those good little times - you know where they are ?
|
|||
|
|
They’re absolutely, positively under the ground.
|
|||
|
|
And
|
|||
|
|
As long as I got breath, the death of rock
|
|||
|
|
Is the death of me,
|
|||
|
|
And rock is dead
|
|||
|
|
Well, we’re dead… alright… yeah !…"
|
|||
|
|
99,Rock Me Baby ,"
|
|||
|
|
|
|||
|
|
Want you ta rock me.
|
|||
|
|
Rock me all.. night long. (Ray: Yeah.)
|
|||
|
|
Come on and rock me, pretty baby.
|
|||
|
|
Rock me all night.. long.
|
|||
|
|
Rock me, woman.
|
|||
|
|
'till I.. end my song.
|
|||
|
|
(Ray: Alright.)
|
|||
|
|
|
|||
|
|
Sun goin' down..
|
|||
|
|
The moon begin.. to rise.
|
|||
|
|
See da sun goin'.. down. (Ray: Yay.)
|
|||
|
|
Little moon begin to rise.
|
|||
|
|
Rock me, baybeh..
|
|||
|
|
Rock me 'till I'm satisfied.
|
|||
|
|
Alright, let's rock a while.
|
|||
|
|
|
|||
|
|
|
|||
|
|
Yaoo!
|
|||
|
|
|
|||
|
|
Sun goin' down, da..
|
|||
|
|
Moon begin.. ta-riiiiiise.
|
|||
|
|
See da sun goin'.. down.
|
|||
|
|
Moon begin to.. rise, child.
|
|||
|
|
Rock me..
|
|||
|
|
'till I'm satisfied.
|
|||
|
|
Alright play it. Yeah.
|
|||
|
|
|
|||
|
|
|
|||
|
|
Alright, let's get it way down now.
|
|||
|
|
|
|||
|
|
Throw your arms around me.
|
|||
|
|
Circle 'round da' sun.
|
|||
|
|
Throw your arms around me. (Ray: Alright)
|
|||
|
|
Circle 'round da' sun.
|
|||
|
|
Then you gotta rock me. (Ray: mmm)
|
|||
|
|
'cause I'm the.. only one.
|
|||
|
|
Ah-kay.
|
|||
|
|
|
|||
|
|
You gotta rock me, Aow! (Ray: Yeah!)
|
|||
|
|
Rock me.. all night long! (Ray: Oh!)
|
|||
|
|
Rock me, baybeh!
|
|||
|
|
Rock me.. all night long! (Ray: Yeah!)
|
|||
|
|
You gotta rock me, pretty woman! (Ray: ehhhh-eh)
|
|||
|
|
Rock me all night.. long.. yeah.
|
|||
|
|
Ahh-right.
|
|||
|
|
|
|||
|
|
"
|
|||
|
|
100,Running blue ,"Poor Otis dead and gone
|
|||
|
|
Left me here to sing his song
|
|||
|
|
Pretty little girl with the red dress on
|
|||
|
|
Poor Otis dead and gone
|
|||
|
|
|
|||
|
|
Back down, turnen around slowly
|
|||
|
|
Try it again
|
|||
|
|
Remembering when
|
|||
|
|
It was easy - try it again
|
|||
|
|
Much too easy remembering when
|
|||
|
|
|
|||
|
|
All right, look at my shoes
|
|||
|
|
Not quite the walking blues
|
|||
|
|
Don`t fight - too much to lose
|
|||
|
|
Can`t fight the running blue
|
|||
|
|
|
|||
|
|
Well, I`ve got the running blues
|
|||
|
|
Running away
|
|||
|
|
Back to L.A.
|
|||
|
|
Got to find the dock on the bay
|
|||
|
|
Maybe find it back in L.A.
|
|||
|
|
|
|||
|
|
Running scared, running blue
|
|||
|
|
Going so fast, what`ll I do?
|
|||
|
|
|
|||
|
|
Well, I`ve got the running blues
|
|||
|
|
Running away
|
|||
|
|
Back to L.A.
|
|||
|
|
Got to find the dock on the bay
|
|||
|
|
Maybe find it back in L.A.
|
|||
|
|
|
|||
|
|
All right, look at my shoes
|
|||
|
|
Not quite the walking blues
|
|||
|
|
Don`t fight - too much to lose
|
|||
|
|
Can`t fight the running blue
|
|||
|
|
|
|||
|
|
All right, look at my shoes
|
|||
|
|
Not quite the walking blues
|
|||
|
|
Don`t fight - too much to lose
|
|||
|
|
Can`t fight the running blue"
|
|||
|
|
101,Shaman's blues ,"There will never be
|
|||
|
|
Another one like you
|
|||
|
|
There will never be
|
|||
|
|
Another one who can
|
|||
|
|
Do the things you do
|
|||
|
|
Oh
|
|||
|
|
|
|||
|
|
Will you give another chance?
|
|||
|
|
Will you try
|
|||
|
|
Little try?
|
|||
|
|
Please stop and you remember
|
|||
|
|
We were together
|
|||
|
|
Anyway
|
|||
|
|
All right
|
|||
|
|
|
|||
|
|
And if you have a certain evenin'
|
|||
|
|
You could lend to me
|
|||
|
|
I'd give it all right back to you
|
|||
|
|
A how it has to be with you
|
|||
|
|
I know your moves and your mind
|
|||
|
|
And your mind
|
|||
|
|
And your mind
|
|||
|
|
And your mind
|
|||
|
|
And your mind
|
|||
|
|
And your mind
|
|||
|
|
And your mind
|
|||
|
|
|
|||
|
|
Will you stop and think and wonder?
|
|||
|
|
Just what you'll see
|
|||
|
|
Out on the train yard
|
|||
|
|
Nursin' penitentiary
|
|||
|
|
It's gone
|
|||
|
|
I cry out long
|
|||
|
|
|
|||
|
|
Go head
|
|||
|
|
Brother
|
|||
|
|
|
|||
|
|
Did you stop it to consider?
|
|||
|
|
How it will feel
|
|||
|
|
Cold, grinded grizzly bear jaws
|
|||
|
|
Hot on your heels
|
|||
|
|
|
|||
|
|
Do you often stop and whisper?
|
|||
|
|
It's Saturday's shore
|
|||
|
|
The whole world's a savior
|
|||
|
|
Who could ever
|
|||
|
|
Ever
|
|||
|
|
Ever
|
|||
|
|
Ever
|
|||
|
|
Ever
|
|||
|
|
Ever
|
|||
|
|
Ask for more?
|
|||
|
|
|
|||
|
|
Do you remember?
|
|||
|
|
Will you stop?
|
|||
|
|
Will you stop?
|
|||
|
|
The pain
|
|||
|
|
|
|||
|
|
And there will never be
|
|||
|
|
Another one like you
|
|||
|
|
There will never be
|
|||
|
|
Another one who can
|
|||
|
|
Do the things you do
|
|||
|
|
Oh
|
|||
|
|
|
|||
|
|
Will you give another chance?
|
|||
|
|
Will you try
|
|||
|
|
Little try?
|
|||
|
|
Please stop and you remember
|
|||
|
|
We were together
|
|||
|
|
Anyway
|
|||
|
|
All right
|
|||
|
|
|
|||
|
|
How you must of think and wondered
|
|||
|
|
How I must feel
|
|||
|
|
Out on the meadows
|
|||
|
|
While you run the field
|
|||
|
|
I'm alone for you
|
|||
|
|
And I cry
|
|||
|
|
|
|||
|
|
The sweat
|
|||
|
|
Look at it
|
|||
|
|
Optical promise
|
|||
|
|
Heh
|
|||
|
|
Heh
|
|||
|
|
Heh
|
|||
|
|
You'll be dead and in hell
|
|||
|
|
Before I'm born
|
|||
|
|
Sure thing
|
|||
|
|
Brides maid
|
|||
|
|
The only solution
|
|||
|
|
Isn't it amazing?"
|
|||
|
|
102,She Smells So Nice ,"Man, the first woman know she smells so nice
|
|||
|
|
And she looks so good I gotta zip up once or twice
|
|||
|
|
Well I've been down
|
|||
|
|
Up and up
|
|||
|
|
Up and down
|
|||
|
|
In 99, but I love my woman
|
|||
|
|
Like the sun goes up
|
|||
|
|
She's the sweetest little woman
|
|||
|
|
When she wakes up
|
|||
|
|
Come on, now right
|
|||
|
|
Now you walk around
|
|||
|
|
And you thinking that you're so though
|
|||
|
|
I see you walking around
|
|||
|
|
You think that you're so though
|
|||
|
|
Well you got some thing momma,
|
|||
|
|
But it's not enough
|
|||
|
|
I'm going home
|
|||
|
|
I'm going home and lay down
|
|||
|
|
I'm going home, baby
|
|||
|
|
I'm going home and lay down
|
|||
|
|
Gonna switch on the television
|
|||
|
|
I'm gonna drown, yeah
|
|||
|
|
Well it's a long time coming
|
|||
|
|
Long time coming, long time coming
|
|||
|
|
Long time coming, long time coming
|
|||
|
|
But when you find her baby
|
|||
|
|
You know you found something good
|
|||
|
|
When you find somebody now,
|
|||
|
|
Don't leave it no good"
|
|||
|
|
103,Ship of fools ,"The human race was dyin' out
|
|||
|
|
Noone left to scream and shout
|
|||
|
|
People walking on the moon
|
|||
|
|
Smog will get you pretty soon
|
|||
|
|
|
|||
|
|
Everyone was hanging out
|
|||
|
|
Hanging up and hanging down
|
|||
|
|
Hanging in and holding fast
|
|||
|
|
Hope our little world will last
|
|||
|
|
|
|||
|
|
Yeah, along came Mr. Goodtrips
|
|||
|
|
Looking for a new a ship
|
|||
|
|
Come on, people better climb on board
|
|||
|
|
Come on, baby, now we're going home
|
|||
|
|
Ship of fools, ship of fools
|
|||
|
|
|
|||
|
|
The human race was dyin' out
|
|||
|
|
Noone left to scream and shout
|
|||
|
|
People walking on the moon
|
|||
|
|
Smog will get you pretty soon
|
|||
|
|
Ship of fools, ship of fools
|
|||
|
|
Ship of fools, ship of fools
|
|||
|
|
Ship of fools, ship of fools"
|
|||
|
|
104,Ships With Sails ,"Well, you asked how much I love you
|
|||
|
|
Why do ships with sails love the wind?
|
|||
|
|
And will I be thinking of you
|
|||
|
|
will I ever pass this way again?
|
|||
|
|
I'll be returning some day
|
|||
|
|
Until then
|
|||
|
|
please don't ask me my direction
|
|||
|
|
Let my tracks be buried in the sea
|
|||
|
|
Cause to wander's my infection
|
|||
|
|
till the four winds bring you back to me
|
|||
|
|
Don't count your memories
|
|||
|
|
think of me as just a dream
|
|||
|
|
Just like this melody I sing"
|
|||
|
|
105,Someday soon ,"Someday soon
|
|||
|
|
Someday soon
|
|||
|
|
Familiar freaks will fill your living room
|
|||
|
|
Rugs lash out their lizard tongues
|
|||
|
|
You're not getting young
|
|||
|
|
You're not getting young
|
|||
|
|
|
|||
|
|
But you're going to die
|
|||
|
|
And you're going to be needing all of your eyes
|
|||
|
|
|
|||
|
|
You’ll be all alone
|
|||
|
|
When the animals cry
|
|||
|
|
All by yourself
|
|||
|
|
In some infancy’s lie
|
|||
|
|
|
|||
|
|
Someday soon
|
|||
|
|
Someday soon
|
|||
|
|
Television bleeding like a harvest moon
|
|||
|
|
Flush the scissors down the hole
|
|||
|
|
You're getting old
|
|||
|
|
You're getting old
|
|||
|
|
|
|||
|
|
And I hate to remind you but your going to die
|
|||
|
|
And you're going to be needing all of your lies
|
|||
|
|
|
|||
|
|
You’ll be all alone
|
|||
|
|
When the animals cry
|
|||
|
|
All by yourself
|
|||
|
|
In some infancy's lie
|
|||
|
|
|
|||
|
|
Someday soon
|
|||
|
|
Someday soon
|
|||
|
|
Someday soon
|
|||
|
|
Someday soon "
|
|||
|
|
106,Soul Kitchen ,"Well, the clock says it's time to close now
|
|||
|
|
I guess I'd better go now
|
|||
|
|
I'd really like to stay here all night
|
|||
|
|
The cars crawl past all stuffed with eyes
|
|||
|
|
Street lights share their hollow glow
|
|||
|
|
Your brain seems bruised with numb surprise
|
|||
|
|
Still one place to go
|
|||
|
|
Still one place to go
|
|||
|
|
|
|||
|
|
Let me sleep all night in your soul kitchen
|
|||
|
|
Warm my mind near your gentle stove
|
|||
|
|
Turn me out and I'll wander baby
|
|||
|
|
Stumblin' in the neon groves
|
|||
|
|
|
|||
|
|
Well, your fingers weave quick minarets
|
|||
|
|
Speak in secret alphabets
|
|||
|
|
I light another cigarette
|
|||
|
|
Learn to forget, learn to forget
|
|||
|
|
Learn to forget, learn to forget
|
|||
|
|
|
|||
|
|
Let me sleep all night in your soul kitchen
|
|||
|
|
Warm my mind near your gentle stove
|
|||
|
|
Turn me out and I'll wander baby
|
|||
|
|
Stumblin' in the neon groves
|
|||
|
|
|
|||
|
|
Well the clock says it's time to close now
|
|||
|
|
I know I have to go now
|
|||
|
|
I really want to stay here
|
|||
|
|
All night, all night, all night"
|
|||
|
|
107,Spanish caravan ,"Carry me Caravan take me away
|
|||
|
|
Take me to Portugal, take me to Spain
|
|||
|
|
Andalusia with fields full of grain
|
|||
|
|
I have to see you again and again
|
|||
|
|
Take me, Spanish Caravan
|
|||
|
|
Yes, I know you can
|
|||
|
|
|
|||
|
|
Trade winds find Galleons lost in the sea
|
|||
|
|
I know where treasure is waiting for me
|
|||
|
|
Silver and gold in the mountains of Spain
|
|||
|
|
I have to see you again and again
|
|||
|
|
Take me, Spanish Caravan
|
|||
|
|
Yes, I know you can"
|
|||
|
|
108,St. James Infirmary ,"I went down to St. James Infirmary.
|
|||
|
|
I saw my baby there.
|
|||
|
|
Stretched out on a marble table.
|
|||
|
|
|
|||
|
|
So cold.
|
|||
|
|
So white.
|
|||
|
|
So pale.
|
|||
|
|
|
|||
|
|
|
|||
|
|
"
|
|||
|
|
109,Stoned immaculate ,"I'll tell you this...
|
|||
|
|
No eternal reward will forgive us now
|
|||
|
|
For wasting the dawn.
|
|||
|
|
|
|||
|
|
Back in those days everything was simpler and more confused
|
|||
|
|
One summer night, going to the pier
|
|||
|
|
I ran into two young girls
|
|||
|
|
The blonde one was called Freedom
|
|||
|
|
The dark one, Enterprise
|
|||
|
|
We talked and they told me this story
|
|||
|
|
Now listen to this...
|
|||
|
|
I'll tell you about Texas radio and the big beat
|
|||
|
|
Soft driven, slow and mad
|
|||
|
|
Like some new language
|
|||
|
|
Reaching your head with the cold, sudden fury of a divine messenger
|
|||
|
|
Let me tell you about heartache and the loss of god
|
|||
|
|
Wandering, wandering in hopeless night
|
|||
|
|
Out here in the perimeter there are no stars
|
|||
|
|
|
|||
|
|
Out here we is stoned
|
|||
|
|
Immaculate. "
|
|||
|
|
110,Strange Days ,"Strange days have found us
|
|||
|
|
Strange days have tracked us down
|
|||
|
|
They're goin' to destroy
|
|||
|
|
Our casual joys
|
|||
|
|
We shall go on playing or find a new town
|
|||
|
|
Yeah
|
|||
|
|
|
|||
|
|
Strange eyes fill strange rooms
|
|||
|
|
Voices will signal their tired end
|
|||
|
|
The hostess is grinning
|
|||
|
|
Her guests sleep from sinning
|
|||
|
|
Hear me talk of sin and you know this is it
|
|||
|
|
Yeah
|
|||
|
|
|
|||
|
|
Strange days have found us
|
|||
|
|
And through their strange hours, we linger alone
|
|||
|
|
Bodies confused
|
|||
|
|
Memories misused
|
|||
|
|
As we run from the day to a strange night of stone"
|
|||
|
|
111,Summer's allmost gone ,"Summer's almost gone
|
|||
|
|
Summer's almost gone
|
|||
|
|
Almost gone
|
|||
|
|
Yeah, it's almost gone
|
|||
|
|
Where will we be
|
|||
|
|
When the summer's gone?
|
|||
|
|
|
|||
|
|
Morning found us calmly unaware
|
|||
|
|
Noon burn gold into our hair
|
|||
|
|
At night, we swim the laughin' sea
|
|||
|
|
When summer's gone
|
|||
|
|
Where will we be
|
|||
|
|
Where will we be
|
|||
|
|
Where will we be
|
|||
|
|
|
|||
|
|
Morning found us calmly unaware
|
|||
|
|
Noon burn gold into our hair
|
|||
|
|
At night, we swim the laughin' sea
|
|||
|
|
When summer's gone
|
|||
|
|
Where will we be
|
|||
|
|
|
|||
|
|
Summer's almost gone
|
|||
|
|
Summer's almost gone
|
|||
|
|
We had some good times
|
|||
|
|
But they're gone
|
|||
|
|
The winter's comin' on
|
|||
|
|
Summer's almost gone"
|
|||
|
|
112,Summer's Almost Gone ,"Summer's almost gone
|
|||
|
|
Summer's almost gone
|
|||
|
|
Almost gone
|
|||
|
|
Yeah, it's almost gone
|
|||
|
|
Where will we be
|
|||
|
|
When the summer's gone?
|
|||
|
|
Morning found us calmly unaware
|
|||
|
|
Noon burn gold into our hair
|
|||
|
|
At night, we swim the laughin' sea
|
|||
|
|
When summer's gone
|
|||
|
|
Where will we be?
|
|||
|
|
Where will we be?
|
|||
|
|
Where will we be?
|
|||
|
|
Morning found us calmly unaware
|
|||
|
|
Noon burn gold into our hair
|
|||
|
|
At night, we swim the laughin' sea
|
|||
|
|
When summer's gone
|
|||
|
|
Where will we be?
|
|||
|
|
Summer's almost gone
|
|||
|
|
Summer's almost gone
|
|||
|
|
We had some good times
|
|||
|
|
But they're gone
|
|||
|
|
The winter's comin' on
|
|||
|
|
Summer's almost gone"
|
|||
|
|
113,Summertime ,"Summertime,
|
|||
|
|
The livin' is easy.
|
|||
|
|
Fish are jumpin'.
|
|||
|
|
The cotton is high.
|
|||
|
|
|
|||
|
|
Your daddy's rich.
|
|||
|
|
Your momma's good lookin'.
|
|||
|
|
Hush little baby
|
|||
|
|
Don't you cry."
|
|||
|
|
114,Take It As It Comes ,"Time to live
|
|||
|
|
Time to lie
|
|||
|
|
Time to laugh
|
|||
|
|
Time to die
|
|||
|
|
|
|||
|
|
Takes it easy, baby
|
|||
|
|
Take it as it comes
|
|||
|
|
Don't move too fast
|
|||
|
|
And you want your love to last
|
|||
|
|
Oh, you've been movin' much too fast
|
|||
|
|
|
|||
|
|
Time to walk
|
|||
|
|
Time to run
|
|||
|
|
Time to aim your arrows
|
|||
|
|
At the sun
|
|||
|
|
|
|||
|
|
Takes it easy, baby
|
|||
|
|
Take it as it comes
|
|||
|
|
Don't move too fast
|
|||
|
|
And you want your love to last
|
|||
|
|
Oh, you've been movin' much too fast
|
|||
|
|
|
|||
|
|
Go real slow
|
|||
|
|
You like it more and more
|
|||
|
|
Take it as it comes
|
|||
|
|
Specialize in havin' fun
|
|||
|
|
|
|||
|
|
Takes it easy, baby
|
|||
|
|
Take it as it comes
|
|||
|
|
Don't move too fast
|
|||
|
|
And you want your love to last
|
|||
|
|
Oh, you've been movin' much too fast
|
|||
|
|
Movin' much too fast
|
|||
|
|
Movin' much too fast"
|
|||
|
|
115,Tell all the people ,"Tell all the people that you see
|
|||
|
|
Follow me
|
|||
|
|
Follow me down
|
|||
|
|
Tell all the people that you see
|
|||
|
|
Set them free
|
|||
|
|
Follow me down
|
|||
|
|
|
|||
|
|
You tell them they don't have to run
|
|||
|
|
We're gonna pick up everyone
|
|||
|
|
Come out and take me by my hand
|
|||
|
|
Gonna bury all our troubles in the sand, oh yeah
|
|||
|
|
|
|||
|
|
Can't you see the wonder at your feet
|
|||
|
|
Your life's complete
|
|||
|
|
Follow me down
|
|||
|
|
Can't you see me growing, get your guns
|
|||
|
|
The time has come
|
|||
|
|
To follow me down
|
|||
|
|
|
|||
|
|
Follow me across the sea
|
|||
|
|
Where milky babies seem to be
|
|||
|
|
Molded, flowing revelry
|
|||
|
|
With the one that set them free
|
|||
|
|
|
|||
|
|
Tell all the people that you see
|
|||
|
|
It's just me
|
|||
|
|
Follow me down
|
|||
|
|
|
|||
|
|
Tell all the people that you see
|
|||
|
|
Follow me
|
|||
|
|
Follow me down
|
|||
|
|
Tell all the people that you see
|
|||
|
|
We'll be free
|
|||
|
|
Follow me down
|
|||
|
|
|
|||
|
|
Tell all the people that you see
|
|||
|
|
It's just me
|
|||
|
|
Follow me down
|
|||
|
|
Tell all the people that you see
|
|||
|
|
Follow me
|
|||
|
|
Follow me down
|
|||
|
|
|
|||
|
|
Follow me down
|
|||
|
|
You got to follow me down
|
|||
|
|
Follow me down
|
|||
|
|
Tell all the people that you see
|
|||
|
|
We'll be free
|
|||
|
|
Follow me down
|
|||
|
|
Tell all the people you see
|
|||
|
|
Follow me
|
|||
|
|
You got to follow me down"
|
|||
|
|
116,The celebration of the lizard ,"Lions in the street and roaming
|
|||
|
|
Dogs in heat, rabid, foaming
|
|||
|
|
A beast caged in the heart of a city
|
|||
|
|
The body of his mother
|
|||
|
|
Rotting in the summer ground
|
|||
|
|
He fled the town
|
|||
|
|
|
|||
|
|
He went down South and crossed the border
|
|||
|
|
Left the chaos and disorder
|
|||
|
|
Back there over his shoulder
|
|||
|
|
|
|||
|
|
One morning he awoke in a green hotel
|
|||
|
|
With a strange creature groaning beside him
|
|||
|
|
Sweat oozed from its shiny skin
|
|||
|
|
|
|||
|
|
Is everybody in?
|
|||
|
|
The ceremony is about to begin
|
|||
|
|
|
|||
|
|
Wake up!
|
|||
|
|
You can't remember where it was
|
|||
|
|
Had this dream stopped?
|
|||
|
|
The snake was pale gold
|
|||
|
|
Glazed and shrunken
|
|||
|
|
We were afraid to touch it
|
|||
|
|
The sheets were hot dead prisons
|
|||
|
|
|
|||
|
|
Now, run to the mirror in the bathroom
|
|||
|
|
Look!
|
|||
|
|
I can't live thru each slow century of her moving
|
|||
|
|
I let my cheek slide down
|
|||
|
|
The cool smooth tile
|
|||
|
|
Feel the good cold stinging blood
|
|||
|
|
The smooth hissing snakes of rain . . .
|
|||
|
|
|
|||
|
|
Once I had, a little game
|
|||
|
|
I liked to crawl back into my brain
|
|||
|
|
I think you know the game I mean
|
|||
|
|
I mean the game called 'go insane'
|
|||
|
|
Now you should try this little game
|
|||
|
|
Just close your eyes forget your name
|
|||
|
|
Forget the world forget the people
|
|||
|
|
And we'll erect a different steeple
|
|||
|
|
This little game is fun to do
|
|||
|
|
Just close your eyes no way to lose
|
|||
|
|
And I'm right there I'm going too
|
|||
|
|
Release control we're breaking thru
|
|||
|
|
|
|||
|
|
Way back deep into the brain
|
|||
|
|
Back where there's never any pain
|
|||
|
|
And the rain falls gently on the town
|
|||
|
|
And in the labyrinth of streams
|
|||
|
|
Beneath, the quiet unearthly presence of
|
|||
|
|
Nervous hill dwellers in the gentle hills around
|
|||
|
|
Reptiles abounding
|
|||
|
|
Fossils, caves, cool air heights
|
|||
|
|
|
|||
|
|
Each house repeats a mold
|
|||
|
|
Windows rolled
|
|||
|
|
Beast car locked in against morning
|
|||
|
|
All now sleeping
|
|||
|
|
Rugs silent, mirrors vacant
|
|||
|
|
Dust blind under the beds of lawful couples
|
|||
|
|
Wound in sheets
|
|||
|
|
And daughters, smug
|
|||
|
|
With semen eyes in their nipples
|
|||
|
|
|
|||
|
|
Wait
|
|||
|
|
There's been a slaughter here
|
|||
|
|
|
|||
|
|
(Don't stop to speak or look around
|
|||
|
|
Your gloves and fan are on the ground
|
|||
|
|
We're getting out of town
|
|||
|
|
We're going on the run
|
|||
|
|
And you're the one I want to come
|
|||
|
|
|
|||
|
|
Not to touch the earth
|
|||
|
|
Not to see the sun
|
|||
|
|
Nothing left to do, but
|
|||
|
|
Run, run, run
|
|||
|
|
Let's run
|
|||
|
|
House upon the hill
|
|||
|
|
Moon is lying still
|
|||
|
|
Shadows of the trees
|
|||
|
|
Witnessing the wild breeze
|
|||
|
|
C'mon baby run with me
|
|||
|
|
Let's run
|
|||
|
|
Run with me
|
|||
|
|
Run with me
|
|||
|
|
Run with me
|
|||
|
|
Let's run
|
|||
|
|
|
|||
|
|
The mansion is warm, at the top of the hill
|
|||
|
|
Rich are the rooms and the comforts there
|
|||
|
|
Red are the arms of luxuriant chairs
|
|||
|
|
And you won't know a thing till you get inside
|
|||
|
|
Dead president's corpse in the driver's car
|
|||
|
|
The engine runs on glue and tar
|
|||
|
|
C'mon along, we're not going very far
|
|||
|
|
To the East to meet the Czar
|
|||
|
|
|
|||
|
|
Some outlaws lived by the side of the lake
|
|||
|
|
The minister's daughter's in love with the snake
|
|||
|
|
Who lives in a well by the side of the road
|
|||
|
|
Wake up, girl! We're almost home
|
|||
|
|
Sun, sun, sun
|
|||
|
|
Burn, burn, burn
|
|||
|
|
Soon, soon, soon
|
|||
|
|
Moon, moon, moon
|
|||
|
|
I will get you
|
|||
|
|
Soon!, Soon!, Soon!
|
|||
|
|
|
|||
|
|
Let the carnival bells ring
|
|||
|
|
Let the serpent sing
|
|||
|
|
Let everything
|
|||
|
|
|
|||
|
|
We came down
|
|||
|
|
The rivers and highways
|
|||
|
|
We came down from
|
|||
|
|
Forests and falls
|
|||
|
|
|
|||
|
|
We came down from
|
|||
|
|
Carson and Springfield
|
|||
|
|
We came down from
|
|||
|
|
Phoenix enthralled
|
|||
|
|
And I can tell you
|
|||
|
|
The names of the Kingdom
|
|||
|
|
I can tell you
|
|||
|
|
The things that you know
|
|||
|
|
Listening for a fistful of silence
|
|||
|
|
Climbing valleys into the shade
|
|||
|
|
|
|||
|
|
I am the Lizard King
|
|||
|
|
I can do anything
|
|||
|
|
I can make the earth stop in its tracks
|
|||
|
|
I made the blue cars go away
|
|||
|
|
|
|||
|
|
For seven years I dwelt
|
|||
|
|
In the loose palace of exile
|
|||
|
|
Playing strange games
|
|||
|
|
With the girls of the island
|
|||
|
|
Now I have come again
|
|||
|
|
To the land of the fair, and the strong, and the wise
|
|||
|
|
Brothers and sisters of the pale forest
|
|||
|
|
O Children of Night
|
|||
|
|
Who among you will run with the hunt?
|
|||
|
|
Now Night arrives with her purple legion
|
|||
|
|
Retire now to your tents and to your dreams
|
|||
|
|
Tomorrow we enter the town of my birth
|
|||
|
|
I want to be ready'"
|
|||
|
|
117,The changeling ,"Uhh
|
|||
|
|
Gedu
|
|||
|
|
|
|||
|
|
I live uptown
|
|||
|
|
I live downtown
|
|||
|
|
I live all around
|
|||
|
|
|
|||
|
|
I had money and I had none
|
|||
|
|
I had money and I had none
|
|||
|
|
But I've never been so broke
|
|||
|
|
That I couldn't leave town
|
|||
|
|
|
|||
|
|
I'm a changeling
|
|||
|
|
See me change
|
|||
|
|
I'm a changeling
|
|||
|
|
See me change
|
|||
|
|
|
|||
|
|
I'm the air you breath
|
|||
|
|
Food you eat
|
|||
|
|
Friends your greet
|
|||
|
|
In the sullen street
|
|||
|
|
|
|||
|
|
See me change
|
|||
|
|
See me change
|
|||
|
|
|
|||
|
|
I live uptown
|
|||
|
|
I live downtown
|
|||
|
|
I live all around
|
|||
|
|
|
|||
|
|
I had money and I had none
|
|||
|
|
I had money and I had none
|
|||
|
|
But I've never been so broke
|
|||
|
|
That I couldn't leave town
|
|||
|
|
|
|||
|
|
Well, I'm the air you breath
|
|||
|
|
Food you eat
|
|||
|
|
Friends your greet
|
|||
|
|
In the sullen street
|
|||
|
|
|
|||
|
|
You gotta see me change
|
|||
|
|
See me change
|
|||
|
|
|
|||
|
|
Yeah, I'm leavin' town
|
|||
|
|
On a midnight train
|
|||
|
|
Gonna see me change
|
|||
|
|
Change, change, change
|
|||
|
|
Change, change, change
|
|||
|
|
Change, change, change
|
|||
|
|
Change, change, change"
|
|||
|
|
118,The Crystal Ship ,"Before you slip into unconsciousness
|
|||
|
|
I'd like to have another kiss
|
|||
|
|
Another flashing chance at bliss
|
|||
|
|
Another kiss, another kiss
|
|||
|
|
|
|||
|
|
The days are bright and filled with pain
|
|||
|
|
Enclose me in your gentle rain
|
|||
|
|
The time you ran was too insane
|
|||
|
|
We'll meet again, we'll meet again
|
|||
|
|
|
|||
|
|
Oh tell me where your freedom lies
|
|||
|
|
The streets are fields that never die
|
|||
|
|
Deliver me from reasons why
|
|||
|
|
You'd rather cry, I'd rather fly
|
|||
|
|
|
|||
|
|
The crystal ship is being filled
|
|||
|
|
A thousand girls, a thousand thrills
|
|||
|
|
A million ways to spend your time
|
|||
|
|
When we get back, Ill drop a line"
|
|||
|
|
119,The End ,"This is the end
|
|||
|
|
Beautiful friend
|
|||
|
|
This is the end
|
|||
|
|
My only friend, the end
|
|||
|
|
|
|||
|
|
Of our elaborate plans, the end
|
|||
|
|
Of everything that stands, the end
|
|||
|
|
No safety or surprise, the end
|
|||
|
|
I'll never look into your eyes...again
|
|||
|
|
|
|||
|
|
Can you picture what will be
|
|||
|
|
So limitless and free
|
|||
|
|
Desperately in need...of some...stranger's hand
|
|||
|
|
In a...desperate land
|
|||
|
|
|
|||
|
|
Lost in a Roman...wilderness of pain
|
|||
|
|
And all the children are insane
|
|||
|
|
All the children are insane
|
|||
|
|
Waiting for the summer rain, yeah
|
|||
|
|
|
|||
|
|
There's danger on the edge of town
|
|||
|
|
Ride the King's highway, baby
|
|||
|
|
Weird scenes inside the gold mine
|
|||
|
|
Ride the highway west, baby
|
|||
|
|
|
|||
|
|
Ride the snake, ride the snake
|
|||
|
|
To the lake, the ancient lake, baby
|
|||
|
|
The snake is long, seven miles
|
|||
|
|
Ride the snake...he's old, and his skin is cold
|
|||
|
|
|
|||
|
|
The west is the best
|
|||
|
|
The west is the best
|
|||
|
|
Get here, and we'll do the rest
|
|||
|
|
|
|||
|
|
The blue bus is callin' us
|
|||
|
|
The blue bus is callin' us
|
|||
|
|
Driver, where you taken' us
|
|||
|
|
|
|||
|
|
The killer awoke before dawn, he put his boots on
|
|||
|
|
He took a face from the ancient gallery
|
|||
|
|
And he walked on down the hall
|
|||
|
|
He went into the room where his sister lived, and...then he
|
|||
|
|
Paid a visit to his brother, and then he
|
|||
|
|
He walked on down the hall, and
|
|||
|
|
And he came to a door...and he looked inside
|
|||
|
|
„Father?” „Yes son?” „I want to kill you.”
|
|||
|
|
„Mother? I want to...”
|
|||
|
|
|
|||
|
|
C'mon baby, take a chance with us
|
|||
|
|
C'mon baby, take a chance with us
|
|||
|
|
C'mon baby, take a chance with us
|
|||
|
|
And meet me at the back of the blue bus
|
|||
|
|
Doin' a blue rock
|
|||
|
|
On a blue bus
|
|||
|
|
Doin' a blue rock
|
|||
|
|
C'mon, yeah
|
|||
|
|
|
|||
|
|
Fuck, fuck
|
|||
|
|
Fuck fuck, fuck, fuck
|
|||
|
|
Come on baby, fuck baby yeah
|
|||
|
|
Fuck fuck fuck fuck fuck
|
|||
|
|
Come on baby, fuck baby
|
|||
|
|
Fuck fuck fuck fuck fuck
|
|||
|
|
Come on
|
|||
|
|
Fuck fuck
|
|||
|
|
Alright
|
|||
|
|
Fuck fuck
|
|||
|
|
Kill, kill, kill, kill
|
|||
|
|
|
|||
|
|
This is the end
|
|||
|
|
Beautiful friend
|
|||
|
|
This is the end
|
|||
|
|
My only friend, the end
|
|||
|
|
|
|||
|
|
It hurts to set you free
|
|||
|
|
But you'll never follow me
|
|||
|
|
The end of laughter and soft lies
|
|||
|
|
The end of nights we tried to die
|
|||
|
|
|
|||
|
|
This is the end"
|
|||
|
|
120,The hill dweller ,"Way back deep into the brain
|
|||
|
|
Way back past the realm of pain
|
|||
|
|
Back where there`s never any rain
|
|||
|
|
|
|||
|
|
And the rain falls gently on the town
|
|||
|
|
And over the heads of all of us
|
|||
|
|
|
|||
|
|
And in the labyrinth of streams beneath the
|
|||
|
|
Quiet unearthly presence of
|
|||
|
|
Nervous hill dwellers in the gently hills around
|
|||
|
|
Reptiles abounding
|
|||
|
|
Fossils, caves, cool air heights "
|
|||
|
|
121,The hitchhiker ,"Thoughts in time and out of season
|
|||
|
|
The Hitchhiker
|
|||
|
|
Stood by the side of the road
|
|||
|
|
And leveled his thumb
|
|||
|
|
In the calm calculus of reason
|
|||
|
|
Hi. How you doin'? I just got back into town L.A.
|
|||
|
|
I was out on the desert for awhile
|
|||
|
|
Riders on the storm
|
|||
|
|
Yeah. In the middle of it
|
|||
|
|
Riders on the storm
|
|||
|
|
Right...
|
|||
|
|
Into this world we're born
|
|||
|
|
Hey, listen, man, I really got a problem
|
|||
|
|
Into this world we're thrown
|
|||
|
|
When I was out on the desert, ya know
|
|||
|
|
Like a dog without a bone
|
|||
|
|
An actor out on loan
|
|||
|
|
I don't know how to tell you
|
|||
|
|
Riders on the storm
|
|||
|
|
but, ah, I killed somebody
|
|||
|
|
There's a killer on the road
|
|||
|
|
No...
|
|||
|
|
His brain is squirming like a toad
|
|||
|
|
It's no big deal, ya know
|
|||
|
|
I don't think anybody will find out about it, but...
|
|||
|
|
take a long holiday
|
|||
|
|
just, ah...
|
|||
|
|
Let your children play
|
|||
|
|
this guy gave me a ride, and ah...
|
|||
|
|
If you give this man a ride
|
|||
|
|
started giving me a lot of trouble
|
|||
|
|
Sweet family will die
|
|||
|
|
and I just couldn't take it, ya know
|
|||
|
|
Killer on the road
|
|||
|
|
And I wasted him
|
|||
|
|
Yeah "
|
|||
|
|
122,The Mosquito ,"No me moleste mosquito
|
|||
|
|
No me moleste mosquito
|
|||
|
|
No me moleste mosquito
|
|||
|
|
Why don't you go home
|
|||
|
|
No me moleste mosquito
|
|||
|
|
Let me eat my burrito
|
|||
|
|
No me moleste mosquito
|
|||
|
|
Why don't you go home.
|
|||
|
|
|
|||
|
|
No me moleste mosquito
|
|||
|
|
No me moleste mosquito
|
|||
|
|
No me moleste mosquito
|
|||
|
|
Why don't you go home
|
|||
|
|
No me moleste mosquito
|
|||
|
|
Just Let me eat my burrito
|
|||
|
|
No me moleste mosquito
|
|||
|
|
Why don't you go home"
|
|||
|
|
123,The movie ,"The movie will begin in five moments
|
|||
|
|
The mindless voice announced
|
|||
|
|
All those unseated will await the next show.
|
|||
|
|
|
|||
|
|
We filed slowly, languidly into the hall
|
|||
|
|
The auditorium was vast and silent
|
|||
|
|
As we seated and were darkened, the voice continued.
|
|||
|
|
|
|||
|
|
The program for this evening is not new
|
|||
|
|
You've seen this entertainment through and through
|
|||
|
|
You've seen your birth your life and death
|
|||
|
|
you might recall all of the rest
|
|||
|
|
Did you have a good world when you died?
|
|||
|
|
Enough to base a movie on?.
|
|||
|
|
|
|||
|
|
|
|||
|
|
I'm getting out of here
|
|||
|
|
Where are you going?
|
|||
|
|
To the other side of morning
|
|||
|
|
Please don't chase the clouds, pagodas
|
|||
|
|
|
|||
|
|
Her cunt gripped him like a warm, friendly hand.
|
|||
|
|
|
|||
|
|
It's alright, all your friends are here
|
|||
|
|
When can I meet them?
|
|||
|
|
After you've eaten
|
|||
|
|
I'm not hungry
|
|||
|
|
Uh, we meant beaten
|
|||
|
|
|
|||
|
|
Silver stream, silvery scream
|
|||
|
|
Oooooh, impossible concentration. "
|
|||
|
|
124,The palace of exile ,"For seven years I dwelt in the loose palace of exile
|
|||
|
|
Playing strange games with the girls of the island
|
|||
|
|
Now I have come again to the land of the fair
|
|||
|
|
And the stong and the wise
|
|||
|
|
|
|||
|
|
Brothers and sisters of the pale forest
|
|||
|
|
Children of night
|
|||
|
|
Who among you will run with the hunt
|
|||
|
|
|
|||
|
|
Now night arrives with her purple legion
|
|||
|
|
Retire now to your tents and your dreams
|
|||
|
|
Tomorrow we enter the town of my birth
|
|||
|
|
I want to be ready "
|
|||
|
|
125,The Peking King And The New York Queen ,"Well, I heard a story you can judge it's worth
|
|||
|
|
About the sun and the moon
|
|||
|
|
This time they came down to earth
|
|||
|
|
They passed in the heavens each day up above
|
|||
|
|
Time after time and it soon became love
|
|||
|
|
They could not touch, they could not kiss
|
|||
|
|
They had no flesh, no earthly bliss
|
|||
|
|
So they made a scheme, they made a plan
|
|||
|
|
They would come down to earth as a woman and a man
|
|||
|
|
She rode a lunar wave, he flew a solar beam
|
|||
|
|
They took on human forms to live out a dream
|
|||
|
|
The most beautiful people that I've ever seen
|
|||
|
|
They were the Peking King and the New York Queen
|
|||
|
|
I said the Peking King and the New York Queen.
|
|||
|
|
As fate would have it in the toss of the dice
|
|||
|
|
They went to opposite ends of this world of our lives
|
|||
|
|
Opposite eyes, opposite minds
|
|||
|
|
Such things matter in these troubled times.
|
|||
|
|
Peking in the East and New York in the West
|
|||
|
|
Each place thought that it was the best
|
|||
|
|
But the sun and the moon on their earthly quest
|
|||
|
|
Knew without a doubt that it was all the best
|
|||
|
|
They said what does it matter how you read a book
|
|||
|
|
It's all the same no matter how it looks.
|
|||
|
|
Well the only thing important to the Peking King
|
|||
|
|
Was bein' in the arms of his New York Queen
|
|||
|
|
Thousand of miles, they were so far apart
|
|||
|
|
How to get together? Oh, where to start?
|
|||
|
|
On the California Zephyr and the Shanghai Express
|
|||
|
|
He headed to Hong Kong, she headed out west.
|
|||
|
|
No passports, no visas, no government quotas
|
|||
|
|
No secret missile sites in South Dakota
|
|||
|
|
No red tape, no red guard could stop the dream
|
|||
|
|
Of the Peking King and the New York Queen
|
|||
|
|
I said, the Peking King and the New York Queen
|
|||
|
|
Well they found a little island in the Philippines
|
|||
|
|
It was a perfect little place to live out a dream
|
|||
|
|
They say East is East, West is West
|
|||
|
|
They say the twain won't meet, but don't you take that bet
|
|||
|
|
'Cause you're invited to a wedding and to share the dream
|
|||
|
|
Of the Peking King and the New York Queen
|
|||
|
|
The Peking King and the New York Queen."
|
|||
|
|
126,The Piano Bird ,"A bird sings outside my piano
|
|||
|
|
Lark of sweet love singing low
|
|||
|
|
The more I play, the more he sings
|
|||
|
|
He lives right up there in the green trees
|
|||
|
|
Singing to me melodies
|
|||
|
|
And in return I play for him
|
|||
|
|
I played him a song on my piano
|
|||
|
|
Well I played real good
|
|||
|
|
And I played what I could
|
|||
|
|
And in return, he sang for me
|
|||
|
|
He lives right out there in the tree
|
|||
|
|
Giving me his melodies
|
|||
|
|
A bird sings outside my piano
|
|||
|
|
Well I played real good
|
|||
|
|
And I played what I could
|
|||
|
|
And in return, he sang for me
|
|||
|
|
He lives right out there in the tree
|
|||
|
|
Giving me his melodies
|
|||
|
|
A bird sings outside my piano
|
|||
|
|
A bird sings outside my piano
|
|||
|
|
Lark of sweet love singing low
|
|||
|
|
He lives right up there in the green tree
|
|||
|
|
Singing to me melodies
|
|||
|
|
The more I play, the more he sings
|
|||
|
|
A bird sings outside my piano."
|
|||
|
|
127,The Severed Garden ,"Wow, I’m sick of doubt
|
|||
|
|
Live in the light of certain
|
|||
|
|
Souths Cruel bindings.
|
|||
|
|
The servants have the power
|
|||
|
|
Dog-men and their mean women
|
|||
|
|
Pulling poor blankets over
|
|||
|
|
Our sailors
|
|||
|
|
|
|||
|
|
I’m sick of dour faces
|
|||
|
|
Staring at me from the tv
|
|||
|
|
Tower
|
|||
|
|
I want roses in
|
|||
|
|
My garden bower, dig?
|
|||
|
|
Royal babies, rubies
|
|||
|
|
Must now replace aborted
|
|||
|
|
Strangers in the mud
|
|||
|
|
These mutants, blood-meal
|
|||
|
|
For the plant that’s plowed.
|
|||
|
|
|
|||
|
|
They are waiting to take us into
|
|||
|
|
The severed garden
|
|||
|
|
Do you know how pale and wanton thrillful
|
|||
|
|
Comes death on a strange hour
|
|||
|
|
Unannounced, unplanned for
|
|||
|
|
Like a scaring over-friendly guest you’ve
|
|||
|
|
Brought to bed
|
|||
|
|
Death makes angels of us all
|
|||
|
|
And gives us wings
|
|||
|
|
Where we had shoulders
|
|||
|
|
Smooth as raven’s
|
|||
|
|
Claws
|
|||
|
|
|
|||
|
|
No more money, no more fancy dress
|
|||
|
|
This other kingdom seems by far the best
|
|||
|
|
Until it’s other jaw reveals incest
|
|||
|
|
And loose obedience to a vegetable law.
|
|||
|
|
|
|||
|
|
I will not go
|
|||
|
|
Prefer a feast of friends
|
|||
|
|
To the giant family."
|
|||
|
|
128,The soft parade ,"When I was back there in seminary school,
|
|||
|
|
There was a person there
|
|||
|
|
Who put forth the proposition,
|
|||
|
|
That you can petition the lord with prayer
|
|||
|
|
Petition the lord with prayer,
|
|||
|
|
Petition the lord with prayer
|
|||
|
|
You cannot petition the lord with prayer!
|
|||
|
|
|
|||
|
|
Can you give me sanctuary
|
|||
|
|
I must find a place to hide,
|
|||
|
|
A place for me to hide
|
|||
|
|
Can you find me soft asylum,
|
|||
|
|
I cant make it anymore,
|
|||
|
|
The man is at the door
|
|||
|
|
|
|||
|
|
Peppermint, miniskirts, chocolate candy, champion Sax and a girl named sandy
|
|||
|
|
Theres only four ways to get unraveled,
|
|||
|
|
One is to sleep and the other is travel, da da
|
|||
|
|
One is a bandit up in the hills,
|
|||
|
|
One is to love your neighbor till
|
|||
|
|
His wife gets home
|
|||
|
|
|
|||
|
|
Catacombs, nursery bones, winter women, growing stones
|
|||
|
|
Carrying babies, to the river
|
|||
|
|
Streets and shoes, avenues, leather riders
|
|||
|
|
Selling news, the monk bought lunch
|
|||
|
|
Ha ha, he bought a little, yes, he did, woo!
|
|||
|
|
This is the best part of the trip, this is the trip, the best part
|
|||
|
|
I really like, whatd he say?
|
|||
|
|
Pretty good, Im proud to be a part of this number
|
|||
|
|
Successful hills are here to stay
|
|||
|
|
Everything must be this way
|
|||
|
|
Gentle streets where people play
|
|||
|
|
Welcome to the soft parade
|
|||
|
|
All our lives we sweat and save
|
|||
|
|
Building for a shallow grave
|
|||
|
|
Must be something else we say
|
|||
|
|
Somehow to defend this place
|
|||
|
|
Everything must be this way
|
|||
|
|
Everything must be this way
|
|||
|
|
The soft parade has now begun
|
|||
|
|
Listen to the engines hum
|
|||
|
|
People out to have some fun
|
|||
|
|
A cobra on my left
|
|||
|
|
Leopard on my right
|
|||
|
|
The deer woman in a silk dress
|
|||
|
|
Girls with beads around their necks
|
|||
|
|
Kiss the hunter of the green vest
|
|||
|
|
Who has wrestled before
|
|||
|
|
With lions in the night
|
|||
|
|
Out of sight!, the lights are getting brighter
|
|||
|
|
The radio is moaning, calling to the dogs
|
|||
|
|
There are still a few animals, left out in the yard
|
|||
|
|
But its getting harder, to describe sailors, to the underfed
|
|||
|
|
Tropic corridor, tropic treasure
|
|||
|
|
What got us this far, to this mild equator?
|
|||
|
|
We need someone or something new
|
|||
|
|
Something else to get us through, yeah, cmon
|
|||
|
|
Callin on the dogs, callin on the dogs
|
|||
|
|
Oh, its gettin harder, callin on the dogs
|
|||
|
|
Callin in the dogs, callin all the dogs, callin on the gods
|
|||
|
|
You gotta meet me, too late, baby
|
|||
|
|
Slay a few animals, at the crossroads, too late
|
|||
|
|
All in the yard, but its gettin harder, by the crossroads
|
|||
|
|
You gotta meet me, oh, were goin, were goin great
|
|||
|
|
At the edge of town, tropic corridor, tropic treasure
|
|||
|
|
Havin a good time, got to come along, what got us this far
|
|||
|
|
To this mild equator? , outskirts of the city, you and i
|
|||
|
|
We need someone new, somethin new, somethin else to get us through
|
|||
|
|
Better bring your gun, better bring your gun
|
|||
|
|
Tropic corridor, tropic treasure, were gonna ride and have some fun
|
|||
|
|
|
|||
|
|
When all else fails, we can whip the horses eyes
|
|||
|
|
And make them sleep, and cry"
|
|||
|
|
129,The Spy ,"I'm a spy in the house of love.
|
|||
|
|
I know the dream, that you're dreamin' of.
|
|||
|
|
I know the word that you long to hear.
|
|||
|
|
I know your deepest, secret fear.
|
|||
|
|
I'm a spy in the house of love.
|
|||
|
|
I know the dream, that you're dreamin' of.
|
|||
|
|
I know the word that you long to hear.
|
|||
|
|
I know your deepest, secret fear.
|
|||
|
|
I know everything. Everything you do.
|
|||
|
|
Everywhere you go. Everyone you know.
|
|||
|
|
I'm a spy in the house of love.
|
|||
|
|
I know the dream, that you're dreamin' of.
|
|||
|
|
I know the word that you long to hear.
|
|||
|
|
I know your deepest, secret fear.
|
|||
|
|
I know your deepest, secret fear.
|
|||
|
|
I know your deepest, secret fear.
|
|||
|
|
I'm a spy, I can see What you do.
|
|||
|
|
And I know."
|
|||
|
|
130,The Unknown Soldier ,"Wait until the war is over
|
|||
|
|
And we're both a little older
|
|||
|
|
|
|||
|
|
The unknown soldier
|
|||
|
|
|
|||
|
|
Breakfast where the news is read
|
|||
|
|
Television children fed
|
|||
|
|
Unborn, living
|
|||
|
|
Living, dead
|
|||
|
|
Bullet strikes the helmets head
|
|||
|
|
|
|||
|
|
And it's all over for the unknown soldier
|
|||
|
|
It's all over for the unknown soldier
|
|||
|
|
|
|||
|
|
""Company, halt!""
|
|||
|
|
|
|||
|
|
""Present arms!""
|
|||
|
|
|
|||
|
|
Make a grave for the unknown soldier
|
|||
|
|
Nestled in your hollow shoulder
|
|||
|
|
|
|||
|
|
The unknown soldier
|
|||
|
|
|
|||
|
|
Breakfast where the news is read
|
|||
|
|
Television children fed
|
|||
|
|
Bullet strikes the helmets head
|
|||
|
|
|
|||
|
|
It's all over
|
|||
|
|
The war is over
|
|||
|
|
It's all over
|
|||
|
|
The war is over..."
|
|||
|
|
131,The Wasp (Texas Radio And The Big Beat) ,"I wanna tell you 'bout Texas Radio and the Big Beat
|
|||
|
|
Comes out of the Virginia swamps
|
|||
|
|
Cool and slow with plenty of precision
|
|||
|
|
With a back beat narrow and hard to master
|
|||
|
|
Some call it heavenly in it's brilliance
|
|||
|
|
Others, mean and ruthful of the Western dream
|
|||
|
|
I love the friends I have gathered together on this thin raft
|
|||
|
|
We have constructed pyramids in honor of our escaping
|
|||
|
|
This is the land where the Pharaoh died
|
|||
|
|
The Negroes in the forest brightly feathered
|
|||
|
|
They are saying, ""Forget the night.
|
|||
|
|
Live with us in forests of azure.
|
|||
|
|
Out here on the perimeter there are no stars
|
|||
|
|
Out here we is stoned - immaculate.""
|
|||
|
|
Listen to this, and I'll tell you 'bout the heartache
|
|||
|
|
I'll tell you 'bout the heartache and the lose of God
|
|||
|
|
I'll tell you 'bout the hopeless night
|
|||
|
|
The meager food for souls forgot
|
|||
|
|
I'll tell you 'bout the maiden with raw iron soul
|
|||
|
|
I'll tell you this
|
|||
|
|
No eternal reward will forgive us now for wasting the dawn
|
|||
|
|
I'll tell you 'bout Texas Radio and the Big Beat
|
|||
|
|
Soft drivin', slow and mad, like some new language
|
|||
|
|
Now, listen to this, and I'll tell you 'bout the Texas
|
|||
|
|
I'll tell you 'bout the Texas Radio
|
|||
|
|
I'll tell you 'bout the hopeless night
|
|||
|
|
Wandering the Western dream
|
|||
|
|
Tell you 'bout the maiden with raw iron soul"
|
|||
|
|
132,The World On Fire ,"The World on Fire...Taxi from Africa...The Grand Hotel...
|
|||
|
|
He was drunk a big party last night back going back
|
|||
|
|
in all directions sleeping these insane hours I'll never wake up
|
|||
|
|
in a good mood again I'm sick of these stinky boots"
|
|||
|
|
133,There You Sit ,"There you sit
|
|||
|
|
All by yourself.
|
|||
|
|
Everybody's dancing,
|
|||
|
|
Cannot help themselves.
|
|||
|
|
|
|||
|
|
Come on girl,
|
|||
|
|
Get that groove.
|
|||
|
|
You know baby,
|
|||
|
|
Like to see you move, child.
|
|||
|
|
"
|
|||
|
|
134,Tightrope Ride ,"You're on a tightrope ride, nobody by your side
|
|||
|
|
Well, you're all alone, gotta find a new home
|
|||
|
|
|
|||
|
|
Don't go over the line. You better keep on time
|
|||
|
|
Or you'll lose your mind on your tightrope ride
|
|||
|
|
|
|||
|
|
Watch out, don't fall! Careful, don't slip!
|
|||
|
|
|
|||
|
|
You better get your balance, you have to feel the way
|
|||
|
|
There are no more questions, no answers today
|
|||
|
|
|
|||
|
|
There are no reasons, there are no more rhymes
|
|||
|
|
But if you feel it, you can fly next time
|
|||
|
|
You can fly next time, or maybe this time
|
|||
|
|
|
|||
|
|
Did you think we were all together?
|
|||
|
|
Did you think we were all the same?
|
|||
|
|
Did you think maybe I could help you
|
|||
|
|
Remember your name, remember the game
|
|||
|
|
What's the name of the game
|
|||
|
|
|
|||
|
|
It's a very good game, never stays the same
|
|||
|
|
It's the number one from mud to sun
|
|||
|
|
|
|||
|
|
You're on a tightrope ride, we're all by your side
|
|||
|
|
But you're all alone, and we're going home
|
|||
|
|
And we're by your side, but you're all alone
|
|||
|
|
Like a Rolling Stone, like Brian Jones
|
|||
|
|
On a tightrope ride"
|
|||
|
|
135,To Come Of Age ,"A military station in the desert.
|
|||
|
|
Can we resolve the past
|
|||
|
|
Lurking jaws, joints of time?
|
|||
|
|
The Base
|
|||
|
|
To come of age in a dry place
|
|||
|
|
Holes and caves.
|
|||
|
|
My friend drove and hour each day from the mountains
|
|||
|
|
The bus gives you a hard-on with books in your lap
|
|||
|
|
Someone shot the bird in the afternoon dance show
|
|||
|
|
They gave out free records to the best couple
|
|||
|
|
Spades dance best, from the hip."
|
|||
|
|
136,Touch Me ,"Yeah! Come on, come on, come on, come on
|
|||
|
|
Now touch me, baby
|
|||
|
|
Can't you see that I am not afraid?
|
|||
|
|
What was that promise that you made?
|
|||
|
|
Why won't you tell me what she said?
|
|||
|
|
What was that promise that you made?
|
|||
|
|
|
|||
|
|
Now, I'm gonna love you
|
|||
|
|
Till the heavens stop the rain
|
|||
|
|
I'm gonna love you
|
|||
|
|
Till the stars fall from the sky for you and I
|
|||
|
|
|
|||
|
|
Come on, come on, come on, come on
|
|||
|
|
Now touch me, baby
|
|||
|
|
Can't you see that I am not afraid?
|
|||
|
|
What was that promise that you made?
|
|||
|
|
Why won't you tell me what she said?
|
|||
|
|
What was that promise that you made?
|
|||
|
|
|
|||
|
|
I'm gonna love you
|
|||
|
|
Till the heavens stop the rain
|
|||
|
|
I'm gonna love you
|
|||
|
|
Till the stars fall from the sky for you and I
|
|||
|
|
I'm gonna love you
|
|||
|
|
Till the heavens stop the rain
|
|||
|
|
I'm gonna love you
|
|||
|
|
Till the stars fall from the sky for you and I"
|
|||
|
|
137,Tree Trunk ,"You and me caught in the heart of a rainstorm
|
|||
|
|
Gettin' all wet, but I got me a brainstorm
|
|||
|
|
Why don't we hide in the trunk of this tree for a while?
|
|||
|
|
And we're gettin' so close
|
|||
|
|
It's so warm that you're makin' me smile
|
|||
|
|
Well, you're makin' me wish we could stay here
|
|||
|
|
For more than a while.
|
|||
|
|
Well, the rain has been over for two or three hours
|
|||
|
|
We're gonna stay with the trees and the flowers
|
|||
|
|
Why don't we stay here 'til nineteen seventy-four?
|
|||
|
|
And I look at the sky
|
|||
|
|
And I wish it would rain some more
|
|||
|
|
And you're makin' me feel just like I've
|
|||
|
|
Never felt before
|
|||
|
|
This memory I can't erase
|
|||
|
|
The raindrops on your face look so inviting
|
|||
|
|
I know this love I can't resist
|
|||
|
|
The way you pout your lips is so exciting
|
|||
|
|
Inviting.
|
|||
|
|
You and me caught in the heart of a rainstorm
|
|||
|
|
Gettin' all wet, but I got me a brainstorm
|
|||
|
|
Why don't we hide in the trunk of this tree for a while?
|
|||
|
|
And we're gettin' so close
|
|||
|
|
It's so warm you're makin' me smile
|
|||
|
|
Well, you're makin' me wish we could stay here
|
|||
|
|
For more than a while
|
|||
|
|
Yes you're makin' me wish we could stay here
|
|||
|
|
For more than a while."
|
|||
|
|
138,Twentieth Century Fox ,"Well, she's fashionably lean
|
|||
|
|
And she's fashionably late
|
|||
|
|
She'll never rank a scene
|
|||
|
|
She'll never break a date
|
|||
|
|
But she's no drag
|
|||
|
|
Just watch the way she walks
|
|||
|
|
|
|||
|
|
She's a twentieth century fox
|
|||
|
|
She's a twentieth century fox
|
|||
|
|
|
|||
|
|
No tears, no fears
|
|||
|
|
No ruined years, no clocks
|
|||
|
|
She's a twentieth century fox, oh yeah
|
|||
|
|
|
|||
|
|
She's the queen of cool
|
|||
|
|
And she's the lady who waits
|
|||
|
|
Since her mind left school
|
|||
|
|
It never hesitates
|
|||
|
|
She won't waste time
|
|||
|
|
On elementary talk
|
|||
|
|
|
|||
|
|
'Cause she's a twentieth century fox
|
|||
|
|
She's a twentieth century fox
|
|||
|
|
Got the world locked up
|
|||
|
|
Inside a plastic box
|
|||
|
|
|
|||
|
|
She's a twentieth century fox, oh yeah
|
|||
|
|
Twentieth century fox, oh yeah
|
|||
|
|
Twentieth century fox
|
|||
|
|
She's a twentieth century fox"
|
|||
|
|
139,Under Waterfall ,"Have you heard?
|
|||
|
|
Have you heard?
|
|||
|
|
Have you heard?
|
|||
|
|
Have you heard the word?
|
|||
|
|
(I'm talkin' about love)
|
|||
|
|
(I'm talkin' about love)
|
|||
|
|
|
|||
|
|
The only thing I'm interested in
|
|||
|
|
(Love)
|
|||
|
|
(Love)
|
|||
|
|
The only thing I'm interested in
|
|||
|
|
(Love)
|
|||
|
|
(Love)
|
|||
|
|
Under waterfall
|
|||
|
|
Under waterfall
|
|||
|
|
The girls return from summer balls
|
|||
|
|
Let's steal the eye that sees us all
|
|||
|
|
|
|||
|
|
And one morning, you awoke
|
|||
|
|
(Our love's in jeopardy)
|
|||
|
|
And the strange sun
|
|||
|
|
(Our love's in jeopardy)
|
|||
|
|
|
|||
|
|
There's only one thing I wanna see
|
|||
|
|
(Love)
|
|||
|
|
(Love)
|
|||
|
|
There's only one thing I wanna see
|
|||
|
|
(Love)
|
|||
|
|
(Love)
|
|||
|
|
Under waterfall
|
|||
|
|
Under waterfall
|
|||
|
|
The girls return from summer balls
|
|||
|
|
So let's steal the eye that sees us all
|
|||
|
|
|
|||
|
|
(We are not talking about no revolution)
|
|||
|
|
(I'm not talking about no demonstration)
|
|||
|
|
(I'm talking about having some fun)
|
|||
|
|
(I'm talking about death too)
|
|||
|
|
(I'm talking about love your lady till it hurts)
|
|||
|
|
(I'm talking about grabbing your friend)
|
|||
|
|
(I'm talking about love)
|
|||
|
|
(I'm talking about some love)
|
|||
|
|
(I'm talking about some love)
|
|||
|
|
(I'm talking about love)
|
|||
|
|
Under waterfall
|
|||
|
|
Under waterfall
|
|||
|
|
|
|||
|
|
The girls return from summer balls
|
|||
|
|
So let's steal the eye that sees us all
|
|||
|
|
Under waterfall
|
|||
|
|
(Love)
|
|||
|
|
(Love)
|
|||
|
|
Under waterfall
|
|||
|
|
(Love)
|
|||
|
|
(Love)
|
|||
|
|
The girls return from summer balls
|
|||
|
|
So let's steal the eye that sees us all
|
|||
|
|
(Love)
|
|||
|
|
(Love)
|
|||
|
|
(Love)
|
|||
|
|
(Love...)"
|
|||
|
|
140,Unhappy Girl ,"Unhappy girl
|
|||
|
|
Left all alone
|
|||
|
|
Playin' solitaire
|
|||
|
|
Playin' warden to your soul
|
|||
|
|
You are locked in a prison
|
|||
|
|
Of your own device
|
|||
|
|
|
|||
|
|
And you can't believe
|
|||
|
|
What it does to me
|
|||
|
|
See you crying'
|
|||
|
|
|
|||
|
|
Unhappy girl
|
|||
|
|
Tear your web away
|
|||
|
|
Saw through all your bars
|
|||
|
|
Melt your cell today
|
|||
|
|
You are caught in a prison
|
|||
|
|
Of your own device
|
|||
|
|
|
|||
|
|
Unhappy girl
|
|||
|
|
Fly fast away
|
|||
|
|
Don't miss your chance
|
|||
|
|
To swim in mystery
|
|||
|
|
You are dying in a prison
|
|||
|
|
Of your own device"
|
|||
|
|
141,Universal Mind ,"I was doing time in the universal mind
|
|||
|
|
I was feeling fine
|
|||
|
|
I was turning keys, I was setting people free
|
|||
|
|
I was doing alright
|
|||
|
|
Then you came along with a suitcase and a song
|
|||
|
|
Turned my head around
|
|||
|
|
Now I'm so alone, just looking for a home in every face I see
|
|||
|
|
I'm the freedom man, I'm the freedom man
|
|||
|
|
I'm the freedom man, that's how lucky I am
|
|||
|
|
I was doing time in the universal mind
|
|||
|
|
I was feeling fine
|
|||
|
|
I was turning keys, I was setting people free
|
|||
|
|
I was doing alright
|
|||
|
|
Then you came along with a suitcase and a song
|
|||
|
|
Now I'm so alone, just looking for a home in every face I see
|
|||
|
|
I'm the freedom man, I'm the freedom man
|
|||
|
|
I'm the freedom man
|
|||
|
|
I was doing time in the universal mind
|
|||
|
|
I was feeling fine
|
|||
|
|
I was turning keys, I was setting people free
|
|||
|
|
I was doing alright
|
|||
|
|
Then you came along with a suitcase and a song
|
|||
|
|
Turned my head around
|
|||
|
|
Now I'm so alone, just looking for a home in every face I see
|
|||
|
|
I'm the freedom man, yeah, that's how lucky I am
|
|||
|
|
I'm the freedom man, I'm the freedom man"
|
|||
|
|
142,Variety Is The Spice Of Life ,"Well, variety is the spice of life, babe
|
|||
|
|
That's what the judge is gonna tell my wife
|
|||
|
|
She said, ""Why'd you have to do it? Why you such a fool?""
|
|||
|
|
I can't resist to try something new'
|
|||
|
|
Well, the judge said, ""Guilty in the first degree.""
|
|||
|
|
I said, ""Can I help it if I dig multiplicity?""
|
|||
|
|
All these pretty women with nothing to do
|
|||
|
|
C'mon and help me try to find something new.
|
|||
|
|
Well, you've gotta try ev'rything once
|
|||
|
|
You better take out some insurance
|
|||
|
|
You gotta try ev'rything once
|
|||
|
|
You better build up your endurance
|
|||
|
|
Well, variety is the spice of life
|
|||
|
|
That's what the judge is gonna tell my wife
|
|||
|
|
She said, ""Why'd you have to do it? Why such a fool?""
|
|||
|
|
I can't resist to try something new
|
|||
|
|
You got a full house, babe, I got four of a kind
|
|||
|
|
I'm watchin' six different televisions, all at one time
|
|||
|
|
You know I love you, baby, sad but true
|
|||
|
|
Well, you gotta try ev'rything once
|
|||
|
|
You better take out some insurance
|
|||
|
|
You gotta try ev'rything once
|
|||
|
|
You better build up your endurance
|
|||
|
|
'Cause variety is the spice of life, babe
|
|||
|
|
That's what the judge is gonna tell my wife
|
|||
|
|
She said, ""Why'd you have to do it? Why such a fool?""
|
|||
|
|
I can't resist to try something new"
|
|||
|
|
143,Verdilac ,"I'm gonna hang on your neck just like a verdilac
|
|||
|
|
Take you for a ride in my Cadillac
|
|||
|
|
Well I tried and I tried but I can't make you understand
|
|||
|
|
Baby can't you see I'm more than just a man
|
|||
|
|
If you don't bring my coffee in my favorite cup
|
|||
|
|
You're gonna make it necessary for me to conjure up
|
|||
|
|
Spirits, spirits
|
|||
|
|
I'm gonna hang on your neck just like a verdilac
|
|||
|
|
Take you for a ride in my Cadillac
|
|||
|
|
Well I tried and I tried but I can't make you understand
|
|||
|
|
Baby can't you see I'm more than just a man
|
|||
|
|
If you don't bring my coffee in my favorite cup
|
|||
|
|
You're gonna make it necessary for me to conjure up
|
|||
|
|
Spirits, spirits
|
|||
|
|
Spirits, spirits"
|
|||
|
|
144,Waiting for the Sun ,"At first flash of Eden, We race down to the sea.
|
|||
|
|
Standing there on Freedom's shore.
|
|||
|
|
|
|||
|
|
Waiting for the sun
|
|||
|
|
Waiting for the sun
|
|||
|
|
Waiting for the sun
|
|||
|
|
|
|||
|
|
Can you feel it, Now that Spring has come?
|
|||
|
|
That it's time to live In the scattered sun.
|
|||
|
|
|
|||
|
|
Waiting for the sun
|
|||
|
|
Waiting for the sun
|
|||
|
|
Waiting for the sun
|
|||
|
|
Waiting for the sun
|
|||
|
|
|
|||
|
|
Waiting
|
|||
|
|
Waiting
|
|||
|
|
Waiting
|
|||
|
|
Waiting
|
|||
|
|
Waiting
|
|||
|
|
Waiting
|
|||
|
|
Waiting
|
|||
|
|
Waiting
|
|||
|
|
|
|||
|
|
Waiting for you to
|
|||
|
|
Come along.
|
|||
|
|
Waiting for you to
|
|||
|
|
Hear my song.
|
|||
|
|
Waiting for you to
|
|||
|
|
Come along.
|
|||
|
|
Waiting for you to
|
|||
|
|
Tell me what went wrong.
|
|||
|
|
|
|||
|
|
This is the strangest Life I've ever known.
|
|||
|
|
*scream*
|
|||
|
|
|
|||
|
|
Can you feel it, Now that Spring has come?
|
|||
|
|
That it's time to live In the scattered sun.
|
|||
|
|
|
|||
|
|
Waiting for the sun
|
|||
|
|
Waiting for the sun
|
|||
|
|
Waiting for the sun
|
|||
|
|
Waiting for the sun"
|
|||
|
|
145,Wake Up ,"Wake up !
|
|||
|
|
You can't remember where it was
|
|||
|
|
Had this dream stopped?
|
|||
|
|
The snake was pale gold, glazed and shrunken
|
|||
|
|
We were afraid to touch it
|
|||
|
|
The sheets were hot dead prisons
|
|||
|
|
And she was beside me, old she's known, young
|
|||
|
|
Her dark hair, the white soft skin
|
|||
|
|
Now, run to the mirror in the bathroom
|
|||
|
|
Look ! She's coming in here
|
|||
|
|
I can 't live through each slow century of her moving
|
|||
|
|
I let my cheek slide down the cool smooth tile
|
|||
|
|
Feel the good cold stinging blood
|
|||
|
|
The smooth hissing snakes of rain"
|
|||
|
|
146,Wandering Musician ,"Please don't tell me what to do
|
|||
|
|
'cause even if I wanted to
|
|||
|
|
I couldn't throw my life away by listening to what you say
|
|||
|
|
I'm a-tellin' you
|
|||
|
|
Ain't nothin' you can do to change my ways
|
|||
|
|
Hey, hey, hey
|
|||
|
|
Ain't no way you gonna make me think like you do
|
|||
|
|
No matter if the sun or the stars say I'm wrong
|
|||
|
|
it's just the song of a lonely wandering musician
|
|||
|
|
I'm a-tellin' you
|
|||
|
|
Ain't nothin' you can do to change my ways
|
|||
|
|
No, no, no, no, no
|
|||
|
|
Ain't gonna make me think like you do
|
|||
|
|
It's just the son of a lonely wandering musician
|
|||
|
|
I'm a-tellin' you
|
|||
|
|
ain't nothin' you can do to change my ways
|
|||
|
|
Hey, hey, hey
|
|||
|
|
Ain't no way
|
|||
|
|
Hey, hey, hey
|
|||
|
|
Ain't no way"
|
|||
|
|
147,We Could Be So Good Together ,"We could be so good together
|
|||
|
|
Ya, so good together
|
|||
|
|
We could be so good together
|
|||
|
|
Ya, we could, I know we could
|
|||
|
|
Tell you lies
|
|||
|
|
I tell you wicked lies
|
|||
|
|
Tell you lies
|
|||
|
|
Tell you wicked lies
|
|||
|
|
Tell you 'bout the world that we'll invent
|
|||
|
|
Wanton world without lament
|
|||
|
|
Enterprise, expedition
|
|||
|
|
Invitation and invention
|
|||
|
|
Ya, so good together
|
|||
|
|
Ah, so good together
|
|||
|
|
We could be so good together
|
|||
|
|
Ya, we could, know we could
|
|||
|
|
Alright!
|
|||
|
|
Do da do do do do do bup bup de day
|
|||
|
|
We could be so good together
|
|||
|
|
Ya, so good together
|
|||
|
|
We could be so good together
|
|||
|
|
Ya, we could, know we could
|
|||
|
|
Tell you lies
|
|||
|
|
Tell you wicked lies
|
|||
|
|
Tell you lies
|
|||
|
|
Tell you wicked lies
|
|||
|
|
The time you wait subtracts the joy
|
|||
|
|
Beheads the angels you destroy
|
|||
|
|
Angels fight, angels cry
|
|||
|
|
Angels dance and angels die
|
|||
|
|
Ya, so good together
|
|||
|
|
Ah, but so good together
|
|||
|
|
We could be so good together Ya, we could, know we could"
|
|||
|
|
148,When the Music's Over ,"Yeah, c'mon
|
|||
|
|
|
|||
|
|
When the music's over
|
|||
|
|
When the music's over, yeah
|
|||
|
|
When the music's over
|
|||
|
|
Turn out the lights
|
|||
|
|
Turn out the lights
|
|||
|
|
Turn out the lights
|
|||
|
|
Yeah, yeah
|
|||
|
|
|
|||
|
|
When the music's over
|
|||
|
|
When the music's over
|
|||
|
|
When the music's over
|
|||
|
|
Turn out the lights
|
|||
|
|
Turn out the lights
|
|||
|
|
Turn out the lights
|
|||
|
|
|
|||
|
|
For the music is your special friend
|
|||
|
|
Dance on fire as it intends
|
|||
|
|
Music is your only friend
|
|||
|
|
Until the end
|
|||
|
|
Until the end
|
|||
|
|
Until the end
|
|||
|
|
|
|||
|
|
Cancel my subscription to the resurrection
|
|||
|
|
Send my credentials to the house of detention
|
|||
|
|
I got some friends inside
|
|||
|
|
|
|||
|
|
The face in the mirror won't stop
|
|||
|
|
The girl in the window won't drop
|
|||
|
|
A feast of friends ""Alive"" she cried
|
|||
|
|
Waitin' for me outside
|
|||
|
|
|
|||
|
|
Before I sink into the big sleep
|
|||
|
|
I want to hear
|
|||
|
|
I want to hear
|
|||
|
|
The scream of the butterfly
|
|||
|
|
|
|||
|
|
Come back, baby
|
|||
|
|
Back into my arm
|
|||
|
|
|
|||
|
|
We're gettin' tired of hangin' around
|
|||
|
|
Waitin' around with our heads to the ground
|
|||
|
|
|
|||
|
|
I hear a very gentle sound
|
|||
|
|
Very near, yet, very far
|
|||
|
|
Very soft, yet, very clear
|
|||
|
|
Come today, come today
|
|||
|
|
|
|||
|
|
What have they done to the earth?
|
|||
|
|
What have they done to our fair sister?
|
|||
|
|
Ravaged and plundered and ripped her and bit her
|
|||
|
|
Stuck her with knives in the side of the dawn and
|
|||
|
|
Tied her with fences and dragged her down
|
|||
|
|
|
|||
|
|
I hear a very gentle sound
|
|||
|
|
With your ear down to the ground
|
|||
|
|
We want the world and we want it
|
|||
|
|
We want the world and we want it
|
|||
|
|
Now
|
|||
|
|
Now?
|
|||
|
|
Now
|
|||
|
|
|
|||
|
|
Persian night, babe
|
|||
|
|
See the light, babe
|
|||
|
|
Save us, Jesus
|
|||
|
|
Save us
|
|||
|
|
|
|||
|
|
So when the music's over
|
|||
|
|
When the music's over, yeah
|
|||
|
|
When the music's over
|
|||
|
|
Turn out the lights
|
|||
|
|
Turn out the lights
|
|||
|
|
Turn out the lights
|
|||
|
|
|
|||
|
|
Well the music is your special friend
|
|||
|
|
Dance on fire as it intends
|
|||
|
|
Music is your only friend
|
|||
|
|
Until the end
|
|||
|
|
Until the end
|
|||
|
|
Until the end"
|
|||
|
|
149,Whiskey Bar (Alabama Song) ,"Well, show me the way
|
|||
|
|
To the next whiskey bar
|
|||
|
|
Oh, don't ask why
|
|||
|
|
Oh, don't ask why
|
|||
|
|
Show me the way
|
|||
|
|
To the next whiskey bar
|
|||
|
|
Oh, don't ask why
|
|||
|
|
Oh, don't ask why
|
|||
|
|
For if we don't find
|
|||
|
|
The next whiskey bar
|
|||
|
|
I tell you we must die
|
|||
|
|
I tell you we must die
|
|||
|
|
I tell you, I tell you
|
|||
|
|
I tell you we must die
|
|||
|
|
Oh, moon of Alabama
|
|||
|
|
We now must say goodbye
|
|||
|
|
We've lost our good old mama
|
|||
|
|
And must have whiskey, oh, you know why
|
|||
|
|
Oh, moon of Alabama
|
|||
|
|
We now must say goodbye
|
|||
|
|
We've lost our good old mama
|
|||
|
|
And must have whiskey, oh, you know why
|
|||
|
|
Well, show me the way
|
|||
|
|
To the next little girl
|
|||
|
|
Oh, don't ask why
|
|||
|
|
Oh, don't ask why
|
|||
|
|
Show me the way
|
|||
|
|
To the next little girl
|
|||
|
|
Oh, don't ask why
|
|||
|
|
Oh, don't ask why
|
|||
|
|
For if we don't find
|
|||
|
|
The next little girl
|
|||
|
|
I tell you we must die
|
|||
|
|
I tell you we must die
|
|||
|
|
I tell you, I tell you
|
|||
|
|
I tell you we must die
|
|||
|
|
Oh, moon of Alabama
|
|||
|
|
We now must say goodbye
|
|||
|
|
We've lost our good old mama
|
|||
|
|
And must have whiskey, oh, you know why"
|
|||
|
|
150,"Whiskey, mystics and men ","Well, I’ll tell you a story
|
|||
|
|
of whiskey and mystics and men,
|
|||
|
|
And about the believers and
|
|||
|
|
how the whole thing began.
|
|||
|
|
First there were women and
|
|||
|
|
children obeying the moon,
|
|||
|
|
Then daylight brought wisdom
|
|||
|
|
and fever and sickness too soon.
|
|||
|
|
You can try to remind me
|
|||
|
|
instead of the other, you can.
|
|||
|
|
You can help to insure
|
|||
|
|
that we all insecure our command.
|
|||
|
|
If you don’t give a listen,
|
|||
|
|
I won’t try to tell your new hand.
|
|||
|
|
This is it; can’t you see
|
|||
|
|
that we all have our ends in the band.
|
|||
|
|
|
|||
|
|
And if all of the teachers and
|
|||
|
|
preachers of wealth were arraigned,
|
|||
|
|
We could see quite a future
|
|||
|
|
for me in the literal sands.
|
|||
|
|
And if all the people
|
|||
|
|
could claime to inspect such regrets,
|
|||
|
|
well, we’d have no forgiveness,
|
|||
|
|
forgetfullness, faithful remorse.
|
|||
|
|
So I tell you, I tell you,
|
|||
|
|
I tell you we must send away.
|
|||
|
|
We must try to find a
|
|||
|
|
new answer instead of a way."
|
|||
|
|
151,Who Do You Love ,"I walked 47 miles on barbed-wire,
|
|||
|
|
Got a cobra-snake for a necktie.
|
|||
|
|
I built a house by the roadside,
|
|||
|
|
Made of rattlesnake hide.
|
|||
|
|
Got a brand new chimney up on top,
|
|||
|
|
Made out of human skulls.
|
|||
|
|
Come on baby take a walk with me,
|
|||
|
|
And tell me who do you love?
|
|||
|
|
Who do you love?
|
|||
|
|
Who do you love?
|
|||
|
|
Who do you love?
|
|||
|
|
Tombstone head and a graveyard mind,
|
|||
|
|
I'm just 22 and I don't mind dying.
|
|||
|
|
Rode around the town with a rattlesnake whip,
|
|||
|
|
Come on baby don't give me no lip.
|
|||
|
|
Who do you love?
|
|||
|
|
Who do you love?
|
|||
|
|
Who do you love?
|
|||
|
|
The night is dark, the sky was blue,
|
|||
|
|
Down the alley the ice wagon flew.
|
|||
|
|
Hit a bump, somebody screamed,
|
|||
|
|
You should'a heard just what I seen.
|
|||
|
|
Who, baby, who do you love?
|
|||
|
|
What do you love, now?
|
|||
|
|
Love, love, love me girl.
|
|||
|
|
Love, love, love me darling."
|
|||
|
|
152,Who Scared You ,"Who scared you
|
|||
|
|
Why were you born, my babe.
|
|||
|
|
|
|||
|
|
In two-time's arms
|
|||
|
|
With all of your charms, my love.
|
|||
|
|
|
|||
|
|
Why were you born
|
|||
|
|
Just to play with me,
|
|||
|
|
To freak out
|
|||
|
|
Or to be beautiful, my dear?
|
|||
|
|
|
|||
|
|
Load your head,
|
|||
|
|
Blow it up.
|
|||
|
|
Feeling good, baby.
|
|||
|
|
|
|||
|
|
Load your head,
|
|||
|
|
blow it up.
|
|||
|
|
Feeling good, baby.
|
|||
|
|
Ah.
|
|||
|
|
|
|||
|
|
Well my room is so cold,
|
|||
|
|
You know you don't have to go, my babe.
|
|||
|
|
And if you want it up right,
|
|||
|
|
I'm gonna love you tonight, my love.
|
|||
|
|
|
|||
|
|
Well I'm glad that we came,
|
|||
|
|
I hope you're feeling the same.
|
|||
|
|
Who scared you
|
|||
|
|
And why were you born,
|
|||
|
|
Please stay.
|
|||
|
|
|
|||
|
|
I see a rider
|
|||
|
|
Coming down the road.
|
|||
|
|
Got a virgin
|
|||
|
|
Carrying a heavy load.
|
|||
|
|
One sack of silver,
|
|||
|
|
And one bag of gold."
|
|||
|
|
153,Wild Child ,"Wild child full of grace
|
|||
|
|
Savior of the human race
|
|||
|
|
Your cool face
|
|||
|
|
|
|||
|
|
Natural child, terrible child
|
|||
|
|
Not your mother's or your father's child
|
|||
|
|
Your our child, screamin' wild
|
|||
|
|
|
|||
|
|
An ancient lunatic reigns, in the trees of the night
|
|||
|
|
|
|||
|
|
With hunger at her heels
|
|||
|
|
Freedom in her eyes
|
|||
|
|
She dances on her knees
|
|||
|
|
Pirate prince at her side
|
|||
|
|
Starin' into a hollow idols eyes
|
|||
|
|
|
|||
|
|
Wild child full of grace
|
|||
|
|
Savior of the human race
|
|||
|
|
Your cool face
|
|||
|
|
|
|||
|
|
Do you remember when we were in Africa?"
|
|||
|
|
154,Wintertime Love ,"Wintertime winds blow cold the season
|
|||
|
|
Fallen in love, I'm hopin' to be
|
|||
|
|
Wind is so cold, is that the reason?
|
|||
|
|
Keeping you warm, your hands touching me
|
|||
|
|
|
|||
|
|
Come with me dance, my dear
|
|||
|
|
Winter's so cold this year
|
|||
|
|
You are so warm
|
|||
|
|
My wintertime love to be
|
|||
|
|
|
|||
|
|
Winter time winds blue and freezin'
|
|||
|
|
Comin' from northern storms in the sea
|
|||
|
|
Love has been lost, is that the reason?
|
|||
|
|
Trying desperately to be free
|
|||
|
|
|
|||
|
|
Come with me dance, my dear
|
|||
|
|
Winter's so cold this year
|
|||
|
|
And you are so warm
|
|||
|
|
My wintertime love to be
|
|||
|
|
|
|||
|
|
La, la, la, la
|
|||
|
|
Come with me dance, my dear
|
|||
|
|
Winter's so cold this year
|
|||
|
|
You are so warm
|
|||
|
|
My wintertime love to be"
|
|||
|
|
155,Wishful Sinful ,"Wishful crystal
|
|||
|
|
Water covers everything in blue
|
|||
|
|
Coolin' water
|
|||
|
|
Wishful sinful
|
|||
|
|
Our love is beautiful to see
|
|||
|
|
I know where I would like to be
|
|||
|
|
Right back where I came
|
|||
|
|
Wishful, sinful, wicked blue
|
|||
|
|
Water covers you
|
|||
|
|
Wishful, sinful, wicked you
|
|||
|
|
Can't escape the blue
|
|||
|
|
Magic risin'
|
|||
|
|
Sun is shinin' deep beneath the sea
|
|||
|
|
But not enough for you and me and sunshine
|
|||
|
|
Love to hear the wind cry
|
|||
|
|
Wishful sinful
|
|||
|
|
Our love is beautiful to see
|
|||
|
|
I know where I would like to be
|
|||
|
|
Right back where I came
|
|||
|
|
Wishful, sinful, wicked blue
|
|||
|
|
Water covers you
|
|||
|
|
Wishful, sinful, wicked you
|
|||
|
|
Can't escape the blue
|
|||
|
|
Love to hear the wind cry
|
|||
|
|
Love to hear you cry, yeah, yeah"
|
|||
|
|
156,Woman Is A Devil ,"Me and the devil,
|
|||
|
|
Walking side by side.
|
|||
|
|
Me and the devil,
|
|||
|
|
Gonna to take you on a long and evil ride.
|
|||
|
|
|
|||
|
|
The woman is a devil,
|
|||
|
|
That's what I've been told.
|
|||
|
|
Woman is a devil,
|
|||
|
|
That's what I've been told.
|
|||
|
|
She'll take all your money,
|
|||
|
|
Then she'll spend all your gold.
|
|||
|
|
All right.
|
|||
|
|
|
|||
|
|
The devil is a woman.
|
|||
|
|
She's a woman.
|
|||
|
|
Well I play my axe, honey.
|
|||
|
|
She take the whole damn role.
|
|||
|
|
|
|||
|
|
Keep on going, now, come on.
|
|||
|
|
All right play it, yeah.
|
|||
|
|
|
|||
|
|
One more time.
|
|||
|
|
|
|||
|
|
Well she feel like dying.
|
|||
|
|
Only twenty-one.
|
|||
|
|
Well she feel like dying,
|
|||
|
|
But she's only twenty-one.
|
|||
|
|
She's not the only,
|
|||
|
|
She's not the only one.
|
|||
|
|
|
|||
|
|
All right, all right, all right.
|
|||
|
|
All right, all right.
|
|||
|
|
Gonna save the whole world.
|
|||
|
|
All right."
|
|||
|
|
157,"Yes, The River Knows ","Please, believe me, the river told me
|
|||
|
|
Very softly, want you to hold me
|
|||
|
|
|
|||
|
|
Free fall flow, river flow, on and on it goes
|
|||
|
|
Breathe under water 'till the end
|
|||
|
|
Free fall flow, river flow, on and on it goes
|
|||
|
|
Breathe under water 'till the end
|
|||
|
|
|
|||
|
|
Yes, the river knows
|
|||
|
|
|
|||
|
|
Please, believe me, if you don't need me
|
|||
|
|
I'm going but I need a little time
|
|||
|
|
I promised I would drown myself
|
|||
|
|
In mystic heated wine
|
|||
|
|
|
|||
|
|
Please, believe me, the river told me
|
|||
|
|
Very softly, want you to hold me
|
|||
|
|
|
|||
|
|
I'm going but I need a little time
|
|||
|
|
I promised I would drown myself
|
|||
|
|
In mystic heated wine
|
|||
|
|
|
|||
|
|
Free fall flow, river flow, on and on it goes
|
|||
|
|
Breathe under water 'till the end
|
|||
|
|
Free fall flow, river flow, on and on it goes
|
|||
|
|
Breathe under water 'till the end"
|
|||
|
|
158,You Make Me Real ,"I really want you, really do
|
|||
|
|
Really need you baby, God knows I do
|
|||
|
|
‘Cause I'm not real enough without you
|
|||
|
|
Oh, what can I do?
|
|||
|
|
|
|||
|
|
You make me real
|
|||
|
|
You make me feel like lovers feel
|
|||
|
|
You make me throw away mistake and misery
|
|||
|
|
Make me free, love, make me free
|
|||
|
|
|
|||
|
|
I really want you, really do
|
|||
|
|
Really need you baby, really do
|
|||
|
|
Well, I'm not real enough without you
|
|||
|
|
Oh, what can I do?
|
|||
|
|
|
|||
|
|
You make me real
|
|||
|
|
Only you, baby, have that appeal
|
|||
|
|
So let me slide in your tender sunken sea
|
|||
|
|
Make me free, love, make me free
|
|||
|
|
|
|||
|
|
Well, roll now, baby, roll
|
|||
|
|
You gotta roll, baby, roll
|
|||
|
|
Roll now, honey, roll
|
|||
|
|
You gotta roll now, baby, roll
|
|||
|
|
|
|||
|
|
You make me real
|
|||
|
|
You make me feel like lovers feel
|
|||
|
|
You make me throw away mistake and misery
|
|||
|
|
Make me free, love, make me free
|
|||
|
|
Make me free, you make me free"
|
|||
|
|
159,You're Lost Little Girl ,"You're lost, little girl
|
|||
|
|
You're lost, little girl
|
|||
|
|
You're lost, tell me who are you?
|
|||
|
|
|
|||
|
|
Think that you know what to do
|
|||
|
|
Impossible? Yes, but it's true
|
|||
|
|
I think that you know what to do, yeah
|
|||
|
|
Sure that you know what to do
|
|||
|
|
|
|||
|
|
You're lost, little girl
|
|||
|
|
You're lost, little girl
|
|||
|
|
You're lost, tell me who are you?
|
|||
|
|
|
|||
|
|
Think that you know what to do
|
|||
|
|
Impossible? Yes, but it's true
|
|||
|
|
I think that you know what to do, girl
|
|||
|
|
Sure that you know what to do
|
|||
|
|
|
|||
|
|
You're lost, little girl
|
|||
|
|
You're lost, little girl
|
|||
|
|
You're lost"
|