mirror of
https://github.com/WallyS02/Song-Lyrics-Generator.git
synced 2024-10-03 19:36:09 +00:00
7651 lines
203 KiB
Plaintext
7651 lines
203 KiB
Plaintext
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,Title,Lyrics
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0,12D3 ,"I'm 2D
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Won't you buy me
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Piano chord
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Dictionary
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One two D three
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One two D three
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One two D three
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One two D three
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Mmm (x8)
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One two D three
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One two D three
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One two D three
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One two D three
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I'm 2D (One two D three)
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Won't you buy me (One two D three)
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Piano chord (One two D three)
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Dictionary (One two D three)
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One two D three
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I'm 2D (One two D three)
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Won't you buy me (One two D three)
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Piano chord (One two D three)
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Dictionary (One two D three)
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One two D three
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I'm 2D (One two D three)
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Won't you buy me (One two D three)
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Piano chord (One two D three)
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Dictionary (One two D three) "
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1,19 2000 ,"The world is spinnin' too fast
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I'm buyin' that Nike shoes
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To keep myself tethered
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To the days I tried to lose
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Oh yeah
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My Mama said to slow down
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You must make your own shoes
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Stop dancin' to the music
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Of Gorillaz in a happy mood
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Oh yeah
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Keep a mild groove on
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They do the bump
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They do the bump
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They do the bump
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They do the bump
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Oh yeah
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They do the bump
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They do the bump
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They do the bump
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They do the bump
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Here you go
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Get the cool
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Get the cool shoe shine
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Get the cool
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Get the cool shoe shine
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Get the cool
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Get the cool shoe shine
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Get the cool
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Get the cool shoe shine
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(There's a-)
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There's a monkey in the jungle
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Watchin' a vapour trail
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Caught up in the conflict
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Between his brain and his tail
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Oh yeah
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And if time's elimination
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Then we got nothin' to lose
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Please repeat the message
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It's the music that we choose
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Oh yeah
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Keep a mild groove on
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They do the bump
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They do the bump
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They do the bump
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They do the bump
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Oh yeah
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They do the bump
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They do the bump
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They do the bump
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They do the bump
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Okay bring it down, yeah, we gonna break out
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Get the cool
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Get the cool shoe shine
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Get the cool
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Get the cool shoe shine
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Get the cool
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Get the cool shoe shine
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Get the cool
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Get the cool shoe shine
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They do the bump
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They do the bump
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They do the bump"
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2,19/2000 (Soulchild Remix) ,"[Intro: 2D (Distorted)]
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It's the music that we choose [8x]
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[Verse 1: 2D]
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The world is spinning too fast
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I'm buying lead Nike shoes
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To keep myself tethered
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To the days I've tried to lose
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My mama said to slow down
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You must make your own shoes
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Stop dancing to the music
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Of Gorillaz in a happy mood
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[Bridge: 2D]
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Keeping my groove on
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They do the bump
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They do the bump
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They do the bump
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Yeah, yeah
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Keeping my groove on
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They do the bump
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They do the bump
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They do the bump
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They do the bump
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[Chorus: Noodle]
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Here you go! Get the cool
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Get the cool shoeshine
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Get the cool
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Get the cool shoeshine
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Get the cool
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Get the cool shoeshine
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Get the cool
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Get the cool shoeshine
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[Verse 2: 2D]
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There's a monkey in the jungle
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Watching a vapor trail
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Caught up in the conflict
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Between its brain and its tail
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And if time's elimination
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Then we got nothing to lose
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Please repeat the message
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It's the music that we choose
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[Bridge: 2D]
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Keeping my groove on
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They do the bump
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They do the bump
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They do the bump
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Yeah, yeah
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Keeping my groove on
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They do the bump
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They do the bump
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They do the bump
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They do the bump
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[Chorus: Noodle]
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Get the cool
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Get the cool shoeshine
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Get the cool
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Get the cool shoeshine
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Get the cool
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Get the cool shoeshine
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Get the cool
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Get the cool shoeshine
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[Interlude: 2D and Noodle]
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They do the bump
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They do the bump
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They do the bump
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(Keeping my groove on)
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They do the bump
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Okay, bring it down here
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We gonna break out
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[Chorus: Noodle]
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Get the cool
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Get the cool shoeshine
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Get the cool
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Get the cool shoeshine
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Get the cool
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Get the cool shoeshine
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Get the cool
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Get the cool shoeshine"
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3,5 4 ,"Magic for me
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Magic make no sound
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It good for me
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It good for me underground
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Magic on me
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Really got me down
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Invade the city
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It make my heart beat no sound
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Beat no sound
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Beat no sound (ooh ooh ooh ooh)
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Beat no sound
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Beat no sound
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Beat no sound (ooh ooh ooh ooh)
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And let me tell myself
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Tell on
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She turned my dad on
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She turned my dad on
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Dad on
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Dad on
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Magic for me
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Magic get me through
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We pledge it money
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People seem to walk through you
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Magic's funny
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Magic get me through
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All good for me
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When people seem to always walk through you
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Walk through you
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Walk through you (ooh ooh ooh ooh)
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Walk through you
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Walk through you
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Walk through you (ooh ooh ooh ooh)
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Walk through you
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Walk through you
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Walk through you
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And let me tell myself
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Tell on
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She turned my dad on
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She turned my dad on
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Dad on
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Dad on
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She made me kill myself
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Come on
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Come on
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She turned my dad on
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Come on
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She turned my dad on
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Come on
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She turned my dad on
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She turned my dad on
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Dad on
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Dad on"
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4,911 ,"""911""
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(feat. D-12)
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[Introduction]
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Gorillaz
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Back the fuck up
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D12
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[Proof]
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There ain't no trouble in rock (rock)
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On every block (block)
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Late for School, Late for Work
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But ahead of these cops (cops)
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My credit is shock, in the detinate box (box)
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Like, people take my life and thats pathetic as Pac's (Pac's)
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A waste of the talent, Say my boys is just no where
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Placed on the planet, remain in poisonous warfare
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Derelict Arabic terrorists in the air
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Shit arrogant apparent to punish people by their heritage,
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Nato barriers, Hate embarrassed
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There is the faith to cherish
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In your room face to face with race awareness
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A race to s?? army bombin' your God is with you
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Calm over war, we gotta start our pistol
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Cause if you right and, know you right, then where's your ritious ways
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We sacrafice, snatch your life, many nights and days
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Follow me into equality we might behave
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And only christ can say the trife will reunite again
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[Kuniva]
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America Owns, Without a fucking care in my dome
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Bearin' my bones, so far away staring at home
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Stay at my zone, falling asleep late with my chrome
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Feelin' hype from these rockets burning like straightenin' in the cones
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Stay at the streets, bullshit and plans to beef
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Spray at your peeps for christmas, give a K to my neice
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Real nigga's feel us and fear us
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Gorillaz beat on they chest when
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Dangerous lyricist, I hope that you hear us
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The spirit of Bugz is still in me
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God bless it the trinity
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Cause my bullets they come in three's like trilogy's
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Put the knife away, missles away strike and blaze
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So much smoke you can't tell the difference between night and day
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Right away blow your life away, so light your haze
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Hold tight grenede's so when it blows I'm slightly grazed
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Kuniva might be crazed unleashin' unlikely rage
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The next time you hear a verse from me I might be caged
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[Chorus]
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Aaaahhhiyyyaaaa
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Ahhhayayayayay
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Aaaahhhiyyyaaaa
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Ahhhayayayayay
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[Bizarre]
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Everynight I talk to a black hawk, taking herion in bulks
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Watch my body hit the chalks
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I'm too lazy, mescalines got me crazy
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Rape this old lady, while the bitch was having a baby
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And I ain't never going home, Bizarre can for go
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It's cold I'll be for cyphering, right from wrong
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As I sit in my seat and remain calm
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And close my eyes and wait for the bomb (Here it comes!)
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[Airplane Blows Up]
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[Swifty]
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I'm gettin' the fuck on, I'm aggrivated
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I know I'll make it, Im in a place full of hatred
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Treatin' my life like a sacrred
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Try to check me, I break your neck
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Disrespect me you get injected
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It's hectic with some bullshit that happen
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You least expected
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We just don't accept it nigga
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I go ahead, lift my trigger
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Get rid of bitches, pay you a visit, then get your shit lit
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I'm a nitwit with a big dick, and big balls
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I don't miss shit
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I hit all, whoever that did this
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We Gonna Getch'all
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[Kon Artis]
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Yo, yo
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Now whether its Sadam or Bin Laden
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Thats been startin all this trouble for us
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Creepin horrors doin show after show, sleepin on the tour bus
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We lost Aaliyah, lost our families, it takes no Tenges
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You dont need us to say the world is fucked up dawgs can see it
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Now it seems the public needs this shit to calm its kids
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Cuz they findin out how you lied about your twisted sins
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They say we bad for you but shit our music is your friend
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They cant deter you from the truth cause we the helping hand
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[Terry Hall]
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We are one, and one is all
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We are, We are, we are one
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And one is all
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[Chorus]"
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5,A fistful of peanuts ,"Oooh, nanana, tatata
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Spacemonkeyz gonna rise up now...
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We must rise up
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Rise above
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(Tell the guy!)
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I ain't happy (happy, happy, happy...)
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Rrrrrrrrrrrrrrrim bum bah nim bah nim
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Oooh, nanana, tatata
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Let's be wise
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Let's get together and be wise
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Let's get together and realize, yeah
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(It's coming on, it's coming on, it's coming on, it's coming on...)
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Hold him tight
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Sunshine (sunshine, sunshine, sunshine...)
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Sun is shining, and the moon shine
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Come together, cause it's all your night, so be wise
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Hey, so be wise
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(Future, future, future, future...)
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Let's be wiser...
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(Ooh ooh ooh ooh oooh...)
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Spacemonkeyz' gonna rise up (hey)
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And the people gonna wise up
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Spacemonkeyz' gonna rise up
|
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Spacemonkeyz' gonna rise up
|
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Let's get together and be wise
|
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|
|
Let's get together and realize, yeah "
|
|||
|
|
6,All alone ,"All alone 16 x
|
|||
|
|
|
|||
|
|
Leviticus-o...
|
|||
|
|
Deuteronomy...
|
|||
|
|
|
|||
|
|
|
|||
|
|
Snatch a piece of my wonderin'
|
|||
|
|
Distant-far like yonderin'
|
|||
|
|
Skin of my tooth like
|
|||
|
|
Seat of my boot like
|
|||
|
|
Fly in my soup like
|
|||
|
|
Where's the waitress?
|
|||
|
|
Can't take this, really can't finish this
|
|||
|
|
These ears and all these graces
|
|||
|
|
It's my mistake, i make it
|
|||
|
|
J-dub to the boom now make it
|
|||
|
|
Bounce-wiggle bounce-wiggle
|
|||
|
|
Shakin' all them bangs out
|
|||
|
|
Chemical cutthroats
|
|||
|
|
Bound to blow the brain out
|
|||
|
|
Cut to the brain
|
|||
|
|
This ain't no game
|
|||
|
|
I'll show no shame
|
|||
|
|
I'll birth this blame
|
|||
|
|
I'm twisted cain
|
|||
|
|
I'll twist again
|
|||
|
|
I'll push the blade
|
|||
|
|
As plain as day
|
|||
|
|
Known to what these sayers say
|
|||
|
|
Known to what these doers do
|
|||
|
|
We shoot where who and you-know-where
|
|||
|
|
We's about to take it there
|
|||
|
|
We's about to make it clear
|
|||
|
|
We happy or we lonesome
|
|||
|
|
The long jump, the beat heart, from start to finish
|
|||
|
|
Ten spoons of spinach
|
|||
|
|
The soul and the spillage
|
|||
|
|
The cup that runneth ovah
|
|||
|
|
Return of the OGAH!
|
|||
|
|
|
|||
|
|
Chorus
|
|||
|
|
|
|||
|
|
Close your eyes and see
|
|||
|
|
When there ain't no light
|
|||
|
|
All you'll ever be
|
|||
|
|
Come on save the night
|
|||
|
|
'Cause i don't believe
|
|||
|
|
When the morning comes, it doesn't
|
|||
|
|
Seem to say an awful lot to me"
|
|||
|
|
7,Amarillo ,"The mountains are waiting
|
|||
|
|
The full moon has come
|
|||
|
|
|
|||
|
|
I got lost on the highway
|
|||
|
|
But don't ask me where I've been
|
|||
|
|
Or what I've done
|
|||
|
|
|
|||
|
|
Oh lord send me transmissions
|
|||
|
|
Forgive me for what I've become
|
|||
|
|
|
|||
|
|
The sun has come to save me
|
|||
|
|
Put a little love into my
|
|||
|
|
Lonely soul
|
|||
|
|
|
|||
|
|
The sun has come to save me
|
|||
|
|
Put a little love into my
|
|||
|
|
Lonely soul
|
|||
|
|
|
|||
|
|
Well don't you know why
|
|||
|
|
You need her loving you?
|
|||
|
|
|
|||
|
|
Float inside..."
|
|||
|
|
8,Andromeda ,"When the passing looks to die for
|
|||
|
|
Take it in your heart now love her
|
|||
|
|
When the case is out
|
|||
|
|
And tired and sodden
|
|||
|
|
Take it in your heart
|
|||
|
|
Take it in your heart
|
|||
|
|
|
|||
|
|
Back to when it was cool
|
|||
|
|
'Cause there's no substitute
|
|||
|
|
Who even knows the truth?
|
|||
|
|
The truth, the truth
|
|||
|
|
|
|||
|
|
Take it in your heart now, love her
|
|||
|
|
Take it in your heart, heart, heart, heart
|
|||
|
|
Take it in your heart
|
|||
|
|
Take it in your heart, heart, heart, heart
|
|||
|
|
Where it all goes down
|
|||
|
|
|
|||
|
|
Outside cold, it ghosting out with jet lag
|
|||
|
|
I took it to the right man
|
|||
|
|
Took it all back
|
|||
|
|
When the courts were closing
|
|||
|
|
It was Bobby gracing
|
|||
|
|
I know that
|
|||
|
|
I put it to the right man
|
|||
|
|
He put it back
|
|||
|
|
|
|||
|
|
Caught in your eyes
|
|||
|
|
Stacks of lights
|
|||
|
|
Come streaming back
|
|||
|
|
Make it for the best times
|
|||
|
|
Growing pains, good times
|
|||
|
|
Good times, good times
|
|||
|
|
Good times, good times
|
|||
|
|
Good times, good times
|
|||
|
|
|
|||
|
|
Take it in your heart now, love her
|
|||
|
|
Take it in your heart, heart, heart, heart
|
|||
|
|
Take it in your heart
|
|||
|
|
Take it in your heart
|
|||
|
|
Where it all goes down
|
|||
|
|
|
|||
|
|
Andromeda
|
|||
|
|
Andromeda, Andromeda
|
|||
|
|
Take it in your heart now, love her
|
|||
|
|
Andromeda, Andromeda
|
|||
|
|
Andromeda, Andromeda
|
|||
|
|
Take it in your heart
|
|||
|
|
Take it in your heart
|
|||
|
|
Where it all goes down"
|
|||
|
|
9,Aries ,"[Intro: Russel]
|
|||
|
|
Aries
|
|||
|
|
|
|||
|
|
[Verse 1: 2-D]
|
|||
|
|
I'm looking out at a volcano
|
|||
|
|
Trying to read the world today and see where you're at
|
|||
|
|
I'll never do that
|
|||
|
|
I'm a model that is uncomplicated
|
|||
|
|
You can play a happy tune on me, but don't turn me off
|
|||
|
|
'Cause then I am silenced
|
|||
|
|
|
|||
|
|
[Verse 2: 2-D]
|
|||
|
|
I'm standing on a beach in the distance
|
|||
|
|
And even though you're far away, can you see my red light?
|
|||
|
|
It's waiting to turn green
|
|||
|
|
'Cause I feel so isolated without you
|
|||
|
|
I can't play a happy tune on my own, so stay by my side
|
|||
|
|
High or low tide
|
|||
|
|
|
|||
|
|
[Chorus: 2-D & Peter Hook]
|
|||
|
|
High tide, high tide, high tide, high tide
|
|||
|
|
High tide, high tide, high tide, high tide, high
|
|||
|
|
And it feels like I'm falling in, again
|
|||
|
|
My side, my side, my side, my side
|
|||
|
|
My side, my side, my side, high tide, high
|
|||
|
|
Feels like I'm falling in, again
|
|||
|
|
|
|||
|
|
[Verse 3: 2-D]
|
|||
|
|
I'm a model that is uncomplicated
|
|||
|
|
You can play a happy tune on me, but don't turn me off
|
|||
|
|
'Cause then I am silenced
|
|||
|
|
|
|||
|
|
[Chorus: 2-D & Peter Hook]
|
|||
|
|
High tide, high tide, high tide, high tide
|
|||
|
|
High tide, high tide, high tide, high tide, high
|
|||
|
|
And it feels like I'm falling in, again
|
|||
|
|
My side, my side, my side, my side
|
|||
|
|
My side, my side, my side, high tide, high
|
|||
|
|
Feels like I'm falling in, again"
|
|||
|
|
10,Ascension ,"You are now tuned into the tomb of Jehova
|
|||
|
|
Play my tunes loud enough to shake the room, what's the hold up?
|
|||
|
|
Heard the world is ending soon I assumed that they told ya
|
|||
|
|
They tryna dinosaur us
|
|||
|
|
So now it's time to go up
|
|||
|
|
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
|
|||
|
|
The roof is on fire
|
|||
|
|
She wet like Barbra Streisand
|
|||
|
|
Police everywhere
|
|||
|
|
It's like a nigga killed a white man
|
|||
|
|
I just wanna find a baby mama 'fore the night end
|
|||
|
|
So don't be coming 'round here
|
|||
|
|
On that batter right shit
|
|||
|
|
On that 911 shit
|
|||
|
|
Need a misses brown as Missy
|
|||
|
|
I can have some fun with
|
|||
|
|
Them slave bones make Grace Jones'
|
|||
|
|
Don't stop, bitch, stay focused
|
|||
|
|
They hated on us since days of Moses
|
|||
|
|
Let my people go crazy
|
|||
|
|
Them stars falling, don't chase 'em
|
|||
|
|
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
|
|||
|
|
Attack on Iraq
|
|||
|
|
It's on a line
|
|||
|
|
Typing it fast
|
|||
|
|
Then it's slipping my mind
|
|||
|
|
Oh when I'm drunk
|
|||
|
|
I'm spirited back
|
|||
|
|
I fall in a fire then I save myself
|
|||
|
|
Then I get advantage
|
|||
|
|
'Cause the feeling's so raw
|
|||
|
|
In these times of sedition
|
|||
|
|
Nothing is dull
|
|||
|
|
And I'm moving into stillness
|
|||
|
|
I'm recalling it all
|
|||
|
|
And I’m a lover just a lover just a lover just a lover
|
|||
|
|
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
|
|||
|
|
All these liberated women sitting in my lap
|
|||
|
|
I'm finna catch a body like I got a gun and badge
|
|||
|
|
I'm finna turn Obama to my patna 'fore he dash
|
|||
|
|
Pull up to his pad, wipe my ass with the flag
|
|||
|
|
I'm just playing, baby, this the land of the free
|
|||
|
|
Where you can get a Glock and a gram for the cheap
|
|||
|
|
Where you can live your dreams long as you don't look like me
|
|||
|
|
Be a puppet on a string, hanging from a fucking tree
|
|||
|
|
(AGHH)
|
|||
|
|
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)
|
|||
|
|
The sky's falling, baby
|
|||
|
|
Drop that ass 'fore it crash (higher)"
|
|||
|
|
11,Baby Queen ,"[Verse 1: 2-D]
|
|||
|
|
I met the princess from Thailand again
|
|||
|
|
She had grown up
|
|||
|
|
Into a queen
|
|||
|
|
Down in the abyss where the night
|
|||
|
|
Never turns to daylight
|
|||
|
|
She kept me in a Polaroid
|
|||
|
|
That was pinned up on her wall
|
|||
|
|
Under Garuda's mirror lights
|
|||
|
|
She takes flight
|
|||
|
|
Yeah the kid's alright
|
|||
|
|
|
|||
|
|
[Chorus: 2-D]
|
|||
|
|
You've grown up
|
|||
|
|
Baby Queen
|
|||
|
|
You've grown up
|
|||
|
|
Baby Queen (You've grown up)
|
|||
|
|
|
|||
|
|
[Verse 2: 2-D]
|
|||
|
|
She fell into the generals (Oh, Baby Queen)
|
|||
|
|
On the watch all around her
|
|||
|
|
I fell into the vanity
|
|||
|
|
The mirrored lights of our dreams
|
|||
|
|
|
|||
|
|
[Chorus: 2-D]
|
|||
|
|
You've grown up (Baby Queen)
|
|||
|
|
In my dreams where you've been (Dreams, dreams, dreams)
|
|||
|
|
You've grown up (Baby Queen)
|
|||
|
|
In my dreams where you've been (Dreams, dreams, dreams)
|
|||
|
|
(Baby Queen)
|
|||
|
|
In my dreams where you've been (Dreams, dreams, dreams)
|
|||
|
|
You've grown up (Baby Queen)
|
|||
|
|
In my dreams where you've been (Dreams, dreams, dreams)
|
|||
|
|
You've grown up (Baby Queen)
|
|||
|
|
In my dreams where you've been (Dreams, dreams, dreams)
|
|||
|
|
|
|||
|
|
[Outro: 2-D]
|
|||
|
|
Baby Queen
|
|||
|
|
You were in my dreams"
|
|||
|
|
12,Battlesong ,"Interplanetary adversaries battling for supremacy
|
|||
|
|
Sounds like a good way to build up my infamy
|
|||
|
|
Soon as Automator sent for me
|
|||
|
|
We headed over to receive our registration forms from the galactic embassy
|
|||
|
|
(Yes may I help you?)
|
|||
|
|
Remember me?
|
|||
|
|
To escape a global panic we had to intercede
|
|||
|
|
(Oh you're here for the battle forms?)
|
|||
|
|
Yeah can we get them for free?
|
|||
|
|
(I'm afraid not you'll have to pay the entry fee)
|
|||
|
|
It was worth a try when we first arrived on Mercury
|
|||
|
|
Gravity adjustment must then
|
|||
|
|
Step up contestant
|
|||
|
|
Number 12, I was 13 he started bursting ammunition that wasn't working
|
|||
|
|
His rudimentary technical abilities couldn't kill me
|
|||
|
|
Knocked me for a loop
|
|||
|
|
But I could still breathe
|
|||
|
|
He had the crowd going by appearance
|
|||
|
|
Here comes the anticipated interference from his squad and guards
|
|||
|
|
I bust back with onslought of hydrothermal clod that burnt they're third eye
|
|||
|
|
Though outnumbered I come with heat and trigger a massive explosion to the beat
|
|||
|
|
They hit me compressed air
|
|||
|
|
Left my chest bare
|
|||
|
|
My sonic stun gun takes em out by the next snare
|
|||
|
|
|
|||
|
|
We won the bout just as the oxygen tanks were running out
|
|||
|
|
so we're back to the ship
|
|||
|
|
Pull a map from a blip
|
|||
|
|
Manipulate the cursor
|
|||
|
|
Recharge our essentials set the coordinates then flow
|
|||
|
|
Through a trillion miles of space with style and grace
|
|||
|
|
Next stop Pluto to rock these new flows
|
|||
|
|
Atmosphere methane, be strategic like a chess game
|
|||
|
|
Leave this emcee with chest pains
|
|||
|
|
I had to battle a shadow in his black light form
|
|||
|
|
He dazzled me adding 3 points to his score
|
|||
|
|
Engulfed my microphone with darkness adding 3 more
|
|||
|
|
The panel started to roar
|
|||
|
|
I had to find the core of his power
|
|||
|
|
He stretched his text causing me to black out
|
|||
|
|
It took my data
|
|||
|
|
I couldn't back out
|
|||
|
|
It took out the sound man I'm taking a pounding
|
|||
|
|
I bust out an a capella that's astounding
|
|||
|
|
Project a uni-beam through his spleen
|
|||
|
|
Pulled out my x-ray cannons to disintegrate the phantom
|
|||
|
|
It's not fine my cell structure ruptured
|
|||
|
|
His form will get bust up into clusters
|
|||
|
|
Shadowy masses spread to the greater darkness of outer space
|
|||
|
|
Now I'm placed 1st among artists
|
|||
|
|
|
|||
|
|
Serve due more space travel
|
|||
|
|
Computer
|
|||
|
|
(Yes deltron)
|
|||
|
|
What have you
|
|||
|
|
Next destination
|
|||
|
|
The colony of Sicilia an earth colony
|
|||
|
|
This is appealing
|
|||
|
|
Hyperspace
|
|||
|
|
With mic in place we was off breathing frost
|
|||
|
|
in a void thinking what if we had lost?
|
|||
|
|
Ha
|
|||
|
|
Entertain an ignorant thought
|
|||
|
|
Land Ho, Sicilia we entered the port
|
|||
|
|
Fill out a few forms then we meet our challenger named qusar
|
|||
|
|
(No matter who you are I'll handle ya)
|
|||
|
|
He's a real charmer
|
|||
|
|
I threw on my pla-steel armor
|
|||
|
|
He wants to absorb the talents that I worked so hard for
|
|||
|
|
A biter hard core
|
|||
|
|
I busted a few shots and opened him like a car door
|
|||
|
|
He was a quadruped, four arms
|
|||
|
|
He hit me with four fore arms made of bronze
|
|||
|
|
I said Automater play the song
|
|||
|
|
(You got it)
|
|||
|
|
Was the theme
|
|||
|
|
Made a slight alteration in my scheme
|
|||
|
|
Set him up with a condition beam with his double team
|
|||
|
|
Leaned toward his dome piece and reamed the back of his neck
|
|||
|
|
With a cranial disruption siphon
|
|||
|
|
Squeezed out his brain like juice
|
|||
|
|
Like a python "
|
|||
|
|
13,Bill Murray ,"Too many days to get lost
|
|||
|
|
Many, many people I've known got lost
|
|||
|
|
Too many days to get lost
|
|||
|
|
Many, many people I've known got lost
|
|||
|
|
|
|||
|
|
Too many days to get lost
|
|||
|
|
Many, many people I've known got lost
|
|||
|
|
|
|||
|
|
Too many days to get lost
|
|||
|
|
Many, many people I've known got lost
|
|||
|
|
Too many days to get lost
|
|||
|
|
Many, many people I've known got lost"
|
|||
|
|
14,Bobby in Phoenix ,"Let's talk about feelings
|
|||
|
|
it's got a way to helpin you to breathe a little better
|
|||
|
|
|
|||
|
|
mmmmmhmmmm
|
|||
|
|
|
|||
|
|
with a stormin rain
|
|||
|
|
if you need to escape
|
|||
|
|
wooah
|
|||
|
|
ooh you wonder why
|
|||
|
|
let's talk about feelings
|
|||
|
|
it's got a way to helpin you to breathe a little better
|
|||
|
|
ooooh
|
|||
|
|
|
|||
|
|
yaaa hm
|
|||
|
|
I can slowly see
|
|||
|
|
I lie say little way
|
|||
|
|
In my mind and my heart i have no doubt
|
|||
|
|
ooooh
|
|||
|
|
you wonder why"
|
|||
|
|
15,Broken ,"Distant stars
|
|||
|
|
Come in black or red
|
|||
|
|
I've seen their worlds
|
|||
|
|
Inside my head
|
|||
|
|
|
|||
|
|
They connect
|
|||
|
|
With the fall of man
|
|||
|
|
They breathe you in
|
|||
|
|
And dive as deep as they can
|
|||
|
|
|
|||
|
|
There's nothing you can do for them
|
|||
|
|
They are the force between
|
|||
|
|
When the sunlight is arising
|
|||
|
|
|
|||
|
|
There's nothing you can say to him
|
|||
|
|
He is an outer heart
|
|||
|
|
And the space has been broken
|
|||
|
|
|
|||
|
|
It's Broken
|
|||
|
|
Our love
|
|||
|
|
It's Broken
|
|||
|
|
|
|||
|
|
Is it far away in the
|
|||
|
|
Glitter Freeze
|
|||
|
|
Or in our eyes
|
|||
|
|
Every time they leave
|
|||
|
|
|
|||
|
|
It's by the light
|
|||
|
|
Of the plasma screens
|
|||
|
|
We keep switched on
|
|||
|
|
All through the night while we sleep
|
|||
|
|
|
|||
|
|
There's nothing you can do for them
|
|||
|
|
They are the force between
|
|||
|
|
When the sunlight is arising
|
|||
|
|
|
|||
|
|
There's nothing you can say to her
|
|||
|
|
I am without a heart
|
|||
|
|
And the space has been broken
|
|||
|
|
|
|||
|
|
It's Broken
|
|||
|
|
Our love
|
|||
|
|
It's Broken"
|
|||
|
|
16,Busted and Blue ,"Where does it come from?
|
|||
|
|
When everything was outside
|
|||
|
|
Busted and blue
|
|||
|
|
How in the universe
|
|||
|
|
Through the lithium
|
|||
|
|
Busted and blue
|
|||
|
|
|
|||
|
|
I was asked by a computer
|
|||
|
|
A shadow on the wall
|
|||
|
|
An image made by Virgil
|
|||
|
|
To rule over us all
|
|||
|
|
So amplify the sirens
|
|||
|
|
And to find real amends
|
|||
|
|
I'm through the echo-chambers
|
|||
|
|
To other worlds away
|
|||
|
|
|
|||
|
|
All my life
|
|||
|
|
All my life
|
|||
|
|
Be my light
|
|||
|
|
On me, I am a satellite
|
|||
|
|
And I can't get back without you
|
|||
|
|
Be my love
|
|||
|
|
Be my love
|
|||
|
|
Be my light
|
|||
|
|
Be my light
|
|||
|
|
|
|||
|
|
Where do they come from?
|
|||
|
|
The wires that connect to us
|
|||
|
|
Weightless and fall on your body
|
|||
|
|
'Till we're invisible
|
|||
|
|
I'm with you throughout it, choose
|
|||
|
|
Busted and blue
|
|||
|
|
|
|||
|
|
All my life
|
|||
|
|
All my life
|
|||
|
|
Be my light
|
|||
|
|
On me, I am a satellite
|
|||
|
|
And I can't get back without you
|
|||
|
|
Be my love
|
|||
|
|
Be my love
|
|||
|
|
Be my light
|
|||
|
|
Be my light
|
|||
|
|
|
|||
|
|
Busted and blue"
|
|||
|
|
17,California And The Slipping Of The Sun ,"California
|
|||
|
|
an ocean now I come again before you
|
|||
|
|
all alone with you
|
|||
|
|
in the slipping of the sun
|
|||
|
|
|
|||
|
|
set on dreamers
|
|||
|
|
|
|||
|
|
repeats the faithful ones again
|
|||
|
|
like water of the mountains that
|
|||
|
|
it's the slipping of the sun..."
|
|||
|
|
18,Carnival (feat. Anthony Hamilton) ,"[Intro]
|
|||
|
|
Carnival
|
|||
|
|
|
|||
|
|
[Verse 1: Anthony Hamilton]
|
|||
|
|
We play to win, just to find the dark
|
|||
|
|
Go home again, and we both fall out
|
|||
|
|
I wanna spend the time with you
|
|||
|
|
Doing nothing
|
|||
|
|
Keep you satisfied, while they rob us blind
|
|||
|
|
I hear the music in the background
|
|||
|
|
Singing, singing
|
|||
|
|
|
|||
|
|
[Bridge: Anthony Hamilton]
|
|||
|
|
Oh, I haven't see the glory
|
|||
|
|
Coming, coming coming
|
|||
|
|
And we play
|
|||
|
|
We play, we play, we play like a-
|
|||
|
|
|
|||
|
|
[Chorus: Anthony Hamilton + Choir]
|
|||
|
|
Just like a carnival
|
|||
|
|
Game (Just like a carnival)
|
|||
|
|
Laugh (Just like a carnival)
|
|||
|
|
Joke (Just like a-)
|
|||
|
|
Spinning me round and around and around
|
|||
|
|
Just like a carnival
|
|||
|
|
|
|||
|
|
[Verse 2: Anthony Hamilton]
|
|||
|
|
We play to win, just to find the dark
|
|||
|
|
Go... again, and we both fall out
|
|||
|
|
I wanna spend the time with you
|
|||
|
|
Doing nothing
|
|||
|
|
|
|||
|
|
[Chorus (Variation): Anthony Hamilton + Choir]
|
|||
|
|
We... (Just like a carnival)
|
|||
|
|
We laughed (Just like a carnival)
|
|||
|
|
Sleep with the dead (Just like a carnival)
|
|||
|
|
Playing with your mind (Just like a-)
|
|||
|
|
Spinning me round and around and around
|
|||
|
|
Just like a carnival, yeah"
|
|||
|
|
19,Chalk Tablet Towers ft. St. Vincent ,"Chalk tablet towers, like drawing shadows
|
|||
|
|
Chemical distraction, you are not with me
|
|||
|
|
I departed in the spring, to a distant star
|
|||
|
|
But I could not get back, I had gone too far (O-o-o-oh)
|
|||
|
|
|
|||
|
|
I wanna get drunk
|
|||
|
|
I wanna get stoned
|
|||
|
|
I wanna give up
|
|||
|
|
I wanna go ho-o-o-ome
|
|||
|
|
|
|||
|
|
Watching rockets take off from the parting sea
|
|||
|
|
How will I ever touch you if you are not with me? (O-o-o-oh, out here)
|
|||
|
|
There's only silence (Out here) No form of contact (Out here)
|
|||
|
|
I am dreaming, looking into the darkness (O-o-o-oh)
|
|||
|
|
|
|||
|
|
Home (Home)
|
|||
|
|
Home (Home)
|
|||
|
|
Home (Homе)
|
|||
|
|
Home (Home)
|
|||
|
|
Home (Homе)
|
|||
|
|
Home (Home)
|
|||
|
|
Home (Home)
|
|||
|
|
Home (Home)
|
|||
|
|
|
|||
|
|
I won't be back 'til the end of summer, will you still be there?
|
|||
|
|
I won't give up on you, darling, just tell me that you care
|
|||
|
|
I don't need no trophies, no cell with a view
|
|||
|
|
There's nothing I wouldn't give one minute with you, ooh, ooh, ooh-ooh
|
|||
|
|
You, ooh, ooh, ooh-ooh
|
|||
|
|
You, ooh, ooh, ooh-ooh
|
|||
|
|
You, ooh, ooh, ooh-ooh, oh-oh, oh-oh, oh-oh
|
|||
|
|
|
|||
|
|
(You, ooh, ooh, ooh-ooh)
|
|||
|
|
(You, ooh, ooh, ooh-ooh)
|
|||
|
|
(You, ooh, ooh, ooh-ooh, oh-oh, oh-oh, oh-oh)"
|
|||
|
|
20,Charger (feat. Grace Jones) ,"[Intro: Grace Jones]
|
|||
|
|
I am the ghost
|
|||
|
|
Hahahahaaaaaaaaa
|
|||
|
|
Provocative
|
|||
|
|
That's what I want
|
|||
|
|
|
|||
|
|
[Chorus: 2-D]
|
|||
|
|
A cha-charger
|
|||
|
|
Everything is supposed to get in
|
|||
|
|
I just don't know where I'm a-getting from
|
|||
|
|
A cha-charger
|
|||
|
|
What is the cause of it, and
|
|||
|
|
Well in that case, how do you know it's your own?
|
|||
|
|
A cha-charger
|
|||
|
|
What do you say now?
|
|||
|
|
Thought you could use it when the flowers have grown
|
|||
|
|
A cha-charger
|
|||
|
|
What did you do in it?
|
|||
|
|
I bet you're racing it, I'm left in a stew, chikuchi
|
|||
|
|
|
|||
|
|
[Hook: 2-D and Grace Jones]
|
|||
|
|
A cha-charger
|
|||
|
|
A cha-charger
|
|||
|
|
A cha-charger
|
|||
|
|
A cha-charger
|
|||
|
|
|
|||
|
|
[Interlude: Grace Jones]
|
|||
|
|
Okay
|
|||
|
|
Yeah, okay
|
|||
|
|
Hahaaaaaaa
|
|||
|
|
|
|||
|
|
[Chorus: 2-D]
|
|||
|
|
A cha-charger
|
|||
|
|
Everything is supposed to get in
|
|||
|
|
I just don't know where I'm a-getting from
|
|||
|
|
A cha-charger
|
|||
|
|
What is the cause of it, and
|
|||
|
|
Well in that case, how do you know it's your own?
|
|||
|
|
A cha-charger
|
|||
|
|
What do you say now?
|
|||
|
|
Thought you could use it when the flowers have grown
|
|||
|
|
A cha-charger
|
|||
|
|
What did you do in it?
|
|||
|
|
I bet you're racing it, I'm left in a stew, chikuchi
|
|||
|
|
|
|||
|
|
[Hook: 2-D and Grace Jones]
|
|||
|
|
A cha-charger
|
|||
|
|
A cha-charger
|
|||
|
|
A cha-charger
|
|||
|
|
A cha-charger
|
|||
|
|
|
|||
|
|
[Interlude: Grace Jones]
|
|||
|
|
I am the ghost
|
|||
|
|
I am the sword
|
|||
|
|
I am the ghost
|
|||
|
|
|
|||
|
|
[Chorus (Variation): 2-D and Grace Jones]
|
|||
|
|
I'm gonna take you for a ride
|
|||
|
|
(A cha-charger)
|
|||
|
|
Everything is supposed to get in
|
|||
|
|
I just don't know where I'm a-getting from
|
|||
|
|
I'm gonna take you for a ride
|
|||
|
|
(A cha-charger)
|
|||
|
|
What is the cause of it, and
|
|||
|
|
Well in that case, how do you know it's your own?
|
|||
|
|
I'm gonna take you for a ride
|
|||
|
|
(A cha-charger)
|
|||
|
|
What do you say now?
|
|||
|
|
Thought you could [?] when the flowers have grown
|
|||
|
|
I'm gonna take you for a ride
|
|||
|
|
(A cha-charger)
|
|||
|
|
What did you do in it?
|
|||
|
|
I bet you're racing it, I'm left in a stew, chikuchi
|
|||
|
|
|
|||
|
|
[Outro: Grace Jones and 2-D]
|
|||
|
|
I'm gonna take you for a ride
|
|||
|
|
(A cha-charger)
|
|||
|
|
No antennas
|
|||
|
|
(A cha-charger)
|
|||
|
|
I'm gonna take you for a ride
|
|||
|
|
(A cha-charger)
|
|||
|
|
No antennas
|
|||
|
|
(A cha-charger)
|
|||
|
|
I'm gonna take you for a ride
|
|||
|
|
(A cha-charger)
|
|||
|
|
I'm inside you
|
|||
|
|
No antennas
|
|||
|
|
(A cha-charger)
|
|||
|
|
I'm in charge
|
|||
|
|
(A cha-charger)
|
|||
|
|
No antennas"
|
|||
|
|
21,Circle of Friendz (feat. Brandon Markell Holmes) ,"[2-D & Brandon Markell Holmes]
|
|||
|
|
Circle of, circle of, circle of
|
|||
|
|
My circle of friends
|
|||
|
|
|
|||
|
|
Circle of, circle of, circle of
|
|||
|
|
My circle of friends
|
|||
|
|
|
|||
|
|
Circle of, circle of, circle of
|
|||
|
|
My circle of friends
|
|||
|
|
|
|||
|
|
Circle of, circle of, circle of
|
|||
|
|
My circle of friends
|
|||
|
|
|
|||
|
|
Everyday
|
|||
|
|
See the world brand new
|
|||
|
|
|
|||
|
|
Circle of, circle of, circle of
|
|||
|
|
My circle of friends
|
|||
|
|
|
|||
|
|
Everyday, everyday
|
|||
|
|
See the world brand new
|
|||
|
|
|
|||
|
|
Circle of, circle of, circle of
|
|||
|
|
My circle of friends
|
|||
|
|
|
|||
|
|
Circle of, circle of, circle of
|
|||
|
|
My circle of friends
|
|||
|
|
|
|||
|
|
Circle of, circle of, circle of
|
|||
|
|
My circle of friends
|
|||
|
|
|
|||
|
|
Circle of, circle of, circle of
|
|||
|
|
My circle of friends
|
|||
|
|
|
|||
|
|
Circle of, circle of, circle of
|
|||
|
|
My circle of friends
|
|||
|
|
|
|||
|
|
Circle of, circle of, circle of
|
|||
|
|
My circle of friends
|
|||
|
|
|
|||
|
|
Circle of, circle of, circle of
|
|||
|
|
My circle of friends"
|
|||
|
|
22,Clint Eastwood ,"I ain't happy, I'm feeling glad
|
|||
|
|
I got sunshine in a bag
|
|||
|
|
I'm useless but not for long
|
|||
|
|
The future is coming on
|
|||
|
|
I ain't happy, I'm feeling glad
|
|||
|
|
I got sunshine in a bag
|
|||
|
|
I'm useless but not for long
|
|||
|
|
The future is coming on
|
|||
|
|
It's coming on
|
|||
|
|
It's coming on
|
|||
|
|
It's coming on
|
|||
|
|
|
|||
|
|
Yeah, ha-ha
|
|||
|
|
Finally, someone let me out of my cage
|
|||
|
|
Now time for me is nothing 'cause I'm counting no age
|
|||
|
|
Now I couldn't be there
|
|||
|
|
Now you shouldn't be scared
|
|||
|
|
I'm good at repairs
|
|||
|
|
And I'm under each snare
|
|||
|
|
Intangible
|
|||
|
|
Bet you didn't think so I command you to
|
|||
|
|
Panoramic view
|
|||
|
|
Look, I'll make it all manageable
|
|||
|
|
Pick and choose
|
|||
|
|
Sit and lose
|
|||
|
|
All you different crews
|
|||
|
|
Chicks and dudes
|
|||
|
|
Who you think is really kickin' tunes?
|
|||
|
|
Picture you gettin' down in a picture tube
|
|||
|
|
Like you lit the fuse
|
|||
|
|
You think it's fictional?
|
|||
|
|
Mystical? Maybe
|
|||
|
|
Spiritual
|
|||
|
|
Hero who appears in you to clear your view when you're too crazy
|
|||
|
|
Lifeless
|
|||
|
|
To those the definition for what life is
|
|||
|
|
Priceless
|
|||
|
|
To you because I put you on the hype shit
|
|||
|
|
You like it?
|
|||
|
|
Gun smokin' righteous with one toke
|
|||
|
|
You're psychic among those
|
|||
|
|
Possess you with one go
|
|||
|
|
|
|||
|
|
I ain't happy, I'm feeling glad
|
|||
|
|
I got sunshine in a bag
|
|||
|
|
I'm useless but not for long
|
|||
|
|
The future is coming on
|
|||
|
|
I ain't happy, I'm feeling glad
|
|||
|
|
I got sunshine in a bag
|
|||
|
|
I'm useless but not for long
|
|||
|
|
The future (that's right) is coming on
|
|||
|
|
It's coming on
|
|||
|
|
It's coming on
|
|||
|
|
It's coming on
|
|||
|
|
It's coming on
|
|||
|
|
|
|||
|
|
The essence, the basics
|
|||
|
|
Without, did you make it?
|
|||
|
|
Allow me to make this
|
|||
|
|
Child-like in nature
|
|||
|
|
Rhythm
|
|||
|
|
You have it or you don't, that's a fallacy
|
|||
|
|
I'm in them
|
|||
|
|
Every sprouting tree
|
|||
|
|
Every child of peace
|
|||
|
|
Every cloud and sea
|
|||
|
|
You see with your eyes
|
|||
|
|
I see destruction and demise (that's right)
|
|||
|
|
Corruption in disguise
|
|||
|
|
From this fuckin' enterprise
|
|||
|
|
Now I'm sucked into your lies
|
|||
|
|
Through Russel, not his muscles but percussion he provides
|
|||
|
|
For me as a guide
|
|||
|
|
Y'all can see me now 'cause you don't see with your eye
|
|||
|
|
You perceive with your mind
|
|||
|
|
That's the inner
|
|||
|
|
So I'ma stick around with Russ' and be a mentor
|
|||
|
|
Bust a few rhymes so motherfuckers remember where the thought is
|
|||
|
|
I brought all this
|
|||
|
|
So you can survive when law is lawless (right here)
|
|||
|
|
Feelings, sensations that you thought was dead
|
|||
|
|
No squealing, remember that it's all in your head"
|
|||
|
|
23,Clint Eastwood (Phi Life Cypher Version) ,"Yo. Yo.
|
|||
|
|
|
|||
|
|
'Cause I'm this, Gorillaz from the mist lyricist and my thoughts be twisted
|
|||
|
|
I spit the wickedest rhymes from a time that's never existed
|
|||
|
|
My futuristic linguistics turn fools into statistics
|
|||
|
|
I'm a lyrical misfit with the sadistic characteristics
|
|||
|
|
I perform murderous acts on my tracks with a single breath
|
|||
|
|
and if a boy wanna test, then I be stampin' upon his chest
|
|||
|
|
Done makin' a mess - Not a man could concieve the weed I'm consumin'
|
|||
|
|
and I transform from my cartoon pseudonym, turn to a human
|
|||
|
|
I spit words from my mouth that be turnin' you inside out
|
|||
|
|
and I tie knots in intestines just like I'm a boy scout
|
|||
|
|
that's workin' 'em out - Now rearrangin' your whole skeletal structure
|
|||
|
|
then I find some nine inch nails to perform some accupuncture
|
|||
|
|
When I punch ya, I rupture one of your rib cage in a rage
|
|||
|
|
and I turn you into a cartoon toon and erase the page
|
|||
|
|
I take you back to the Stone Age with Barney and Fred Flinstone
|
|||
|
|
Got Dino to take a machinos and then forage in a live home
|
|||
|
|
I'ma take off like a jet pack with the get back, rather step back
|
|||
|
|
I'ma make the crowd react and nod they heads until they neck snap
|
|||
|
|
Life conflict rap while riding a skateboard and doin' a tic-tac
|
|||
|
|
and leave your head in a spin like servin' on turn table skid mats
|
|||
|
|
I'm a concrete lion, big cat - These are real talk, not big-chat
|
|||
|
|
Did ya get that 'cause I ain't no small timer - I rhyme on big tracks
|
|||
|
|
Now feel the vise I create - This heavyweight, I'm a rap to detonate
|
|||
|
|
and demonstrate how I generate lyrics that supernaturally levitate
|
|||
|
|
to the top - My lyrics are skeletons - Accelerate and leave you panicin'
|
|||
|
|
Take the ground from beneath your feet, leave you Skywalk-in' like Anakin
|
|||
|
|
I'm sharper than the tips of Zulu spears and Olympic javelins
|
|||
|
|
My style is totally buck wild and most definitely happenin'
|
|||
|
|
To your brains I be tappin' in, to computers I be hackin' in
|
|||
|
|
To me, I be out of this world like aliens who were time travelin'
|
|||
|
|
I'm babblin' in the Fists of Fury technique when I speak
|
|||
|
|
Forget Karate Kid and these wooden blocks, I chop from concrete
|
|||
|
|
Concrete, concrete, concrete!
|
|||
|
|
Wha-wha-wha-wha-wha-wha!
|
|||
|
|
|
|||
|
|
I been stoned; ever since the days of creation, I've been red
|
|||
|
|
I'm a mad dred, causin' so much havoc in Russel's head
|
|||
|
|
My lyricism is just like an aneurysm inside his brain
|
|||
|
|
He plays the beat in a trance and he's never feeling no pain
|
|||
|
|
I could never be a racist because I posess so many faces
|
|||
|
|
I'm one of those beat-up bad wit' bags and a pair of braces
|
|||
|
|
with lines longer than laces - I'm gracin' you with my presence
|
|||
|
|
The lyrics went flippin', makin' ya bubble like effervescence
|
|||
|
|
I pulverize and bamboozle, shake numb skulls like a boodle
|
|||
|
|
I smashed the top of your head with a guitar I borrowed from Noodle
|
|||
|
|
I'm as animated as Japanese animes causin' callamities
|
|||
|
|
Some serious savory from my roarous rhymes of reality
|
|||
|
|
At the speed of sound, I'm wanderin' around - The clown done tried to defeat us
|
|||
|
|
without tenacities or audacity - Don't you ever thought you could beat us
|
|||
|
|
Beat us, beat us, beat us, beat us, beat us, beat us, beat us, beat us"
|
|||
|
|
24,Cloud of Unknowing ,"On the cloud of unknowing
|
|||
|
|
My world seems open
|
|||
|
|
Every satellite up here is watching
|
|||
|
|
But I was here from the very start
|
|||
|
|
Trying to find a way to your heart
|
|||
|
|
|
|||
|
|
All the days are forgetting
|
|||
|
|
They've gone out with the tide
|
|||
|
|
Lost at sea somewhere, waiting
|
|||
|
|
Like setting suns at the rodeo
|
|||
|
|
Trying to find someone you'll never know
|
|||
|
|
|
|||
|
|
Oh, sinking love
|
|||
|
|
On the cloud of unknowing
|
|||
|
|
Every satellite up here is wanting
|
|||
|
|
Waiting to see what the morning brings
|
|||
|
|
May bring sunshine on it's wings"
|
|||
|
|
25,Cracker Island ,"[Verse 1: 2-D & Thundercat]
|
|||
|
|
On Cracker Island, it was born
|
|||
|
|
To the collective of the dawn
|
|||
|
|
They were planting seeds at night
|
|||
|
|
To grow a made-up paradise
|
|||
|
|
Where the truth was auto-tuned (Forever cult)
|
|||
|
|
And its sadness, I consumed (Forever cult)
|
|||
|
|
Into my formats everyday (Forever cult)
|
|||
|
|
In the end, I had to pay (What world is this?)
|
|||
|
|
In the end, I had to pay (I purged my soul)
|
|||
|
|
In the end, I had to pay (I drank to riot)
|
|||
|
|
Nothing more to say (I drank to riot)
|
|||
|
|
[Chorus: 2-D]
|
|||
|
|
They taught themselves to be occult
|
|||
|
|
They didn't know its many strategies
|
|||
|
|
They taught themsеlves to be occult
|
|||
|
|
They didn't know its many stratеgies (Fantasies)
|
|||
|
|
|
|||
|
|
[Post-Chorus: Thundercat]
|
|||
|
|
What world is this?
|
|||
|
|
What world is this?
|
|||
|
|
|
|||
|
|
[Verse 2: 2-D & Thundercat]
|
|||
|
|
On Cracker Island, it was raised (Hey, hey, hey, hey)
|
|||
|
|
By the collective from the grave (Hey, hey, hey, hey)
|
|||
|
|
It only came out at night (Hey, hey, hey, hey)
|
|||
|
|
It ate up their paradise (Paradise)
|
|||
|
|
Where the truth was auto-tuned (Forever Cult)
|
|||
|
|
And its sadness, I consumed (Forever Cult)
|
|||
|
|
Into my formats everyday (Forever Cult)
|
|||
|
|
In the end, I had to pay (What world is this?)
|
|||
|
|
Out there on my silver lake (I was not there)
|
|||
|
|
In the end, it will be great (Beneath the hills)
|
|||
|
|
I'm like a ship between the tides (I saw myself)
|
|||
|
|
I held on, I survived (There in the void)
|
|||
|
|
|
|||
|
|
[Chorus: 2-D]
|
|||
|
|
They taught themselves to be occult (Cult, cult)
|
|||
|
|
They didn't know its many strategies
|
|||
|
|
They taught themselves to be occult (Cult, cult)
|
|||
|
|
They didn't know its many strategies (Fantasy)
|
|||
|
|
You might also like
|
|||
|
|
BREAK MY SOUL
|
|||
|
|
Beyoncé
|
|||
|
|
Running Up That Hill (A Deal with God)
|
|||
|
|
Kate Bush
|
|||
|
|
“Untitled” (ft. Stevie Nicks)
|
|||
|
|
Gorillaz
|
|||
|
|
[Verse 3: 2-D, Thundercat & Both]
|
|||
|
|
On Cracker Island, it will die (Forever Cult)
|
|||
|
|
Join the collective in the sky (Forever Cult)
|
|||
|
|
And on a shining boat of light (Forever Cult)
|
|||
|
|
Go up to paradise (What world is this?)
|
|||
|
|
Where the truth is auto-tuned (I purged my soul)
|
|||
|
|
And its sadness, I consumed (I drank to riot)
|
|||
|
|
Into my formats everyday (I drank to riot)
|
|||
|
|
In the end, I had to pay (Forever Cult)
|
|||
|
|
In the end, I'll have to pay (Forever Cult)
|
|||
|
|
In the end, I'll be okay (Forever Cult)
|
|||
|
|
Nothing more to say
|
|||
|
|
|
|||
|
|
[Outro: 2-D]
|
|||
|
|
(Say, say, say, say)
|
|||
|
|
Nothing more to say (Say, say, say, say)
|
|||
|
|
Nothing more to say (Say, say, say, say)"
|
|||
|
|
26,Crashing Down ,"What if the whole world
|
|||
|
|
Is crashing down through space?
|
|||
|
|
Sinking through water
|
|||
|
|
Down to the promised place
|
|||
|
|
|
|||
|
|
Into the searchlights
|
|||
|
|
The shadow's cross the bay
|
|||
|
|
Property pistols
|
|||
|
|
You know we're never here
|
|||
|
|
|
|||
|
|
What if the whole world
|
|||
|
|
Is crashing down in flames?
|
|||
|
|
Falling through oceans
|
|||
|
|
Down to the promised place
|
|||
|
|
|
|||
|
|
Stars shining brightly
|
|||
|
|
A glow in the dark sphere
|
|||
|
|
If green man ask you
|
|||
|
|
We were never here
|
|||
|
|
|
|||
|
|
Why is the whole world
|
|||
|
|
Crashing down through space?
|
|||
|
|
Crashing down through space?
|
|||
|
|
Crashing down through space?"
|
|||
|
|
27,Crystalised ,"You’ve applied the pressure
|
|||
|
|
To have me crystallized
|
|||
|
|
And you’ve got the faith
|
|||
|
|
That I could bring paradise
|
|||
|
|
|
|||
|
|
I’ll forgive and forget
|
|||
|
|
Before I’m paralyzed
|
|||
|
|
Do I have to keep up the pace
|
|||
|
|
To keep you satisfied
|
|||
|
|
|
|||
|
|
|
|||
|
|
|
|||
|
|
(Ahh ahh ahh) (x4)
|
|||
|
|
|
|||
|
|
You don’t move slow
|
|||
|
|
And taking steps in my direction
|
|||
|
|
The sound resounds, echo
|
|||
|
|
Does it lessen your affection
|
|||
|
|
No
|
|||
|
|
(Ahh ahh ahh)(x 2)
|
|||
|
|
|
|||
|
|
You say I’m foolish
|
|||
|
|
For pushing this aside
|
|||
|
|
But burn down our home
|
|||
|
|
I won’t leave alive
|
|||
|
|
|
|||
|
|
Glaciers have melted to the sea
|
|||
|
|
I wish the tide would take me over
|
|||
|
|
I’ve been down on my knees
|
|||
|
|
And you just keep on getting closer
|
|||
|
|
|
|||
|
|
(Ahh ahh ahh) (x4)"
|
|||
|
|
28,Dare ,"It's coming up!
|
|||
|
|
It's coming up!
|
|||
|
|
It's coming up!
|
|||
|
|
It's coming up!
|
|||
|
|
It's coming up!
|
|||
|
|
It's coming up!
|
|||
|
|
It's dare.
|
|||
|
|
|
|||
|
|
It's dare.
|
|||
|
|
|
|||
|
|
You've got to press it on you.
|
|||
|
|
You just think it.
|
|||
|
|
That's what you do, baby!
|
|||
|
|
Hold it down dare!
|
|||
|
|
|
|||
|
|
Jump with them all and move it.
|
|||
|
|
Jump back and forth.
|
|||
|
|
And feel like you were there yourself.
|
|||
|
|
Work it out!
|
|||
|
|
|
|||
|
|
Never did no harm.
|
|||
|
|
Never did no harm.
|
|||
|
|
|
|||
|
|
It's dare.
|
|||
|
|
It's coming up!
|
|||
|
|
It's coming up!
|
|||
|
|
It's coming up!
|
|||
|
|
It's coming up!
|
|||
|
|
It's coming up!
|
|||
|
|
It's dare.
|
|||
|
|
|
|||
|
|
You've got to press it on you.
|
|||
|
|
You just think it.
|
|||
|
|
That's what you do, baby!
|
|||
|
|
Hold it down dare!
|
|||
|
|
|
|||
|
|
Jump with them all and move it.
|
|||
|
|
Jump back and forth.
|
|||
|
|
And feel like you were there yourself.
|
|||
|
|
Work it out!
|
|||
|
|
|
|||
|
|
Never did no harm.
|
|||
|
|
Never did no harm.
|
|||
|
|
|
|||
|
|
It's dare.
|
|||
|
|
It's coming up!
|
|||
|
|
It's coming up!
|
|||
|
|
It's coming up!
|
|||
|
|
It's coming up!
|
|||
|
|
It's coming up!
|
|||
|
|
It's dare.
|
|||
|
|
|
|||
|
|
You've got to press it on you.
|
|||
|
|
You just think it.
|
|||
|
|
That's what you do, baby!
|
|||
|
|
Hold it down dare!
|
|||
|
|
|
|||
|
|
Jump with them all and move it.
|
|||
|
|
Jump back and forth.
|
|||
|
|
And feel like you were there yourself.
|
|||
|
|
Work it out!
|
|||
|
|
|
|||
|
|
You've got to press it on you.
|
|||
|
|
You just think it.
|
|||
|
|
That's what you do, baby!
|
|||
|
|
Hold it down dare!
|
|||
|
|
|
|||
|
|
Jump with them all and move it.
|
|||
|
|
Jump back and forth.
|
|||
|
|
And feel like you were there yourself.
|
|||
|
|
Work it out!"
|
|||
|
|
29,Dead Butterflies ft. Kano & Roxani Arias ,"(Mike WiLL Made-It)
|
|||
|
|
Oh, when was I supposed to
|
|||
|
|
Bow down with you? (Yeah)
|
|||
|
|
What, can I be faithful?
|
|||
|
|
There's nothing in this fire
|
|||
|
|
(Can we, can we just loop that last piano part a little bit?)
|
|||
|
|
(EarDrummers)
|
|||
|
|
(Is there a lighter?)
|
|||
|
|
Bow down with you
|
|||
|
|
What can I be praying for?
|
|||
|
|
There's nothing in this fire
|
|||
|
|
|
|||
|
|
Oh, when was I supposed to (Get up, get up)
|
|||
|
|
Bow down with you? (Bow down now, bow)
|
|||
|
|
What can I be praying for? (Praying for, praying for)
|
|||
|
|
If no one in this world, like you? (Like you, like you)
|
|||
|
|
|
|||
|
|
We're dead butterflies (Butterflies, butterflies)
|
|||
|
|
Laid out on a sprung floor
|
|||
|
|
Waited for a long time
|
|||
|
|
To pick us up and fly (Fly, fly)
|
|||
|
|
We're dеad butterflies
|
|||
|
|
|
|||
|
|
I'm all in, let mе know what you're thinkin'
|
|||
|
|
Catch feels, wind down while we figure this out, right now (Right now, right now)
|
|||
|
|
Deja que fluya pa' no perder el control
|
|||
|
|
No queda de otra vamo' a tar en lo mismo
|
|||
|
|
Estoy dispuesta a darte todo el cariño (Todo el cariño)
|
|||
|
|
|
|||
|
|
Two-steppin' while I move reckless
|
|||
|
|
New sentence moves and news pendin'
|
|||
|
|
Loose evidence and news trendin', effortlessly truth bendin'
|
|||
|
|
Who's treacherous, searching for the feelings of a new friendship
|
|||
|
|
There's but a few endings, everyone's a winner 'til you lose brethren
|
|||
|
|
Old time when we use to owe time
|
|||
|
|
Never take to Most High, them fuck up the old skyline
|
|||
|
|
Bright lights, I hope that feeling can replenish
|
|||
|
|
Regretful, 'cause if I let you left me then I'd be russ-rouletting
|
|||
|
|
Got a whole full clip and pow, catch me and grip it now
|
|||
|
|
But memories, lift me up, but still a man's tears dripping down
|
|||
|
|
Onto these photographs of what we used to be
|
|||
|
|
But overtime the puddles turns into a sea
|
|||
|
|
Hoping to myself you cry a stream
|
|||
|
|
I was just surfing on your grief
|
|||
|
|
The hurt I can't believe, just come to terms of who was me
|
|||
|
|
But who are we? These mirrors don't reflect perfection
|
|||
|
|
Just put on your crep selection, come on two steps to Heaven with me
|
|||
|
|
|
|||
|
|
We're dead butterflies (Butterflies, butterflies)
|
|||
|
|
Laid out on a sprung floor
|
|||
|
|
Waited for a long time
|
|||
|
|
To pick us up and fly (Fly, fly)
|
|||
|
|
|
|||
|
|
'Cause if it's not me then
|
|||
|
|
Who's it gonna be, baby?
|
|||
|
|
If it's not us (Not us, not us)
|
|||
|
|
There's nothing in this world for me
|
|||
|
|
|
|||
|
|
We're dead butterflies
|
|||
|
|
Dancing on a sprung floor now
|
|||
|
|
Waited for a long time
|
|||
|
|
To pick us up and fly (Fly, fly)
|
|||
|
|
We're dead butterflies
|
|||
|
|
|
|||
|
|
When was I supposed to (Get up, get up)
|
|||
|
|
Bow down with you? (Bow down, bow down now)
|
|||
|
|
What can I be praying for? (Praying for, Praying for)
|
|||
|
|
If no one in this world, like you? (Like you, like you)
|
|||
|
|
|
|||
|
|
We're dead butterflies (Butterflies, butterflies)"
|
|||
|
|
30,Déjà Vu ft. Alicai Harley ,"[Intro]
|
|||
|
|
1, 2, 3, 4!
|
|||
|
|
|
|||
|
|
[Hook: 2D & (Ensemble)]
|
|||
|
|
I like, oh oh oh (Déjà Vu)
|
|||
|
|
I like (Déjà Vu)
|
|||
|
|
I like (Déjà Vu)
|
|||
|
|
I like (Déjà Vu)
|
|||
|
|
I like
|
|||
|
|
|
|||
|
|
[Chorus: Alicaì Harley, Ensemble & 2D]
|
|||
|
|
Oh, nah nah nah, oh nah nah nah nah (Déjà Vu) (I like)
|
|||
|
|
Oh, nah nah nah, oh nah nah nah nah (Déjà Vu) (I like)
|
|||
|
|
Oh, nah nah nah, oh nah nah nah nah (Déjà Vu) (I like)
|
|||
|
|
Oh, nah nah nah, oh nah nah nah nah (Déjà Vu)
|
|||
|
|
|
|||
|
|
[Verse 1: 2D, Ensemble & Alicaì Harley]
|
|||
|
|
I like the future (I can do a lot of things nobody else can)
|
|||
|
|
But it's really hard to get there (protect your head or you'll end up dead)
|
|||
|
|
I think I'll wear a space suit (I can do a lot of things nobody else can)
|
|||
|
|
And don't forget your seatbelt (protect your head or you'll end up dead)
|
|||
|
|
Life is meant for living, if I do it again I'll do it with you
|
|||
|
|
Sometimes it feels like I ain't met you, it feels like it's déjà vu (Déjà Vu)
|
|||
|
|
Like we were made for each other, I don't mind my love in too
|
|||
|
|
Baby we are perfectly imperfect, but that's what makes it you (I like)
|
|||
|
|
|
|||
|
|
[Chorus: Alicaì Harley, Ensemble & 2D]
|
|||
|
|
Oh, nah nah nah, oh nah nah nah nah (Déjà Vu) (I like, oh oh oh)
|
|||
|
|
Oh, nah nah nah, oh nah nah nah nah (Déjà Vu) (I like, oh oh oh)
|
|||
|
|
Oh, nah nah nah, oh nah nah nah nah (Déjà Vu) (I like)
|
|||
|
|
Oh, nah nah nah nah (Déjà Vu)
|
|||
|
|
|
|||
|
|
[Verse 2: 2D, Ensemble & Alicaì Harley]
|
|||
|
|
My brain's creserted (I can do a lot of things nobody else can)
|
|||
|
|
That means I'm lost in the desert (protect your head or you'll end up dead)
|
|||
|
|
Some say I'm a martian (I can do a lot of things nobody else can)
|
|||
|
|
I always wear a seatbelt (protect your head or you'll end up dead)
|
|||
|
|
Life is meant for living, if I do it again I'll do it with you"
|
|||
|
|
31,Deltron Zero ,"Whoa.. Hey let me ask my man over here!
|
|||
|
|
Hey man let me ask you a question man and see if you know what's up!
|
|||
|
|
beat this!
|
|||
|
|
|
|||
|
|
Who fuses the music
|
|||
|
|
With no illusions
|
|||
|
|
Producing the blue prints
|
|||
|
|
Clueless?
|
|||
|
|
Automator - defy the laws of nature
|
|||
|
|
Electronic monolith throw a jam upon the disc
|
|||
|
|
The futuristic looper with the quickness
|
|||
|
|
|
|||
|
|
Hyper-producin' hydrogen fusion liquids keep your distance
|
|||
|
|
|
|||
|
|
First we coerce your brain patterns
|
|||
|
|
Collaborate with time-consumin' re-programin'
|
|||
|
|
I apply the flow cannon, the combo so slamin
|
|||
|
|
Automically reconstruct the old canvas
|
|||
|
|
His logic impress, a hypnotic effect
|
|||
|
|
Ya latin patent you could call it a gift
|
|||
|
|
Man he all in the mix nuclear physicist
|
|||
|
|
Geneticlly taylored every bit of this stimulus
|
|||
|
|
|
|||
|
|
Psyonically bionically forget how you feel
|
|||
|
|
Especially formulated the rest of you fornicated
|
|||
|
|
It takes more to make this
|
|||
|
|
He juggles variables
|
|||
|
|
Unparreled propulsion to carry the load
|
|||
|
|
Nueral surgeon the purest virgin conducting currents
|
|||
|
|
Musical merlin he shines like sterling
|
|||
|
|
Watch the Automator draw laser of a higher intensity
|
|||
|
|
And instantly miss a beat create a symphony
|
|||
|
|
|
|||
|
|
Hey I know now, I know now repeat
|
|||
|
|
Automator's on the planet earth
|
|||
|
|
and he's gonna stop the war of the worlds
|
|||
|
|
Deltron Zero is here as well take the cut for real
|
|||
|
|
He told y'all evil do'ers he is
|
|||
|
|
truly gifted in the matters of rhythm
|
|||
|
|
Ya you got to give him that
|
|||
|
|
In his infnite wisdom you know you got to get with him
|
|||
|
|
|
|||
|
|
How's that?... How's that?... How did i do? is it cool? (good job!)
|
|||
|
|
was it really? (all is well with the cosmos) yhes, yes .. i've got the purge of.."
|
|||
|
|
32,Demon Days ,"In demon days, it's cold inside
|
|||
|
|
You don't get nobody, people sigh
|
|||
|
|
It's so bad, lasting far, but love yourself
|
|||
|
|
Hiding in a hole in there
|
|||
|
|
All the glasses are too big
|
|||
|
|
Bring it back, got to hold it back
|
|||
|
|
To let you do that yet you don't want me back
|
|||
|
|
Before it fall down, falling down falling down
|
|||
|
|
Falling out to go far from the sun
|
|||
|
|
|
|||
|
|
2x
|
|||
|
|
In these demon days are so cold inside
|
|||
|
|
so hard for a good soul to survive
|
|||
|
|
You can't even trust the air you breathe
|
|||
|
|
Because Mother Earth wants as all to leave
|
|||
|
|
When lies become reality
|
|||
|
|
You drown yourself with drugs and TV
|
|||
|
|
Lift yourself up it's a brand new day
|
|||
|
|
So turn yourself round
|
|||
|
|
Don't burn yourself, turn yourself
|
|||
|
|
Turn yourself around in the sun
|
|||
|
|
|
|||
|
|
|
|||
|
|
To the sun, to the sun...
|
|||
|
|
To the sun, to the sun..."
|
|||
|
|
33,Désolé (ft. Fatoumata Diawara) ,"Ayy
|
|||
|
|
Ayy, ah
|
|||
|
|
|
|||
|
|
Désolé, désolé, contrebande
|
|||
|
|
Désolé, I'm a long way from land
|
|||
|
|
Désolé, I don't know what to do
|
|||
|
|
Désolé, désolé, try to hold on to you
|
|||
|
|
|
|||
|
|
Désolé, désolé, but dear, I don't wanna die
|
|||
|
|
Désolé, I'm gonna have my lamé
|
|||
|
|
Désolé, désolé, désolé
|
|||
|
|
Désolé, désolé, I'm gonna have my lamé
|
|||
|
|
|
|||
|
|
Désolé, désolé, compliqué
|
|||
|
|
Désolé, I don't know what to say anymore
|
|||
|
|
Désolé, while everyone on their own
|
|||
|
|
Désolé, désolé, I'm tryin' to hold on to you
|
|||
|
|
|
|||
|
|
Désolé, désolé, but dear, I don't wanna die
|
|||
|
|
Désolé, I'm gonna have my lamé
|
|||
|
|
Désolé, désolé, désolé
|
|||
|
|
Désolé, désolé, I'm gonna have my lamé
|
|||
|
|
Désolé
|
|||
|
|
Désolé
|
|||
|
|
|
|||
|
|
Désolé, désolé, contrebande
|
|||
|
|
Désolé, c'est une longue file d'attente
|
|||
|
|
Désolé, tous mes fantômes sont bleus
|
|||
|
|
Désolé, désolé, try to hold on to you
|
|||
|
|
|
|||
|
|
Désolé, désolé, désolé, ah
|
|||
|
|
Désolé, the day I left, the day I left, ah
|
|||
|
|
Désolé, désolé, désolé, ah
|
|||
|
|
Désolé, désolé, ah, yeah, yeah
|
|||
|
|
|
|||
|
|
Désolé, désolé
|
|||
|
|
Désolé, désolé"
|
|||
|
|
34,Detroit ,"[Electronic voice at beginning]
|
|||
|
|
It's Detroit!"
|
|||
|
|
35,Dirty Harry ,"I need a gun to keep myself from harm
|
|||
|
|
The poor people are burning in the sun
|
|||
|
|
But they ain't got a chance
|
|||
|
|
They ain't got a chance
|
|||
|
|
I need a gun
|
|||
|
|
'Cause all I do is dance
|
|||
|
|
'Cause all I do is dance
|
|||
|
|
|
|||
|
|
I need a gun to keep myself from harm
|
|||
|
|
The poor people are burning in the sun
|
|||
|
|
No, they ain't got a chance
|
|||
|
|
They ain't got a chance
|
|||
|
|
I need a gun
|
|||
|
|
'Cause all I do is dance
|
|||
|
|
'Cause all I do is dance
|
|||
|
|
|
|||
|
|
In my backpack
|
|||
|
|
I got my act right
|
|||
|
|
In case you act quite difficult
|
|||
|
|
And yo is so weakin'
|
|||
|
|
With anger and discontent
|
|||
|
|
Some are seeking and searching like Nimoy
|
|||
|
|
|
|||
|
|
I'm a peace-loving decoy
|
|||
|
|
Ready for retaliation
|
|||
|
|
I change the whole occasion to a pine box six-under
|
|||
|
|
Impulsive don't ask wild wonder
|
|||
|
|
Orders given to me is
|
|||
|
|
Strike and I'm thunder with lightning fast reflexes
|
|||
|
|
On constant alert from the constant hurt
|
|||
|
|
That seems limitless with no dropping pressure
|
|||
|
|
Seems like everybody's out to test ya
|
|||
|
|
'Til they see you brake
|
|||
|
|
They can't conceal the hate that consumes you
|
|||
|
|
I'm the reason why you flipped your Isuzu
|
|||
|
|
|
|||
|
|
Chill with your old lady at the tilt
|
|||
|
|
I got a ninety days digit
|
|||
|
|
And I'm filled with guilt
|
|||
|
|
From things that I've seen
|
|||
|
|
Your water's from a bottle
|
|||
|
|
Mine's from a canteen
|
|||
|
|
At night I hear the shots
|
|||
|
|
Ring so I'm a light sleeper
|
|||
|
|
The cost of life
|
|||
|
|
It seems to get cheaper
|
|||
|
|
Out in the desert
|
|||
|
|
With my street sweeper
|
|||
|
|
The war is over
|
|||
|
|
So said the speaker with the flight suit on
|
|||
|
|
Maybe to him I'm just a pawn
|
|||
|
|
So he can advance
|
|||
|
|
Remember when I used to dance
|
|||
|
|
Man, all I want to do is dance
|
|||
|
|
|
|||
|
|
I need a gun to keep myself from harm"
|
|||
|
|
36,Don't get lost in heaven ,"Got off a plane to the countryside
|
|||
|
|
I drove to the mountain and holding the ground
|
|||
|
|
There was crack on the corner and someone dead
|
|||
|
|
And fire coming out of the monkey's head
|
|||
|
|
|
|||
|
|
Don't get lost in heaven
|
|||
|
|
They got locks on the gate
|
|||
|
|
Don't go over the edge
|
|||
|
|
You'll make a big mistake
|
|||
|
|
|
|||
|
|
Put me in a cab to suburbia
|
|||
|
|
I just took a line but I wasn't with you
|
|||
|
|
There was more of it there
|
|||
|
|
When I got back home
|
|||
|
|
But you had left me
|
|||
|
|
You don't know my soul
|
|||
|
|
You're a whore,yeah, you're a whore
|
|||
|
|
|
|||
|
|
Don't get lost in heaven
|
|||
|
|
They got locks on the gate
|
|||
|
|
Don't go over the edge
|
|||
|
|
You'll make a big mistake
|
|||
|
|
Aaaah...
|
|||
|
|
You'll make a big mistake...
|
|||
|
|
Aaaah...
|
|||
|
|
You'll make a big mistake...
|
|||
|
|
Aaaah...
|
|||
|
|
You'll make a big mistake...
|
|||
|
|
Aaaaaah...
|
|||
|
|
"
|
|||
|
|
37,Doncamatic (All Play Out) feat. Daley ,"Down lowly
|
|||
|
|
Make up for the time you've wasted
|
|||
|
|
Come slowly
|
|||
|
|
And claim back the boy you left behind
|
|||
|
|
|
|||
|
|
Close the white book
|
|||
|
|
Unplug the brain from the game
|
|||
|
|
'Cause it's time to wipe out
|
|||
|
|
To the stars
|
|||
|
|
Get on the fame
|
|||
|
|
|
|||
|
|
The song is not the same when we're
|
|||
|
|
All played out, played out, all played out
|
|||
|
|
They said the memories
|
|||
|
|
All fade out, fade out, all fade out
|
|||
|
|
Tell me did you feel that?
|
|||
|
|
|
|||
|
|
Don't slow down
|
|||
|
|
Even if it's only to escape
|
|||
|
|
Just down, low down
|
|||
|
|
Before somebody steals your place man
|
|||
|
|
|
|||
|
|
Close the white book
|
|||
|
|
Unplug the brain from the game
|
|||
|
|
'Cause it's time to wipe out
|
|||
|
|
To the stars
|
|||
|
|
Get on the fame
|
|||
|
|
And the conversation's over
|
|||
|
|
|
|||
|
|
We're all played out, played out, all played out
|
|||
|
|
(talk to me, talk to me, talk to me, talk to me)
|
|||
|
|
You see the memories
|
|||
|
|
All fade out, fade out, all fade out
|
|||
|
|
(talk to me, talk to me, talk to me, talk to me)
|
|||
|
|
Tell me did you feel that?
|
|||
|
|
|
|||
|
|
Doncamatic
|
|||
|
|
|
|||
|
|
Down lowly
|
|||
|
|
Make up for the time you wasted
|
|||
|
|
Come slowly
|
|||
|
|
Claim back the boy you left behind and
|
|||
|
|
Close the white book
|
|||
|
|
Unplug the brain from the game
|
|||
|
|
It's time to wipe out to the bar get on the fame
|
|||
|
|
|
|||
|
|
The song is not the same when we're
|
|||
|
|
All played out, played out, all played out
|
|||
|
|
(Talk to me, talk to me, talk to me, talk to me)
|
|||
|
|
You see the memories
|
|||
|
|
All fade out, fade out, all fade out
|
|||
|
|
(Talk to me, talk to me, talk to me, talk to me)
|
|||
|
|
|
|||
|
|
The song is not the same when we're
|
|||
|
|
All played out, played out, all auto tuned
|
|||
|
|
(Talk to me, talk to me, talk to me, talk to me)
|
|||
|
|
|
|||
|
|
The song is not the same when we're
|
|||
|
|
All played out, played out, played out, played out
|
|||
|
|
(Talk to me, talk to me, talk to me, talk to me)
|
|||
|
|
Tell me did you feel that?"
|
|||
|
|
38,Double Bass ,"All of which makes me anxious
|
|||
|
|
At times unbearably so"
|
|||
|
|
39,DoYaThing (ft. André 3000 & James Murphy) ,"I'm a pale imitator of the boy in the sky
|
|||
|
|
With a cap in his hand and another in his tie
|
|||
|
|
I'm the light in the mall when the power is gone
|
|||
|
|
The shadow in the corner, just playin' along
|
|||
|
|
I'ma lay right in my bed, I'm rolling aside
|
|||
|
|
But if I get a car (Uh), I'm roamin' to ride
|
|||
|
|
Because I know if I ever chill of leavin' you
|
|||
|
|
You've got a folding chair, and you don't know what to do
|
|||
|
|
You talk
|
|||
|
|
|
|||
|
|
You wanna do it, but you don't know what you're doin', baby
|
|||
|
|
(Ah-ah-ah-ah)
|
|||
|
|
You wanna feel it, but you don't know what you're feelin', good night
|
|||
|
|
(All right, how are we doing?)
|
|||
|
|
|
|||
|
|
And if you're thinking that I don't know what you're thinkin', baby
|
|||
|
|
(Ah-ah-ah-ah)
|
|||
|
|
You're done with thinking and I'm going out and making it right
|
|||
|
|
(All right, how do you do?)
|
|||
|
|
|
|||
|
|
I'm impregnable, incredible, the setting of quo
|
|||
|
|
I'm late in my ride, n' not a heart and so' on
|
|||
|
|
I got a Saturday night, and nothing is dead
|
|||
|
|
And if I ever had to do it, well, you know I wouldn't care
|
|||
|
|
I just kicked down, I love when I'm seen
|
|||
|
|
Yeah, and if I wanna call back, the message is free
|
|||
|
|
Then there's a fire, a ray, a now out the sun
|
|||
|
|
And if you get popped here, you get 'em a lot
|
|||
|
|
You get a heart, bake
|
|||
|
|
|
|||
|
|
You wanna do it, but you don't know what you're doin', baby
|
|||
|
|
(Ah-ah-ah-ah)
|
|||
|
|
You wanna feel it, but you don't know what you're feelin', good night
|
|||
|
|
(All right, how are we doing?)
|
|||
|
|
|
|||
|
|
And if you're thinking that I don't know what you're thinkin', baby
|
|||
|
|
(Ah-ah-ah-ah)
|
|||
|
|
You're done with thinking and I'm going out and making it right
|
|||
|
|
(All right, how do you do?)
|
|||
|
|
|
|||
|
|
Every time we try, we get nowhere
|
|||
|
|
Wouldn't it be nice if we were just normal people, yeah?
|
|||
|
|
Tryin' so hard to act like we don't care (Hmmm)
|
|||
|
|
But it's true, you do, nothin' is left, so I guess I'm right
|
|||
|
|
|
|||
|
|
New word: Onomateopoeia (Boom)
|
|||
|
|
Quit actin' like you don't wanna be here
|
|||
|
|
Fuck around and get jumped like leap year
|
|||
|
|
Glock and a glove make you really wanna leave me a...
|
|||
|
|
...lone, get the fuck on, go'n
|
|||
|
|
Okay, okay, okay, back to the happy songs
|
|||
|
|
Rap ain't nothin' but an auto-talkin' kit
|
|||
|
|
My girl look pretty up there ridin' dick
|
|||
|
|
My plaid past, my solid future
|
|||
|
|
Astronaut ass and a gorgeous coochie
|
|||
|
|
I'm an outcast, but you're into me
|
|||
|
|
Summer got mad 'cause winter blew me
|
|||
|
|
That Juicy Fruit, that splooshie-sploosh
|
|||
|
|
Generation X on bloop-de-bloop
|
|||
|
|
Get duked out, or get dookie-duked
|
|||
|
|
Er'rybody hit the floor, we through the roof
|
|||
|
|
Like a chimney, now come in me
|
|||
|
|
How come it be, some lame, man
|
|||
|
|
Nigga talkin' 'bout ""Aww, he don't rap enough""
|
|||
|
|
But y'all rap a lot and I'm like ""Wrap it up, hoe""
|
|||
|
|
Ye ain't Scarface, ye ain't Willie D
|
|||
|
|
Ye ain't Bushwick, ye ain't killin' me
|
|||
|
|
Better play with ya ma'fuckin' mama
|
|||
|
|
Betcha still stay witcha ma'fuckin' mama
|
|||
|
|
Keep sleepin' on me, I'ma rock my pajamas
|
|||
|
|
In the daytime, I swear, I promise
|
|||
|
|
Dare a nigga say somethin', tear a nigga face off
|
|||
|
|
How come blacks don't play baseball?
|
|||
|
|
Y'all white, know y'all can taste all this fly shit
|
|||
|
|
I stay finna take off
|
|||
|
|
|
|||
|
|
Do ya damn thing, do ya thing-a-thing
|
|||
|
|
Do ya damn thing, do ya thing-a-thing
|
|||
|
|
Do ya damn thing, do ya thing-a-thing
|
|||
|
|
Ye ain't fresh squeezed juice, nigga, you that Tang
|
|||
|
|
|
|||
|
|
Do ya damn thing, do ya thing-a-thing
|
|||
|
|
Do ya damn thing, do ya thing-a-thing
|
|||
|
|
Do ya damn thing, do ya thing-a-thing
|
|||
|
|
Well, is you really Slick Rick? Nope, you just ain't a thing
|
|||
|
|
|
|||
|
|
Bet it up, head erupts
|
|||
|
|
A lava language and a vocal volcanic
|
|||
|
|
If it ain't fixed, don't broke it, don't panic
|
|||
|
|
If it ain't this, it ain't shit, goddammit
|
|||
|
|
If it ain't this, it ain't dope, it don't flush
|
|||
|
|
And if it ain't hip or don't hop, well then hush
|
|||
|
|
""Man, they sound like,"" ""Man, they stole yo',""
|
|||
|
|
""Man, they look like"": Nope, it ain't us
|
|||
|
|
|
|||
|
|
Ah, do ya damn thing, do ya thing-a-thing
|
|||
|
|
Do ya damn thing, do ya thing-a-thing
|
|||
|
|
Do ya damn thing, do ya thing-a-thing
|
|||
|
|
Is you really Slick Rick? No, you just ain't a thing
|
|||
|
|
|
|||
|
|
Do ya damn thing, do ya thing-a-thing
|
|||
|
|
Do ya damn thing, do ya thing-a-thing
|
|||
|
|
Do ya damn thing, do ya thing-a-thing
|
|||
|
|
Ye ain't fresh squeezed juice, nigga, you that Tang
|
|||
|
|
|
|||
|
|
Every time we try, we get nowhere
|
|||
|
|
Wouldn't it be nice if we were just normal people, yeah?
|
|||
|
|
Tryin' so hard to act like we don't care (I 'on't care)
|
|||
|
|
But it's true, you do, nothin' is left, so I guess I'm right
|
|||
|
|
|
|||
|
|
Flip the page, our days are revelations
|
|||
|
|
Space is strange, doctor, I've got no patience!
|
|||
|
|
Oh, it's all a part of the process (Okay, okay)
|
|||
|
|
Nothin's new, it's true, cool, I admit, shit, I guess you're right!"
|
|||
|
|
40,Dracula ,"(This is good for
|
|||
|
|
the blood!)
|
|||
|
|
|
|||
|
|
The percentage of us tow the line
|
|||
|
|
The rest of us out of reach
|
|||
|
|
Everybody party time
|
|||
|
|
Some of us will never sleep again
|
|||
|
|
|
|||
|
|
Dracula
|
|||
|
|
Dracula dracula
|
|||
|
|
Dracula dracula
|
|||
|
|
|
|||
|
|
The percentage of us tow the line
|
|||
|
|
The rest of us out of reach
|
|||
|
|
Everybody party time
|
|||
|
|
Some of us will never sleep again
|
|||
|
|
|
|||
|
|
Dracula
|
|||
|
|
Dracula dracula
|
|||
|
|
Dracula dracula
|
|||
|
|
"
|
|||
|
|
41,Dub Dumb ,"[humming]
|
|||
|
|
Yo, little ma witch in a hole in my vibe, me pause in a magical world miralizing mo’, come on!
|
|||
|
|
They hope the dog made mo’ magic blood, London man go inside you, ah!
|
|||
|
|
Jungle by jungle, jumping on to beat em’ up, come to ring and sing in ma sign mo’
|
|||
|
|
Pop pop, judging the fucking greed mo, that’s what the oath is speaking of, ah!
|
|||
|
|
Ellen pools who’ll floating catchin’ more, URG, no, I’ll speakin’ and catchin’ more
|
|||
|
|
In green days girls want me scatchin’ more, red pool’s girls yo scatchin’ more, ah!
|
|||
|
|
Which boy is off the crew? Which of ‘em’s common and respects you?
|
|||
|
|
Hold ‘em boy, mus’ i-ah-oh lemme’ decapite a boy turntable a knife
|
|||
|
|
Which boy is off the “click-click”, if a boy could decide my gal-gal fixed kick-kick
|
|||
|
|
Hold ‘em boy-boy, fixed kick-kick, URG URG URG URG…"
|
|||
|
|
42,El Manana ,"Summer don't know me no more
|
|||
|
|
He got mad, that's all
|
|||
|
|
|
|||
|
|
Summer don't know me
|
|||
|
|
He just left me low in myself
|
|||
|
|
'Cause I do know love
|
|||
|
|
From you that
|
|||
|
|
Just dying'
|
|||
|
|
|
|||
|
|
I saw that day
|
|||
|
|
Lost my mind
|
|||
|
|
Lord, I'm fine
|
|||
|
|
Maybe in time
|
|||
|
|
You'll want to be mine
|
|||
|
|
|
|||
|
|
Don't stop the bud when it comes
|
|||
|
|
It's the dawn, you'll see
|
|||
|
|
Money won't get there
|
|||
|
|
Ten years passed tonight, you'll flee
|
|||
|
|
If you do that
|
|||
|
|
I'll be sworn
|
|||
|
|
To find you
|
|||
|
|
|
|||
|
|
|
|||
|
|
I saw that day,
|
|||
|
|
Lost my mind
|
|||
|
|
Lord, I'm fine
|
|||
|
|
Maybe in time
|
|||
|
|
You'll want to be mine
|
|||
|
|
|
|||
|
|
I saw that day,
|
|||
|
|
Lost my mind
|
|||
|
|
Lord, I'm fine
|
|||
|
|
Maybe in time
|
|||
|
|
You'll want to be mine
|
|||
|
|
|
|||
|
|
Maybe in time
|
|||
|
|
You'll want to be mine
|
|||
|
|
Maybe in time
|
|||
|
|
You'll want to be mine
|
|||
|
|
Maybe in time
|
|||
|
|
You'll want to be mine"
|
|||
|
|
43,Empire Ants ,"Oh joy's arise
|
|||
|
|
The sun has come again too hold you
|
|||
|
|
Sailing out the doldrums of the week
|
|||
|
|
The polyphonic prairies here, it's all around you
|
|||
|
|
It's all around you, out here
|
|||
|
|
|
|||
|
|
And if the whole world is crashing down
|
|||
|
|
Fall through space out of mind again
|
|||
|
|
Where the emptiness we leave behind on warm air rising
|
|||
|
|
Blows all the shadows far away
|
|||
|
|
|
|||
|
|
The falling alcohol empire, is here to hold you
|
|||
|
|
Rooling out and haunted till it sinks
|
|||
|
|
|
|||
|
|
Little memories, marching on
|
|||
|
|
Your little feet, working the machine
|
|||
|
|
Will it spin? will it sore?
|
|||
|
|
My little dream, working the machine
|
|||
|
|
|
|||
|
|
Soothe like a wave
|
|||
|
|
and crash far
|
|||
|
|
Closing in on the moon
|
|||
|
|
And who we are
|
|||
|
|
|
|||
|
|
Little memories
|
|||
|
|
Your little feet, working the machine
|
|||
|
|
Will it spin? will it sore?
|
|||
|
|
My little dream, working the machine
|
|||
|
|
|
|||
|
|
Soothe like a wave
|
|||
|
|
and crash far
|
|||
|
|
Closing in on the moon
|
|||
|
|
And who we are"
|
|||
|
|
44,Every planet we reach is dead ,"I lost my leg like I lost my way
|
|||
|
|
So no loose ends
|
|||
|
|
Nothing to see me down
|
|||
|
|
How are we going to work this out?
|
|||
|
|
|
|||
|
|
Dreams aren't bad, our heads are mad
|
|||
|
|
I love the girl
|
|||
|
|
But God only knows
|
|||
|
|
It's hetting hard to see the sun coming through
|
|||
|
|
I love you...
|
|||
|
|
But what are we going to do?
|
|||
|
|
|
|||
|
|
Picture, I'm a dreamer
|
|||
|
|
I'll take you deeper
|
|||
|
|
Down to the sleepy glow
|
|||
|
|
Time is a low..
|
|||
|
|
Don't you know?
|
|||
|
|
What are we going to do?
|
|||
|
|
|
|||
|
|
When you go down
|
|||
|
|
All this sick and selfless days
|
|||
|
|
All it does is fall in
|
|||
|
|
I want to see you
|
|||
|
|
I love you...
|
|||
|
|
But what are we going to do?"
|
|||
|
|
45,Faust ,"[Zapis japoński]
|
|||
|
|
仕事の後に 目がさめる
|
|||
|
|
なにかしなくちゃ
|
|||
|
|
仕事の後に
|
|||
|
|
|
|||
|
|
仕事の後に 目がさめる
|
|||
|
|
なにかしなくちゃ
|
|||
|
|
仕事の後に
|
|||
|
|
|
|||
|
|
After a hard day（仕事の後に）
|
|||
|
|
It's time to wake up（目がさめる）
|
|||
|
|
I need a make-up（なにかしなくちゃ）
|
|||
|
|
After a hard day（仕事の後に）
|
|||
|
|
|
|||
|
|
After a hard day
|
|||
|
|
It's time to wake up
|
|||
|
|
I need a make-up
|
|||
|
|
After a hard day
|
|||
|
|
|
|||
|
|
|
|||
|
|
[Transkrypcja]
|
|||
|
|
Shigoto no ato ni
|
|||
|
|
Me ga sameru
|
|||
|
|
Nani ka shinakucha
|
|||
|
|
Shigoto no ato ni
|
|||
|
|
|
|||
|
|
Shigoto no ato ni
|
|||
|
|
Me ga sameru
|
|||
|
|
Nani ka shinakucha
|
|||
|
|
Shigoto no ato ni
|
|||
|
|
|
|||
|
|
After a hard day (Shigoto no ato ni)
|
|||
|
|
It's time to wake up (Me ga sameru)
|
|||
|
|
I need a make-up (Nani ka sinakucha)
|
|||
|
|
After a hard day (Shigoto no ato ni)
|
|||
|
|
|
|||
|
|
After a hard day
|
|||
|
|
It's time to wake up
|
|||
|
|
I need a make-up
|
|||
|
|
After a hard day"
|
|||
|
|
46,Feel Good Inc. ,"Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha, Feel Good
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
(Change) Sha, sha (Change) ba da (Change), sha ba da (Change)
|
|||
|
|
(Change) Sha, sha (Change) ba da (Change), sha ba da (Change)
|
|||
|
|
|
|||
|
|
City's breaking down on a camel's back
|
|||
|
|
They just have to go 'cause they don't know whack
|
|||
|
|
So while you fill the streets, it's appealing to see
|
|||
|
|
You won't get undercounted 'cause you're damned and free
|
|||
|
|
You got a new horizon, it's ephemeral style
|
|||
|
|
A melancholy town where we never smile
|
|||
|
|
And all I wanna hear is the message beep
|
|||
|
|
My dreams, they got her kissing, 'cause I don't get sleep, no
|
|||
|
|
|
|||
|
|
Windmill, windmill for the land
|
|||
|
|
Turn forever hand in hand
|
|||
|
|
Take it all in on your stride
|
|||
|
|
It is ticking, falling down
|
|||
|
|
Love forever, love is free
|
|||
|
|
Let's turn forever, you and me
|
|||
|
|
Windmill, windmill for the land
|
|||
|
|
Is everybody in?
|
|||
|
|
|
|||
|
|
Laughin' gas these hazmats, fast cats
|
|||
|
|
Linin' 'em up like ass cracks
|
|||
|
|
Play these ponies at the track
|
|||
|
|
It's my chocolate attack
|
|||
|
|
Shit, I'm steppin' in the heart of this here (yeah)
|
|||
|
|
Care Bear rappin' in harder this year (yeah)
|
|||
|
|
Watch me as I gravitate, ha-ha-ha-ha-ha!
|
|||
|
|
Yo, we gon' ghost town this Motown
|
|||
|
|
With yo' sound, you in the blink
|
|||
|
|
Gon' bite the dust, can't fight with us
|
|||
|
|
With yo' sound, you kill the Inc.
|
|||
|
|
So don't stop, get it, get it (get it)
|
|||
|
|
Until you're cheddar head
|
|||
|
|
And watch the way I navigate
|
|||
|
|
ha-ha-ha-ha-ha
|
|||
|
|
|
|||
|
|
(Ha! Ha-ha-ha-ha-ha-ha-ha...)
|
|||
|
|
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
|
|||
|
|
Windmill, windmill for the land
|
|||
|
|
Turn forever hand in hand
|
|||
|
|
Take it all in on your stride
|
|||
|
|
It is ticking, falling down
|
|||
|
|
Love forever, love is free
|
|||
|
|
Let's turn forever, you and me
|
|||
|
|
Windmill, windmill for the land
|
|||
|
|
Is everybody in?
|
|||
|
|
|
|||
|
|
Don't stop, get it, get it
|
|||
|
|
Peep how your captain's in it
|
|||
|
|
Steady, watch me navigate
|
|||
|
|
ha-ha-ha-ha-ha!
|
|||
|
|
Don't stop, get it, get it
|
|||
|
|
Peep how your captain's in it
|
|||
|
|
Steady, watch me navigate
|
|||
|
|
ha-ha-ha-ha-ha!
|
|||
|
|
|
|||
|
|
(Ha! Ha-ha-ha-ha-ha-ha-ha...)
|
|||
|
|
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
Sha, sha ba da, sha ba da, Feel Good
|
|||
|
|
|
|||
|
|
(...ha-ha-ha)"
|
|||
|
|
47,Fifa 2002 Theme ,"It's the music that we choose
|
|||
|
|
It's the music that we choose
|
|||
|
|
It's the music that we choose
|
|||
|
|
It's the music that we choose (dayay it's the)
|
|||
|
|
It's the music that we choose
|
|||
|
|
It's the music that we choose
|
|||
|
|
It's the music that we choose
|
|||
|
|
It's the music that we choose
|
|||
|
|
|
|||
|
|
The world is spinning too fast
|
|||
|
|
I'm buying lead Nike shoes
|
|||
|
|
to keep myself teathered
|
|||
|
|
to the days I tried to lose (dayay it's the)
|
|||
|
|
My momma said to slow down
|
|||
|
|
you must make your own shoes
|
|||
|
|
stop dancing to the music
|
|||
|
|
Of Gorillaz in a happy mood (dayay it's the)
|
|||
|
|
|
|||
|
|
Keep a mild groove on
|
|||
|
|
They do the bump (it's the music that we choose)
|
|||
|
|
They do the bump (It's the music that we choose)
|
|||
|
|
They do the bump (It's the music that we choose)
|
|||
|
|
They do the bump (It's the music that we choose) (dayay it's the)
|
|||
|
|
They do the bump (it's the music that we choose)
|
|||
|
|
They do the bump (it's the music that we choose)
|
|||
|
|
They do the bump (it's the music that we choose)
|
|||
|
|
They do the bump (it's the music that we choose) (Here you go)
|
|||
|
|
|
|||
|
|
Get the cool (na-nana-na na na)
|
|||
|
|
Get the cool shoe shine (na-nana-na)
|
|||
|
|
Get the cool (na-nana-na na na)
|
|||
|
|
get the cool shoe shine (na-nana-na)
|
|||
|
|
get the cool (na-nana-na na na)
|
|||
|
|
get the cool shoe shine (na-nana-na)
|
|||
|
|
get the cool (na-nana-na na na)
|
|||
|
|
get the cool shoe shine (na-nana-na)
|
|||
|
|
|
|||
|
|
There's a monkey in the jungle
|
|||
|
|
Watching a vapour trail
|
|||
|
|
Caught up in the conflict
|
|||
|
|
between his brain and his tail (dayay it's the)
|
|||
|
|
And If it's time's elimination
|
|||
|
|
We've got nothing to lose
|
|||
|
|
Please repeat the message
|
|||
|
|
It's the music that we choose (dayay it's the)
|
|||
|
|
|
|||
|
|
Keep a mild groove on
|
|||
|
|
They do the bump (it's the music that we choose)
|
|||
|
|
They do the bump (It's the music that we choose)
|
|||
|
|
They do the bump (It's the music that we choose)
|
|||
|
|
They do the bump (It's the music that we choose) (dayay it's the)
|
|||
|
|
They do the bump (it's the music that we choose)
|
|||
|
|
They do the bump (it's the music that we choose)
|
|||
|
|
They do the bump (it's the music that we choose)
|
|||
|
|
(it's the music that we choose)
|
|||
|
|
|
|||
|
|
Get the cool (na-nana-na na na)
|
|||
|
|
Get the cool shoe shine (na-nana-na)
|
|||
|
|
Get the cool (na-nana-na na na)
|
|||
|
|
get the cool shoe shine (na-nana-na)
|
|||
|
|
get the cool (na-nana-na na na)
|
|||
|
|
get the cool shoe shine (na-nana-na)
|
|||
|
|
get the cool (na-nana-na na na)
|
|||
|
|
get the cool shoe shine (na-nana-na)
|
|||
|
|
|
|||
|
|
They do the bump
|
|||
|
|
They do the bump
|
|||
|
|
They do the bump
|
|||
|
|
They do the bump (dayay it's the)
|
|||
|
|
They do the bump (it's the music that we choose)
|
|||
|
|
They do the bump (it's the music that we choose)
|
|||
|
|
They do the bump (it's the music that we choose)
|
|||
|
|
They do the bump (it's the music that we choose)(keepin our groove on)
|
|||
|
|
Ok bring it down yeah we gonna break out
|
|||
|
|
|
|||
|
|
Get the cool (na-nana-na na na)
|
|||
|
|
Get the cool shoe shine (na-nana-na)
|
|||
|
|
Get the cool (na-nana-na na na)
|
|||
|
|
get the cool shoe shine (na-nana-na)
|
|||
|
|
get the cool (na-nana-na na na)
|
|||
|
|
get the cool shoe shine (na-nana-na)
|
|||
|
|
get the cool (na-nana-na na na)
|
|||
|
|
get the cool shoe shine (na-nana-na)
|
|||
|
|
Get the cool (na-nana-na na na)
|
|||
|
|
|
|||
|
|
[repeat x2]
|
|||
|
|
Get the cool shoe shine (na-nana-na)It's the music that we choose
|
|||
|
|
Get the cool (na-nana-na na na)It's the music that we choose
|
|||
|
|
Get the cool shoe shine (na-nana-na)It's the music that we choose
|
|||
|
|
Get the cool (na-nana-na na na)It's the music that we choose
|
|||
|
|
Get the cool shoe shine (na-nana-na)It's the music that we choose
|
|||
|
|
Get the cool (na-nana-na na na)It's the music that we choose
|
|||
|
|
Get the cool shoe shine (na-nana-na)It's the music that we choose"
|
|||
|
|
48,Fire coming out of the Monkey's head ,"Once upon a time at the foot of a great mountain
|
|||
|
|
There was a town where the people known as Happyfolk lived
|
|||
|
|
Their very existence a mystery to the rest of the world
|
|||
|
|
Obscured as it was by great clouds
|
|||
|
|
|
|||
|
|
Here they played out their peaceful lives
|
|||
|
|
Innocent of the litany of excess and violence
|
|||
|
|
That was growing in the world below
|
|||
|
|
To live in harmony with the spirit of the mountain called Monkey was enough
|
|||
|
|
Then one day Strangefolk arrived in the town
|
|||
|
|
They came in camouflage, hidden behind dark glasses
|
|||
|
|
But no one noticed them: they only saw shadows
|
|||
|
|
You see, without the Truth of the Eyes, the Happyfolk were Blind.
|
|||
|
|
|
|||
|
|
Falling out of aeroplanes and hiding out in holes
|
|||
|
|
Waiting for the sunset to come, people going home
|
|||
|
|
Jump back from behind them and shoot them in the head
|
|||
|
|
Now everybody dancing the dance of the dead
|
|||
|
|
The dance of the dead, the dance of the dead
|
|||
|
|
|
|||
|
|
In time, Strangefolk found their way into the high reaches Of the mountain
|
|||
|
|
And it was there that they found the caves of unimaginable Sincerity and Beauty
|
|||
|
|
By chance, they stumbled upon the Place Where All Good Souls Come to Rest
|
|||
|
|
The Strangefolk, they coveted the jewels in these caves Above all things
|
|||
|
|
And soon they began to mine the mountain
|
|||
|
|
Its rich seam fueling the chaos of their own world
|
|||
|
|
Meanwhile, down in the town
|
|||
|
|
The Happyfolk slept restlessly their dreams invaded by Shadowy figures digging away at their souls
|
|||
|
|
Every day, people would wake and stare at the mountain
|
|||
|
|
Why was it bringing darkness into their lives
|
|||
|
|
And as the Strangefolk mined deeper and deeper into the Mountain, holes began to appear
|
|||
|
|
Bringing with them a cold and bitter wind that chilled the Very soul of them up
|
|||
|
|
For the first time, the Happyfolk felt fearful for
|
|||
|
|
They knew that soon the Monkey would soon stir from its Deep sleep
|
|||
|
|
And then came a sound, distant first
|
|||
|
|
It grew into castrophany so immense it could be heard far Away in space
|
|||
|
|
There were no screams
|
|||
|
|
There was no time
|
|||
|
|
The mountain called Monkey had spoken
|
|||
|
|
There was only fire
|
|||
|
|
And then, nothing
|
|||
|
|
|
|||
|
|
Oh little town in U.S.A, your time has come to see
|
|||
|
|
There's nothing you believe you want
|
|||
|
|
But where were you when it all came down on me
|
|||
|
|
Did you call me now? "
|
|||
|
|
49,Fire Flies ,"If you see me floatin' too many times
|
|||
|
|
My face will be painted in these white brick lines
|
|||
|
|
|
|||
|
|
'Cause all my fear's invading
|
|||
|
|
All the crazies put on buses and sent up here to find you
|
|||
|
|
Livin' on the limits
|
|||
|
|
|
|||
|
|
And if you say goodbye too many times
|
|||
|
|
The sentinels will find me and switch me off this time
|
|||
|
|
|
|||
|
|
'Cause all my fear's invading
|
|||
|
|
All the crazies put on buses and sent up here to find you
|
|||
|
|
Livin' on the limits
|
|||
|
|
|
|||
|
|
If all you ever get from the sonnet is the count of the fall of man
|
|||
|
|
Every calling cost made to your heart
|
|||
|
|
You were in the kind of game that put the force in me
|
|||
|
|
I was ever chasing fireflies
|
|||
|
|
|
|||
|
|
Sometimes I follow a firefly
|
|||
|
|
It takes me into the night
|
|||
|
|
Baby, I just survive
|
|||
|
|
I got drunk, I'm sorry
|
|||
|
|
Am I losing you?
|
|||
|
|
Sometimes I follow a firefly
|
|||
|
|
It takes me into the night
|
|||
|
|
Baby, I just survive
|
|||
|
|
I got drunk, I'm sorry
|
|||
|
|
Am I losing you?
|
|||
|
|
|
|||
|
|
If all you ever get from the sonnet is the count of the fall of man
|
|||
|
|
Every calling cost made to your heart
|
|||
|
|
You were in the kind of game that put the force in me
|
|||
|
|
I was ever chasing fireflies"
|
|||
|
|
50,FM ,"Worry the bottle mamma, it’s grapefruit wine
|
|||
|
|
Kick off your high heel sneakers, it’s party time
|
|||
|
|
Girls don’t seem to care what’s on
|
|||
|
|
As long as it plays till dawn
|
|||
|
|
Nothin’ but blues and Elvis
|
|||
|
|
And somebody else’s favorite song
|
|||
|
|
|
|||
|
|
Give her some funked up music, she treats you nice
|
|||
|
|
Feed her some hungry reggae, she’ll love you twice
|
|||
|
|
Girls don’t seem to care tonight
|
|||
|
|
As long as the mood is right
|
|||
|
|
|
|||
|
|
No static at all
|
|||
|
|
No static at all
|
|||
|
|
No static at all
|
|||
|
|
FM - no static at all
|
|||
|
|
|
|||
|
|
Give her some funked up music she treats you nice
|
|||
|
|
Feed her some hungry reggae she’ll love you twice
|
|||
|
|
Girls don’t seem to care tonight
|
|||
|
|
As long as the mood is right
|
|||
|
|
|
|||
|
|
No static at all
|
|||
|
|
No static at all
|
|||
|
|
No static at all
|
|||
|
|
FM - no static at all
|
|||
|
|
"
|
|||
|
|
51,Friday 13th (ft. Octavian) ,"[Verse 1: Octavian]
|
|||
|
|
I been drinkin' and smokin' too much, that shit damages
|
|||
|
|
Gimme a lot, I can do it myself, I can manage it
|
|||
|
|
Two Xans, I gotta leave, and you know how it is
|
|||
|
|
You and me, we can take on the world, we can be savages
|
|||
|
|
|
|||
|
|
[Pre-Chorus: Octavian]
|
|||
|
|
I called my dealer, said, ""Share the white with all of us"" (Light)
|
|||
|
|
I told him, ""We've been so nice, don't turn on us"" (Don't turn on us)
|
|||
|
|
Is it funny how the time flies by (Flies by) so fast?
|
|||
|
|
If we do all of these lines, we go up
|
|||
|
|
|
|||
|
|
[Chorus: Octavian]
|
|||
|
|
(Oh) And if I look into your eyes, I make you realize (Oh)
|
|||
|
|
I can realize, oh (I can realize)
|
|||
|
|
|
|||
|
|
[Break: Octavian]
|
|||
|
|
Fuck, I meant to just, rhyme to this (Rap to this)
|
|||
|
|
(Ayy) Ayy, go hard as shit man
|
|||
|
|
|
|||
|
|
[Verse 2: Octavian]
|
|||
|
|
It's definitely goin' down (Down)
|
|||
|
|
Find a paigon on the strip, spin him 'round (Spin him 'round)
|
|||
|
|
Big man talkin' shit 'til we pin him down (Pin him down)
|
|||
|
|
Big man talkin' shit 'til we lick him down (Until I lick him down)
|
|||
|
|
Far enough, I'ma spin it 'round
|
|||
|
|
Put the big **** in your belly then spin it 'round (Spin it 'round)
|
|||
|
|
You can ask Kembo if I been about
|
|||
|
|
Free him out (Free him out), I don't need to get the pictures out
|
|||
|
|
|
|||
|
|
[Pre-Chorus: Octavian]
|
|||
|
|
I called my dealer, said, ""Share the white with all of us""
|
|||
|
|
I told him, ""We've been so nice, don't turn on us"" (Don't turn on us)
|
|||
|
|
Is it funny how the times flies by (Flies by) so fast?
|
|||
|
|
If we do all of these lines (These lines), we go up
|
|||
|
|
|
|||
|
|
[Chorus: Octavian]
|
|||
|
|
(Oh) And if I look into your eyes, I make you realize (Oh)
|
|||
|
|
|
|||
|
|
[Bridge: Octavian]
|
|||
|
|
You know that we can be immortal, immortal
|
|||
|
|
Are you loyal? Yeah (Oh, immortal)
|
|||
|
|
I'm just prayin' that she loyal, is she loyal? Yeah
|
|||
|
|
We coil, yeah (Is she loyal)
|
|||
|
|
I don't talk too much, man
|
|||
|
|
Have they got mine?
|
|||
|
|
Cryin' out finally, and a little mercy (Oh)
|
|||
|
|
I don't talk too much, man
|
|||
|
|
Came out silent
|
|||
|
|
Came out silent
|
|||
|
|
Came out silent
|
|||
|
|
Came out silent
|
|||
|
|
|
|||
|
|
[Outro: 2D & Octavian]
|
|||
|
|
Oh, it's a beautiful day (Is she loyal?)
|
|||
|
|
Oh, it's a beautiful day (Is she loyal? Is she loyal?)
|
|||
|
|
Oh, it's a beautiful day (Immortal, immortal)
|
|||
|
|
(Oh, it's a beautiful day) I don't talk too much, man
|
|||
|
|
Have they got mine?
|
|||
|
|
Cryin' out finally, and a little mercy
|
|||
|
|
I don't talk too much, man
|
|||
|
|
Came out silent (Immortal)"
|
|||
|
|
52,Garage Palace ,"Oh, Palace Flows
|
|||
|
|
Rain falls from the heavens
|
|||
|
|
To my palace rooftop
|
|||
|
|
When the light shines through it
|
|||
|
|
I feel more exposed
|
|||
|
|
Will it ever change here?
|
|||
|
|
We'll just never know
|
|||
|
|
Stimulation I'm in need of
|
|||
|
|
See the time is of the essence
|
|||
|
|
And this clock doesn't own a home
|
|||
|
|
Rain falls from the heavens
|
|||
|
|
To my palace rooftop
|
|||
|
|
When the light shines through
|
|||
|
|
I feel more exposed
|
|||
|
|
|
|||
|
|
[Verse 1: Little Simz]
|
|||
|
|
|
|||
|
|
In tune
|
|||
|
|
By myself
|
|||
|
|
On it, my mind is my weakness
|
|||
|
|
Wear your strength, you might surprise yourself
|
|||
|
|
Never deny yourself
|
|||
|
|
I live in the space is my thesis
|
|||
|
|
I know you need this
|
|||
|
|
I know you need this
|
|||
|
|
I'm prone to run out of pieces
|
|||
|
|
That might connect to something bigger
|
|||
|
|
All in your mind, could follow me
|
|||
|
|
You should consider
|
|||
|
|
Look at the time, I'm probably later than ever
|
|||
|
|
What did you find?
|
|||
|
|
Well come in here, and lit them with pressure
|
|||
|
|
I look to the heavens and I saw open gates
|
|||
|
|
I walked up and then I pause
|
|||
|
|
What the fuck did you do this for?
|
|||
|
|
Wish me luck when that midnight falls
|
|||
|
|
Memories of a past life
|
|||
|
|
Can this be this is our time?
|
|||
|
|
Can this be this is our time?
|
|||
|
|
Come on
|
|||
|
|
|
|||
|
|
[Verse 2: Little Simz]
|
|||
|
|
|
|||
|
|
In stillness
|
|||
|
|
Known to the world, do you feel this?
|
|||
|
|
Trapped in my mind
|
|||
|
|
Hope I can find solitude
|
|||
|
|
I'm connecting all of these pieces
|
|||
|
|
I know you need this
|
|||
|
|
I know you need this
|
|||
|
|
I'm folding, unleash the beast
|
|||
|
|
Unknown is what I would be
|
|||
|
|
If my whole purpose here wasn't to speak
|
|||
|
|
Now look at the time
|
|||
|
|
I know that I'm early today
|
|||
|
|
What did you find?
|
|||
|
|
You giving up or running away?
|
|||
|
|
I gazed to the stars
|
|||
|
|
And this view can't be shared
|
|||
|
|
There are no other eyes in this room
|
|||
|
|
Mean the words when you sing your tune
|
|||
|
|
Free as a bird when I intake fumes
|
|||
|
|
Memories of this past life
|
|||
|
|
Can it be this is our time?
|
|||
|
|
Can it be this is our time?
|
|||
|
|
Come on"
|
|||
|
|
53,Ghost train ,"Here they come to steal my soul
|
|||
|
|
Ghost train
|
|||
|
|
Wait it out until I know
|
|||
|
|
Ghost train
|
|||
|
|
Trying not to feel like...
|
|||
|
|
Ghost train
|
|||
|
|
Moving up until I go go
|
|||
|
|
Ghost train
|
|||
|
|
She was not...
|
|||
|
|
Ghost train
|
|||
|
|
Trying to hear in my heart
|
|||
|
|
Ghost train
|
|||
|
|
Trying not to feel like...
|
|||
|
|
Ghost train
|
|||
|
|
Moving up until I'm taught to your side
|
|||
|
|
Ghost train
|
|||
|
|
|
|||
|
|
Yeah yeah yeah
|
|||
|
|
Ghost train
|
|||
|
|
|
|||
|
|
Got suicide for my baby
|
|||
|
|
Ghost train
|
|||
|
|
Living up until I'm...
|
|||
|
|
Ghost train
|
|||
|
|
Seeing like I'm...
|
|||
|
|
Ghost train
|
|||
|
|
Moving up and taught I'm a weapon
|
|||
|
|
Ghost train
|
|||
|
|
Yeah yeah yeah yeah yeah
|
|||
|
|
Ghost train
|
|||
|
|
Yeah yeah yeah yeah yeah
|
|||
|
|
Ghost train
|
|||
|
|
I see myself pretend how to get there
|
|||
|
|
Ghost train
|
|||
|
|
... down a poisoned ...
|
|||
|
|
Ghost train
|
|||
|
|
|
|||
|
|
Come on come on come on!
|
|||
|
|
Ghost train!
|
|||
|
|
Come on come on come on!
|
|||
|
|
Ghost train train train
|
|||
|
|
|
|||
|
|
Got suicide for my baby
|
|||
|
|
Ghost train
|
|||
|
|
Living up untilI ...
|
|||
|
|
Ghost train
|
|||
|
|
Seeing like I'm...
|
|||
|
|
Ghost train
|
|||
|
|
Moving up and taught I'm a weapon
|
|||
|
|
Ghost train
|
|||
|
|
Yeah yeah yeah yeah yeah
|
|||
|
|
Ghost train
|
|||
|
|
Yeah yeah yeah yeah yeah
|
|||
|
|
Ghost train
|
|||
|
|
I see myself pretend how to get there
|
|||
|
|
Ghost train
|
|||
|
|
... down a poisoned ...
|
|||
|
|
Ghost train
|
|||
|
|
|
|||
|
|
(middle bit...)
|
|||
|
|
|
|||
|
|
Come on come on come on!
|
|||
|
|
Ghost train!
|
|||
|
|
Come on come on come on!
|
|||
|
|
Ghost train!
|
|||
|
|
"
|
|||
|
|
54,Glitter Freeze ,"Where's North from here?
|
|||
|
|
|
|||
|
|
(Morse code spells out ""Plastic Beach"")
|
|||
|
|
|
|||
|
|
It was the glitter freeze
|
|||
|
|
Listen
|
|||
|
|
You wouldn't credit
|
|||
|
|
Or believe this
|
|||
|
|
|
|||
|
|
Ship in port!"
|
|||
|
|
55,Gorillaz on my mind ,"Keep a mild groove on!
|
|||
|
|
|
|||
|
|
Yeah, you can't keep a Gorilla out this motherfucker
|
|||
|
|
Yeah, yo, oh my God, oh my God
|
|||
|
|
Gorillaz runnin' down on you real hard
|
|||
|
|
Oh my God, oh my God
|
|||
|
|
Gorillaz runnin' down on you real hard
|
|||
|
|
Yo they call me Redman on stage slash Gorilla
|
|||
|
|
So big I ride on back of vans like Mogilla
|
|||
|
|
My chest is hairy as fuck my back as well
|
|||
|
|
Shit my granddad was built like a half a well
|
|||
|
|
We rip through cell doors we don't ask for bail
|
|||
|
|
Happy Gilmore Gorilla whooping ass for real
|
|||
|
|
Beat you down till they knock me for a Nike jail
|
|||
|
|
Then I'm back on purple hills so I can jack the jill
|
|||
|
|
They pass the thrill I'm drunk tipsy punk
|
|||
|
|
My sweat called whisky I'm looking for Lewinsky
|
|||
|
|
So I can get head, done, get off me girl
|
|||
|
|
I'm crooked like white folks dancin offbeat
|
|||
|
|
Gangsta, I'm waitin for that egg to cross me
|
|||
|
|
Shut up, now you gotta pay for morphine
|
|||
|
|
We are them Gorillaz you starvin the fillers
|
|||
|
|
We deep like parlement members with car in the ??
|
|||
|
|
|
|||
|
|
Yo, I hear Gorillaz goin'
|
|||
|
|
All my Gorillaz goin'
|
|||
|
|
The Brick City Gorillaz goin'
|
|||
|
|
N.Y. Gorillaz goin'
|
|||
|
|
Californian Gorillaz goin'
|
|||
|
|
My Florida Gorillaz goin'
|
|||
|
|
My Texas Gorillaz goin'
|
|||
|
|
Shack Town Gorillaz goin'
|
|||
|
|
|
|||
|
|
|
|||
|
|
Here you go!
|
|||
|
|
Get the cool
|
|||
|
|
Get the cool shoe shine
|
|||
|
|
Get the cool
|
|||
|
|
Get the cool shoe shine
|
|||
|
|
|
|||
|
|
|
|||
|
|
Yo, who's that hey? It's Mighty Joe Young
|
|||
|
|
Lights, camera, action, roll drums
|
|||
|
|
Now let me ask you what it feel like
|
|||
|
|
What a banana in your tail pipe
|
|||
|
|
Immortal I walk the jungle with my balls showin
|
|||
|
|
See me coming, better leave like when bar closing
|
|||
|
|
At the bar posing with my Shawn cold brim
|
|||
|
|
On the bra to get her bra open
|
|||
|
|
See a Gorilla take it they don't ask
|
|||
|
|
I'm pissed on the bar's desk with laid on cash
|
|||
|
|
My whole state, I'm a grown ass man
|
|||
|
|
Soul survivor I write with Bobby Womack hands
|
|||
|
|
Holding me down when I'm the one
|
|||
|
|
The last one with a bomb and the timer on
|
|||
|
|
You are them Gorillaz you starvin the fillers
|
|||
|
|
We deep like parlement members with car in the ??
|
|||
|
|
|
|||
|
|
Yo, I hear Gorillaz goin'
|
|||
|
|
Yo, my Gorillaz goin'
|
|||
|
|
My Minnesota Gorillaz goin'
|
|||
|
|
My Detroit Gorillaz goin'
|
|||
|
|
My Oakland Gorillaz goin'
|
|||
|
|
My Indiana Gorillaz goin'
|
|||
|
|
My Atlanta Gorillaz goin'
|
|||
|
|
Yo, my Canada Gorillaz goin'
|
|||
|
|
I hear Gorillaz goin'
|
|||
|
|
Yo, I hear Gorillaz goin'
|
|||
|
|
Yo, I hear Gorillaz goin'
|
|||
|
|
Yo, all my Gorillaz goin'
|
|||
|
|
Ha, I hear Gorillaz goin'
|
|||
|
|
Yo, I hear Gorillaz goin'
|
|||
|
|
Yo, all my Gorillaz goin'
|
|||
|
|
|
|||
|
|
|
|||
|
|
Here you go!
|
|||
|
|
Get the cool (Gorillaz)
|
|||
|
|
Get the cool shoe shine (Gorillaz)
|
|||
|
|
Get the cool (Gorillaz)
|
|||
|
|
Get the cool shoe shine (Gorillaz) "
|
|||
|
|
56,Halfway to the Halfway House (feat. Peven Everett) ,"[Verse 1: Peven Everett]
|
|||
|
|
I, I wait
|
|||
|
|
What ya gotta say now?
|
|||
|
|
When I pick you out baby
|
|||
|
|
What ya gotta say now?
|
|||
|
|
You're coming on to me, just
|
|||
|
|
We're going to religion
|
|||
|
|
Like water, we're moving baby
|
|||
|
|
And we're running through life's cycles
|
|||
|
|
This is the ego shaking
|
|||
|
|
We need to escalate it
|
|||
|
|
We're only halfway to the lover waiting
|
|||
|
|
|
|||
|
|
[Refrain: Peven Everett &Choir]
|
|||
|
|
Halfway, halfway to the halfway house
|
|||
|
|
We're not takers
|
|||
|
|
|
|||
|
|
[Verse 2: Peven Everett]
|
|||
|
|
We're feeling the same chill
|
|||
|
|
It's giving momentum
|
|||
|
|
We're feeling the same thrill
|
|||
|
|
Whatever we do, trust
|
|||
|
|
Imagine a broadcast, the central in mountain
|
|||
|
|
You say that you want your cherryade fountain
|
|||
|
|
|
|||
|
|
[Chorus: Peven Everett & Choir]
|
|||
|
|
Cherry (Cherry)
|
|||
|
|
Cherryade fountain
|
|||
|
|
I found mercy (I found mercy)
|
|||
|
|
I found mercy (I found mercy)
|
|||
|
|
|
|||
|
|
[Bridge: Peven Everett & Choir]
|
|||
|
|
Play piano, I'll sing mercy
|
|||
|
|
Cherry-ch-ch-ch-cherry, baby
|
|||
|
|
Cherry, cherryade fountain
|
|||
|
|
I found mercy (I found mercy)
|
|||
|
|
I found mercy (I found mercy, mercy, mercy, mercy, mercy, mercy, mercy, mercy)
|
|||
|
|
Swim in the light!
|
|||
|
|
(Mercy, mercy, mercy, mercy)
|
|||
|
|
Gotta get out!
|
|||
|
|
(Mercy, mercy, mercy, mercy)
|
|||
|
|
|
|||
|
|
[Chorus (Variation): Peven Everett & Choir]
|
|||
|
|
Cherry (Cherry)
|
|||
|
|
Cherryade fountain
|
|||
|
|
(Cherryade fountain)
|
|||
|
|
I found mercy (I found mercy)
|
|||
|
|
I found, I found
|
|||
|
|
I found mercy (I found mercy)
|
|||
|
|
I found, I found, I found, I found mercy baby
|
|||
|
|
I found
|
|||
|
|
Cherry, cherryade fountain
|
|||
|
|
I found mercy (I found mercy)
|
|||
|
|
I found, I found
|
|||
|
|
I found mercy (I found mercy)
|
|||
|
|
|
|||
|
|
[Outro: Peven Everett]
|
|||
|
|
Do that, G
|
|||
|
|
I found mercy"
|
|||
|
|
57,Hallelujah Money (feat. Benjamin Clementine) ,"Here is our tree
|
|||
|
|
That primitively grows
|
|||
|
|
And when you go to bed
|
|||
|
|
Scarecrows from the far east
|
|||
|
|
Come to eat
|
|||
|
|
Its tender fruits
|
|||
|
|
And I thought the best way to perfect our tree
|
|||
|
|
Is by building walls
|
|||
|
|
Walls like unicorns
|
|||
|
|
In full glory
|
|||
|
|
And galore
|
|||
|
|
And even stronger
|
|||
|
|
Than the walls of Jericho
|
|||
|
|
But glad then my friend
|
|||
|
|
Out in the field we shall reap a better day
|
|||
|
|
What we have always dreamt of having
|
|||
|
|
Are now for the starving
|
|||
|
|
It is love, that is the root of all evil
|
|||
|
|
But not our tree
|
|||
|
|
And thank you my friend
|
|||
|
|
For trusting me
|
|||
|
|
|
|||
|
|
Hallelujah
|
|||
|
|
(Hallelujah)
|
|||
|
|
Hallelujah money
|
|||
|
|
(Past the chemtrails)
|
|||
|
|
Hallelujah money
|
|||
|
|
(Hallelujah money)
|
|||
|
|
Hallelujah money
|
|||
|
|
(Hallelujah money)
|
|||
|
|
Hmmm
|
|||
|
|
Hallelujah money
|
|||
|
|
(Hallelujah)
|
|||
|
|
Hallelujah money
|
|||
|
|
(Oooh)
|
|||
|
|
|
|||
|
|
How will we know?
|
|||
|
|
When the morning comes
|
|||
|
|
We are still human
|
|||
|
|
How will we know?
|
|||
|
|
How will we dream?
|
|||
|
|
How will we love?
|
|||
|
|
How will we know?
|
|||
|
|
|
|||
|
|
Don't worry, my friend
|
|||
|
|
If this be the end, then so shall it be
|
|||
|
|
Until we say so, nothing will move
|
|||
|
|
Ah, don't worry
|
|||
|
|
It's not against our morals
|
|||
|
|
It's legal tender
|
|||
|
|
Touch, my friend
|
|||
|
|
While the whole world
|
|||
|
|
And whole beasts of nations desire
|
|||
|
|
Power
|
|||
|
|
|
|||
|
|
When the morning comes
|
|||
|
|
We are still human
|
|||
|
|
How will we know?
|
|||
|
|
How will we dream?
|
|||
|
|
How will we love?
|
|||
|
|
How will we know?
|
|||
|
|
|
|||
|
|
(Hallelujah money)
|
|||
|
|
Hallelujah money
|
|||
|
|
(Past the chemtrails)
|
|||
|
|
Hallelujah money
|
|||
|
|
(Hallelujah money)
|
|||
|
|
Hmmm
|
|||
|
|
Hallelujah money
|
|||
|
|
(Hallelujah money)
|
|||
|
|
Hallelujah money
|
|||
|
|
(Oooh)
|
|||
|
|
Hallelujah money
|
|||
|
|
Hallelujah money
|
|||
|
|
Hallelujah
|
|||
|
|
Hallelujah money!"
|
|||
|
|
58,Happy landfill ,"The feeling in
|
|||
|
|
Guts to the brain
|
|||
|
|
It means you got it coming and you ain't got a change
|
|||
|
|
Their only attire
|
|||
|
|
Is a typical vice
|
|||
|
|
But if it gets you well, well you ain't being nice, no
|
|||
|
|
No!
|
|||
|
|
|
|||
|
|
So follow the lights
|
|||
|
|
Till they cut up your eyes
|
|||
|
|
You won't be even seeing if you ain't growing lies
|
|||
|
|
Then bought all the shit
|
|||
|
|
That should never be sold
|
|||
|
|
They put a gun above it and a narrow behold
|
|||
|
|
|
|||
|
|
We are the happy landfill
|
|||
|
|
We are the happy landfill
|
|||
|
|
All right!
|
|||
|
|
|
|||
|
|
The feeling in
|
|||
|
|
Guts to the brain
|
|||
|
|
It means you got it coming and you ain't got chain
|
|||
|
|
Their only attire
|
|||
|
|
Is a typical vice
|
|||
|
|
But if it gets you well, well you ain't being nice, no
|
|||
|
|
No!
|
|||
|
|
|
|||
|
|
So follow the lives
|
|||
|
|
Till they cut up your eyes
|
|||
|
|
You won't be even seeing if you ain't growing lies
|
|||
|
|
Then bought all the shit (we are the happy landfill)
|
|||
|
|
That should never be sold (we are the happy landfill)
|
|||
|
|
They put a gun above it and a narrow behold"
|
|||
|
|
59,Highway (Under Construction) ,"Well, I'm builiding a highway back,
|
|||
|
|
back to the heart of thing
|
|||
|
|
No love left to walk back,
|
|||
|
|
back to the heart of things
|
|||
|
|
|
|||
|
|
So, I'm building above and back
|
|||
|
|
All our city gone red
|
|||
|
|
When I get it all from you,
|
|||
|
|
I'm gonna get it all, true, true
|
|||
|
|
|
|||
|
|
It's so cold and I say goodbye
|
|||
|
|
People holding a meaning, why?
|
|||
|
|
But you never let the car get in
|
|||
|
|
For holding on the sound of swim
|
|||
|
|
|
|||
|
|
Did you want a wind and a sail
|
|||
|
|
It would take a boat
|
|||
|
|
All of the wind and roud
|
|||
|
|
Say what you want don't bring
|
|||
|
|
anything back to me
|
|||
|
|
|
|||
|
|
Cause I'm old and I will say goodbay
|
|||
|
|
Hoping to run out of our own life
|
|||
|
|
If I get a lot from you
|
|||
|
|
I'll make it all come true"
|
|||
|
|
60,Hillbilly Man ,"Drive away,
|
|||
|
|
As in lonesome south
|
|||
|
|
Like a real straight-shooter
|
|||
|
|
Three lanes full
|
|||
|
|
|
|||
|
|
Drive away,
|
|||
|
|
As in lonesome south
|
|||
|
|
Like a real straight-shooter
|
|||
|
|
Three lanes full
|
|||
|
|
|
|||
|
|
Gotta ride in my heart
|
|||
|
|
Get em going down,
|
|||
|
|
You don't have to be a start,
|
|||
|
|
To, to get them going round
|
|||
|
|
|
|||
|
|
Even if you try to move,
|
|||
|
|
Wheel it to your right,
|
|||
|
|
So get on, on the driving wheel,
|
|||
|
|
Save it for a round,
|
|||
|
|
|
|||
|
|
Hillbilly, Hillbilly, Hillbilly Man now
|
|||
|
|
|
|||
|
|
Got a ride in my heart
|
|||
|
|
See I'm going down
|
|||
|
|
Cut up by the ball front,
|
|||
|
|
Shoot a jamboree,
|
|||
|
|
Just a cold lighted day,
|
|||
|
|
Like a memory,
|
|||
|
|
Just a cold lighted day,
|
|||
|
|
Slip a line on me,
|
|||
|
|
|
|||
|
|
Hillbilly, Hillbilly, Hillbilly Man now"
|
|||
|
|
61,Hip albatross ,"Every dead body that is not exterminated becomes one of Them. It gets up and kills! The people it kills get up and Kill!
|
|||
|
|
|
|||
|
|
I was born a zombie
|
|||
|
|
I´a creep
|
|||
|
|
From the sea
|
|||
|
|
|
|||
|
|
I was born a zombie
|
|||
|
|
I´a creep
|
|||
|
|
By the sea
|
|||
|
|
|
|||
|
|
I´ve got an alternative
|
|||
|
|
Let´s get in that ol´ whirly bird over there,
|
|||
|
|
Find us an island some place, get greased up
|
|||
|
|
And spend what time we got left soaking up some sunshine "
|
|||
|
|
62,Hollywood ,"[Intro: Jamie Principle]
|
|||
|
|
Where the beautiful people at?
|
|||
|
|
I said where the beautiful people at?
|
|||
|
|
Beautiful people clap your hands
|
|||
|
|
Freaky people clap your hands
|
|||
|
|
Geeky people clap your hands
|
|||
|
|
Everybody clap your hands
|
|||
|
|
|
|||
|
|
[Chorus: 2D and Jamie Principle]
|
|||
|
|
Hollywood is alright
|
|||
|
|
Hollywood is fragrant
|
|||
|
|
Jealousy is gunfire
|
|||
|
|
It makes you kill the vibe
|
|||
|
|
(She's a wonderful thing)
|
|||
|
|
Jealousy and dark times
|
|||
|
|
Sinking on the web
|
|||
|
|
There’s more to love than that
|
|||
|
|
Jealousy is vibe down
|
|||
|
|
Jealousy is vibe down
|
|||
|
|
|
|||
|
|
[Verse 1: Jamie Principle]
|
|||
|
|
I'ma go walk
|
|||
|
|
All the way to the hills
|
|||
|
|
But you never know what's real
|
|||
|
|
So you have to be prepared
|
|||
|
|
You have to be ready
|
|||
|
|
You have to be ready
|
|||
|
|
'Cause she can be a bitch
|
|||
|
|
And it's a wonderful thing
|
|||
|
|
Hollywood
|
|||
|
|
She's so seductive
|
|||
|
|
She's got me looking for that dream
|
|||
|
|
I bow down
|
|||
|
|
She knows how to do it
|
|||
|
|
Exactly the way I like it
|
|||
|
|
|
|||
|
|
[Chorus: 2D and Jamie Principle]
|
|||
|
|
Hollywood is alright
|
|||
|
|
Hollywood is fragrant
|
|||
|
|
Jealousy is gunfire
|
|||
|
|
It makes you kill the vibe
|
|||
|
|
(She's a wonderful thing)
|
|||
|
|
Jealousy and dark times
|
|||
|
|
Sinking on the web
|
|||
|
|
There’s more to love than that
|
|||
|
|
Jealousy is vibe down
|
|||
|
|
Jealousy is vibe down
|
|||
|
|
|
|||
|
|
[Verse 2: Snoop Dogg]
|
|||
|
|
Then I came through with that big fat chain on my neck
|
|||
|
|
Little did they know, no sweat
|
|||
|
|
So I dimmed out, rimmed out and cracked the glass
|
|||
|
|
Twenty-five pounds, can you match that bag?
|
|||
|
|
Cause if you not, raise up
|
|||
|
|
I got a deal to make
|
|||
|
|
And couple of bad bitches I've been making a break
|
|||
|
|
Wake it and bake
|
|||
|
|
I put the cake on the plate
|
|||
|
|
Jealousy and me? Oh, we're making the day
|
|||
|
|
Don't vibe with this, Hollywood, nigga won't survive this shit
|
|||
|
|
I do that, did that, blow your fuckin' wig back
|
|||
|
|
Forreal-a, gorilla, who loves goin' [?]
|
|||
|
|
They wanna eye me down, tie me down, lock me up
|
|||
|
|
But I'm a lion in the dog pound
|
|||
|
|
Now, how that sound?
|
|||
|
|
|
|||
|
|
[Chorus: 2D and Jamie Principle]
|
|||
|
|
Hollywood is alright
|
|||
|
|
Hollywood's a fragrant
|
|||
|
|
Jealousy is gunfire
|
|||
|
|
It makes you kill the vibe
|
|||
|
|
(She's a wonderful thing)
|
|||
|
|
Jealousy and dark times
|
|||
|
|
Sinking on the web
|
|||
|
|
There’s more to love than that
|
|||
|
|
Jealousy is vibe down
|
|||
|
|
Jealousy is vibe down
|
|||
|
|
|
|||
|
|
[Verse 3: Jamie Principle]
|
|||
|
|
She's just what I need
|
|||
|
|
In this city of dreams
|
|||
|
|
You knows how to ride me
|
|||
|
|
You knows how to excite me
|
|||
|
|
|
|||
|
|
[Outro: Jamie Principle]
|
|||
|
|
She's a wonderful thing
|
|||
|
|
She's a wonderful thing"
|
|||
|
|
63,Hong kong ,"Lord, hear me now
|
|||
|
|
Junk boats and English boys
|
|||
|
|
Crashing out in supermarts
|
|||
|
|
Electric fences and guns
|
|||
|
|
|
|||
|
|
You swallow me
|
|||
|
|
I'm a pill on your tongue
|
|||
|
|
Here on the nineteenth floor
|
|||
|
|
The neon lights make me calm
|
|||
|
|
|
|||
|
|
And late in a star's life
|
|||
|
|
It begins to explode
|
|||
|
|
And all the people in a dream
|
|||
|
|
Wait for the machine
|
|||
|
|
To pick the shit up, leave it clean
|
|||
|
|
|
|||
|
|
Kid, hang over here
|
|||
|
|
What you're learning in school
|
|||
|
|
Is the rise of an eastern sun
|
|||
|
|
Gonna be good for everyone?
|
|||
|
|
|
|||
|
|
The radio station disappeared
|
|||
|
|
Music turned into thin air
|
|||
|
|
The DJ was the last to leave
|
|||
|
|
She had well-conditioned hair
|
|||
|
|
Was beautiful but nothing really was there"
|
|||
|
|
64,Hongkongaton ,"Just falling out
|
|||
|
|
Not making much of anything at all
|
|||
|
|
But all you could hide
|
|||
|
|
From what's there in the past of it
|
|||
|
|
|
|||
|
|
Just falling out
|
|||
|
|
Not making much of anything at all
|
|||
|
|
But all you could hide
|
|||
|
|
From what's there in the past of it
|
|||
|
|
|
|||
|
|
Just falling out
|
|||
|
|
All you can't hide
|
|||
|
|
All you can't hide
|
|||
|
|
|
|||
|
|
Just falling out
|
|||
|
|
All you can't hide
|
|||
|
|
Hongkongaton
|
|||
|
|
|
|||
|
|
All you can't hide
|
|||
|
|
Just falling out
|
|||
|
|
(Not making much of anything at all but)
|
|||
|
|
All you can't hide
|
|||
|
|
(From what's there in the past of it)
|
|||
|
|
|
|||
|
|
Just falling out
|
|||
|
|
(Not making much of anything at all but)
|
|||
|
|
All you can't hide
|
|||
|
|
(From what's there in the past of it)
|
|||
|
|
|
|||
|
|
Just falling out
|
|||
|
|
(Not making much of anything at all but)
|
|||
|
|
All you can't hide
|
|||
|
|
(From what's there in the past of it)
|
|||
|
|
|
|||
|
|
Not making much of anything at all but
|
|||
|
|
All you can't hide
|
|||
|
|
(From what's there in the past of it)
|
|||
|
|
All you can't hide"
|
|||
|
|
65,Humility ,"Calling the world from isolation
|
|||
|
|
'cause right now, that's the ball where we're betrayed
|
|||
|
|
And if you're coming back to find me
|
|||
|
|
You'd better have good aim
|
|||
|
|
Shoot, it true
|
|||
|
|
I need you in the picture, that's why I'm calling you
|
|||
|
|
|
|||
|
|
I'm alone between the left hand
|
|||
|
|
Reset myself and get back on track
|
|||
|
|
I don't want this isolation
|
|||
|
|
See the state I'm in now?
|
|||
|
|
|
|||
|
|
Caught in the hard to win the raffle
|
|||
|
|
'cause right now that's the ball where we be chained
|
|||
|
|
Shoot, it true
|
|||
|
|
I want you in the picture, that's why I'm calling you
|
|||
|
|
|
|||
|
|
I'm alone between the left hand
|
|||
|
|
Reset myself and get back on track
|
|||
|
|
I don't want this isolation
|
|||
|
|
See the state I'm in now?
|
|||
|
|
|
|||
|
|
If I'd be needed when I know that it's broken
|
|||
|
|
Do I put it back?
|
|||
|
|
Or do I head out onto the lonesome track and let you go?
|
|||
|
|
|
|||
|
|
I'm alone between the left hand
|
|||
|
|
I dont want this isolation
|
|||
|
|
See the state I'm in now?
|
|||
|
|
|
|||
|
|
If I'd be needed when I know that it's broken
|
|||
|
|
Do I put it back?
|
|||
|
|
Or do I head out onto the lonesome track and let you go?"
|
|||
|
|
66,I Switched My Robot Off ,"I switched my robot off
|
|||
|
|
And I know more
|
|||
|
|
But I retain less
|
|||
|
|
Retain less
|
|||
|
|
-tain less
|
|||
|
|
-tain less
|
|||
|
|
Less
|
|||
|
|
Less
|
|||
|
|
Less
|
|||
|
|
Less..."
|
|||
|
|
67,Idaho ,"[Verse 1]
|
|||
|
|
I landed on the silver lake
|
|||
|
|
Washed up and feeling blue
|
|||
|
|
Heard the sound of footsteps
|
|||
|
|
Drifting softly to the moon
|
|||
|
|
Looking for clear water
|
|||
|
|
I had to take control
|
|||
|
|
Out there in the wilderness
|
|||
|
|
Another bullet hole
|
|||
|
|
|
|||
|
|
[Pre-Chorus]
|
|||
|
|
Playing it all for gods
|
|||
|
|
Yesterday
|
|||
|
|
|
|||
|
|
[Chorus]
|
|||
|
|
Idaho, Idaho
|
|||
|
|
There's a beauty on the road
|
|||
|
|
And everyday I look out of the bus
|
|||
|
|
Silver linings getting lost
|
|||
|
|
|
|||
|
|
[Verse 2]
|
|||
|
|
Floated out into the woods
|
|||
|
|
To hear the old elk call
|
|||
|
|
Touched a rainbow with my hands
|
|||
|
|
I'm dry, I got 'em all
|
|||
|
|
""Ride on,"" said the king of cool
|
|||
|
|
You've got nothing to lose
|
|||
|
|
Tinsel town is down the road
|
|||
|
|
It's the bullet of the noose
|
|||
|
|
|
|||
|
|
[Pre-Chorus]
|
|||
|
|
If you're playing it all for gods
|
|||
|
|
Far away
|
|||
|
|
|
|||
|
|
[Chorus]
|
|||
|
|
Idaho, Idaho
|
|||
|
|
There's a beauty on the road
|
|||
|
|
And everyday I look out of the bus
|
|||
|
|
Silver linings getting lost"
|
|||
|
|
68,Interlude: Elevator Going Up ,"Elevator, goin' UP!"
|
|||
|
|
69,Interlude: New World ,"She gave me a call
|
|||
|
|
That brought me back
|
|||
|
|
That brought me back
|
|||
|
|
Back, back, back, back
|
|||
|
|
The elevator
|
|||
|
|
(Too late)
|
|||
|
|
The new world
|
|||
|
|
I just wanted to be close to you
|
|||
|
|
(Close to you)
|
|||
|
|
The new world
|
|||
|
|
I'm tired
|
|||
|
|
Seems like I was alright again
|
|||
|
|
That brought me back
|
|||
|
|
I just wanted to be close to you"
|
|||
|
|
70,Interlude: Penthouse ,"Something, was gonna happen' tonight"
|
|||
|
|
71,Interlude: Talk Radio ,"Talk to me
|
|||
|
|
Roger that!
|
|||
|
|
Roger that!
|
|||
|
|
I don't have to take this any further if you don't want me to
|
|||
|
|
I only go as far as you want me to
|
|||
|
|
That's as only as far as I go"
|
|||
|
|
72,Interlude: The Elephant ,"And out of the elephant's trunk...
|
|||
|
|
Confetti"
|
|||
|
|
73,Interlude:The Non,"[Speaker]
|
|||
|
|
And now, let's repeat the Non-Conformist Oath!
|
|||
|
|
I promise to be different!
|
|||
|
|
|
|||
|
|
[Audience]
|
|||
|
|
I promise to be different!
|
|||
|
|
|
|||
|
|
[Speaker]
|
|||
|
|
I promise to be unique!
|
|||
|
|
|
|||
|
|
[Audience]
|
|||
|
|
I promise to be unique!
|
|||
|
|
|
|||
|
|
[Speaker]
|
|||
|
|
I promise not to repeat things other people say!
|
|||
|
|
|
|||
|
|
(Audience cheering)"
|
|||
|
|
74,Intro ,"Who put the chemicals in the food chain?
|
|||
|
|
Who put the chemicals in the food chain?
|
|||
|
|
Who put the chemicals in the food chain?
|
|||
|
|
Who put the chemicals in the food chain?
|
|||
|
|
Who put the chemicals in the food chain?
|
|||
|
|
Who put the chemicals in the food chain?
|
|||
|
|
Who put the chemicals in the food chain?
|
|||
|
|
Who put the chemicals in the food chain?
|
|||
|
|
Who put the chemicals in the food chain?
|
|||
|
|
Who put the chemicals in the food chain?
|
|||
|
|
|
|||
|
|
Now entering the harmonic world"
|
|||
|
|
75,It's the music that we choose ,"It's the music that we choose x 4
|
|||
|
|
Body Movin'
|
|||
|
|
It's the music that we choose x 4
|
|||
|
|
|
|||
|
|
The world is spinning too fast
|
|||
|
|
I'm buyin' lead Nike shoes
|
|||
|
|
To keep myself tethered
|
|||
|
|
To the days I tried to lose
|
|||
|
|
|
|||
|
|
My mama said to slow down
|
|||
|
|
You must make your own shoes
|
|||
|
|
Stop dancing to the music
|
|||
|
|
Of Gorillaz in a happy mode
|
|||
|
|
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
Here you go!
|
|||
|
|
|
|||
|
|
Get the cool!
|
|||
|
|
(Na na na na na na na)
|
|||
|
|
Get the cool shoe shine!
|
|||
|
|
(Na na na na na na)
|
|||
|
|
Get the cool!
|
|||
|
|
(Na na na na na na na)
|
|||
|
|
Get the cool shoe shine!
|
|||
|
|
(Na na na na na na)
|
|||
|
|
Get the cool!
|
|||
|
|
(Na na na na na na na)
|
|||
|
|
Get the cool shoe shine!
|
|||
|
|
(Na na na na na na)
|
|||
|
|
Get the cool!
|
|||
|
|
(Na na na na na na na)
|
|||
|
|
Get the cool shoeshine!
|
|||
|
|
(Na na na na na na)
|
|||
|
|
|
|||
|
|
There's a monkey in the jungle
|
|||
|
|
Watching a vapour trail
|
|||
|
|
Caught up in the conflict
|
|||
|
|
Between his brain and his tail
|
|||
|
|
|
|||
|
|
And if time's a limitation
|
|||
|
|
Then we got nothing to lose
|
|||
|
|
Please repeat the message
|
|||
|
|
It's the music that we choose
|
|||
|
|
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
They do the bump
|
|||
|
|
(It's the music that we choose)
|
|||
|
|
|
|||
|
|
Get the cool!
|
|||
|
|
(Na na na na na na na)
|
|||
|
|
Get the cool shoeshine!
|
|||
|
|
(Na na na na na na)
|
|||
|
|
Get the cool!
|
|||
|
|
(Na na na na na na na)
|
|||
|
|
Get the cool shoeshine!
|
|||
|
|
(Na na na na na na)
|
|||
|
|
Get the cool!
|
|||
|
|
(Na na na na na na na)
|
|||
|
|
Get the cool shoeshine!
|
|||
|
|
(Na na na na na na)
|
|||
|
|
Get the cool!
|
|||
|
|
(Na na na na na na na)
|
|||
|
|
Get the cool shoeshine!
|
|||
|
|
(Na na na na na na)
|
|||
|
|
|
|||
|
|
They do the bump (x 8)
|
|||
|
|
It's the music that we choose (x 4)
|
|||
|
|
Ok bring it down y'all and comprehend
|
|||
|
|
|
|||
|
|
Get the cool!
|
|||
|
|
(Na na na na na na na)
|
|||
|
|
Get the cool shoeshine!
|
|||
|
|
(Na na na na na na)"
|
|||
|
|
76,Jimmy Jimmy ft. AJ Tracey ,"[Chorus: 2D]
|
|||
|
|
Jimmy Jimmy
|
|||
|
|
This pressure on you, a life ain't feelin' how it used to
|
|||
|
|
Jimmy Jimmy
|
|||
|
|
No need to be sad, when they play your song, we'll get along
|
|||
|
|
|
|||
|
|
[Verse 1: AJ Tracey & 2D]
|
|||
|
|
I been searchin', lookin' for a permanent reason
|
|||
|
|
Out of sync with the seasons, not sure what I believe in
|
|||
|
|
And a burden, why is bein' loved so appealin'?
|
|||
|
|
Can confirm I'm alone, we're all just lost without meanin' (Jimmy Jimmy)
|
|||
|
|
Just a boy from the West, I'm born and bred
|
|||
|
|
We coulda been rich, was poor instead
|
|||
|
|
My evenings are blue, all my mornings are red
|
|||
|
|
I had to make scores from gents (Jimmy Jimmy)
|
|||
|
|
I salute all my local fiends
|
|||
|
|
They're smilin', locked in a smoker's dream
|
|||
|
|
Kept an ace like a poker team (Ayy, ayy, ayy)
|
|||
|
|
Just a teen sellin' coke to fiends (Jimmy Jimmy)
|
|||
|
|
I took remedy, young ones I love
|
|||
|
|
Got the money, I got stuck inside of my mind
|
|||
|
|
Quick solutions was all I could find
|
|||
|
|
I was earnin' but losin' my time (Jimmy Jimmy)
|
|||
|
|
Portobello, I'm sippin' on wine
|
|||
|
|
With a beautiful Nottin' Hill mother of five
|
|||
|
|
Mental muscle, the strong will survive
|
|||
|
|
That's why I drink white rum on the Manchester Drive
|
|||
|
|
|
|||
|
|
[Chorus: 2D]
|
|||
|
|
Jimmy Jimmy
|
|||
|
|
Now you're out of control and the lie you're livin' is a dead-end road
|
|||
|
|
Jimmy Jimmy
|
|||
|
|
No need to be sad, when they play your song, we'll get along
|
|||
|
|
Jimmy Jimmy
|
|||
|
|
|
|||
|
|
[Verse 2: AJ Tracey & 2D]
|
|||
|
|
Left electric and headed to SoHo
|
|||
|
|
Now I'm in the box, I had way too much yak (Woo)
|
|||
|
|
Hate the front so I sat in the back
|
|||
|
|
With a girl from Iran with the peachiest back (Jimmy Jimmy)
|
|||
|
|
Love me a spliff, but I gotta keep it a stack
|
|||
|
|
The females around me are crack
|
|||
|
|
Got me wired, I ain't comin' back to reality
|
|||
|
|
I bleed it out in the track (Jimmy Jimmy)
|
|||
|
|
Did some things that I swear I won't tell
|
|||
|
|
I called that I could get redemption from Hell
|
|||
|
|
Love and hate are like Kenan and Kel
|
|||
|
|
I broke up my kis, now my friends in the cell (Jimmy Jimmy)
|
|||
|
|
Life is for livin', I love me some shillings
|
|||
|
|
But God willin', people love me for my skillin'
|
|||
|
|
Went from sittin' in gold and [?]
|
|||
|
|
To billboards and [?], thank God, now I'm chillin'
|
|||
|
|
|
|||
|
|
[Break: 2D]
|
|||
|
|
Jimmy Jimmy
|
|||
|
|
This pressure...
|
|||
|
|
Jimmy Jimmy
|
|||
|
|
|
|||
|
|
[Chorus: 2D]
|
|||
|
|
Jimmy Jimmy
|
|||
|
|
This pressure on you, a life ain't feelin' how it used to
|
|||
|
|
Jimmy Jimmy
|
|||
|
|
No need to be sad, when they play your song, we'll get along
|
|||
|
|
Jimmy Jimmy
|
|||
|
|
|
|||
|
|
[Outro: 2D]
|
|||
|
|
Woo
|
|||
|
|
Jimmy Jimmy
|
|||
|
|
Woah, woah
|
|||
|
|
Jimmy Jimmy
|
|||
|
|
Woah, woah
|
|||
|
|
Jimmy Jimmy"
|
|||
|
|
77,Kansas ,"[Chorus]
|
|||
|
|
I'm not gonna cry
|
|||
|
|
I got more time to give
|
|||
|
|
I'm not gonna cry
|
|||
|
|
Find another dream
|
|||
|
|
|
|||
|
|
[Verse 1]
|
|||
|
|
Am I incapable of healing?
|
|||
|
|
The memory of my fall from grace in your heart
|
|||
|
|
I'm on my journey home with no fuel, alone
|
|||
|
|
I think I'll coast a while
|
|||
|
|
|
|||
|
|
[Chorus]
|
|||
|
|
I'm not gonna cry
|
|||
|
|
I got more time to give
|
|||
|
|
I'm not gonna cry
|
|||
|
|
Find another dream
|
|||
|
|
|
|||
|
|
[Verse 2]
|
|||
|
|
'Cause I'm about to solve it
|
|||
|
|
Put my engine back into overdrive
|
|||
|
|
So I can breathe again, photosynthesize again
|
|||
|
|
With the green hills of my home
|
|||
|
|
|
|||
|
|
[Chorus]
|
|||
|
|
I'm not gonna cry
|
|||
|
|
I got more time to give
|
|||
|
|
I'm not gonna cry
|
|||
|
|
Find another dream
|
|||
|
|
|
|||
|
|
I'm not gonna cry
|
|||
|
|
(Save the way to me)
|
|||
|
|
I got more time to give
|
|||
|
|
(It's getting nasty)
|
|||
|
|
I'm not gonna cry
|
|||
|
|
Find another dream
|
|||
|
|
|
|||
|
|
[Bridge]
|
|||
|
|
But if I got it right, you'd tell me
|
|||
|
|
And if I was wrong, then I'd disappear
|
|||
|
|
But I'm incapable
|
|||
|
|
|
|||
|
|
[Chorus]
|
|||
|
|
I'm not gonna cry
|
|||
|
|
(Say the way to me)
|
|||
|
|
I got more time to give
|
|||
|
|
(It's getting nasty)
|
|||
|
|
I'm not gonna cry
|
|||
|
|
Find another dream"
|
|||
|
|
78,Kids with guns ,"Kids with guns
|
|||
|
|
Kids with guns
|
|||
|
|
Taking over
|
|||
|
|
But it won't be long
|
|||
|
|
They mesmerized
|
|||
|
|
Skeletons
|
|||
|
|
Kids with guns
|
|||
|
|
Kids with guns
|
|||
|
|
Easy does it, easy does it, they got something to say ""no"" to
|
|||
|
|
|
|||
|
|
Drinking out (push it real, push it real)
|
|||
|
|
Pacifier (push it real, push it real)
|
|||
|
|
Vitamin souls (push it real, push it real)
|
|||
|
|
Street desire (push it real, push it real)
|
|||
|
|
Doesn't make sense to (push it real, push it real)
|
|||
|
|
But it won't be long (push it real, push it real)
|
|||
|
|
Kids with guns
|
|||
|
|
Kids with guns
|
|||
|
|
Easy does it, easy does it, they got something to say ""no"" to
|
|||
|
|
|
|||
|
|
And they're turning us into monsters
|
|||
|
|
Turning us into fire
|
|||
|
|
Turning us into monsters
|
|||
|
|
It's all bizarre
|
|||
|
|
It's all bizarre
|
|||
|
|
It's all bizarre
|
|||
|
|
|
|||
|
|
Drinking out
|
|||
|
|
Pacifier
|
|||
|
|
Sinking soul
|
|||
|
|
Where you are
|
|||
|
|
Doesn't make side to
|
|||
|
|
But it won't be long
|
|||
|
|
Cause kids with guns
|
|||
|
|
Kids with guns
|
|||
|
|
Easy does it, easy does it, they got something to say ""no"" to
|
|||
|
|
|
|||
|
|
And they're turning us into monsters
|
|||
|
|
Turning us into fire
|
|||
|
|
Turning us into monsters
|
|||
|
|
It's all bizarre
|
|||
|
|
It's all bizarre
|
|||
|
|
It's all bizarre
|
|||
|
|
|
|||
|
|
Push it real, push it real (it's real)
|
|||
|
|
Push it real, push it
|
|||
|
|
Push it real, push it real (it's real)
|
|||
|
|
|
|||
|
|
Push it real, push it real."
|
|||
|
|
79,Lake Zurich ,"Last chance to buy before you fly
|
|||
|
|
Last chance to buy before you fly
|
|||
|
|
|
|||
|
|
Okay
|
|||
|
|
In the morning, you came to me in your towel
|
|||
|
|
From Zürich to New York
|
|||
|
|
I wanted to share this with you all because even to me, it sounded ridiculous
|
|||
|
|
But in the morning, after a long, complicated night
|
|||
|
|
I made my mind up, to share my vision with the world
|
|||
|
|
Everything before us
|
|||
|
|
And all that's about to unfold"
|
|||
|
|
80,Last living souls ,"Are we the last living souls?
|
|||
|
|
|
|||
|
|
Are we the last living souls?
|
|||
|
|
Are we the last living souls?
|
|||
|
|
Are we the last living souls?
|
|||
|
|
|
|||
|
|
Take a gun
|
|||
|
|
Or how you say
|
|||
|
|
That's no way
|
|||
|
|
To behave
|
|||
|
|
|
|||
|
|
But just as long you need the gear
|
|||
|
|
So sing a song that doesn't sin
|
|||
|
|
It grows
|
|||
|
|
Hey, you know
|
|||
|
|
|
|||
|
|
Are we the last living souls?
|
|||
|
|
Are we the last living souls?
|
|||
|
|
Are we the last to get away
|
|||
|
|
To some another day?
|
|||
|
|
Or do we know
|
|||
|
|
Well we know
|
|||
|
|
Doesn't seem to be complete?
|
|||
|
|
Are we?
|
|||
|
|
|
|||
|
|
Are we the last living souls?
|
|||
|
|
Are we the last living souls?
|
|||
|
|
Are we the last living souls?
|
|||
|
|
Are we the last living souls?
|
|||
|
|
|
|||
|
|
Get up, get up, get up, get up....
|
|||
|
|
|
|||
|
|
Cause all out of song
|
|||
|
|
I got it down wrong
|
|||
|
|
I see myself to get
|
|||
|
|
An all-seeing door now
|
|||
|
|
Can you take us in
|
|||
|
|
The part that comin' on?
|
|||
|
|
The coldest man doesn't sing your song
|
|||
|
|
|
|||
|
|
We go to the car
|
|||
|
|
I see you walk to the far
|
|||
|
|
And when you get there do you see
|
|||
|
|
You fit the last you need on me
|
|||
|
|
|
|||
|
|
Cause we're the last living souls
|
|||
|
|
We're the last living souls
|
|||
|
|
Yeah we're the last living souls
|
|||
|
|
We're the last living souls
|
|||
|
|
|
|||
|
|
"
|
|||
|
|
81,Latin simone ,"Give up
|
|||
|
|
If you wanna survive
|
|||
|
|
Get oh so alive
|
|||
|
|
In your life
|
|||
|
|
Everything falling out the sky on top of you
|
|||
|
|
Now what you do
|
|||
|
|
|
|||
|
|
Set yourself up now
|
|||
|
|
It's the love of your life
|
|||
|
|
shed a lead on me
|
|||
|
|
All I know
|
|||
|
|
Before it's gone
|
|||
|
|
I always feel it's getting in the town
|
|||
|
|
And nothing's wrong
|
|||
|
|
|
|||
|
|
What's the matter with me?
|
|||
|
|
What's the matter with me?
|
|||
|
|
Me
|
|||
|
|
|
|||
|
|
Give up
|
|||
|
|
If you wanna survive
|
|||
|
|
Pick the sun back up
|
|||
|
|
You got to get on the song lowly
|
|||
|
|
What's the point?
|
|||
|
|
It's funny 'til you left to kill yourself
|
|||
|
|
In this town
|
|||
|
|
|
|||
|
|
So what's the matter with me?
|
|||
|
|
What's the matter with me?
|
|||
|
|
What's the matter with me?
|
|||
|
|
What's the matter with me?
|
|||
|
|
Me"
|
|||
|
|
82,Left hand suzuki method ,"Feel the impact!
|
|||
|
|
|
|||
|
|
Kake de manichi go, shimi yo nani kodo ka
|
|||
|
|
Senki onna ka tenki sensoo sou ii kedo
|
|||
|
|
Sou ii yo teji to demo
|
|||
|
|
|
|||
|
|
The most important thing
|
|||
|
|
Is listening the recording of the music
|
|||
|
|
It makes them get a ..um.. musical sense
|
|||
|
|
And get to the point of the..fast progress
|
|||
|
|
|
|||
|
|
To nani zeisha wa mani ge de se shido shite, otori tari sodo teru
|
|||
|
|
|
|||
|
|
And also.. every day..every lesson...
|
|||
|
|
We have to make sure they learn about tonalisation"
|
|||
|
|
83,Let Me Out ,"[Pusha T]
|
|||
|
|
Mama Mavis, oh
|
|||
|
|
Mama, they tried my patience
|
|||
|
|
Obama is gone, who is left to save us?
|
|||
|
|
So together we mourn, I'm praying for my neighbors
|
|||
|
|
They say the devil's at work and Trump is calling favors
|
|||
|
|
You say I'm dangerous, I speak for the nameless
|
|||
|
|
I fly with the vultures, I be with them bangers
|
|||
|
|
If change don't come, then the change won't come
|
|||
|
|
If the bands make 'em dance, then the rain gon' come
|
|||
|
|
|
|||
|
|
[Mavis Staples]
|
|||
|
|
Am I passin' into the light?
|
|||
|
|
(Am I looking into mercy's eyes?) Look into your eyes
|
|||
|
|
All the world is out of your hands
|
|||
|
|
(Then ascending into the dark, let me out)
|
|||
|
|
You got to die a little if you wanna live
|
|||
|
|
Change come to pass
|
|||
|
|
Change come to pass
|
|||
|
|
You'd best be ready for it
|
|||
|
|
|
|||
|
|
[2-D]
|
|||
|
|
Something I've begun to fear is about to change its form
|
|||
|
|
Yeah, yeah, yeah, it's a shift in time
|
|||
|
|
But I won't get tired at all
|
|||
|
|
|
|||
|
|
Let me out, let me out
|
|||
|
|
Let me out, let me out
|
|||
|
|
|
|||
|
|
[Pusha T]
|
|||
|
|
Look into my eyes, mama, tell me what you see
|
|||
|
|
Tell me there's a chance for me to make it off the streets
|
|||
|
|
Tell me that I won't die at the hands of the police
|
|||
|
|
Promise me I won't outlive my nephew and my niece
|
|||
|
|
Promise me my pastor isn't lyin' as he preach
|
|||
|
|
Tell me that they'll listen if it's lessons that I teach
|
|||
|
|
Tell me there's a heaven in the sky where there is peace
|
|||
|
|
But until then, I keep my piece in arm's reach
|
|||
|
|
|
|||
|
|
[Mavis Staples]
|
|||
|
|
Am I passin' into the light?
|
|||
|
|
(Am I looking into mercy's eyes?)
|
|||
|
|
All the world is out of your hands
|
|||
|
|
(Then ascending into the dark) Another night
|
|||
|
|
You got to die a little if you wanna live
|
|||
|
|
Change coming
|
|||
|
|
You'd best be ready for it
|
|||
|
|
|
|||
|
|
[2-D]
|
|||
|
|
Something I've begun to fear is about to change its form
|
|||
|
|
Yeah, yeah, yeah, it's a shift in times
|
|||
|
|
But I won't get tired at all
|
|||
|
|
|
|||
|
|
[Mavis Staples]
|
|||
|
|
Am I passin' into the light?
|
|||
|
|
(Am I looking into mercy's eyes?)
|
|||
|
|
All the world is out of your hands
|
|||
|
|
(Then ascending into the dark) Another night
|
|||
|
|
You got to die a little if you wanna live
|
|||
|
|
Change is coming
|
|||
|
|
You'd best be ready
|
|||
|
|
|
|||
|
|
Be ready, ready for it
|
|||
|
|
Be ready, be ready
|
|||
|
|
(Let me out)
|
|||
|
|
Oooh, oooh oooh"
|
|||
|
|
84,Lil' Dub Chefin' ,"[Damon]
|
|||
|
|
M1 A1
|
|||
|
|
Thousand miles an hour
|
|||
|
|
Gorillaz got the bass drum
|
|||
|
|
Gorillaz say want some, some
|
|||
|
|
|
|||
|
|
M1 A1
|
|||
|
|
Thousand miles an hour
|
|||
|
|
Gorillaz got the bass drum
|
|||
|
|
Gorillaz say want some, some
|
|||
|
|
|
|||
|
|
La la la la la la la la la hey
|
|||
|
|
La la la la la la la la la hey
|
|||
|
|
La la la la la la la la la hey
|
|||
|
|
|
|||
|
|
[Terry Hall / Damon]
|
|||
|
|
M1 A1
|
|||
|
|
Thousand miles an hour
|
|||
|
|
Gorillaz got the bass drum
|
|||
|
|
Gorillaz say want some, some
|
|||
|
|
|
|||
|
|
M1 A1
|
|||
|
|
Thousand miles an hour
|
|||
|
|
Gorillaz got the bass drum
|
|||
|
|
Gorillaz say want some, some
|
|||
|
|
|
|||
|
|
La la la la la la la la la hey
|
|||
|
|
La la la la la la la la la hey
|
|||
|
|
La la la la la la la la la hey
|
|||
|
|
|
|||
|
|
M1 A1
|
|||
|
|
Thousand miles an hour
|
|||
|
|
Gorillaz got the bass drum
|
|||
|
|
Gorillaz say want some, some
|
|||
|
|
|
|||
|
|
M1 A1
|
|||
|
|
Thousand miles an hour
|
|||
|
|
Gorillaz got the bass drum
|
|||
|
|
Space Monkeyz say want some
|
|||
|
|
"
|
|||
|
|
85,Little pink plastic bags ,"They're just little pink plastic bags
|
|||
|
|
Blowing on a highway alone
|
|||
|
|
They don't know where they'll go
|
|||
|
|
They just gonna float out
|
|||
|
|
Oh oh oh oh
|
|||
|
|
|
|||
|
|
They're just little pink plastic bags
|
|||
|
|
Blowing on a highway alone
|
|||
|
|
They don't know where they'll go
|
|||
|
|
They just gonna float out
|
|||
|
|
Oh oh oh oh
|
|||
|
|
|
|||
|
|
Oh, oh
|
|||
|
|
What you gonna write
|
|||
|
|
Some might go wrong
|
|||
|
|
What you want in life?
|
|||
|
|
Someone here'll gonna get past by
|
|||
|
|
|
|||
|
|
|
|||
|
|
They're just little pink plastic bags
|
|||
|
|
Blowing on a highway alone
|
|||
|
|
They don't know where they'll go
|
|||
|
|
They just gonna float out
|
|||
|
|
Oh oh oh oh
|
|||
|
|
|
|||
|
|
They're just little pink plastic bags
|
|||
|
|
Blowing on a highway alone
|
|||
|
|
They don't know where they'll go
|
|||
|
|
They just gonna float out
|
|||
|
|
Oh oh oh oh"
|
|||
|
|
86,M1A1 ,"Hello, hello, is anyone there?
|
|||
|
|
Hello, hello, is anyone there?
|
|||
|
|
Hello, is anyone there?
|
|||
|
|
Hello, is anyone there?
|
|||
|
|
Hello, is anyone there?
|
|||
|
|
Hello, hello, is anyone there?
|
|||
|
|
Hello, hello, is anyone there?
|
|||
|
|
Hello, is anyone there?
|
|||
|
|
Hello, is anyone there?
|
|||
|
|
Hello, is anyone there?
|
|||
|
|
|
|||
|
|
M one A one
|
|||
|
|
At a thousand miles an hour
|
|||
|
|
Gorillaz got the base drum
|
|||
|
|
Gorillaz say I want some, some
|
|||
|
|
|
|||
|
|
La la la la la la la hey
|
|||
|
|
La la la la la la la hey
|
|||
|
|
La la la la la la la hey
|
|||
|
|
La la la la la la la hey
|
|||
|
|
|
|||
|
|
M one A one
|
|||
|
|
A thousand miles an hour
|
|||
|
|
Gorillaz with the beat drum
|
|||
|
|
Say I want some
|
|||
|
|
|
|||
|
|
They go M one A one
|
|||
|
|
A thousand miles an hour
|
|||
|
|
Gorillaz with the base drum
|
|||
|
|
Keep that sound
|
|||
|
|
|
|||
|
|
Wake it up
|
|||
|
|
Check ya'll come on now pray
|
|||
|
|
D'ya hear that?
|
|||
|
|
I said M one A one (la la la la la la la hey)
|
|||
|
|
La la la la la la la hey
|
|||
|
|
La la la la la la la hey
|
|||
|
|
La la la la la la la hey"
|
|||
|
|
87,Magic City ,"[Verse 1]
|
|||
|
|
I'm on the high ridge looking down
|
|||
|
|
While we're evolving, I get old
|
|||
|
|
If I get back then I'll be grateful
|
|||
|
|
Look there's a billboard on the moon
|
|||
|
|
|
|||
|
|
[Verse 2]
|
|||
|
|
Let me take you this far
|
|||
|
|
This crossing isn't much to me
|
|||
|
|
There's lightning in the storm clouds
|
|||
|
|
And I'll send you there to stay
|
|||
|
|
|
|||
|
|
[Chorus]
|
|||
|
|
You got me lost in Magic City
|
|||
|
|
You got me questioning it all
|
|||
|
|
I hope that I make it home by Wednesday
|
|||
|
|
And this Magic City lets me go
|
|||
|
|
|
|||
|
|
[Post-Chorus]
|
|||
|
|
Magic City
|
|||
|
|
Magic City
|
|||
|
|
Magic City
|
|||
|
|
Magic City
|
|||
|
|
|
|||
|
|
[Verse 3]
|
|||
|
|
You put me up here in the penthouse
|
|||
|
|
And painted me in red, white and blue
|
|||
|
|
I filled the canyons with my ego
|
|||
|
|
Look there's a billboard on the moon
|
|||
|
|
|
|||
|
|
[Chorus]
|
|||
|
|
You got me lost in Magic City
|
|||
|
|
You got me questioning it all
|
|||
|
|
I hope that I make it home by Wednesday
|
|||
|
|
And this Magic City lets me go"
|
|||
|
|
88,Man research ,"This is a breakfast club!
|
|||
|
|
|
|||
|
|
Bring me coffee in the lawn
|
|||
|
|
I see the tafil in the sand
|
|||
|
|
Like a sunshine I got you
|
|||
|
|
Nothing, nothing you can do
|
|||
|
|
|
|||
|
|
[Hook:]
|
|||
|
|
Yeah, yeah, yeah, yeah, yeah, yeah, yeah (You're the hero, you're the hero)
|
|||
|
|
Yeah, yeah, yeah, yeah, yeah, yeah, yeah (You're the hero, you're the hero)
|
|||
|
|
Yeah, yeah, yeah, yeah, yeah, yeah, yeah (You're the hero, you're the hero)
|
|||
|
|
|
|||
|
|
Bring me junkie in the lawn
|
|||
|
|
He said nothing in the tongue
|
|||
|
|
To kill that model from my door
|
|||
|
|
Must kill that model from my door
|
|||
|
|
|
|||
|
|
[Hook]
|
|||
|
|
|
|||
|
|
To kill that model from my door, oh yeah
|
|||
|
|
Must kill that model from my door, my door
|
|||
|
|
|
|||
|
|
[Hook x2]"
|
|||
|
|
89,Meanwhile ft. Barrington Levy & Jelani Blackman ,"Hey, I don't mind change
|
|||
|
|
I don't like hate (nah)
|
|||
|
|
See when the sound system break
|
|||
|
|
We make the system shake (bully)
|
|||
|
|
When a girl wanna swing my way
|
|||
|
|
Play street with the street that I played
|
|||
|
|
But I'm on a street over here, all saints
|
|||
|
|
Imagine no saints when you wake, hey
|
|||
|
|
That's a good taste, hm, that's a good space
|
|||
|
|
Hey, this ain't my place
|
|||
|
|
Like that's a real wave (hm)
|
|||
|
|
I miss ya so deeply
|
|||
|
|
Oh, put that shit on my grave
|
|||
|
|
I bop and sway
|
|||
|
|
Ten toes for the rave in the ring, hey
|
|||
|
|
I love carnival beers
|
|||
|
|
You don't feel the same
|
|||
|
|
That's cool, don't get in my way
|
|||
|
|
In fact, don't migrate
|
|||
|
|
Yeah, and we like Champagne
|
|||
|
|
But we like Red Stripe, and we like rave
|
|||
|
|
You don't feel the same?
|
|||
|
|
That's cool, don't get in my way (let's go)
|
|||
|
|
I'm back in bed
|
|||
|
|
Notting Hill weren't no film
|
|||
|
|
Teddy Boys and my granddad on side, buy it back
|
|||
|
|
Take 'cuz his bones lie still (hm)
|
|||
|
|
Salon in Ireland, they were really out there in the field
|
|||
|
|
When the vibe was real, that's why I get in of my feels
|
|||
|
|
(Let's go) I know that I can't fucking live here still
|
|||
|
|
You don't feel the same
|
|||
|
|
That's cool, don't get in my way
|
|||
|
|
In fact, don't migrate
|
|||
|
|
Yeah, we like champagne
|
|||
|
|
But we like Red Stripe, and we like rave
|
|||
|
|
You don't feel the same?
|
|||
|
|
That's cool, don't get in my way (let's go)
|
|||
|
|
Yeah, it's just the same as I thought it would be
|
|||
|
|
When I was in carnival
|
|||
|
|
I followed your principal
|
|||
|
|
Do you really think I'd leave you?
|
|||
|
|
Meanwhile
|
|||
|
|
I love carnival beers
|
|||
|
|
You don't feel the same
|
|||
|
|
That's cool, don't get in my way
|
|||
|
|
In fact, don't migrate
|
|||
|
|
Yeah, and we like Champagne
|
|||
|
|
But we like Red Stripe, and we like rave
|
|||
|
|
You don't feel the same?
|
|||
|
|
That's cool, don't get in my way (let's go)
|
|||
|
|
Yeah, it's just the same as I thought it would be
|
|||
|
|
When I was in carnival
|
|||
|
|
Dancing on protocol
|
|||
|
|
Do you really think I'd forget you?
|
|||
|
|
Meanwhile
|
|||
|
|
Meanwhile
|
|||
|
|
Meanwhile
|
|||
|
|
Meanwhile
|
|||
|
|
Said I love carnival beers
|
|||
|
|
You don't feel the same
|
|||
|
|
That's cool, don't get in my way
|
|||
|
|
In fact, don't migrate
|
|||
|
|
Hm, we like Champagne
|
|||
|
|
But we like Red Stripe, and we like rave
|
|||
|
|
You don't feel the same?
|
|||
|
|
That's cool, don't get in my way"
|
|||
|
|
90,Mix 2 ,"Ah what you want with the town that you cant put your eye on
|
|||
|
|
It's train put out there and looking done
|
|||
|
|
What you doing sending sisters to the other side?
|
|||
|
|
it's hard enough, it's hard enough
|
|||
|
|
what you doing with the cam, what you doin with a cam
|
|||
|
|
Why they're walkin' gives them any face
|
|||
|
|
what you doing with the cam, what you can with a cam
|
|||
|
|
Just blow it up,
|
|||
|
|
blow it up
|
|||
|
|
|
|||
|
|
It's easy
|
|||
|
|
Come back,
|
|||
|
|
true love
|
|||
|
|
Every day, every day
|
|||
|
|
it's easy
|
|||
|
|
come back
|
|||
|
|
Gone but
|
|||
|
|
single, here now
|
|||
|
|
|
|||
|
|
Doing with a cam that you can't put down
|
|||
|
|
Cos then you're walking
|
|||
|
|
It's playing cool to get
|
|||
|
|
But what you can't get a man can't forget
|
|||
|
|
Because honoustly, I'm a nice devil
|
|||
|
|
What you doing with the cat that you can't believe?
|
|||
|
|
I don't love myself, I call the child police
|
|||
|
|
Oh, what you doing with the cat that you can't believe?
|
|||
|
|
Just blow it up
|
|||
|
|
|
|||
|
|
It's easy
|
|||
|
|
Come back,
|
|||
|
|
true love
|
|||
|
|
Every day, every day
|
|||
|
|
it's easy
|
|||
|
|
come back
|
|||
|
|
Gone but
|
|||
|
|
single, here now"
|
|||
|
|
91,Momentary bliss (ft. Slaves & slowthai) ,"[Part I]
|
|||
|
|
|
|||
|
|
[Intro: 2D]
|
|||
|
|
Yeah, yeah, yeah, yeah
|
|||
|
|
Momentary bliss
|
|||
|
|
|
|||
|
|
[Chorus: Isaac Holman]
|
|||
|
|
We could do so much better than this
|
|||
|
|
Emotionally in fences and momentary bliss
|
|||
|
|
We could do so much better than this
|
|||
|
|
Oh, Rita, oh, Rita
|
|||
|
|
|
|||
|
|
[Part II]
|
|||
|
|
|
|||
|
|
[Segue: 2D]
|
|||
|
|
Lovely Rita, meter maid
|
|||
|
|
Lovely Rita, meter maid
|
|||
|
|
|
|||
|
|
[Verse 1: slowthai & 2D]
|
|||
|
|
Your potential, you lack credentials
|
|||
|
|
And you are special, so fucking special (Rita)
|
|||
|
|
Oh, how you need it, oh, how you're needed
|
|||
|
|
And you keep squeezing the truth from the middle (Ayy, ayy, ayy, ayy)
|
|||
|
|
You parted seas, but your arches, they ain't golden (Ah)
|
|||
|
|
And you was gangin' for some gags and now you're rollin' (Woo)
|
|||
|
|
Best you shut your trap and keep it hush (Hush)
|
|||
|
|
On another note, compliments make me blush
|
|||
|
|
There's a hole in your pocket, so you cannot find the change
|
|||
|
|
Cavern of your mind, you say your pattern
|
|||
|
|
You pull your strings and you jump, hold your mouth and you say: (Ah, ah, ah)
|
|||
|
|
""What was scripted, the day before it happened?""
|
|||
|
|
We all give applause when people look and pause
|
|||
|
|
But on the way out and get your back in
|
|||
|
|
See, everything in life ain't silver and gold
|
|||
|
|
But minin' for metal gave you platinum
|
|||
|
|
|
|||
|
|
[Refrain: slowthai]
|
|||
|
|
It makes me sick to think you ain't happy in your skin
|
|||
|
|
It's weird, a thing to think light bulb don't blink
|
|||
|
|
Just flickers to them, then it pops and withers
|
|||
|
|
You're a Turkey Twizzler, you deserve school dinners
|
|||
|
|
Makes me sick
|
|||
|
|
|
|||
|
|
[Bridge: 2D]
|
|||
|
|
Poster boy (Ayy)
|
|||
|
|
Poster girl (Rita)
|
|||
|
|
Truth, the bills (The bills)
|
|||
|
|
Must be paid (Yeah, yeah, alright)
|
|||
|
|
Poster boy (Yeah, alright)
|
|||
|
|
Poster girl (Ah, that's time)
|
|||
|
|
|
|||
|
|
[Verse 2: 2D]
|
|||
|
|
The truth, the bills, they must be paid (Uh-huh)
|
|||
|
|
And what is left and sorta atypical
|
|||
|
|
All you need to change your face
|
|||
|
|
You're gettin' sold, it's such a waste
|
|||
|
|
You know, we could do so much better than this
|
|||
|
|
Swimmin' in pools of momentary bliss
|
|||
|
|
Where you gotta find a family 'cause everybody taken
|
|||
|
|
They worry you keep on adding
|
|||
|
|
I think you gotta crawl
|
|||
|
|
|
|||
|
|
[Refrain: slowthai]
|
|||
|
|
It makes me sick to think you ain't happy in your skin
|
|||
|
|
It's weird, a thing to think light bulb don't blink
|
|||
|
|
Just flickers to them, then it pops and withers
|
|||
|
|
You're a Turkey Twizzler, you deserve school dinners
|
|||
|
|
It makes me sick to think you ain't happy in your skin
|
|||
|
|
It's weird, a thing to think light bulbs don't blink
|
|||
|
|
Just flickers to them, then it pops and withers
|
|||
|
|
You're a Turkey Twizzler, you deserve school dinners
|
|||
|
|
Makes me sick
|
|||
|
|
|
|||
|
|
[Part III]
|
|||
|
|
|
|||
|
|
[Outro: Isaac Holman]
|
|||
|
|
We could do so much better than this
|
|||
|
|
Emotionally in fences and momentary bliss
|
|||
|
|
We could do so much better than this
|
|||
|
|
Oh, Rita, oh, Rita
|
|||
|
|
We could do so much better than this
|
|||
|
|
Perfect little pictures of moments that we missed
|
|||
|
|
We could do so much better than this
|
|||
|
|
Oh, Rita, oh, Rita"
|
|||
|
|
92,Momentz (feat. De La Soul) ,"[Hook: De La Soul]
|
|||
|
|
Clocks on the wall
|
|||
|
|
Talk to watches on the wrist
|
|||
|
|
It's the moments we relive
|
|||
|
|
It's the moments like this
|
|||
|
|
When it's time to get ill
|
|||
|
|
We be so ahead of time
|
|||
|
|
It's the moments we achieve
|
|||
|
|
Best believe it's the moments
|
|||
|
|
|
|||
|
|
[Chorus: 2D]
|
|||
|
|
Red or black, yellow, red, black, white
|
|||
|
|
Dirty
|
|||
|
|
(Moments)
|
|||
|
|
Red or black, yellow, red, black, white
|
|||
|
|
Dirty
|
|||
|
|
(Moments)
|
|||
|
|
Shivers down my backbone
|
|||
|
|
|
|||
|
|
[Verse 1: De La Soul]
|
|||
|
|
De La is also back again
|
|||
|
|
With a crew that's bound to pack them in
|
|||
|
|
Got a girl who's up for the mating
|
|||
|
|
I sense the need in her grammar
|
|||
|
|
Her nose has never been skating
|
|||
|
|
But she's sippin' star constellation
|
|||
|
|
Her real squirt game was so like 2Pac at a court run towards camera
|
|||
|
|
Her response to that was just ""Check please""
|
|||
|
|
Fuck that my man you can't let these (moments)
|
|||
|
|
Pass you by like ""tick tock""
|
|||
|
|
I'm smackin' the bottom like flip flops
|
|||
|
|
Made her alarm ring
|
|||
|
|
(She screamed)
|
|||
|
|
And now we done, we passed the test
|
|||
|
|
And now lay down to rest
|
|||
|
|
And wait for the morning hangover that comes
|
|||
|
|
|
|||
|
|
[Hook: De La Soul]
|
|||
|
|
Clocks on the wall
|
|||
|
|
Talk to watches on the wrist
|
|||
|
|
It's the moments we relive
|
|||
|
|
It's the moments like this
|
|||
|
|
When it's time to get ill
|
|||
|
|
We be so ahead of time
|
|||
|
|
It's the moments we achieve
|
|||
|
|
Best believe it's the moments
|
|||
|
|
|
|||
|
|
[Chorus: 2D]
|
|||
|
|
Red or black, yellow, red, black, white
|
|||
|
|
Dirty
|
|||
|
|
(Moments)
|
|||
|
|
Red or black, yellow, red, black, white
|
|||
|
|
Dirty
|
|||
|
|
(Moments)
|
|||
|
|
Shivers down my backbone
|
|||
|
|
|
|||
|
|
[Choir & De La Soul]
|
|||
|
|
Plastic on the ceiling
|
|||
|
|
Plastic on the ceiling
|
|||
|
|
Plastic on the ceiling
|
|||
|
|
Plastic on the ceiling
|
|||
|
|
Plastic on the ceiling
|
|||
|
|
Plastic on the ceiling
|
|||
|
|
Plastic on the ceiling
|
|||
|
|
Plastic on the ceiling
|
|||
|
|
So now lay down to rest
|
|||
|
|
And wait for the morning hangover that comes
|
|||
|
|
|
|||
|
|
[Hook: De La Soul]
|
|||
|
|
Clocks on the wall
|
|||
|
|
Talk to watches on the wrist
|
|||
|
|
It's the moments we relive
|
|||
|
|
It's the moments like this
|
|||
|
|
When it's time to get ill
|
|||
|
|
We be so ahead of time
|
|||
|
|
It's the moments we achieve
|
|||
|
|
Best believe it's the moments
|
|||
|
|
Moments
|
|||
|
|
Moments
|
|||
|
|
Moments
|
|||
|
|
Moments
|
|||
|
|
|
|||
|
|
[Ben Mendelsohn]
|
|||
|
|
I'm talkin' about the Kool Klown Klan
|
|||
|
|
Kool Klown Klan
|
|||
|
|
I'm talkin' about the Kool Klown Klan
|
|||
|
|
I need to step out for a fresh of breath air after that"
|
|||
|
|
93,Monkey racket ,"Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah
|
|||
|
|
Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah
|
|||
|
|
|
|||
|
|
He has killed the model from my door
|
|||
|
|
|
|||
|
|
Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah
|
|||
|
|
Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah
|
|||
|
|
"
|
|||
|
|
94,Monkey: Journey to the West ,"Nai nai wai mian you ge qi tian da sheng yao jie ba jiao bao shan
|
|||
|
|
|
|||
|
|
Ba jiao bao shan
|
|||
|
|
Wei li wu bi
|
|||
|
|
Ba wan si qian
|
|||
|
|
Wei he po hou!
|
|||
|
|
-Wo bao tang seng qu xi jing
|
|||
|
|
Jing shan bu zou?
|
|||
|
|
-Jie ni bao shan yong yi yong
|
|||
|
|
Zai shan san shan
|
|||
|
|
-Yong wan le jiu huan gei ni
|
|||
|
|
Fan zhuan yu zhou
|
|||
|
|
-Bie na me xiao qi ma!
|
|||
|
|
Ba jiou bou shan
|
|||
|
|
-Wo bao tang seng qu xi jing
|
|||
|
|
Wei li wu bi
|
|||
|
|
-Jie ni bao shan yong yi yong?
|
|||
|
|
Ba wan si qian?
|
|||
|
|
-Yong wan le jiu huan gei ni
|
|||
|
|
Zai shan san shan
|
|||
|
|
-Bie na me xiao qi ma!
|
|||
|
|
Wei he po hou
|
|||
|
|
|
|||
|
|
*Wu kong gong xi
|
|||
|
|
*Qu jing lai liao
|
|||
|
|
*Shi fu tang seng
|
|||
|
|
*Zai na?
|
|||
|
|
*Song ni yi li
|
|||
|
|
*Ding feng dan
|
|||
|
|
*Wu kong gong xi
|
|||
|
|
*Qu jing lai liao
|
|||
|
|
*Shi fu tang seng
|
|||
|
|
*Zai na?
|
|||
|
|
*Song ni yi li
|
|||
|
|
*Ding feng dan
|
|||
|
|
|
|||
|
|
~~Nai nai wai mian you
|
|||
|
|
~~Ge qi tian da sheng yao
|
|||
|
|
~~Jie ba jiao bao shan
|
|||
|
|
|
|||
|
|
Bie na me xiao qi ma!"
|
|||
|
|
95,Mr. Softy's Balloon Race ,"Why can't you be near?
|
|||
|
|
Never one would appear
|
|||
|
|
Where do we go from here,
|
|||
|
|
where do we go?
|
|||
|
|
|
|||
|
|
If the last one isn't there
|
|||
|
|
And it's all gone
|
|||
|
|
But if the last one wasn't there
|
|||
|
|
It'd all be wrong
|
|||
|
|
|
|||
|
|
Sometimes you turn around
|
|||
|
|
Sometimes you're lost but not found
|
|||
|
|
Where do we buy the day,
|
|||
|
|
|
|||
|
|
when we go?
|
|||
|
|
|
|||
|
|
If the last one isn't there
|
|||
|
|
And it's all gone
|
|||
|
|
But if the last one wasn't there
|
|||
|
|
It'd all be wrong"
|
|||
|
|
96,Murdoc is God ,"Murdoc is God
|
|||
|
|
Murdoc is God
|
|||
|
|
Murdoc is God
|
|||
|
|
Trying to fit in
|
|||
|
|
|
|||
|
|
Murdoc is king
|
|||
|
|
Johnny is dead
|
|||
|
|
Murdoc is God
|
|||
|
|
Trying to fit in
|
|||
|
|
|
|||
|
|
Murdoc is God
|
|||
|
|
Murdoc is God
|
|||
|
|
Murdoc is God
|
|||
|
|
Trying to fit in
|
|||
|
|
|
|||
|
|
Murdoc is king
|
|||
|
|
Johnny is dead
|
|||
|
|
Murdoc is God
|
|||
|
|
Trying to fit in"
|
|||
|
|
97,New genious ,"Yeah,
|
|||
|
|
Dream on my world
|
|||
|
|
I live on my world
|
|||
|
|
Going out my head down to
|
|||
|
|
We're going somewhere
|
|||
|
|
Goin' on the best of June
|
|||
|
|
Under pressure today
|
|||
|
|
I'm gonna burn mine away today
|
|||
|
|
Had to go
|
|||
|
|
Had to be dumb
|
|||
|
|
It ran away
|
|||
|
|
|
|||
|
|
Brother, sister too
|
|||
|
|
Do what you must do
|
|||
|
|
Don't trust people you meet
|
|||
|
|
|
|||
|
|
Yeah, yeah
|
|||
|
|
They might promise you
|
|||
|
|
That the river ain't deep
|
|||
|
|
|
|||
|
|
Her mind is sweet
|
|||
|
|
It'll pass on through me,
|
|||
|
|
It's the glue
|
|||
|
|
Where my brain
|
|||
|
|
Oh my heart babe
|
|||
|
|
Gonna bring it all too
|
|||
|
|
|
|||
|
|
Brother, sister too
|
|||
|
|
(She walked out tomorrow)
|
|||
|
|
Do what you must do
|
|||
|
|
(Like a corner, yeah)
|
|||
|
|
|
|||
|
|
Don't trust people you meet
|
|||
|
|
|
|||
|
|
Yeah, yeah
|
|||
|
|
They might promise you
|
|||
|
|
That the river ain't deep (x2)
|
|||
|
|
|
|||
|
|
Brother, sister too
|
|||
|
|
|
|||
|
|
Do what you ought to do
|
|||
|
|
|
|||
|
|
Ooh my baby they say
|
|||
|
|
The river ain't deep
|
|||
|
|
But it's in the dark
|
|||
|
|
|
|||
|
|
The river ain't deep
|
|||
|
|
|
|||
|
|
The river ain't deep
|
|||
|
|
The river ain't deep"
|
|||
|
|
98,New Gold ,"(Kevin Parker)
|
|||
|
|
But in the magic cove, there's a pretty one
|
|||
|
|
I asked her where it goes, 'cause I really want
|
|||
|
|
I wonder if she knows that we're underwater
|
|||
|
|
That's the way it goes in this city wonder
|
|||
|
|
|
|||
|
|
(Bootie Brown)
|
|||
|
|
Moved to the spot, I'm one of a few
|
|||
|
|
A whole lot of everything, but nothin' to do
|
|||
|
|
Tilted in a Tesla, pardon the ex-wrestler
|
|||
|
|
He dates Francesca, they on the Xannies
|
|||
|
|
Liposuction scheduled for Granny
|
|||
|
|
She want to save some, add to her fanny
|
|||
|
|
Girls trip, Miami at the end of the year
|
|||
|
|
Polluted-filled skies, trying to think clear
|
|||
|
|
I heard the bad news while I was sheddin' a beer
|
|||
|
|
Watch out from the cults, Paul Revere
|
|||
|
|
We all play our part in the devil's cheer
|
|||
|
|
Run to the hills 'cause the end is near
|
|||
|
|
|
|||
|
|
(Kevin Parker)
|
|||
|
|
But in the magic cove, there's a pretty one
|
|||
|
|
I asked her where it goes, 'cause I really want
|
|||
|
|
I wonder if she knows that we're underwater
|
|||
|
|
That's the way it goes in this city wonder
|
|||
|
|
|
|||
|
|
(Bootie Brown)
|
|||
|
|
Yo, a desolate city where it hurts to smile
|
|||
|
|
Ran into the Reverend since it's been a while
|
|||
|
|
I'm reining in a rando', she's a social scandal
|
|||
|
|
Gave ourselves a handle when it's too much to bear
|
|||
|
|
ABC boys raided the mayor
|
|||
|
|
Like Shaun, he's a Ryder, took on the dare
|
|||
|
|
Now he's singin' like a birdy, pullin' on his hair
|
|||
|
|
Trendin' on Twitter's what some of us live for
|
|||
|
|
Friendship's here, but now fuckin' revolving door
|
|||
|
|
All of this a joke? Pauly Shore
|
|||
|
|
Bullshit keeps comin', maybe I'm a Matador
|
|||
|
|
What are we livin' for?
|
|||
|
|
|
|||
|
|
Are we all losin' our minds?
|
|||
|
|
Because life got in the way (Hey, hey, hey)
|
|||
|
|
They will be here just in time
|
|||
|
|
Your replacement is here to stay (Ah-ah-ah-ah)
|
|||
|
|
|
|||
|
|
[2-D, Bootie Brown & Kevin Parker]
|
|||
|
|
New gold, fool's gold
|
|||
|
|
Everythin' will disappear (New gold)
|
|||
|
|
Someone's out here
|
|||
|
|
Who traveled far too many years (New gold)
|
|||
|
|
To nowhere, nowhere
|
|||
|
|
Nothin' here is ever real (New gold)
|
|||
|
|
New gold, fool's gold (New gold)
|
|||
|
|
Everythin' will disappear, disappear
|
|||
|
|
Disappear, disappear, disappear
|
|||
|
|
Disappear, disappear, disappear
|
|||
|
|
Disappear, disappear, disappear
|
|||
|
|
Disappear, disappear, disappear
|
|||
|
|
|
|||
|
|
[Kevin Parker & 2-D]
|
|||
|
|
But in the magic cove, there's a pretty one
|
|||
|
|
I asked her where it goes 'cause I really want
|
|||
|
|
I wonder if she knows that we're underwater
|
|||
|
|
That's the way it goes in this city wonder
|
|||
|
|
But in the magic cove, there's a pretty one (New gold)
|
|||
|
|
I asked her where it goes 'cause I really want
|
|||
|
|
I wonder if she knows that we're underwater
|
|||
|
|
That's the way it goes in this city wonder (Ah-ah-ah-ah)
|
|||
|
|
(New gold, fool's gold)
|
|||
|
|
But in the magic cove, there's a pretty one
|
|||
|
|
(Everythin' will disappear)
|
|||
|
|
I asked her where it goes 'cause I really want (New gold)
|
|||
|
|
(Someone's out here)
|
|||
|
|
I wonder if she knows that we're underwater
|
|||
|
|
(Who traveled far too many years)
|
|||
|
|
That's the way it goes in this city wonder (New gold)
|
|||
|
|
(To nowhere, nowhere)
|
|||
|
|
But in the magic cove, there's a pretty one
|
|||
|
|
(Nothin' here is ever real)
|
|||
|
|
I asked her where it goes 'cause I really want (New gold)
|
|||
|
|
(New gold, fool's gold)
|
|||
|
|
I wonder if she knows that we're underwater (New gold)
|
|||
|
|
(Everythin' will disappear)
|
|||
|
|
That's the way it goes in this city wonder"
|
|||
|
|
99,New Gold ft. Bootie Brown & Tame Impala ,"[Chorus: Kevin Parker]
|
|||
|
|
But in the magic gold, there's a pretty one
|
|||
|
|
I ask her where it goes, cause I really wanna
|
|||
|
|
I wonder if she knows the way underwater
|
|||
|
|
And that's the way it goes in this silly wonder
|
|||
|
|
|
|||
|
|
[Verse 1: Bootie Brown]
|
|||
|
|
Move to the spot, I'm one of a few
|
|||
|
|
A whole lot of everything, but nothing to do
|
|||
|
|
Attempting to test the heart of that ex-wrestler
|
|||
|
|
He dates Francesca
|
|||
|
|
They on them Xannies, Liposuction's scared up her Granny
|
|||
|
|
She want to save some ass to [?] trip, Miami at the end of the year
|
|||
|
|
A little bit of lines, trying to think clear
|
|||
|
|
I heard the bad news, but I was dead in the mirror
|
|||
|
|
Black child from the coast, Paul Revere
|
|||
|
|
We all play a part in the devil's cheer
|
|||
|
|
Run to the hills by the end of the year
|
|||
|
|
|
|||
|
|
[Chorus: Kevin Parker]
|
|||
|
|
But in the magic gold, there's a pretty one
|
|||
|
|
I ask her where it goes, cause I really wanna
|
|||
|
|
I wonder if she knows the way underwater
|
|||
|
|
And that's the way it goes in this silly wonder
|
|||
|
|
|
|||
|
|
[Verse 2: Bootie Brown]
|
|||
|
|
Adjusting to the city where it hurts to smile
|
|||
|
|
Ran into the mirrors, it's been a while
|
|||
|
|
Our lady in Iran knows she's a social scandal
|
|||
|
|
Heroes of the handle when it's too much to bare
|
|||
|
|
MCs boys ready to [?]
|
|||
|
|
Like Shaun, he's Ryder, took on his Dare
|
|||
|
|
Now he's singing like a birdy, pulling on his hair
|
|||
|
|
Trending on Twitter, is what some of us live for
|
|||
|
|
Branches in and out, all's a revolving door
|
|||
|
|
Is all of this a joke? Pretty sure
|
|||
|
|
Bullshit keep coming, baby I'm a Matador
|
|||
|
|
What are we living for?
|
|||
|
|
|
|||
|
|
[Break: Bootie Brown, Kevin Parker, (All)]
|
|||
|
|
Are we all losing our minds?
|
|||
|
|
Because life got in the way
|
|||
|
|
(Hey, hey, hey)
|
|||
|
|
Things will be here just in time
|
|||
|
|
Your replacement is here to stay
|
|||
|
|
Ah-ah-ah-ahh
|
|||
|
|
|
|||
|
|
[Bridge: 2-D, & Bootie Brown]
|
|||
|
|
New gold, fool's gold
|
|||
|
|
Everything will disappear
|
|||
|
|
Someone's out here
|
|||
|
|
Who traveled far too many years
|
|||
|
|
Nowhere, nowhere
|
|||
|
|
Nothing here is ever real
|
|||
|
|
New gold, fool's gold
|
|||
|
|
Everything will disappear, disappear
|
|||
|
|
Disappear, disappear, disappear
|
|||
|
|
Disappear, disappear, disappear
|
|||
|
|
Disappear, disappear, disappear
|
|||
|
|
Disappear, disappear, disappear
|
|||
|
|
|
|||
|
|
[Chorus: Kevin Parker]
|
|||
|
|
But in the magic gold, there's a pretty one
|
|||
|
|
I ask her where it goes, cause I really wanna
|
|||
|
|
I wonder if she knows the way underwater
|
|||
|
|
And that's the way it goes in this silly wonder
|
|||
|
|
But in the magic gold, there's a pretty one
|
|||
|
|
I ask her where it goes, cause I really wanna
|
|||
|
|
I wonder if she knows the way underwater
|
|||
|
|
And that's the way it goes in this silly wonder
|
|||
|
|
|
|||
|
|
[Outro: 2-D, Kevin Parker]
|
|||
|
|
New gold, fool's gold
|
|||
|
|
But in the magic gold, there's a pretty one
|
|||
|
|
Everything will disappear
|
|||
|
|
I ask her where it goes, cause I really wanna
|
|||
|
|
Someone's out here
|
|||
|
|
I wonder if she knows the way underwater
|
|||
|
|
Who travelled far too many years
|
|||
|
|
That's the way it goes, in this silly wonder
|
|||
|
|
Nowhere, nowhere
|
|||
|
|
But in the magic gold, there's a pretty one
|
|||
|
|
Nothing here is ever real
|
|||
|
|
I ask her where it goes cause I really wanna
|
|||
|
|
New gold, fool's gold
|
|||
|
|
I wonder if she knows the way underwater
|
|||
|
|
Everything will disappear
|
|||
|
|
That's the way it goes in this silly wonder"
|
|||
|
|
100,November has come ,"Slow it down some
|
|||
|
|
No split clown
|
|||
|
|
Bum, your old hit sound dumb
|
|||
|
|
Hold it now, crown 'im
|
|||
|
|
Where you found them at
|
|||
|
|
Got 'em 'round town
|
|||
|
|
Could drowned in it
|
|||
|
|
Woulda floated bloated
|
|||
|
|
Voted sugar coated
|
|||
|
|
Loaded hip shooter
|
|||
|
|
Draw for the poor
|
|||
|
|
Free coffee at the banks
|
|||
|
|
Hit through the straw
|
|||
|
|
None more for me, thanks
|
|||
|
|
That blanks the raw
|
|||
|
|
That dang sure stank lit
|
|||
|
|
Sank passed the pit for more hardcore prank spit
|
|||
|
|
Crank it on blast
|
|||
|
|
Roll past front street
|
|||
|
|
Blew the whole spot
|
|||
|
|
Like some old ass with skunk meat
|
|||
|
|
These kids is too fast
|
|||
|
|
Juiced off a junk treat
|
|||
|
|
Who could get looser off a crunk or a funk beat?
|
|||
|
|
|
|||
|
|
Something's starting today
|
|||
|
|
Where did he go? why you wanted to be?
|
|||
|
|
Well you know, november has come
|
|||
|
|
When it's gone away...
|
|||
|
|
Something's starting today
|
|||
|
|
Where did he go? why you wanted to be?
|
|||
|
|
Well you know, november has come
|
|||
|
|
When it's gone away...
|
|||
|
|
|
|||
|
|
|
|||
|
|
(baha) Can you dig it like a spigot
|
|||
|
|
My guess is yes you can like, can I kick it? wicked
|
|||
|
|
Liquor shot
|
|||
|
|
If u happy and u know it
|
|||
|
|
As you clap your hands to the thick snot of a poet flow it
|
|||
|
|
Broke a pen and i'm in cope hymen
|
|||
|
|
Dope or rhymin all worth it then
|
|||
|
|
The hope diamond
|
|||
|
|
Required off the blackmarket
|
|||
|
|
Or wire tappin
|
|||
|
|
Couldn't target a jar of spit
|
|||
|
|
The rapid fire spark lit
|
|||
|
|
Zzzzt!
|
|||
|
|
A rapper bug zapper
|
|||
|
|
And it don't matter after if they's a thug or a dapper.
|
|||
|
|
Plug yer trap or it's maximum exposure
|
|||
|
|
The beast got family in numbers asking 'em for closure
|
|||
|
|
Aw, send 'em a gun an tell em clean it
|
|||
|
|
Then go get the nun who said her son didn't mean it
|
|||
|
|
She wore a filled-in thong
|
|||
|
|
A billabong
|
|||
|
|
And said, nah, fo'realla
|
|||
|
|
The Villain on a Gorilla jawn?
|
|||
|
|
|
|||
|
|
Something's starting today
|
|||
|
|
Where did he go? why you wanted to be?
|
|||
|
|
Well you know, november has come
|
|||
|
|
When it's gone away...
|
|||
|
|
Something's starting today
|
|||
|
|
Where did he go? why you wanted to be?
|
|||
|
|
Well you know, november has come
|
|||
|
|
When it's gone away...
|
|||
|
|
"
|
|||
|
|
101,O Green World ,"O green world,
|
|||
|
|
Don't desert me now
|
|||
|
|
Bring me back to fallen town
|
|||
|
|
Where someone is still alive
|
|||
|
|
|
|||
|
|
Fighting for something new in this
|
|||
|
|
When no one needs the heart of me and I'll
|
|||
|
|
Get out somewhere other than me before...
|
|||
|
|
|
|||
|
|
(than me before...)
|
|||
|
|
|
|||
|
|
O green world
|
|||
|
|
Don't deserve me now
|
|||
|
|
I'm made of you and you of me
|
|||
|
|
But where are we?
|
|||
|
|
Oh no
|
|||
|
|
|
|||
|
|
Sells to lie
|
|||
|
|
Phone with talk, you stars
|
|||
|
|
Suppose you
|
|||
|
|
Down when you're in fast
|
|||
|
|
Cause it seems so little to you
|
|||
|
|
|
|||
|
|
But now you're in love, you know
|
|||
|
|
You know, me too
|
|||
|
|
You know, me too
|
|||
|
|
I hope sex and drugs rust into my self, holy
|
|||
|
|
It feels holy
|
|||
|
|
It feels like you're with your father in the place you love...
|
|||
|
|
"
|
|||
|
|
102,Ode To Idaho ,"Caught in this salvation, it was straight into the bar
|
|||
|
|
[...] had no plans this year, so we just drank it all
|
|||
|
|
How we set about it is not easy to recall
|
|||
|
|
Miller and Bruce Willis, they got early in the game
|
|||
|
|
|
|||
|
|
Playing it all for gods
|
|||
|
|
Yesterday
|
|||
|
|
|
|||
|
|
Idaho, Idaho
|
|||
|
|
There's the great, shining whole
|
|||
|
|
And everyday I look out of the bus
|
|||
|
|
The silver linings in the dust
|
|||
|
|
|
|||
|
|
Caught up in wetter country; the cooler of the year
|
|||
|
|
[.....]
|
|||
|
|
Ride on me with heavy winds when leaves are turning red
|
|||
|
|
I will come to fetch you in the morning in your bed
|
|||
|
|
|
|||
|
|
Playing it all for gods
|
|||
|
|
Yesterday
|
|||
|
|
|
|||
|
|
Idaho, Idaho
|
|||
|
|
There's a beauty on the road
|
|||
|
|
And everyday I look out of the bus
|
|||
|
|
The silver linings in the dust
|
|||
|
|
|
|||
|
|
Idaho, Idaho
|
|||
|
|
There's the great, shining whole
|
|||
|
|
And everyday I look out of the bus
|
|||
|
|
The silver lining's getting lost
|
|||
|
|
Idaho, Idaho
|
|||
|
|
There's a beauty on the road
|
|||
|
|
And everyday, I look out of the bus
|
|||
|
|
The silver lining's getting lost..."
|
|||
|
|
103,Oil feat. Stevie Nicks ,"Then I put my codes in the machine
|
|||
|
|
But the world I found was made of faulty dreams (Of faulty dreams)
|
|||
|
|
I was on my own there in the psychic silence
|
|||
|
|
I was looking out for some other kite to
|
|||
|
|
Fly out of the doldrums and recall the log
|
|||
|
|
From the early database of your love
|
|||
|
|
|
|||
|
|
Fairy light companions
|
|||
|
|
To the dark maths that catapult
|
|||
|
|
Us into imagined worlds
|
|||
|
|
Seems a mockery remote
|
|||
|
|
|
|||
|
|
Interlocking cluster bombs
|
|||
|
|
Like drum and bass, I thought
|
|||
|
|
Close the wells of poison
|
|||
|
|
Fill them up with love
|
|||
|
|
|
|||
|
|
I was on my own there
|
|||
|
|
I was all alone
|
|||
|
|
I got lost, intangible
|
|||
|
|
But that's the place you reach when
|
|||
|
|
You can't help yourself anymore
|
|||
|
|
And the madness come
|
|||
|
|
You'll be falling into the bass and drum (Bass and drum)
|
|||
|
|
|
|||
|
|
Fairy light companions
|
|||
|
|
To the dark maths that catapult
|
|||
|
|
Us into imagined worlds
|
|||
|
|
Seems a mockery remote
|
|||
|
|
|
|||
|
|
'Cause I got no choice in it
|
|||
|
|
And I'm not so cold
|
|||
|
|
I could look you in the eye
|
|||
|
|
And not recall (And not recall)
|
|||
|
|
|
|||
|
|
Don't think that my heart is a sad affair without you
|
|||
|
|
Individual actions change the world
|
|||
|
|
Fill them up with love"
|
|||
|
|
104,On melancholy hill ,"Up on melancholy hill
|
|||
|
|
There's a plastic tree
|
|||
|
|
Are you here with me?
|
|||
|
|
Just looking out on the day
|
|||
|
|
Of another dream
|
|||
|
|
|
|||
|
|
Well you can't get what you want
|
|||
|
|
But you can get me
|
|||
|
|
So let's set up and see
|
|||
|
|
'Cause you are my medicine
|
|||
|
|
When you're close to me
|
|||
|
|
When you're close to me
|
|||
|
|
|
|||
|
|
So call in the submarine
|
|||
|
|
'round the world we'll go
|
|||
|
|
Does anybody know
|
|||
|
|
If we're looking out on the day
|
|||
|
|
Of another dream
|
|||
|
|
|
|||
|
|
If you can't get what you want
|
|||
|
|
Then you come with me
|
|||
|
|
|
|||
|
|
Up on melancholy hill
|
|||
|
|
Sits a manatee
|
|||
|
|
Just looking out for the day
|
|||
|
|
When you're close to me
|
|||
|
|
When you're close to me
|
|||
|
|
|
|||
|
|
When you're close to me"
|
|||
|
|
105,One Percent ,"Every sound
|
|||
|
|
Every sound from every world, receive
|
|||
|
|
Every world, receiving you
|
|||
|
|
Anyone
|
|||
|
|
Not anyone of us who is in search
|
|||
|
|
Everyone's receiving you
|
|||
|
|
|
|||
|
|
[Instrumental]
|
|||
|
|
|
|||
|
|
Come by the long way
|
|||
|
|
Deep in the summer day
|
|||
|
|
I'll be there with you
|
|||
|
|
(That's where I heard it for myself)
|
|||
|
|
On the training ground
|
|||
|
|
For the new world
|
|||
|
|
You heard it too"
|
|||
|
|
106,Opium feat. Earthgang ,"[Verse 1: Johnny Venus]
|
|||
|
|
I've been cooped up for a minute
|
|||
|
|
I've been inside working on me
|
|||
|
|
Hyperbolic chamber I sit
|
|||
|
|
I'm gon' dance my way out of this
|
|||
|
|
Winter lasted for ages
|
|||
|
|
Trouble don't last always
|
|||
|
|
Brand new life, turn the page
|
|||
|
|
Be alright, be okay
|
|||
|
|
|
|||
|
|
[Chorus: Johnny Venus]
|
|||
|
|
Grinding, loving, singing, hugging, living, get it, stack it
|
|||
|
|
Run it, dancing, flying, people, wake up
|
|||
|
|
Come on, keep on, dreaming, don't stop
|
|||
|
|
Loving, trying, growing, don't stop
|
|||
|
|
They gon' try to slow you, don't stop
|
|||
|
|
Never, ever, know I, don't stop
|
|||
|
|
London, Paris, L.A., don't stop
|
|||
|
|
|
|||
|
|
[Verse 2: Johnny Venus]
|
|||
|
|
Atlanta, Jamaica, Rio, don't stop
|
|||
|
|
New York, Lagos, Sydney, don't stop
|
|||
|
|
You tried to kill me, created a monster
|
|||
|
|
You tried to end me, but fate said ""No, no""
|
|||
|
|
Know why they envy, I got it, it's in me
|
|||
|
|
Been so long since I had new faith
|
|||
|
|
Been so long since I changed my ways
|
|||
|
|
Been so long since I been okay
|
|||
|
|
I met a lady on the side of the road
|
|||
|
|
And her eyes were a story that had never been told
|
|||
|
|
About a life that was lived on hope
|
|||
|
|
And the truth of the inner light that we all hold
|
|||
|
|
She said ""Baby, I can hear my train coming
|
|||
|
|
I'll leave with something before I go
|
|||
|
|
Listen child, don't you ever waste time tryna dim nobody shine
|
|||
|
|
Better water your own""
|
|||
|
|
|
|||
|
|
[Verse 3: 2D]
|
|||
|
|
Will we wake up tomorrow?
|
|||
|
|
I feel like we are closer together
|
|||
|
|
Sing for colossal changes
|
|||
|
|
And how we treat each other when we're living in a city of elevations
|
|||
|
|
Is it man or woman feeling some balance today?
|
|||
|
|
|
|||
|
|
[Bridge: 2D]
|
|||
|
|
Hope
|
|||
|
|
Hope the radiant light is shining on you (shining on you)
|
|||
|
|
Hope
|
|||
|
|
Hope the radiant light is shining on you
|
|||
|
|
|
|||
|
|
[Chorus: Johnny Venus]
|
|||
|
|
Grinding, loving, singing, hugging, living, get it, stack it
|
|||
|
|
Run it, dancing, flying, people, wake up
|
|||
|
|
Come on, keep on, dreaming, don't stop
|
|||
|
|
Loving, trying, growing, don't stop
|
|||
|
|
They gon' try to slow you, don't stop
|
|||
|
|
Never, ever, know I, don't stop
|
|||
|
|
London, Paris, L.A., don't stop
|
|||
|
|
|
|||
|
|
[Verse 4: Doctur Dot]
|
|||
|
|
Been a long time since I been outside
|
|||
|
|
Don't let it catch up with me
|
|||
|
|
I contact just with me
|
|||
|
|
Tapped in, wrapped up
|
|||
|
|
Bring it in, let me in
|
|||
|
|
Let me all over in between
|
|||
|
|
Leave a toothbrush in your dreams
|
|||
|
|
I ain't worried 'bout the next thing
|
|||
|
|
I'll be with you to the extreme
|
|||
|
|
Ice bounce off the glow of the moonlight
|
|||
|
|
I hope we're still close when the sunrise
|
|||
|
|
I paint the picture clear for ya
|
|||
|
|
I can't hold this in much longer
|
|||
|
|
Searching for this feeling my whole life
|
|||
|
|
|
|||
|
|
|
|||
|
|
[Bridge: 2D]
|
|||
|
|
Hope
|
|||
|
|
Hope the radiant light is shining on you (shining on you)
|
|||
|
|
Hope
|
|||
|
|
Hope the radiant light is shining on you"
|
|||
|
|
107,"Out of Body (feat. Imani Vonshà, Zebra Katz & Kilo Kish) ","[Intro: Kilo Kish]
|
|||
|
|
Pipe down, pipe down, pipe down, pipe down, pipe down
|
|||
|
|
We're here tonight for a very special offering
|
|||
|
|
An offering of our spirits this evening in unison
|
|||
|
|
But first a word of instruction
|
|||
|
|
|
|||
|
|
[Verse 1: Kilo Kish]
|
|||
|
|
Hello, hello
|
|||
|
|
Please leave all your belongings at the door
|
|||
|
|
You can sit or stand, we can take a vote
|
|||
|
|
And just tiptoe to the center of the circle
|
|||
|
|
While we unveil the ropes
|
|||
|
|
Still a little room left to hang your clothes
|
|||
|
|
Some of us are new here, we'll take it slow
|
|||
|
|
Ready, set, go
|
|||
|
|
I lock hands with yours
|
|||
|
|
We dive into the floor
|
|||
|
|
When we reach the core
|
|||
|
|
Then we stomp some more
|
|||
|
|
I lock hands with yours
|
|||
|
|
And then we dive down into the floor
|
|||
|
|
Seven thousand miles 'till we reach the core
|
|||
|
|
And then we circle back and we stomp some more
|
|||
|
|
Got it?
|
|||
|
|
It's just like that
|
|||
|
|
You promise all your life, then you turn your back
|
|||
|
|
You glide across the space, and diagonal past
|
|||
|
|
Then you kick, and you jump, and you arch your back
|
|||
|
|
You move your hips and your arms like a cat
|
|||
|
|
Spin three times, and you're back where you're at
|
|||
|
|
Does anybody catch what any of this is about?
|
|||
|
|
No? Well, work it out
|
|||
|
|
|
|||
|
|
[Hook: Zebra Katz]
|
|||
|
|
Out of body from morning to night
|
|||
|
|
Dance low, pat, and I'm feeling alright
|
|||
|
|
Out of body from morning to night
|
|||
|
|
Dance low, pat, and I'm feeling alright
|
|||
|
|
Out of body from morning to night
|
|||
|
|
Dance low, pat, and I'm feeling alright
|
|||
|
|
Out of body from morning to night
|
|||
|
|
Dance low, pat, and I'm feeling alright
|
|||
|
|
|
|||
|
|
[Verse 2: Kilo Kish]
|
|||
|
|
Okay
|
|||
|
|
Slide like a lizard, bark with the crowd
|
|||
|
|
Eyes dilated, dark to the grass
|
|||
|
|
Then when you find you're invisible
|
|||
|
|
You melt into a puzzle
|
|||
|
|
Keep it flowing like the rivers do
|
|||
|
|
You gotta pay attention to the motion of the fish
|
|||
|
|
Stay within the school or you're surely gonna miss
|
|||
|
|
And if you lose your way, it's a cold black abyss
|
|||
|
|
Don't take the chance, not worth the risk
|
|||
|
|
|
|||
|
|
[Hook: Zebra Katz]
|
|||
|
|
Out of body from morning to night
|
|||
|
|
Dance low, pat, and I'm feeling alright
|
|||
|
|
Out of body from morning to night
|
|||
|
|
Dance low, pat, and I'm feeling alright
|
|||
|
|
Out of body from morning to night
|
|||
|
|
Dance low, pat, and I'm feeling alright
|
|||
|
|
Out of body from morning to night
|
|||
|
|
Dance low, pat, and I'm feeling alright
|
|||
|
|
|
|||
|
|
[Interlude: Kilo Kish]
|
|||
|
|
Who knows?
|
|||
|
|
There's always stains on what's real and true
|
|||
|
|
Tonight is a special, special occasion
|
|||
|
|
And all that's left for us to do, is move
|
|||
|
|
|
|||
|
|
[Bridge: Imani Vonshà]
|
|||
|
|
Ooh, I, I
|
|||
|
|
Where am I going?
|
|||
|
|
What am I doing?
|
|||
|
|
I, I'm alive
|
|||
|
|
Alive
|
|||
|
|
I cannot follow
|
|||
|
|
I, I'm so alive
|
|||
|
|
I'm so, I'm so high
|
|||
|
|
|
|||
|
|
[Verse 3: 2-D (Zebra Katz)]
|
|||
|
|
(Everybody)
|
|||
|
|
Everybody says I'm busted and blue
|
|||
|
|
I feel better when I don't need that
|
|||
|
|
Everybody gonna [?]
|
|||
|
|
(It's so big, big, big)
|
|||
|
|
Everybody says that I'm more
|
|||
|
|
Feelin' out of body, I'm drinkin' it up
|
|||
|
|
Can I tell you what the dream's about tonight?
|
|||
|
|
(Dance low, pat, and I'm feeling alright)"
|
|||
|
|
108,PAC,"Alrighty
|
|||
|
|
Let's go
|
|||
|
|
Uh, ah
|
|||
|
|
|
|||
|
|
You can freak me out, you can throw me in the lion pit
|
|||
|
|
You can boil my hands and tell me I'm not here
|
|||
|
|
I'm a mad Pac-Man, livin' in a leveled world
|
|||
|
|
Everywhere I go I don't know where I am
|
|||
|
|
|
|||
|
|
You can call me cracked, you can call me glad and cyborg
|
|||
|
|
You can load my head, and sail me into bathing light
|
|||
|
|
Everybody knows, when I was sad, I fell for you
|
|||
|
|
Everywhere I go, no stressin' out, no stressin' out
|
|||
|
|
No stressin' out, no stressin' out, stressin' out
|
|||
|
|
|
|||
|
|
You can hide your head, you can throw me in the lion pit
|
|||
|
|
You can boil my days and tell me I'm not blue
|
|||
|
|
Everybody knows, when I was sad, I fell for you
|
|||
|
|
Everywhere I go, I don't know where I am
|
|||
|
|
|
|||
|
|
I'm stressin' out, I'm stressin' out
|
|||
|
|
I'm stressin' out, I'm stressin' out
|
|||
|
|
I'm stressin' out, I'm stressin' out
|
|||
|
|
I'm stressin' out, I'm stressin' out
|
|||
|
|
I'm stressin' out, I'm stressin' out
|
|||
|
|
I'm stressin' out, I'm stressin' out
|
|||
|
|
I'm stressin' out, I'm stressin' out
|
|||
|
|
I'm stressin' out
|
|||
|
|
|
|||
|
|
Uh, how can I trust truth?
|
|||
|
|
Uh, when I ain't got nothin' to sell
|
|||
|
|
I shattered my thoughts to get out my shell
|
|||
|
|
Uh, why would I hold my tongue to tuck in my tails?
|
|||
|
|
Ayy, can't dream if my ego is broke
|
|||
|
|
The jokes that try to find the answer to nope
|
|||
|
|
My type of drive, you can't buy this shit
|
|||
|
|
You got a heart but it don't beat like this
|
|||
|
|
I had a spark, then my mind went trip
|
|||
|
|
Create the wave so the vibe all mix
|
|||
|
|
|
|||
|
|
(I'm a mad Pac-Man)
|
|||
|
|
(Livin' in a leveled world)
|
|||
|
|
|
|||
|
|
Yo, I been at the top of the top
|
|||
|
|
Fell from the ceiling before I fail
|
|||
|
|
'Cause I needed to grow, Bruce Lee, royal with the glow
|
|||
|
|
Uh, walked on the edge, fuck tryna dream in the bed
|
|||
|
|
'Fore I die on these meds, niggas gon' die on the feds
|
|||
|
|
'Fore I make it to jail, prolly put one in the head
|
|||
|
|
Fuck the judge and the prosecutor for hangin' me dead
|
|||
|
|
Plus thirty and still movin', I'm close to the live, right?
|
|||
|
|
Close to the live, right?
|
|||
|
|
All the trauma from past never taught me to fear heights
|
|||
|
|
Normal to fly now, can't be stuck in the red lights
|
|||
|
|
Take flight, the life gon' bloom for the Black Knight
|
|||
|
|
Keep a piece, no Buddhist, got the whole hood boomin'
|
|||
|
|
I'm like a Crip how I stewed it, you on your ass, stuck, stupid
|
|||
|
|
You makin' we look bad, I rock the beat, won't crash
|
|||
|
|
I had to fill my bag, I had to hide my stash
|
|||
|
|
You know the cops' lights flash, I had to clear my dash
|
|||
|
|
I represent my flag, I gave the hood my last
|
|||
|
|
Every full-grown limit, I had to change my image
|
|||
|
|
The brain don't got limits, you think a mill' mean winnin'
|
|||
|
|
Pigs out here skinnin', your soul ain't authentic
|
|||
|
|
You died and still ain't livin'"
|
|||
|
|
109,People ,"People, people, everybody people
|
|||
|
|
Everybody making a sound
|
|||
|
|
People, people, everybody people
|
|||
|
|
Everybody standing their ground
|
|||
|
|
|
|||
|
|
People, people, everybody people
|
|||
|
|
Everybody making a sound
|
|||
|
|
People, people, everybody people
|
|||
|
|
Everybody standing their ground
|
|||
|
|
|
|||
|
|
(Oh yeah!)
|
|||
|
|
|
|||
|
|
If you dream to the top
|
|||
|
|
You will be over the edge
|
|||
|
|
If you get it on side
|
|||
|
|
You'll be taking ditch
|
|||
|
|
You'll be loving our love
|
|||
|
|
But you don't know why
|
|||
|
|
It's the term of the day
|
|||
|
|
So we never excite
|
|||
|
|
|
|||
|
|
Your heart isn't there
|
|||
|
|
So you might as well say:
|
|||
|
|
""I know it, I got it,
|
|||
|
|
but I know that time will
|
|||
|
|
set me together""
|
|||
|
|
|
|||
|
|
People, people, everybody people
|
|||
|
|
Everybody making a sound
|
|||
|
|
People, people, everybody people
|
|||
|
|
Everybody standing their ground
|
|||
|
|
|
|||
|
|
People, people, everybody people
|
|||
|
|
Everybody making a sound
|
|||
|
|
People, people, everybody people
|
|||
|
|
Everybody standing their ground
|
|||
|
|
|
|||
|
|
(Oh yeah!)
|
|||
|
|
|
|||
|
|
If you dream to the top
|
|||
|
|
You will be over the edge
|
|||
|
|
If you get it on side
|
|||
|
|
You'll be taking ditch
|
|||
|
|
You'll be loving our love
|
|||
|
|
But you don't know why
|
|||
|
|
It's the term of the day
|
|||
|
|
So we never excite
|
|||
|
|
|
|||
|
|
Your heart isn't there
|
|||
|
|
So you might as well say:
|
|||
|
|
""I know it, I got it,
|
|||
|
|
but I know that time will
|
|||
|
|
set me together""
|
|||
|
|
|
|||
|
|
People, people, everybody people
|
|||
|
|
Everybody making sound
|
|||
|
|
People, people, everybody people
|
|||
|
|
Everybody standing their ground
|
|||
|
|
|
|||
|
|
People, people, everybody people
|
|||
|
|
Everybody making sound
|
|||
|
|
People, people, everybody people
|
|||
|
|
Everybody standing their ground
|
|||
|
|
|
|||
|
|
(Oh yeah!)"
|
|||
|
|
110,Phoner To Arizona ,"Phoner to Arizona
|
|||
|
|
With you
|
|||
|
|
Forward
|
|||
|
|
With you
|
|||
|
|
With you (x8)
|
|||
|
|
|
|||
|
|
With you, with you
|
|||
|
|
With you, with you
|
|||
|
|
With you, with you
|
|||
|
|
With you
|
|||
|
|
Forward
|
|||
|
|
With you (x9)
|
|||
|
|
|
|||
|
|
With you, with you
|
|||
|
|
With you, with you
|
|||
|
|
With you, with you
|
|||
|
|
With you
|
|||
|
|
Forward"
|
|||
|
|
111,Pirate Jet ,"It's all good news now
|
|||
|
|
Because we left the taps
|
|||
|
|
Running
|
|||
|
|
For a hundred years
|
|||
|
|
So drink into the drink
|
|||
|
|
|
|||
|
|
The plastic cup drink
|
|||
|
|
Drink with the purple
|
|||
|
|
the people
|
|||
|
|
The plastic eating people
|
|||
|
|
|
|||
|
|
Still connected to the moment it began"
|
|||
|
|
112,Plastic beach ,"To the dark dark sea's
|
|||
|
|
Comes the only whale
|
|||
|
|
Watching ships go by
|
|||
|
|
It's the day we try
|
|||
|
|
It doesn't know
|
|||
|
|
|
|||
|
|
It's a Casio on a plastic beach (2x)
|
|||
|
|
It's a styrofoam deepsea landfill (2x)
|
|||
|
|
It's sort of made a computer speech (2x)
|
|||
|
|
It's a Casio on a plastic beach
|
|||
|
|
It's a Casio
|
|||
|
|
|
|||
|
|
If they hold you, whale
|
|||
|
|
On a really hot day
|
|||
|
|
When the call got made
|
|||
|
|
You've gone away
|
|||
|
|
It doesn't know
|
|||
|
|
|
|||
|
|
Its a Casio on a plastic beach (2x)
|
|||
|
|
It's a styrofoam deepsea landfill (2x)
|
|||
|
|
It's sort of made a computer speech (2x)
|
|||
|
|
It's a Casio on a plastic beach
|
|||
|
|
It's a Casio "
|
|||
|
|
113,Possession Island feat. Beck ,"[2D:]
|
|||
|
|
I stand and look out on the dark plain
|
|||
|
|
Where the moon is rising
|
|||
|
|
And the hydrofoils are coming back in
|
|||
|
|
From the past in silence
|
|||
|
|
|
|||
|
|
Where things they don't exist
|
|||
|
|
And we're all in this together 'til the end
|
|||
|
|
|
|||
|
|
[2D & Beck:]
|
|||
|
|
Where the pearly gates remain open
|
|||
|
|
And welcome me home
|
|||
|
|
Cause the time I came to California, I died
|
|||
|
|
At the hands of the coasting queen
|
|||
|
|
|
|||
|
|
Where things they don't exist
|
|||
|
|
And we're all in this together 'til the end
|
|||
|
|
'Til the end
|
|||
|
|
Evermore
|
|||
|
|
|
|||
|
|
[2D (Beck):]
|
|||
|
|
Should I ask you? (Should I ask you?)
|
|||
|
|
For forgiveness? (Forgiveness?)
|
|||
|
|
|
|||
|
|
[2D & Beck:]
|
|||
|
|
And open my heart?
|
|||
|
|
If I say these words will you listen
|
|||
|
|
Or leave me here in the dark
|
|||
|
|
|
|||
|
|
Where things they don't exist
|
|||
|
|
And we're all in this together 'til the end
|
|||
|
|
'Til the end
|
|||
|
|
|
|||
|
|
Where things they don't exist
|
|||
|
|
And we're all in this together 'til the end
|
|||
|
|
'Til the end"
|
|||
|
|
114,Punk ,"Bound to myself and goes home
|
|||
|
|
Making of herself a number
|
|||
|
|
Always tell her before I start up
|
|||
|
|
Do now what I tell you shut up
|
|||
|
|
|
|||
|
|
Bound to the chair
|
|||
|
|
Do me what you can
|
|||
|
|
Bound to a door
|
|||
|
|
Get down on the floor
|
|||
|
|
Find out how we'll do with the loop
|
|||
|
|
'Til everybody says shut up
|
|||
|
|
Yeah
|
|||
|
|
|
|||
|
|
Telling to Miguel I love her
|
|||
|
|
Try and see what happens get up
|
|||
|
|
Everybody says I should up
|
|||
|
|
Last time I told them right off
|
|||
|
|
|
|||
|
|
Playing with the sun
|
|||
|
|
I knew what I was doing
|
|||
|
|
Did it to myself
|
|||
|
|
Did it to myself
|
|||
|
|
I let horror to myself of doing
|
|||
|
|
'Cause everybody tell me shut up"
|
|||
|
|
115,Que Pasa Contigo? ,"Dejalo si quieres continuar (hermano)
|
|||
|
|
Sal ilumina tu vida
|
|||
|
|
Todo el cielo aplatandote
|
|||
|
|
Dime que harás (intentalo)
|
|||
|
|
Ilumina ese amor
|
|||
|
|
Antes que se vaya
|
|||
|
|
|
|||
|
|
Algo siemre te entristese
|
|||
|
|
Cuando todo va bien
|
|||
|
|
Que pasa contigo?
|
|||
|
|
Que pasa contigo?
|
|||
|
|
|
|||
|
|
Dejalo si quieres continuar
|
|||
|
|
No ocultes tu alma al sol
|
|||
|
|
Tienes una vida preciosa
|
|||
|
|
De que sirve si solo
|
|||
|
|
Mueres suavemente
|
|||
|
|
|
|||
|
|
Que pasa?
|
|||
|
|
Que pasa contigo?
|
|||
|
|
Que pasa contigo?
|
|||
|
|
(Mi hermano)
|
|||
|
|
Que pasa contigo?
|
|||
|
|
Escucha a tu propia voz
|
|||
|
|
Salva tu amor
|
|||
|
|
Que pasa contigo?
|
|||
|
|
Antes que se vaya
|
|||
|
|
Si todo va bien
|
|||
|
|
Que pasa contigo?
|
|||
|
|
Que pasa contigo?
|
|||
|
|
Mirate a ti mismo
|
|||
|
|
Enfrentalo
|
|||
|
|
Que pasa contigo?
|
|||
|
|
Mi hermano
|
|||
|
|
Ven animate
|
|||
|
|
Que pasa contigo?"
|
|||
|
|
116,Re hash ,"It's a sweet sensation
|
|||
|
|
Over the dub
|
|||
|
|
A one off situation
|
|||
|
|
We don't want to stop
|
|||
|
|
|
|||
|
|
It's the drugstore soulboy
|
|||
|
|
Over the dub
|
|||
|
|
With the sweetest inspiration
|
|||
|
|
We don't want to stop
|
|||
|
|
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
|
|||
|
|
It's a sweet sensation
|
|||
|
|
Over the dub
|
|||
|
|
A one off situation
|
|||
|
|
We don't want to stop
|
|||
|
|
|
|||
|
|
It's the drugstore soulboy
|
|||
|
|
Over the dub
|
|||
|
|
With the sweetest inspiration
|
|||
|
|
We don't want to stop
|
|||
|
|
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop
|
|||
|
|
It's the money or stop"
|
|||
|
|
117,Revolving Doors ,"Revolving doors, what have I done
|
|||
|
|
Someone on the TV, a tap-in lowse
|
|||
|
|
Revolving doors, what will I become
|
|||
|
|
A redneck song
|
|||
|
|
|
|||
|
|
He paid up for seven
|
|||
|
|
but he only got an eight now
|
|||
|
|
I feel that I'm paused by all the pills
|
|||
|
|
I see no wrong in it
|
|||
|
|
|
|||
|
|
On a foggy day
|
|||
|
|
|
|||
|
|
(Revolving doors in London to a foggy day in Boston
|
|||
|
|
Revolving doors in London to a foggy day in Boston)
|
|||
|
|
|
|||
|
|
I sit in a diner
|
|||
|
|
And the Beatles play
|
|||
|
|
I paid up for a seven
|
|||
|
|
But I only got eight oh now
|
|||
|
|
|
|||
|
|
(Revolving doors in London to a foggy day in Boston
|
|||
|
|
Revolving doors in London to a foggy day in Boston)
|
|||
|
|
|
|||
|
|
I feel that I'm paused by all the pills
|
|||
|
|
I seem to run out here
|
|||
|
|
|
|||
|
|
Revolving doors
|
|||
|
|
It's stormy on the eastern seaboard
|
|||
|
|
He got silver up this night
|
|||
|
|
|
|||
|
|
He paid up for three
|
|||
|
|
But got only two
|
|||
|
|
|
|||
|
|
(Revolving doors in London to a foggy day in Boston
|
|||
|
|
Revolving doors in London to a foggy day in Boston)
|
|||
|
|
|
|||
|
|
Then he said
|
|||
|
|
Seems I was born for this
|
|||
|
|
Seems I was born to this
|
|||
|
|
Revolving doors
|
|||
|
|
Revolving doors"
|
|||
|
|
118,Rhinestone Eyes ,"I'm a scary gargoyle on a tower
|
|||
|
|
That you made with plastic power
|
|||
|
|
Your rhinestone eyes are like factories far away
|
|||
|
|
Where the paralytic dreams that we all seem to keep
|
|||
|
|
Drive on engines till they weep
|
|||
|
|
With future pixels in factories far away
|
|||
|
|
So call the mainland from the beach
|
|||
|
|
Your heart is now washed up in bleach
|
|||
|
|
The waves are rising for this time of year
|
|||
|
|
And nobody knows what to do with the heat
|
|||
|
|
Under sunshine pylons, we'll meet
|
|||
|
|
While rain is falling like rhinestones from the sky
|
|||
|
|
|
|||
|
|
I can't see you now my heart is frozen
|
|||
|
|
All the bowses and the growses
|
|||
|
|
Have been abstinated in my soul
|
|||
|
|
I prayed on the immovable
|
|||
|
|
Yet clinging to the atoms of rock
|
|||
|
|
Seasons see adjustment signs of change
|
|||
|
|
I can't see now, she said, ""Taxi""
|
|||
|
|
Now that light is all I can take
|
|||
|
|
This dawn brings strange loyalties and skies
|
|||
|
|
I'm a scary gargoyle on a tower
|
|||
|
|
That you made with plastic power
|
|||
|
|
Your rhinestone eyes are like factories far away
|
|||
|
|
|
|||
|
|
(Here we go again)
|
|||
|
|
That's electric
|
|||
|
|
(Uh)
|
|||
|
|
That's electric
|
|||
|
|
|
|||
|
|
Helicopters fly over the beach
|
|||
|
|
Same time every day, same routine
|
|||
|
|
A clear target in the summer when skies are blue
|
|||
|
|
It's part of the noise when winter comes
|
|||
|
|
It reverberates in my lungs
|
|||
|
|
Nature's corrupted in factories far away
|
|||
|
|
|
|||
|
|
(Here we go again)
|
|||
|
|
That's electric
|
|||
|
|
Your love's like rhinestones falling from the sky (uh)
|
|||
|
|
That's electric
|
|||
|
|
With future pixels in factories far away
|
|||
|
|
(Here we go again)
|
|||
|
|
That's electric
|
|||
|
|
Your love's like rhinestones falling from the sky (uh)
|
|||
|
|
That's electric
|
|||
|
|
With future pixels in factories far away
|
|||
|
|
(Here we go again)"
|
|||
|
|
119,Rock da house ,"I know you like that
|
|||
|
|
You wanna try that
|
|||
|
|
It's like a flashback
|
|||
|
|
So shake your ass crack
|
|||
|
|
I got the balls to
|
|||
|
|
Rock the salsa
|
|||
|
|
Funk the blues-a
|
|||
|
|
Any groove to
|
|||
|
|
Make you move 'cause
|
|||
|
|
Taking you to
|
|||
|
|
Another landscape
|
|||
|
|
It's my mandate
|
|||
|
|
I'm highly animated even though I'm decomposing
|
|||
|
|
So if your feet is frozen I'ma die to see you ropin'
|
|||
|
|
|
|||
|
|
And when the MC rhyme and the DJ spin
|
|||
|
|
I want y'all to just get down
|
|||
|
|
Now when the MC rhymin' and the DJ cuttin'
|
|||
|
|
I want y'all to just get down
|
|||
|
|
And when the MC rhyme and the DJ spin
|
|||
|
|
I want y'all to just get down
|
|||
|
|
Now when the MC rhymin' and the DJ cuttin'
|
|||
|
|
I want y'all to just get down
|
|||
|
|
|
|||
|
|
Tap your toes and clap your hands
|
|||
|
|
(How many people ready to rock the house?)
|
|||
|
|
Come on trace the globe and shake your pants
|
|||
|
|
(How many people ready to rock the house?)
|
|||
|
|
Just twist your hip and do the dip
|
|||
|
|
(How many people ready to rock the house?)
|
|||
|
|
Come on shake and bake do whatever it takes
|
|||
|
|
(How many people ready to rock the house?)
|
|||
|
|
|
|||
|
|
Gravitational pull
|
|||
|
|
I have you making a fool
|
|||
|
|
Out of yourself on the dance floor
|
|||
|
|
Doing back spins running man and more
|
|||
|
|
Party down with Vigga and Candor
|
|||
|
|
Coming to the jam
|
|||
|
|
Or look like a landlubber
|
|||
|
|
And do the aqua boogie
|
|||
|
|
Win lots of goodies maybe
|
|||
|
|
Pop a Gucci wallet turntables is talking to me
|
|||
|
|
It's awfully groovy
|
|||
|
|
Seeing all the treasure and the booty
|
|||
|
|
|
|||
|
|
And when the MC rhyme and the DJ spin
|
|||
|
|
I want y'all to just get down
|
|||
|
|
Now when the MC rhymin' and the DJ cuttin'
|
|||
|
|
I want y'all to just get down
|
|||
|
|
And when the MC rhyme and the DJ spin
|
|||
|
|
I want y'all to just get down
|
|||
|
|
Now when the MC rhymin' and the DJ cuttin'
|
|||
|
|
I want y'all to just get down
|
|||
|
|
|
|||
|
|
Tap your toes and clap your hands
|
|||
|
|
(How many people ready to rock the house?)
|
|||
|
|
Come on trace the globe and shake your pants
|
|||
|
|
(How many people ready to rock the house?)
|
|||
|
|
Just twist your hip and do the dip
|
|||
|
|
(How many people ready to rock the house?)
|
|||
|
|
Come on shake and bake do whatever it takes
|
|||
|
|
(How many people ready to rock the house?)
|
|||
|
|
|
|||
|
|
I wanna get down lower than Atlantis
|
|||
|
|
Going toe to toe with an enchantress
|
|||
|
|
Get funkier than funkadelic wearin' Pampers
|
|||
|
|
While you eggheads is on the wall preparin' answers
|
|||
|
|
Sharing transcripts while we over here
|
|||
|
|
Dipping and dancin'
|
|||
|
|
Rhythm romancin'
|
|||
|
|
Wallflowers
|
|||
|
|
Giving no action no
|
|||
|
|
All hours we chillin' and max the flow
|
|||
|
|
Relaxing
|
|||
|
|
Opposites attracting
|
|||
|
|
I'ma toss my hat in
|
|||
|
|
Floss when the track spin
|
|||
|
|
Like I'm on a crack binge
|
|||
|
|
Jigging and wiggling
|
|||
|
|
Freakin' booties speakin' to the cuties so belligerent
|
|||
|
|
No religion just bump the feed on
|
|||
|
|
You'll feel reborn
|
|||
|
|
Negativity we just dead it like decoy
|
|||
|
|
Better lift your feet and just measure the beat on
|
|||
|
|
The pulse when it respawns
|
|||
|
|
|
|||
|
|
Tap your toes and clap your hands
|
|||
|
|
(How many people ready to rock the house?)
|
|||
|
|
Come on trace the globe and shake your pants
|
|||
|
|
(How many people ready to rock the house?)
|
|||
|
|
Just twist your hip and do the dip
|
|||
|
|
(How many people ready to rock the house?)
|
|||
|
|
Come on shake and bake do whatever it takes
|
|||
|
|
(How many people ready to rock the house?)"
|
|||
|
|
120,Rock it ,"I'm walking to the something
|
|||
|
|
Bla bla bla bla bla bla bla
|
|||
|
|
Collapse
|
|||
|
|
I'm drinking too much bla bla,
|
|||
|
|
Bla bla bla bla bla bla bla
|
|||
|
|
Fall out
|
|||
|
|
I'm feeling really bla bla, I want to bla bla bla,
|
|||
|
|
Collapse
|
|||
|
|
And in the end it means I bla bla bla bla bla bla bla
|
|||
|
|
The end
|
|||
|
|
|
|||
|
|
I got myself together
|
|||
|
|
Bla bla bla bla bla bla bla.
|
|||
|
|
Watch out
|
|||
|
|
I didn't need the patience, life bla bla bla bla bla
|
|||
|
|
Collapse
|
|||
|
|
Don't you sit to close, or I'll bla bla bla bla bla
|
|||
|
|
Break up
|
|||
|
|
Stick it up your nose
|
|||
|
|
Bla bla bla bla bla bla
|
|||
|
|
The end
|
|||
|
|
|
|||
|
|
I didn't mean to do it (Rock it, rock it)
|
|||
|
|
It loved me in my head (Rock it, rock it)
|
|||
|
|
I tried to be a charmer, (Rock it, rock it)
|
|||
|
|
But I got a bit hopeless instead (Rock it, rock it)
|
|||
|
|
The world is very sexy (Rock it, rock it)
|
|||
|
|
It's part of my collapse (Rock it, rock it)
|
|||
|
|
|
|||
|
|
I'm walking to the something (It's part of my collapse...)
|
|||
|
|
Bla bla bla bla bla bla bla
|
|||
|
|
I'm drinking too much bla bla,
|
|||
|
|
Bla bla bla bla bla bla bla
|
|||
|
|
Fall out
|
|||
|
|
I'm feeling really bla bla, I want to bla bla bla,
|
|||
|
|
Collapse
|
|||
|
|
And in the end it means I bla bla bla bla bla bla bla
|
|||
|
|
The end
|
|||
|
|
|
|||
|
|
I didn't mean to do it (Rock it, rock it)
|
|||
|
|
It loved me in my head (Rock it, rock it)
|
|||
|
|
I tried to be a charmer, (Rock it, rock it)
|
|||
|
|
But I got a bit hopeless instead (Rock it, rock it)
|
|||
|
|
The world is very sexy (Rock it, rock it)
|
|||
|
|
It's part of my collapse (Rock it, rock it)
|
|||
|
|
|
|||
|
|
I'm walking to the something (It's part of my collapse...)
|
|||
|
|
Bla bla bla bla bla bla bla
|
|||
|
|
I'm drinking too much bla bla,
|
|||
|
|
Bla bla bla bla bla bla bla
|
|||
|
|
Fall out
|
|||
|
|
I'm feeling really bla bla, I want to bla bla bla,
|
|||
|
|
Collapse
|
|||
|
|
And in the end it means I bla bla bla bla bla bla bla
|
|||
|
|
The end
|
|||
|
|
|
|||
|
|
Rock it
|
|||
|
|
Rock it
|
|||
|
|
Rock it
|
|||
|
|
Rock it
|
|||
|
|
"
|
|||
|
|
121,Saturnz Barz ,"Haha, woii yoii!
|
|||
|
|
Done know how di ting go, a the Unruly boss
|
|||
|
|
Don'?
|
|||
|
|
Hahaha
|
|||
|
|
|
|||
|
|
(Press the button to begin)
|
|||
|
|
|
|||
|
|
Cho
|
|||
|
|
All my life
|
|||
|
|
Mi ever have mi gun so mi haffi move sharp like mi knife
|
|||
|
|
All my life
|
|||
|
|
Mi pray say when mi get wealthy a ma a mi wife
|
|||
|
|
All my life
|
|||
|
|
The system force mi
|
|||
|
|
Fi be a killer just like Rodney Price
|
|||
|
|
All my life
|
|||
|
|
No, all my life
|
|||
|
|
|
|||
|
|
Aa happen to you cobe, some bwoy doh know mi
|
|||
|
|
To how me ruff dem cah believe a grandma grow mi
|
|||
|
|
Know few Popcaan song doh, and feel dem know mi
|
|||
|
|
Four mile mi used to walk guh school dem know man story
|
|||
|
|
Ha! Now mi gain up all those glory
|
|||
|
|
The world is mine, the whole a it mi taking slowly
|
|||
|
|
Happy days mi call it now mi bunn sad story
|
|||
|
|
Anyway mi deh inna the world mi dawgs dem round mi
|
|||
|
|
Hahaha mi laugh and collect those trophy
|
|||
|
|
Because mi deserve everything weh music gives mi
|
|||
|
|
Bwoy, unruly nuh light like frisby
|
|||
|
|
The dream, family live that wid me
|
|||
|
|
Oh, oh, oh, oh
|
|||
|
|
All my life mi dream fi own house, lands, cars and bikes
|
|||
|
|
|
|||
|
|
All my life
|
|||
|
|
I'm in the stakin' bar
|
|||
|
|
I got debts and I'm a debaser
|
|||
|
|
All my life
|
|||
|
|
Saturnz about to make love
|
|||
|
|
And I'm just a heartbreaker
|
|||
|
|
All my life
|
|||
|
|
And I won't get a take in
|
|||
|
|
'Cause I'm out when I'm stakin'
|
|||
|
|
And the rings I am breaking
|
|||
|
|
Are making you a personal debt
|
|||
|
|
|
|||
|
|
With the holograms beside me
|
|||
|
|
I'll dance alone tonight
|
|||
|
|
In a mirrored world, are you beside me
|
|||
|
|
All my life?
|
|||
|
|
Distortion
|
|||
|
|
|
|||
|
|
All my life
|
|||
|
|
I'm in the stakin' bar
|
|||
|
|
I got debts and I'm a debaser
|
|||
|
|
All my life
|
|||
|
|
Saturnz about to make love
|
|||
|
|
And I'm just a heartbreaker
|
|||
|
|
All my life
|
|||
|
|
And I won't get a take in
|
|||
|
|
'Cause I'm out when I'm stakin'
|
|||
|
|
And the rings I am breaking
|
|||
|
|
Are making you a personal debt"
|
|||
|
|
122,Saturnz Barz (Spirit House) ,"Haha, woii yoii!
|
|||
|
|
Done know how di ting go, a the Unruly boss
|
|||
|
|
Don'?
|
|||
|
|
Hahaha
|
|||
|
|
|
|||
|
|
(Press the button to begin)
|
|||
|
|
|
|||
|
|
Cho
|
|||
|
|
All my life
|
|||
|
|
Mi ever have mi gun so mi haffi move sharp like mi knife
|
|||
|
|
All my life
|
|||
|
|
Mi pray say when mi get wealthy a ma a mi wife
|
|||
|
|
All my life
|
|||
|
|
The system force mi
|
|||
|
|
Fi be a killer just like Rodney Price
|
|||
|
|
All my life
|
|||
|
|
No, all my life
|
|||
|
|
|
|||
|
|
Aa happen to you cobe, some bwoy doh know mi
|
|||
|
|
To how me ruff dem cah believe a grandma grow mi
|
|||
|
|
Know few Popcaan song doh, and feel dem know mi
|
|||
|
|
Four mile mi used to walk guh school dem know man story
|
|||
|
|
Ha! Now mi gain up all those glory
|
|||
|
|
The world is mine, the whole a it mi taking slowly
|
|||
|
|
Happy days mi call it now mi bunn sad story
|
|||
|
|
Anyway mi deh inna the world mi dawgs dem round mi
|
|||
|
|
Hahaha mi laugh and collect those trophy
|
|||
|
|
Because mi deserve everything weh music gives mi
|
|||
|
|
Bwoy, unruly nuh light like frisby
|
|||
|
|
The dream, family live that wid me
|
|||
|
|
Oh, oh, oh, oh
|
|||
|
|
All my life mi dream fi own house, lands, cars and bikes
|
|||
|
|
|
|||
|
|
All my life
|
|||
|
|
I'm in the stakin' bar
|
|||
|
|
I got debts and I'm a debaser
|
|||
|
|
All my life
|
|||
|
|
Saturnz about to make love
|
|||
|
|
And I'm just a heartbreaker
|
|||
|
|
All my life
|
|||
|
|
And I won't get a take in
|
|||
|
|
'Cause I'm out when I'm stakin'
|
|||
|
|
And the rings I am breaking
|
|||
|
|
Are making you a personal day
|
|||
|
|
|
|||
|
|
With the holograms beside me
|
|||
|
|
I'll dance alone tonight
|
|||
|
|
In a mirrored world, are you beside me
|
|||
|
|
All my life?
|
|||
|
|
Distortion
|
|||
|
|
|
|||
|
|
All my life
|
|||
|
|
I'm in the stakin' bar
|
|||
|
|
I got debts and I'm a debaser
|
|||
|
|
All my life
|
|||
|
|
Saturnz about to make love
|
|||
|
|
And I'm just a heartbreaker
|
|||
|
|
All my life
|
|||
|
|
And I won't get a take in
|
|||
|
|
'Cause I'm out when I'm stakin'
|
|||
|
|
And the rings I am breaking
|
|||
|
|
Are making you a personal day"
|
|||
|
|
123,Severed Head ft. Goldlink & Unknown Mortal Orchestra ,"[Intro: 2D]
|
|||
|
|
Severed head
|
|||
|
|
Severed head
|
|||
|
|
Severed head
|
|||
|
|
Severed head
|
|||
|
|
|
|||
|
|
[Verse 1: GoldLink & 2D]
|
|||
|
|
I've been losing everything, yeah
|
|||
|
|
I can't keep a fucking thing, yeah
|
|||
|
|
Do the money, do the fame
|
|||
|
|
It seems like that controls this thing
|
|||
|
|
Guess my head just left the building
|
|||
|
|
Like out the window, missed the ceiling
|
|||
|
|
I cannot explain this feeling
|
|||
|
|
I never learned to speak Brazilian
|
|||
|
|
Now I'm stuck, my body left me bleedin' (severed head)
|
|||
|
|
Roll the train, it's passing fast
|
|||
|
|
It's speeding outside
|
|||
|
|
My body gone, don't need the soul, ey
|
|||
|
|
Just take another breathe or so, ey
|
|||
|
|
Found on my torso
|
|||
|
|
I mean my neck go, but where did my heart go?
|
|||
|
|
I mean, my leg go, but where did my mind go?
|
|||
|
|
I guess I only gotta go where the body goes
|
|||
|
|
Geronimo (Stay a little longer)
|
|||
|
|
|
|||
|
|
[Verse 2: 2D]
|
|||
|
|
Paradise has mountains that take a lifetime
|
|||
|
|
To climb in dreams, I fly above them
|
|||
|
|
I'm haunted by what I saw last night
|
|||
|
|
On angelic highways, waiting in the darkness
|
|||
|
|
I'm on a speeding train (severed head)
|
|||
|
|
I stick my head out of the carriage window (severed head)
|
|||
|
|
My cheeks inflate, my eyes become watery (severed head)
|
|||
|
|
Whoosh, my head is severed (severed head)
|
|||
|
|
Will you stay a little longer?
|
|||
|
|
|
|||
|
|
[Verse 3: Ruban Nielson & 2D]
|
|||
|
|
Condensation makes pathways down a window pane (severed head)
|
|||
|
|
I don't really wanna watch you drive away
|
|||
|
|
What do you say?
|
|||
|
|
Maybe you could stay for another day
|
|||
|
|
Oh, baby, wait
|
|||
|
|
What exactly did the doctor say?
|
|||
|
|
I've been grinding teeth awake in bed
|
|||
|
|
And my aching head
|
|||
|
|
How could love suddenly be dead?
|
|||
|
|
We could swallow bread
|
|||
|
|
Our hunger is not easily fed
|
|||
|
|
I've been waiting for sleep to come
|
|||
|
|
I've been breathing through these aching lungs
|
|||
|
|
I keep waking up
|
|||
|
|
This is worse than ever breaking up
|
|||
|
|
If your time is up
|
|||
|
|
How much more before mine is up?
|
|||
|
|
|
|||
|
|
[Outro: GoldLink & 2D]
|
|||
|
|
Yeah, uh (severed head)
|
|||
|
|
The roundabout, the vibe is nice
|
|||
|
|
We all will die
|
|||
|
|
Yeah, I mean the roundabout (severed head)
|
|||
|
|
Our life is nice, we all gon' die, right?
|
|||
|
|
Oh, the roundabout, the vibe is nice (severed head)
|
|||
|
|
We all will die, yeah
|
|||
|
|
I mean the whole roundabout (severed head)
|
|||
|
|
My life is nice, we all gon' die, yeah
|
|||
|
|
Severed head
|
|||
|
|
Severed head"
|
|||
|
|
124,Sex Murder Party (feat. Zebra Katz & Jamie Principle) ,"[Intro: Zebra Kats & Jamie Principle]
|
|||
|
|
Yeah, see, we gone
|
|||
|
|
Sex murder
|
|||
|
|
Sex murder party
|
|||
|
|
Sex murder party
|
|||
|
|
Sex murder party
|
|||
|
|
Sex murder party
|
|||
|
|
Sex murder party
|
|||
|
|
Sex murder party
|
|||
|
|
Murder, murder, murder, murder
|
|||
|
|
Murder, murder, murder, murder
|
|||
|
|
Murder, murder, murder, murder
|
|||
|
|
Murder, murder, murder, murder
|
|||
|
|
Murder, murder, murder, murder
|
|||
|
|
|
|||
|
|
[Hook: 2D]
|
|||
|
|
I drove the keys
|
|||
|
|
I drove the keys
|
|||
|
|
Into tears of your priority
|
|||
|
|
Dissolve the keys
|
|||
|
|
Dissolve the keys
|
|||
|
|
In the tears of your priority
|
|||
|
|
|
|||
|
|
[Verse 1: Jamie Principle]
|
|||
|
|
I'm caught up in this
|
|||
|
|
I'm caught up in this murder
|
|||
|
|
I'm trying to get away, but
|
|||
|
|
I'm trapped in this phase
|
|||
|
|
I'm caught up in this masquerade
|
|||
|
|
|
|||
|
|
[Chorus: 2D]
|
|||
|
|
I drove the keys
|
|||
|
|
I drove the keys
|
|||
|
|
Into tears of your priority
|
|||
|
|
Dissolve the keys
|
|||
|
|
Dissolve the keys
|
|||
|
|
In the tears of your priority
|
|||
|
|
|
|||
|
|
[Verse 2: Zebra Katz]
|
|||
|
|
You always said
|
|||
|
|
I was out of control
|
|||
|
|
Teach me hatred
|
|||
|
|
Then let me go
|
|||
|
|
You didn't care, no truth and no dare
|
|||
|
|
In the bathroom, blow everywhere
|
|||
|
|
Now you're so high, kiss all the guys
|
|||
|
|
Making me jealous, I wonder why
|
|||
|
|
|
|||
|
|
[Chorus: 2-D]
|
|||
|
|
I drove the keys
|
|||
|
|
I drove the keys
|
|||
|
|
Into tears of your priority
|
|||
|
|
Dissolve the keys
|
|||
|
|
Dissolve the keys
|
|||
|
|
In the tears of your priority
|
|||
|
|
|
|||
|
|
[Outro: Zebra Kats & Jamie Principle w/ 2-D harmonizing]
|
|||
|
|
Sex murder
|
|||
|
|
Sex murder party
|
|||
|
|
Sex murder party
|
|||
|
|
Sex murder party
|
|||
|
|
Sex murder party
|
|||
|
|
Sex murder party
|
|||
|
|
Sex murder party
|
|||
|
|
Sex murder party
|
|||
|
|
Murder, murder, murder, murder
|
|||
|
|
Murder, murder, murder, murder
|
|||
|
|
Murder, murder, murder, murder
|
|||
|
|
Murder, murder, murder, murder"
|
|||
|
|
125,She's My Collar (feat. Kali Uchis) ,"[Verse 1: 2-D]
|
|||
|
|
If I could take her down and run, then I'd call her
|
|||
|
|
'Cause she's standing drama, she knows I'll call her
|
|||
|
|
She's getting on the sun and then she order
|
|||
|
|
Imagine me, imagine me now (she's my collar)
|
|||
|
|
I don't take her number, just don't think I'd call her
|
|||
|
|
I take her down to somewhere drab and naughty
|
|||
|
|
Clear my system, I don't need no other
|
|||
|
|
This is my persona, secret lover (she's my collar)
|
|||
|
|
Nothing to be justified in
|
|||
|
|
Just something, you should feel nada
|
|||
|
|
I know she lies alone, she's my caller
|
|||
|
|
I sense her in my mind, she's my collar
|
|||
|
|
|
|||
|
|
[Verse 2: 2-D]
|
|||
|
|
She's the serpentine, she's my collar
|
|||
|
|
I send a message, never call her
|
|||
|
|
And now I wanna taste another
|
|||
|
|
And it's safe in a persona, she's my collar
|
|||
|
|
Nothing to be justified yet
|
|||
|
|
She's the first I'm running with
|
|||
|
|
She's the one that gets my collar
|
|||
|
|
She's the one I'm running with
|
|||
|
|
|
|||
|
|
[Hook: 2-D]
|
|||
|
|
She's the one I'm running with
|
|||
|
|
She's the one I'm running with
|
|||
|
|
She's the one I'm running with
|
|||
|
|
She's my collar
|
|||
|
|
|
|||
|
|
[Verse 3: Kali Uchis]
|
|||
|
|
I'm yellow, he was blue
|
|||
|
|
It's nothing that he could hide
|
|||
|
|
We made a green meadow
|
|||
|
|
Whenever we would collide
|
|||
|
|
I died a thousand times
|
|||
|
|
I did what I had to do
|
|||
|
|
Hey, that's just how it goes
|
|||
|
|
I'm still coming back to you
|
|||
|
|
|
|||
|
|
[Verse 1: 2-D + (Kali Uchis)]
|
|||
|
|
If I could take her down and run, then I'd call her
|
|||
|
|
(You, you, you)
|
|||
|
|
'Cause she's standing drama, she knows I'll call her
|
|||
|
|
(You, you, you, you)
|
|||
|
|
She's getting on the sun and then she order
|
|||
|
|
Imagine me, imagine me now (she's my collar)
|
|||
|
|
I don't take her number just don't think I'd call her
|
|||
|
|
(You, you, you)
|
|||
|
|
I take her down to somewhere drab and naughty
|
|||
|
|
(You, you, you, you)
|
|||
|
|
I clear my system, I don't need no other
|
|||
|
|
(You, you, you)
|
|||
|
|
This is my persona, secret lover (she's my collar)
|
|||
|
|
|
|||
|
|
[Hook: 2-D]
|
|||
|
|
She's the one I'm running with
|
|||
|
|
She's the one I'm running with
|
|||
|
|
She's the one I'm running with
|
|||
|
|
She's my collar
|
|||
|
|
Oh
|
|||
|
|
She's my collar"
|
|||
|
|
126,Shy,"The pride needs to cool little rain didn't do it
|
|||
|
|
Never got it back from you
|
|||
|
|
Driveway
|
|||
|
|
You can bring a fool remember
|
|||
|
|
You can ride away
|
|||
|
|
Never gonna get back there
|
|||
|
|
|
|||
|
|
There's red light in the moonlight baby
|
|||
|
|
That's all, I'm moving on from you
|
|||
|
|
You can try to leave me or doubt me
|
|||
|
|
Oh I'm the coolest still, right now
|
|||
|
|
|
|||
|
|
I'd never say goodbye little baby
|
|||
|
|
Never again"
|
|||
|
|
127,Silent running ,"[Verse 1: 2-D]
|
|||
|
|
Stop, 'cause you're killing me
|
|||
|
|
You brought me back and made me feel free
|
|||
|
|
Rowdy waves and your energy
|
|||
|
|
You pulled me fragile from the wreckage
|
|||
|
|
Well, I got so lost here
|
|||
|
|
Machine assisted, I disappear
|
|||
|
|
To a dream, you don't wanna hear
|
|||
|
|
How I got caught up in nowhere again (oh)
|
|||
|
|
Oh
|
|||
|
|
[Pre-Chorus: 2-D]
|
|||
|
|
It feels like I've been silent running (silent running)
|
|||
|
|
Through the infinite pages, I've scrolled out
|
|||
|
|
Searching for a new world
|
|||
|
|
Waits on the sunrise
|
|||
|
|
|
|||
|
|
[Chorus: 2-D & Adeleye Omotayo]
|
|||
|
|
I'm silent running
|
|||
|
|
Run, run, running (Oh, oh oh), run, run, running
|
|||
|
|
Run, run, running, run, run, running (I'll be, oh)
|
|||
|
|
Run, run, running, run, run, running (Back to you, Back to you)
|
|||
|
|
I'm silent running (Oh, oh, oh)
|
|||
|
|
Run, run, running, run, run, running
|
|||
|
|
Run, run, running, run, run, running (Oh, oh, oh)
|
|||
|
|
|
|||
|
|
[Verse 2: 2-D & Adeleye Omotayo]
|
|||
|
|
Stop, or you'll make me cry (make me cry)
|
|||
|
|
I think it's time that I decide (I decide)
|
|||
|
|
What I've done when I trip and fly (trip and fly)
|
|||
|
|
The wave is taking me (taking me)
|
|||
|
|
There's no way out of here (no way out)
|
|||
|
|
In the labyrinth I disappear (no one here)
|
|||
|
|
To the dark fleet that got me here (underground)
|
|||
|
|
I got caught up in no where again
|
|||
|
|
|
|||
|
|
[Pre-Chorus: 2-D & Adeleye Omotayo]
|
|||
|
|
It feels like I've been silent running (silent)
|
|||
|
|
Through the infinite pages, I scroll out
|
|||
|
|
Searching for a new world (trip and fly)
|
|||
|
|
Waits on the sunrise
|
|||
|
|
I'm silent running
|
|||
|
|
|
|||
|
|
[Bridge: 2-D & Adeleye Omotayo]
|
|||
|
|
Here we go
|
|||
|
|
Searching for gold
|
|||
|
|
You make me feel so alive (I'll never be)
|
|||
|
|
Demons here (I'll never see)
|
|||
|
|
That I had (I'll never sigh)
|
|||
|
|
Truth be told (too far to sigh)
|
|||
|
|
|
|||
|
|
[Chorus: 2-D & Adeleye Omotayo]
|
|||
|
|
I'm silent running
|
|||
|
|
(No way out)
|
|||
|
|
(I'll be) back to you, back to you
|
|||
|
|
I'm silent running
|
|||
|
|
Run, run, running (ohh-oh-oh), run, run, running
|
|||
|
|
Run, run, running (back to you), run, run, running
|
|||
|
|
Run, run, running (back to you), run, run, running (back to you)
|
|||
|
|
Run, run, running, run, running
|
|||
|
|
|
|||
|
|
[Outro: Adeleye Omotayo & 2-D]
|
|||
|
|
Make me cry (memories and triumph)
|
|||
|
|
I decide (this is the season of madness)
|
|||
|
|
Trip and fly (trip and fly), taken
|
|||
|
|
Ooh-ooh-ooh-ohh
|
|||
|
|
Ooh-oh-ooh"
|
|||
|
|
128,Simplicity ft. Joan As Police Woman ,"[Intro: Joan As Police Woman]
|
|||
|
|
It's starting to pour
|
|||
|
|
Why don't we get out and then dance on the pavement?
|
|||
|
|
Abandon your wars
|
|||
|
|
The sky and thunder and lightning and rain are innocent
|
|||
|
|
It's tipping down, I can't see
|
|||
|
|
But I'm not really caring 'cause I'm dancing on the pavement
|
|||
|
|
Oh say, can you see?
|
|||
|
|
The sky and thunder and lightning and heavens open for us
|
|||
|
|
|
|||
|
|
[Chorus: 2D]
|
|||
|
|
Shut in, don't know, no no, to be shut in
|
|||
|
|
Don't know, not meant, to be shut in
|
|||
|
|
Don't know, camera, sinking, now, come, you're alive, oh
|
|||
|
|
It's taking me out (Simplicity)
|
|||
|
|
|
|||
|
|
[Verse: 2D]
|
|||
|
|
Night time and I go smooth some off
|
|||
|
|
(Little bit of news)
|
|||
|
|
Negative, now it's red and I
|
|||
|
|
Chime in strong
|
|||
|
|
(Little bit of news)
|
|||
|
|
Are you ever really lost?
|
|||
|
|
You cutting cardboard
|
|||
|
|
Watchers waiting, we had names
|
|||
|
|
We had suspects, but a boxset caught your eye
|
|||
|
|
And I was forgotten, I was forgotten
|
|||
|
|
I am the architect of this delusion
|
|||
|
|
The burgeoning load, one billion
|
|||
|
|
These are amazing times
|
|||
|
|
The past is a place where rockets take off
|
|||
|
|
What now, a burnished plaque
|
|||
|
|
[Chorus: 2D]
|
|||
|
|
Shut in, don't know, no no, to be shut in
|
|||
|
|
Don't know, not meant, to be shut in
|
|||
|
|
Don't know, camera, sinking, now, come, you're a loss
|
|||
|
|
|
|||
|
|
[Outro: 2D, Joan As Police Woman]
|
|||
|
|
Simplicity
|
|||
|
|
Wood pigeon, always you
|
|||
|
|
(Save her, save her, save ooh)
|
|||
|
|
Ingloriously
|
|||
|
|
(Save save saving me, oh)
|
|||
|
|
I always hear you, mmm
|
|||
|
|
(Me, oh)
|
|||
|
|
Simplicity
|
|||
|
|
(Save, save, ooh, oh)
|
|||
|
|
Simplicity
|
|||
|
|
(Ooh)
|
|||
|
|
Simplicity
|
|||
|
|
(The sky it could make it rain instead)
|
|||
|
|
Simplicity"
|
|||
|
|
129,Skinny Ape ,"To the pole And he's tried to let it go
|
|||
|
|
But nobody knows what they're fooling with here
|
|||
|
|
|
|||
|
|
There will be time and there will be a sign
|
|||
|
|
(Hey!)
|
|||
|
|
When all the kids who have cancelled time will
|
|||
|
|
(Hey!)
|
|||
|
|
Take my hands and pull me up again
|
|||
|
|
(Hey!)
|
|||
|
|
Cheer me up and help me walk again
|
|||
|
|
|
|||
|
|
To the pole And he's tried to let it go
|
|||
|
|
But nobody knows what they're fooling with here
|
|||
|
|
(Hey!)
|
|||
|
|
|
|||
|
|
I got bones, I got jaded legs
|
|||
|
|
(Hey!)
|
|||
|
|
Not the type that can win a race
|
|||
|
|
(Hey!)
|
|||
|
|
Live plastic on a vacant lot
|
|||
|
|
(Hey!)
|
|||
|
|
Left behind staring at a robot
|
|||
|
|
|
|||
|
|
Don't be sad for me
|
|||
|
|
(Hey!)
|
|||
|
|
I'm a cartoon G
|
|||
|
|
(Hey!)
|
|||
|
|
And my intent is to breathe
|
|||
|
|
In a new world
|
|||
|
|
Don't be sad for me
|
|||
|
|
|
|||
|
|
(Hey!)
|
|||
|
|
(Hey!)
|
|||
|
|
|
|||
|
|
I can balance on the highest tree
|
|||
|
|
(Hey!)
|
|||
|
|
You can only see outlines of me
|
|||
|
|
(Hey!)
|
|||
|
|
I can disappear,Lighten your day
|
|||
|
|
Imitate and say
|
|||
|
|
I'm a skinny little ape
|
|||
|
|
|
|||
|
|
Don't be sad for me (I'm a skinny little ape)
|
|||
|
|
(Hey!)
|
|||
|
|
I'm a cartoon G
|
|||
|
|
(Hey!)
|
|||
|
|
And my intent is to breathe (Hey!) in a new world
|
|||
|
|
Don't be sad for me
|
|||
|
|
|
|||
|
|
Don't be sad for me
|
|||
|
|
(Hey!)
|
|||
|
|
I'm a cartoon G
|
|||
|
|
(Hey!)
|
|||
|
|
And my intent is to breathe(Hey!) in a new world
|
|||
|
|
Don't be sad for me
|
|||
|
|
|
|||
|
|
I'm a Skinny little, skinny little, skinny little, skinny little ape ape ape ape
|
|||
|
|
I'm a Skinny little, skinny little, skinny little, skinny little ape ape ape ape
|
|||
|
|
I'm a Skinny little, skinny little, skinny little, skinny little ape ape ape ape
|
|||
|
|
I'm a Skinny little, skinny little, skinny little, skinny little ape ape ape ape
|
|||
|
|
Ape ape ape ape ape ape ape ape ape ape ape ape ape ape ape ape
|
|||
|
|
Ape ape ape ape ape ape ape ape ape ape ape ape ape ape ape ape
|
|||
|
|
Ape ape ape ape ape ape ape ape ape ape ape ape ape ape ape ape
|
|||
|
|
I'm a Skinny little, skinny little, skinny little, skinny little ape ape ape ape
|
|||
|
|
I'm a Skinny little, skinny little, skinny little, skinny little ape ape ape ape
|
|||
|
|
I'm a Skinny little, skinny little, skinny little, skinny little ape ape ape ape
|
|||
|
|
I'm a Skinny little, skinny little, skinny little, skinny little ape ape ape ape
|
|||
|
|
But nobody knows what they're fooling with...
|
|||
|
|
Don't be sad for me"
|
|||
|
|
130,Sleeping Powder ,"[Intro]
|
|||
|
|
Okay, last time
|
|||
|
|
This is drugs
|
|||
|
|
This is your brain on drugs
|
|||
|
|
Any questions?
|
|||
|
|
|
|||
|
|
[Chorus]
|
|||
|
|
I was gone with the self of the day, gone
|
|||
|
|
With the self of the day, gone
|
|||
|
|
With the self of the day, gone
|
|||
|
|
Gone, gone, gone
|
|||
|
|
I was gone
|
|||
|
|
|
|||
|
|
[Verse 1]
|
|||
|
|
I'm back, where are we goin'?
|
|||
|
|
Seem to get tired of the mornin' dawn
|
|||
|
|
With a bass sittin' on my head
|
|||
|
|
I'm missin' all that I used to know, then
|
|||
|
|
I get the kids to school, and I get
|
|||
|
|
Up(x3) on with certain dread
|
|||
|
|
And when I see the kissing down below
|
|||
|
|
Easy life, I get right
|
|||
|
|
|
|||
|
|
[Chorus]
|
|||
|
|
I was gone with the self of the day, gone
|
|||
|
|
With the self of the day, gone
|
|||
|
|
With the self of the day, gone
|
|||
|
|
I was broken(x4)
|
|||
|
|
Gone, gone, gone
|
|||
|
|
I was gone
|
|||
|
|
|
|||
|
|
[Verse 2]
|
|||
|
|
I get dropped from where I belong
|
|||
|
|
I take my pills and I get in the mood and I
|
|||
|
|
Take five to get it to load in
|
|||
|
|
Even in the place
|
|||
|
|
And I get my jeans on right
|
|||
|
|
And sit in the rows and
|
|||
|
|
Inside I live in a cage and I
|
|||
|
|
Peek out and summon the code and I
|
|||
|
|
Enter the lake to face what I'm cagin'
|
|||
|
|
|
|||
|
|
[Chorus]
|
|||
|
|
Gone with the self of the day, gone
|
|||
|
|
With the self of the day, gone
|
|||
|
|
With the self of the day, gone
|
|||
|
|
I was broken(x4)
|
|||
|
|
|
|||
|
|
[Bridge]
|
|||
|
|
She gave me sleeping powder
|
|||
|
|
I was gone
|
|||
|
|
Gone, gone, gone
|
|||
|
|
Ahh!
|
|||
|
|
|
|||
|
|
[Chorus]
|
|||
|
|
I was gone with the self of the day, gone
|
|||
|
|
With the self of the day, gone
|
|||
|
|
With the self of the day, gone
|
|||
|
|
Gone, gone, gone, gone
|
|||
|
|
I was gone"
|
|||
|
|
131,Slow country ,"City life
|
|||
|
|
Calling me all the time
|
|||
|
|
Me and my soul
|
|||
|
|
Geared to attack
|
|||
|
|
Never get another chance
|
|||
|
|
So what you doing
|
|||
|
|
Gotta get money
|
|||
|
|
Keeping me real
|
|||
|
|
|
|||
|
|
Can't stand your loneliness
|
|||
|
|
Can't stand loneliness
|
|||
|
|
Can't stand your loneliness
|
|||
|
|
Can't stand loneliness
|
|||
|
|
|
|||
|
|
Shit night life
|
|||
|
|
Been trying not to laugh though
|
|||
|
|
You won't get money
|
|||
|
|
From doing what you loving
|
|||
|
|
I'm moving out of city
|
|||
|
|
Victor of a second chance
|
|||
|
|
Get a lot of problems
|
|||
|
|
We kicked a lot of them
|
|||
|
|
|
|||
|
|
Can't stand your loneliness
|
|||
|
|
Can't stand loneliness
|
|||
|
|
Can't stand your loneliness
|
|||
|
|
Can't stand…"
|
|||
|
|
132,Snake in the Dallas ,Hush Hush!
|
|||
|
|
133,Some Kind Of Nature ,"Some kind of nature
|
|||
|
|
Some kind of soul
|
|||
|
|
Some kind of mixture
|
|||
|
|
Some kind of gold
|
|||
|
|
Some kind of majesty
|
|||
|
|
Some chemical load
|
|||
|
|
|
|||
|
|
Some kind of metal made up from glue
|
|||
|
|
Some kind of plastic I could wrap around you
|
|||
|
|
They need the eat, and they-they wear phony clothes
|
|||
|
|
|
|||
|
|
Some kind of nature
|
|||
|
|
Some kind of soul
|
|||
|
|
Some kind of mixture
|
|||
|
|
Some kind of gold
|
|||
|
|
Some kind of majesty
|
|||
|
|
Some chemical load
|
|||
|
|
|
|||
|
|
Well near thy plastics
|
|||
|
|
And digital foils
|
|||
|
|
Could wrap up the sun
|
|||
|
|
And protect the girls
|
|||
|
|
From the spiritual poisons
|
|||
|
|
You spill at night
|
|||
|
|
Like phony clothes, but
|
|||
|
|
I really like my-
|
|||
|
|
|
|||
|
|
Some kind of nature (some kind of nature, some kind of soul)
|
|||
|
|
Comes from one within us
|
|||
|
|
Oh, Lord, forgive me (some kind of mixture, some kind of gold)
|
|||
|
|
It's got to come and find us
|
|||
|
|
All we are is dust
|
|||
|
|
|
|||
|
|
Some kind of metal made up from glue
|
|||
|
|
Some kind of plastic I could wrap around you
|
|||
|
|
They need the eat, and they-they wear phony clothes
|
|||
|
|
|
|||
|
|
Some kind of nature (some kind of nature, some kind of soul)
|
|||
|
|
Comes from one within us
|
|||
|
|
Oh, Lord, forgive me (some kind of mixture, some kind of gold)
|
|||
|
|
It's got to come and find us
|
|||
|
|
All we are is dust"
|
|||
|
|
134,Sorcererz ,"Hey
|
|||
|
|
What is this droning, I hear it, there
|
|||
|
|
Over on me
|
|||
|
|
|
|||
|
|
Everybody cool down
|
|||
|
|
Everybody see yourself
|
|||
|
|
Everybody on time
|
|||
|
|
On time
|
|||
|
|
Everybody hold on
|
|||
|
|
Everybody hold on to your inner visions
|
|||
|
|
|
|||
|
|
Hey
|
|||
|
|
What is this droning, I hear it, there?
|
|||
|
|
Over on me
|
|||
|
|
|
|||
|
|
Everybody cool down
|
|||
|
|
Everybody see yourself
|
|||
|
|
Everybody on time
|
|||
|
|
On time
|
|||
|
|
Everybody minding
|
|||
|
|
Everybody minding their own inner visions
|
|||
|
|
|
|||
|
|
Everybody lie down
|
|||
|
|
Everybody cool down
|
|||
|
|
Everybody on time
|
|||
|
|
On time
|
|||
|
|
Everybody hold on
|
|||
|
|
Everybody hold on to your inner visions
|
|||
|
|
|
|||
|
|
Hold on
|
|||
|
|
Hold on to hope, yeah
|
|||
|
|
|
|||
|
|
The (inner vision)
|
|||
|
|
(Inner vision)
|
|||
|
|
(Inner vision)
|
|||
|
|
Everybody (inner vision)
|
|||
|
|
(Inner vision)
|
|||
|
|
(Inner vision)
|
|||
|
|
The (inner vision)
|
|||
|
|
(Inner vision)
|
|||
|
|
(Inner vision)
|
|||
|
|
Everybody (inner vision)
|
|||
|
|
(Inner vision)
|
|||
|
|
(Inner vision)
|
|||
|
|
Everybody (inner vision)"
|
|||
|
|
135,Souk Eye ,"Souk Eye
|
|||
|
|
Gorillaz
|
|||
|
|
Produced by James Ford, Remi Kabaka & Gorillaz
|
|||
|
|
Album The Now Now
|
|||
|
|
|
|||
|
|
[Verse 1: 2-D]
|
|||
|
|
Anyway is so complicated for me, twilight
|
|||
|
|
Waiting on the planet to turn to me, dark side
|
|||
|
|
If loving you's a felony now, then I'm a renegade, riding
|
|||
|
|
Trying to find tomorrow ain't easy 'til you dive in
|
|||
|
|
|
|||
|
|
(Swimming pools)
|
|||
|
|
|
|||
|
|
[Verse 2: 2-D]
|
|||
|
|
Why you rolling waves over me now, that's all I need, dreaming
|
|||
|
|
Waiting on a lady, come find me, be forgiven
|
|||
|
|
I'll be a regular guy for you, I never said I'd do that
|
|||
|
|
Why you looking so beautiful to me now when you so sad?
|
|||
|
|
|
|||
|
|
[Chorus]
|
|||
|
|
I will always think about you
|
|||
|
|
That's why I'm calling you back on my way through
|
|||
|
|
|
|||
|
|
[Verse 3: 2-D]
|
|||
|
|
I wanna stay with you for a long time, I want to be stone love
|
|||
|
|
I wanna see LA in your eyes when I'm leaving with your love
|
|||
|
|
|
|||
|
|
[Chorus]
|
|||
|
|
I will always think about you
|
|||
|
|
That's why I'm calling you back, 'cause I got to run soon
|
|||
|
|
|
|||
|
|
[Outro]
|
|||
|
|
I will always think about you
|
|||
|
|
That's why I'm calling you back on my way through"
|
|||
|
|
136,Sound check ,"Gravity on me never let me down gently
|
|||
|
|
Gravity with me never let me go no no
|
|||
|
|
Gravity
|
|||
|
|
|
|||
|
|
I don't pull me down
|
|||
|
|
I don't pull me down on me
|
|||
|
|
I don't pull me down
|
|||
|
|
I don't pull me down on you
|
|||
|
|
|
|||
|
|
I don't pull me down
|
|||
|
|
I don't pull me down on me
|
|||
|
|
I don't pull me down
|
|||
|
|
I don't pull me down on you
|
|||
|
|
|
|||
|
|
Gravity on me never let me down gently
|
|||
|
|
Gravity with me never let me go no no
|
|||
|
|
Gravity
|
|||
|
|
|
|||
|
|
I don't pull me down
|
|||
|
|
I don't pull me down on me
|
|||
|
|
I don't pull me down
|
|||
|
|
I don't pull me down on you
|
|||
|
|
|
|||
|
|
I don't pull me down
|
|||
|
|
I don't pull me down on me
|
|||
|
|
I don't pull me down
|
|||
|
|
I don't pull me down on you"
|
|||
|
|
137,Spitting out the Demons ,"Spitting out the demons (demons)
|
|||
|
|
Popping out of holes (good times)
|
|||
|
|
Spitting out the demons (demons)
|
|||
|
|
Coming in the good times (good times do we have)
|
|||
|
|
Spitting out the demons (demons)
|
|||
|
|
Falling out of aeroplanes (good times)
|
|||
|
|
|
|||
|
|
Spitting out the demons (demons)
|
|||
|
|
Come on, it won't hurt (good times)
|
|||
|
|
Come on, it won't hurt (good times)
|
|||
|
|
Come on, it won't hurt (good times)
|
|||
|
|
Come on, it won't hurt (good times)
|
|||
|
|
Come on, it won't hurt (good times)
|
|||
|
|
|
|||
|
|
(Good times)
|
|||
|
|
(Good times)
|
|||
|
|
(Good times)
|
|||
|
|
"
|
|||
|
|
138,Starshine ,"Starshine never gonna find me
|
|||
|
|
Starshine, they ain't gonna find me
|
|||
|
|
Starshine, never gonna find me
|
|||
|
|
Starshine, never gonna find me
|
|||
|
|
|
|||
|
|
Stand easy with myself, with myself
|
|||
|
|
Jumping up, I'm low, low, low, low
|
|||
|
|
Show me down
|
|||
|
|
|
|||
|
|
Starshine never gonna find me
|
|||
|
|
Starshine, they ain't gonna find me
|
|||
|
|
Starshine never gonna find me
|
|||
|
|
Starshine, never gonna find me"
|
|||
|
|
139,Stop the Dams ,"When you're smoking tinfoil in the morning
|
|||
|
|
It's gonna be a cold day
|
|||
|
|
When you're keeping everything inside you
|
|||
|
|
It can only hurt you
|
|||
|
|
|
|||
|
|
Unrelated sounds
|
|||
|
|
The sun will shine again
|
|||
|
|
You hold it in your hands
|
|||
|
|
|
|||
|
|
This young land is a young land let it stay that way
|
|||
|
|
Its pollution only turns you into something you don't want To see in the water
|
|||
|
|
A reflection of them that you receive
|
|||
|
|
|
|||
|
|
You don't own the sun
|
|||
|
|
And the sun won't shine again
|
|||
|
|
So maybe you're all in love
|
|||
|
|
With Aluminium
|
|||
|
|
|
|||
|
|
The cling and a clang
|
|||
|
|
Is the metal in my head when I walk
|
|||
|
|
I hear a sort of, this tinging noise
|
|||
|
|
Cling clang
|
|||
|
|
The cling clang
|
|||
|
|
So many things happen while walking
|
|||
|
|
The metal in my head clangs and clings as I walk
|
|||
|
|
Freaks my balance out
|
|||
|
|
So the natural thought
|
|||
|
|
Is just clogged up
|
|||
|
|
Totally clogged up
|
|||
|
|
So we need to unplug these dams
|
|||
|
|
And make the the natural flow
|
|||
|
|
It sort of freaks me out
|
|||
|
|
We need to unplug the dams
|
|||
|
|
You cannot stop the natural flow of thought
|
|||
|
|
With a cling and a clang
|
|||
|
|
|
|||
|
|
And wake me up again until
|
|||
|
|
We're Aluminium
|
|||
|
|
You hold it in your hands
|
|||
|
|
The sun will shine again
|
|||
|
|
The sun will shine again
|
|||
|
|
The sun will shine again
|
|||
|
|
The sun will shine again
|
|||
|
|
The sun will shine again
|
|||
|
|
The sun will shine again"
|
|||
|
|
140,Strange Timez ft. Robert Smith ,"[Robert Smith]
|
|||
|
|
Spinnin' around the world at night
|
|||
|
|
Spin around in black and white
|
|||
|
|
Spinnin' around until the Sun comes up
|
|||
|
|
Strange time to see the light
|
|||
|
|
|
|||
|
|
[2D]
|
|||
|
|
I think I've fallen onto silken thread, my head is spinning
|
|||
|
|
Suspended in a twilight web that keeps on giving
|
|||
|
|
The looping dervish in the lodge is lost within the ringing
|
|||
|
|
Far away I can hear the sound of someone out there singin'
|
|||
|
|
I'm speeding through the forest, strange echoes of Belarus
|
|||
|
|
where presidents pin badges on disconnected youth
|
|||
|
|
What would you be dreaming of?
|
|||
|
|
No horse play, no diving
|
|||
|
|
Cutting grass with scissors, whilst the great leaders reclining
|
|||
|
|
In golden hallways where we spin
|
|||
|
|
The faithful will be silent
|
|||
|
|
|
|||
|
|
[2D]
|
|||
|
|
Existing or not?
|
|||
|
|
At the same time, spinning
|
|||
|
|
|
|||
|
|
[Robert Smith & (2D)]
|
|||
|
|
Spinnin' around the world at night (Strange times)
|
|||
|
|
Spin in and out of sight
|
|||
|
|
Spinnin' around until the Sun comes up (I helped you feel good)
|
|||
|
|
Strange time to turn it on
|
|||
|
|
|
|||
|
|
[Robert Smith]
|
|||
|
|
Spinning around the world at night
|
|||
|
|
Spin around in black and white
|
|||
|
|
Spinning around until the Sun comes up
|
|||
|
|
Strange time to see the light
|
|||
|
|
|
|||
|
|
[2D]
|
|||
|
|
Bottled water world, surgical glove world, beach washing world
|
|||
|
|
I'm twitching in the grimy heat, I think I might be spinning
|
|||
|
|
The unicorn degrading
|
|||
|
|
No horse play, no diving
|
|||
|
|
Cuttin' grass with scissors, whilst the great leaders-
|
|||
|
|
|
|||
|
|
[Robert Smith]
|
|||
|
|
Spinnin' around until the Sun comes up
|
|||
|
|
Strange time to turn it on
|
|||
|
|
|
|||
|
|
[Robert Smith]
|
|||
|
|
Spinnin' around the world at night
|
|||
|
|
Spin around in black and white
|
|||
|
|
Spinnin' around until the Sun comes up
|
|||
|
|
Strange time to see the light
|
|||
|
|
|
|||
|
|
[Robert Smith & (2D)]
|
|||
|
|
Strange time (strange time) to be alive
|
|||
|
|
Strange time (strange time) to be alive"
|
|||
|
|
141,Strobelite (feat. Peven Everett) ,"[Verse 1: Peven Everett]
|
|||
|
|
Momentary pain
|
|||
|
|
Can be pleasure lane
|
|||
|
|
Millisecond change
|
|||
|
|
Magic lantern strings
|
|||
|
|
Are we just too far, to be as one again?
|
|||
|
|
Are we obsidian?
|
|||
|
|
Is this how it is?
|
|||
|
|
Girl, your life will turn
|
|||
|
|
Just like a strobe
|
|||
|
|
Because you're daddy's payin'
|
|||
|
|
And your mother won't
|
|||
|
|
And your heart engages into heartless throes
|
|||
|
|
Are we obsidian?
|
|||
|
|
Is it how it goes?
|
|||
|
|
|
|||
|
|
[Chorus: Choir + Peven Everett]
|
|||
|
|
When your private life is dreamin'
|
|||
|
|
You livin' the strobe light
|
|||
|
|
And you will find the life you needed
|
|||
|
|
You livin' the strobe light
|
|||
|
|
|
|||
|
|
|
|||
|
|
[Verse 2: Peven Everett]
|
|||
|
|
Slide the light off you
|
|||
|
|
You may find some peace
|
|||
|
|
All will come to you
|
|||
|
|
If you come with me
|
|||
|
|
Are we just too far to be as one again?
|
|||
|
|
Are we obsidian?
|
|||
|
|
Is this how it ends?
|
|||
|
|
(Yeah!)
|
|||
|
|
|
|||
|
|
[Chorus: Choir + Peven Everett]
|
|||
|
|
When you're private life is dreamin'
|
|||
|
|
You livin' the strobe light
|
|||
|
|
And you will find the life you needed
|
|||
|
|
You livin' the strobe light
|
|||
|
|
|
|||
|
|
[Peven Everett]
|
|||
|
|
Oh yeah!
|
|||
|
|
|
|||
|
|
[Chorus: Choir + Peven Everett]
|
|||
|
|
When your private life is dreamin'
|
|||
|
|
You livin' the strobe light
|
|||
|
|
And you will find the life you needed
|
|||
|
|
You livin' the strobe light
|
|||
|
|
|
|||
|
|
When your private life is dreamin'
|
|||
|
|
You livin' the strobe light
|
|||
|
|
And you will find the life you needed
|
|||
|
|
You livin' the strobe light
|
|||
|
|
|
|||
|
|
[Outro: Choir + Peven Everett]
|
|||
|
|
And when you got it
|
|||
|
|
And then you dreamin' deep in the night
|
|||
|
|
You've got to find it, you know you need it
|
|||
|
|
You livin' the strobe light"
|
|||
|
|
142,Stylo ,"Love, electricity, shock wave central
|
|||
|
|
Power on the motherboard, yes
|
|||
|
|
Push up, overload, legendary heavy glow
|
|||
|
|
Sunshine, thunder roll, keep this all together
|
|||
|
|
|
|||
|
|
Lantern burn, burn that easy
|
|||
|
|
And broadcast, so raw and neatly
|
|||
|
|
Thunder roll, sunshine, work it out
|
|||
|
|
|
|||
|
|
Overload, overload, overload
|
|||
|
|
Coming up to the
|
|||
|
|
Overload, overload, overload
|
|||
|
|
Coming up to the
|
|||
|
|
|
|||
|
|
Overload, overload, overload
|
|||
|
|
Coming up to the
|
|||
|
|
Overload, overload, overload
|
|||
|
|
Coming up to the
|
|||
|
|
|
|||
|
|
Oh stylo (juice)
|
|||
|
|
Go forth, blossom in your soul
|
|||
|
|
When you know your heart is light
|
|||
|
|
Electric is the love
|
|||
|
|
|
|||
|
|
When the mako flies
|
|||
|
|
Up from the bottom in your eyes
|
|||
|
|
Then I know the twilight skies
|
|||
|
|
Not so broken-hearted
|
|||
|
|
|
|||
|
|
Yes, the love is electric
|
|||
|
|
It'll be flowing on the streets
|
|||
|
|
Night after night
|
|||
|
|
Just to get trough the week, sometimes it's hard
|
|||
|
|
Right now
|
|||
|
|
|
|||
|
|
Sing yourself out of depression, rise above
|
|||
|
|
I'll be searching if I know your heart
|
|||
|
|
electric is the love
|
|||
|
|
|
|||
|
|
There's only one way
|
|||
|
|
(Overload, overload, overload)
|
|||
|
|
Let it pray a little white longer
|
|||
|
|
(coming up to the overload, overload, overload)
|
|||
|
|
|
|||
|
|
It's got a way of passing
|
|||
|
|
(Coming up to the)
|
|||
|
|
Through man and woman in another world
|
|||
|
|
(Overload, overload, overload)
|
|||
|
|
|
|||
|
|
In another world, in the universe
|
|||
|
|
(Coming up to the overload)
|
|||
|
|
Oh
|
|||
|
|
(Overload, overload, coming up to the)
|
|||
|
|
|
|||
|
|
Right now
|
|||
|
|
Here's what we got to do
|
|||
|
|
|
|||
|
|
Yes, this love is electric
|
|||
|
|
(Overload, overload, overload, coming up to the)
|
|||
|
|
It'll be flowing onto the street
|
|||
|
|
(overload, overload, overload, coming up to the)
|
|||
|
|
|
|||
|
|
Night after night
|
|||
|
|
(Overload, overload, overload, coming up to the)
|
|||
|
|
Just to get through the week
|
|||
|
|
(Overload, overload, overload)
|
|||
|
|
Sometimes it's hard
|
|||
|
|
(Coming up to the)
|
|||
|
|
|
|||
|
|
That's what I'm talking about
|
|||
|
|
|
|||
|
|
Love, electricity, shock wave central
|
|||
|
|
Pummel on the motherboard, yes
|
|||
|
|
Push up, overload, legendary heavy glow
|
|||
|
|
Sunshine, thunder roll, keep this all together
|
|||
|
|
|
|||
|
|
The lantern burn, burn that easy
|
|||
|
|
And broadcast, so raw and neatly
|
|||
|
|
Thunder roll, sunshine, work it out
|
|||
|
|
Right now"
|
|||
|
|
143,Submission (feat. Kelela & Danny Brown) ,"[Verse 1: Kelela]
|
|||
|
|
Don't try to hide away
|
|||
|
|
You know you've been on
|
|||
|
|
Though I'm keep and come, I'm not on
|
|||
|
|
Go away my love
|
|||
|
|
Thought I could change our fate
|
|||
|
|
I tried again, but there's delay
|
|||
|
|
It's more than I can take
|
|||
|
|
|
|||
|
|
[Chorus: Kelela]
|
|||
|
|
And it got to me
|
|||
|
|
When you state your love
|
|||
|
|
Then you walk away
|
|||
|
|
What could you be on?
|
|||
|
|
Now you're not around
|
|||
|
|
But I hope you see
|
|||
|
|
I will be full-on
|
|||
|
|
If it's up to me
|
|||
|
|
It's all I got-
|
|||
|
|
|
|||
|
|
[Verse 2: Kelela]
|
|||
|
|
Feels so good doin' me
|
|||
|
|
If you take a look at the time you took and move on
|
|||
|
|
But don't go too far my lover
|
|||
|
|
We could try harder baby
|
|||
|
|
There's gotta be a better way
|
|||
|
|
So much that we could make it
|
|||
|
|
|
|||
|
|
[Chorus: Kelela]
|
|||
|
|
And it got to me
|
|||
|
|
When you state your love
|
|||
|
|
But you run away
|
|||
|
|
What could you be on?
|
|||
|
|
Now you're not around
|
|||
|
|
But I hope you see
|
|||
|
|
Gotta be full-on
|
|||
|
|
It is up to me
|
|||
|
|
It's all I got
|
|||
|
|
|
|||
|
|
[Interlude: Kelela and 2-D Harmonizing]
|
|||
|
|
It's all I got
|
|||
|
|
It's all I got
|
|||
|
|
It's all I got
|
|||
|
|
|
|||
|
|
[Verse 3: Danny Brown]
|
|||
|
|
Wish I could think of better ways
|
|||
|
|
'Cause I lost my patience yesterday
|
|||
|
|
If you could see inside of me
|
|||
|
|
There'd be no heart on my X-ray
|
|||
|
|
Opponents tryna checkmate
|
|||
|
|
But I don't see no escape
|
|||
|
|
Just tryna keep my head straight
|
|||
|
|
On thin ice with the ice skates
|
|||
|
|
At times, I feel like giving up
|
|||
|
|
'Cause it feels like I've had enough
|
|||
|
|
Felt like my soul in handcuffs
|
|||
|
|
Got questions with no answers
|
|||
|
|
Can't help me out, I need a friend
|
|||
|
|
I'm losing faith in this world of sin
|
|||
|
|
Tryna make ends meet with a week, no sleep
|
|||
|
|
It's like a cycle that never ends
|
|||
|
|
I can't pretend with no handling
|
|||
|
|
I can't take care of no grown man
|
|||
|
|
All by myself, crying out for help
|
|||
|
|
But won't get saved by no Superman
|
|||
|
|
All comes down to the mighty dollar
|
|||
|
|
Greed and lust, abusing power
|
|||
|
|
Clock is ticking, hour after hour
|
|||
|
|
Maybe when I throw my hands, I'll holla
|
|||
|
|
|
|||
|
|
[Chorus: Kelela]
|
|||
|
|
And it got to me
|
|||
|
|
When you state your love
|
|||
|
|
But you run away
|
|||
|
|
What could you be on?
|
|||
|
|
Now you're not around
|
|||
|
|
But I hope you see
|
|||
|
|
Gotta be full-on
|
|||
|
|
It is up to me"
|
|||
|
|
144,Superfast jellyfish ,"This morning you've got time for a hot, home-cooked breakfast
|
|||
|
|
Delicious and piping hot in only 3 microwave minutes.
|
|||
|
|
|
|||
|
|
Yo, pretty packages of frosted delights
|
|||
|
|
Look, it comes with a toy hehe, I like that.
|
|||
|
|
I wanna number 4, a number 6, and throw in a plastic doughnut
|
|||
|
|
Just enjoy the gritty crunch, it tastes just like chicken.
|
|||
|
|
Wrappers of many bite sizes
|
|||
|
|
Man, are you freakin blind? That's a rock.
|
|||
|
|
All mixed in the pot for momma's homemade from scratch, well, not quite.
|
|||
|
|
Toasted over flames, they be tasting quite right.
|
|||
|
|
|
|||
|
|
All hail king Neptune and his water breathers
|
|||
|
|
No snail thing to quick for his water feeders
|
|||
|
|
Don't waste time with your net, our net worth is Set Ready, go.
|
|||
|
|
Many know others, but
|
|||
|
|
We be the colors of the mad and the wicked
|
|||
|
|
We be bad, we be brickit with the 24 hour sign
|
|||
|
|
Shower my habits while you dine like rabbits
|
|||
|
|
With the crunchy, crunchy carrots (that's chicken)
|
|||
|
|
Gotta have it Superfast!
|
|||
|
|
|
|||
|
|
(A whole lot of breakfast you got time for!)
|
|||
|
|
|
|||
|
|
Superfast Superfast, I come in last, but just in time for breakfast
|
|||
|
|
Keep it through, Keep it through, forever blue
|
|||
|
|
|
|||
|
|
Tonight's the night for ??
|
|||
|
|
Aluminum I crush your fun aluminum
|
|||
|
|
The sea is radioactive
|
|||
|
|
The sea is radioactive
|
|||
|
|
|
|||
|
|
All hail king Neptune and his water breathers
|
|||
|
|
No snail thing to quick for his water feeders
|
|||
|
|
Don't waste time with your net, our net worth is Set, Ready, go.
|
|||
|
|
Many know others, but
|
|||
|
|
We be the colors of the mad and the wicked
|
|||
|
|
We be bad, we be brickit with the 24 hour sign
|
|||
|
|
Shower my habits while you dine like rabbits
|
|||
|
|
With the crunchy, crunchy carrots (that's chicken)
|
|||
|
|
Gotta have it Superfast!
|
|||
|
|
|
|||
|
|
Superfast Superfast, I come in last, but just in time for breakfast
|
|||
|
|
Keep it through, Keep it through, forever blue
|
|||
|
|
Tonight's the night for ??
|
|||
|
|
Aluminum I crush your fun aluminum
|
|||
|
|
The sea is radioactive
|
|||
|
|
The sea is radioactive
|
|||
|
|
|
|||
|
|
Superfast Jellyfish
|
|||
|
|
Superfast Jellyfish
|
|||
|
|
Superfast Jellyfish (Don't waste time!)
|
|||
|
|
Superfast Jellyfish
|
|||
|
|
Superfast Jellyfish"
|
|||
|
|
145,Sweepstakes ,"Pay day, you're a winner
|
|||
|
|
|
|||
|
|
Pay day, you're a winner
|
|||
|
|
Keep cool form a line
|
|||
|
|
Scar'd money broke money
|
|||
|
|
Bow money mo' money
|
|||
|
|
So sunny, cloud breaker
|
|||
|
|
Sound make a wave run-up
|
|||
|
|
While motherfuckin' jammin'
|
|||
|
|
You can get it how you wanna
|
|||
|
|
|
|||
|
|
There's math and there's dealers and players and me
|
|||
|
|
They say that they're winners
|
|||
|
|
Ok well let's see
|
|||
|
|
You play there you play
|
|||
|
|
The rules of the trade
|
|||
|
|
The math of the date
|
|||
|
|
The times and the age
|
|||
|
|
But you want how you like
|
|||
|
|
Aim high man why not?
|
|||
|
|
Sun Moon and Starry y'alls
|
|||
|
|
Each and all of y'alls
|
|||
|
|
Mathematics and dealers and players and me
|
|||
|
|
They say that they're winners
|
|||
|
|
Ok well let's see...
|
|||
|
|
|
|||
|
|
Sweepstakes! You're a winner
|
|||
|
|
|
|||
|
|
Pay day, you're a winner
|
|||
|
|
Keep cool form a line
|
|||
|
|
Scar'd money broke money
|
|||
|
|
Bow money more money
|
|||
|
|
So sunny, cloud breaker
|
|||
|
|
Sound maker, wave run-up
|
|||
|
|
Why wonder? funky drama
|
|||
|
|
You can get it how you wanted it
|
|||
|
|
'Who's the winner?' said the dealer
|
|||
|
|
Every player 'Yeah me'
|
|||
|
|
So you say 'We will see'
|
|||
|
|
Player play! hey ok
|
|||
|
|
Whatcha want? how you like?
|
|||
|
|
Aim high. Why not?
|
|||
|
|
Sun Moon and Starry y'alls
|
|||
|
|
Each and every all of y'alls
|
|||
|
|
Who's the winner? Yeah me
|
|||
|
|
So you say 'We will see'
|
|||
|
|
Cloud breaker danger beats!
|
|||
|
|
|
|||
|
|
Ha! ok, let's eat!
|
|||
|
|
|
|||
|
|
Sweepstakes! You're a winner
|
|||
|
|
|
|||
|
|
Pay day, you're a winner
|
|||
|
|
Keep cool form a line
|
|||
|
|
Scar'd money broke money
|
|||
|
|
Bow money mo' money
|
|||
|
|
So sunny cloud breaker
|
|||
|
|
Sound maker wave run-up
|
|||
|
|
Why wonder? fuck someone
|
|||
|
|
You can get it how you wanna
|
|||
|
|
|
|||
|
|
There's math and there's dealers and players and killers and me
|
|||
|
|
They say that they're winners
|
|||
|
|
Ok well let's see
|
|||
|
|
You play there you play
|
|||
|
|
The rules of the trade
|
|||
|
|
The math of the date
|
|||
|
|
The times and the age
|
|||
|
|
But you want how you like
|
|||
|
|
Aim high man why not?
|
|||
|
|
Sun Moon and Starry y'alls
|
|||
|
|
Each and every all of y'alls
|
|||
|
|
There's math and there's dealers and players and me
|
|||
|
|
They say that they're winners
|
|||
|
|
Ok well let's see!
|
|||
|
|
|
|||
|
|
Sweepstakes! You're a winner
|
|||
|
|
|
|||
|
|
Pay day, you're a winner
|
|||
|
|
Keep cool form a line
|
|||
|
|
Scar'd money broke money
|
|||
|
|
Bow money mo' money
|
|||
|
|
So sunny cloud breaker
|
|||
|
|
Sound maker wave run-up
|
|||
|
|
Why wonder? funky jammin'
|
|||
|
|
You can get it how you wanna
|
|||
|
|
|
|||
|
|
'Who's the winner?' said the dealer
|
|||
|
|
Every player 'Yeah me'
|
|||
|
|
So you say 'We will see'
|
|||
|
|
Player play! Hey ok
|
|||
|
|
Whatcha want? how ya like?
|
|||
|
|
Aim high. Why not?
|
|||
|
|
Sun Moon and starry y'alls
|
|||
|
|
Each and every all of y'alls
|
|||
|
|
Who's the winner? Yeah me
|
|||
|
|
So you say 'We will see'
|
|||
|
|
Cloud breaker danger beats!
|
|||
|
|
Fresh plates!
|
|||
|
|
Let's eat!
|
|||
|
|
|
|||
|
|
Sweepstakes! You're a winner
|
|||
|
|
|
|||
|
|
Ha!
|
|||
|
|
...
|
|||
|
|
Keep cool form a line
|
|||
|
|
Scar'd money broke money
|
|||
|
|
Bow money mo' money
|
|||
|
|
So sunny, cloud breaker
|
|||
|
|
Sound make a wave run-up
|
|||
|
|
While motherfuckin' jammin'
|
|||
|
|
You can get it how you wanna
|
|||
|
|
|
|||
|
|
There's math and there's dealers and players and me
|
|||
|
|
They say that they're winners
|
|||
|
|
Ok well let's see
|
|||
|
|
You play there you play
|
|||
|
|
The rules of the trade
|
|||
|
|
The math of the days
|
|||
|
|
The times and the age
|
|||
|
|
But you want how you like
|
|||
|
|
Aim high man why not?
|
|||
|
|
Sun Moon starry y'alls
|
|||
|
|
Each and every all of y'alls
|
|||
|
|
There's math and there's dealers and players and me."
|
|||
|
|
146,Tarantula ,"I think the sadness has come again
|
|||
|
|
Green velvet in a passing den
|
|||
|
|
No bloodiness, no gold earring
|
|||
|
|
Right outside for you
|
|||
|
|
|
|||
|
|
Nothing will be bad for me then too
|
|||
|
|
I just want to put my arms 'round you
|
|||
|
|
And whisper
|
|||
|
|
I'm on one percent but I'm there with you
|
|||
|
|
|
|||
|
|
I know I fantasise
|
|||
|
|
Although I don't even mind
|
|||
|
|
If you're good for me
|
|||
|
|
Then I'm good for you
|
|||
|
|
And that's all I need
|
|||
|
|
In my life
|
|||
|
|
|
|||
|
|
Through polymer dunes I dance tonight
|
|||
|
|
With you frozen under mirrored lights
|
|||
|
|
No ways out, only ways in
|
|||
|
|
To my heart
|
|||
|
|
As the calling seems to grow again
|
|||
|
|
It's a problem that I can't remend
|
|||
|
|
Always with you
|
|||
|
|
Always
|
|||
|
|
|
|||
|
|
I know I fantasise
|
|||
|
|
Although I don't even mind
|
|||
|
|
If you're good for me
|
|||
|
|
Then I'm good for you
|
|||
|
|
And that's all I need
|
|||
|
|
In my life
|
|||
|
|
|
|||
|
|
Time's run out (In my life)
|
|||
|
|
Nowhere real (In my life)
|
|||
|
|
In the hills (In my life)
|
|||
|
|
What I feel (On my own, on my own, on my own)
|
|||
|
|
On my own
|
|||
|
|
(Even) Time run out
|
|||
|
|
I need you
|
|||
|
|
|
|||
|
|
Only ways in to my heart
|
|||
|
|
Need you, I need you, I need you, I need you
|
|||
|
|
|
|||
|
|
If you're good for me
|
|||
|
|
Then I'm good for you
|
|||
|
|
And that's all I need
|
|||
|
|
In my life
|
|||
|
|
|
|||
|
|
I know I fantasise
|
|||
|
|
Although I don't even mind
|
|||
|
|
If you're good for me
|
|||
|
|
Then I'm good for you
|
|||
|
|
And that's all I need
|
|||
|
|
In my life
|
|||
|
|
|
|||
|
|
Time's run out (In my life) (Need you)
|
|||
|
|
Nowhere real (In my life)
|
|||
|
|
In the hills (In my life)
|
|||
|
|
Is what I feel (In my life, in my life, in my life, in my life)
|
|||
|
|
(Need you, I need you, I need you, I need you)
|
|||
|
|
On my own
|
|||
|
|
Time run out (If you're good for me, then I'm good for you)
|
|||
|
|
I need you (And that's all I need in my life)"
|
|||
|
|
147,The Apprentice ,"[Rag'n'Bone Man (2D):]
|
|||
|
|
You can be mad at me, tell me I was born to quit
|
|||
|
|
I was checking gold
|
|||
|
|
Or you could just freak with me
|
|||
|
|
Said it again, let the numbers roll
|
|||
|
|
I hear that about you, baby
|
|||
|
|
It's back when the city's cold
|
|||
|
|
(Cold, cold, cold)
|
|||
|
|
Don't ever look at me like that
|
|||
|
|
It's just in the daylight, no
|
|||
|
|
It's just in the daylight, no
|
|||
|
|
|
|||
|
|
(I am a mirror)
|
|||
|
|
I am a broken screen
|
|||
|
|
I'm a mad routine
|
|||
|
|
That's just patterned out
|
|||
|
|
And I'm over it
|
|||
|
|
(Cold, cold, cold
|
|||
|
|
I am a mirror)
|
|||
|
|
I am a distant voice
|
|||
|
|
I'm inside your head
|
|||
|
|
And you don't know me
|
|||
|
|
I am over it
|
|||
|
|
(Cold, cold, cold)
|
|||
|
|
|
|||
|
|
[Ray BLK (2D):]
|
|||
|
|
Why are you mad at me?
|
|||
|
|
Tell me I was born to quit, I was checking gold
|
|||
|
|
You should just freak with me, freak with me
|
|||
|
|
And let the numbers roll
|
|||
|
|
I'm here by the fire, I'm waiting
|
|||
|
|
Back where the city's cold
|
|||
|
|
(Cold, cold, cold)
|
|||
|
|
Don't ever look at me like that
|
|||
|
|
It's just in the days I've known
|
|||
|
|
It's just in the days I've known
|
|||
|
|
|
|||
|
|
[Rag'n'Bone Man & Ray BLK (2D):]
|
|||
|
|
I am a mirror
|
|||
|
|
I am a broken screen
|
|||
|
|
I'm a mad routine
|
|||
|
|
That's just patterned out
|
|||
|
|
And I'm over it
|
|||
|
|
(Cold, cold, cold)
|
|||
|
|
I am a mirror
|
|||
|
|
I am a distant voice
|
|||
|
|
I'm inside your head
|
|||
|
|
And you don't know me
|
|||
|
|
I am over it
|
|||
|
|
(Cold, cold, cold)
|
|||
|
|
|
|||
|
|
[Zebra Katz:]
|
|||
|
|
Yo, new black king, New York dream
|
|||
|
|
Tell these motherfuckers everything I'm seeing
|
|||
|
|
My world's darker than the young black dream
|
|||
|
|
Of the first black prince of a new white king
|
|||
|
|
I just wanna play, have it my way
|
|||
|
|
Make a bunch of fucking rules, then tell 'em obey
|
|||
|
|
They can't fuck with me, yeah, yeah, Ojay
|
|||
|
|
First name, government? No, him, I slay
|
|||
|
|
New black king, oh
|
|||
|
|
New black king, yeah
|
|||
|
|
New black king, oh
|
|||
|
|
Uh, obey, obey, obey
|
|||
|
|
|
|||
|
|
[Rag'n'Bone Man & Ray BLK (2D):]
|
|||
|
|
(I am a mirror)
|
|||
|
|
I am a broken screen
|
|||
|
|
I'm a mad routine
|
|||
|
|
That's just patterned out
|
|||
|
|
And I'm over it
|
|||
|
|
(Cold, cold, cold
|
|||
|
|
I am a mirror)
|
|||
|
|
I am a distant voice
|
|||
|
|
I'm inside your head
|
|||
|
|
And you don't know me
|
|||
|
|
I am over it
|
|||
|
|
(Cold, cold, cold)
|
|||
|
|
|
|||
|
|
[Ray BLK (2D):]
|
|||
|
|
(Mirror)
|
|||
|
|
I'm a broken screen
|
|||
|
|
(I am a mirror)
|
|||
|
|
And I'm over it
|
|||
|
|
(I am a mirror)"
|
|||
|
|
148,The Joplin Spider ,"Colourful sailors washed up on the shore
|
|||
|
|
caught up on bad times
|
|||
|
|
Spider in the ditch she saw it all
|
|||
|
|
Went to train, ride to dance.
|
|||
|
|
Colourful sailors washed up on the shore
|
|||
|
|
met up on violence.
|
|||
|
|
|
|||
|
|
Spider in the ditch, she saw it all.
|
|||
|
|
World has fall on bad times."
|
|||
|
|
149,The Lost Chord ft. Leee John ,"I see myself going through the streets
|
|||
|
|
Think I must be dreaming
|
|||
|
|
The lost chord
|
|||
|
|
I want you to be free (The lost chord)
|
|||
|
|
|
|||
|
|
(Take me into the garden)
|
|||
|
|
I see rain's coming down
|
|||
|
|
At this time of year, I'm always in need of
|
|||
|
|
Of silent waves (Silent waves)
|
|||
|
|
The pulse on your face
|
|||
|
|
|
|||
|
|
The lost chord
|
|||
|
|
The lost chord
|
|||
|
|
The lost chord
|
|||
|
|
I go harder, harder (Take me into the garden)
|
|||
|
|
The lost chord (The lost chord)
|
|||
|
|
The lost chord
|
|||
|
|
The lost chord
|
|||
|
|
I go harder, harder
|
|||
|
|
|
|||
|
|
Music in my mind
|
|||
|
|
Break those chains, baby
|
|||
|
|
And I'll find, I'll find myself, yeah, come on (Take me into thе garden)
|
|||
|
|
I, I'm tryna go (Oh)
|
|||
|
|
|
|||
|
|
The lost chord
|
|||
|
|
The lost chord
|
|||
|
|
Thе lost chord
|
|||
|
|
I go harder, harder (Take me into the garden)
|
|||
|
|
The lost chord
|
|||
|
|
The lost chord
|
|||
|
|
The lost chord
|
|||
|
|
I go harder, harder (Take me into the garden)
|
|||
|
|
|
|||
|
|
Happier, happy (Happy, happy)
|
|||
|
|
Move me somewhere I can see the sunlight
|
|||
|
|
Take me into the garden
|
|||
|
|
The silent waves (Silent waves)
|
|||
|
|
The pulse on your face (Oh, Lord)
|
|||
|
|
|
|||
|
|
The lost chord (Allow me)
|
|||
|
|
The lost chord
|
|||
|
|
The lost chord
|
|||
|
|
I go harder, harder (Take me into the garden)
|
|||
|
|
The lost chord (The lost chord)
|
|||
|
|
The lost chord
|
|||
|
|
The lost chord
|
|||
|
|
I go harder, harder (Take me into the garden)
|
|||
|
|
The lost chord
|
|||
|
|
|
|||
|
|
Tryna find my way every single day
|
|||
|
|
Tryna find my way
|
|||
|
|
I wanna be free
|
|||
|
|
I wanna be free
|
|||
|
|
I wanna be free
|
|||
|
|
Break those chains that bind me, I wanna be free (I wanna be free)
|
|||
|
|
Break those chains, baby
|
|||
|
|
Break those chains that bind me, I wanna be free (Wanna be free)"
|
|||
|
|
150,The Parish Of Space Dust ,"(fm-tuning)
|
|||
|
|
|
|||
|
|
|
|||
|
|
Texas can you hear me?
|
|||
|
|
Speed up on the dawn.
|
|||
|
|
To the pains and blues of Houston,
|
|||
|
|
in the sun.
|
|||
|
|
|
|||
|
|
|
|||
|
|
Where home is a bus
|
|||
|
|
in the parish of space-dust.
|
|||
|
|
Where the mountains die.
|
|||
|
|
And today is golden."
|
|||
|
|
151,The Pink Phantom ft. Elton John & 6LACK ,"You've more or less forgotten me this summer
|
|||
|
|
I can't hide my disappointment
|
|||
|
|
I was on my way in the phantom fire;
|
|||
|
|
the one you gave away
|
|||
|
|
|
|||
|
|
Try to tell you that I love you but I'm choked up
|
|||
|
|
You forgot and that makes me feel like no one (Some times)
|
|||
|
|
Were you even really there? Did you ever really care?
|
|||
|
|
Wait, I got so many examples of all of the good times we had
|
|||
|
|
Long summer nights (Summer nights), held you long time
|
|||
|
|
Put your name in my rhyme, refresh your memory
|
|||
|
|
of where you want to be, the phantom's on the way
|
|||
|
|
She's comin' down the street
|
|||
|
|
|
|||
|
|
I tried to get to Atlanta
|
|||
|
|
on a peach blossom highway
|
|||
|
|
I'm tryin' to put these pauses out of mind
|
|||
|
|
In a sky made of diamonds
|
|||
|
|
where the world fell silent
|
|||
|
|
I'll be waiting for you on the other side
|
|||
|
|
|
|||
|
|
Summer lights (Everyday, everyday)
|
|||
|
|
Sometimes (Ride where the summer goes)
|
|||
|
|
Summer nights
|
|||
|
|
Every night
|
|||
|
|
Summer nights
|
|||
|
|
|
|||
|
|
I tried to say I love you
|
|||
|
|
but you didn't listen (Sometimes)
|
|||
|
|
Tried to give you everything you might need (Summer nights)
|
|||
|
|
In a sky made of diamonds
|
|||
|
|
And where the world is flawless
|
|||
|
|
I'll be waiting for you on the outside
|
|||
|
|
|
|||
|
|
Summer lights, summer lights
|
|||
|
|
Hold it in for a long time
|
|||
|
|
Summer lights, seems to me I'm in a dream
|
|||
|
|
Oh, these summer lights
|
|||
|
|
|
|||
|
|
The phantom is coming
|
|||
|
|
You forgot and that makes me feel like no one
|
|||
|
|
She’s crossing over the line
|
|||
|
|
Wait, I got so many examples of all of the good times we had
|
|||
|
|
Seems to me I’m in a dream (Long summer nights, held you long time
|
|||
|
|
Put your name in my rhyme, refresh your memory)
|
|||
|
|
And I have these summer nights (of where you want to be, the phantom's on the way
|
|||
|
|
She’s comin' down the street)
|
|||
|
|
Sometimes"
|
|||
|
|
152,The sounder ,"
|
|||
|
|
You couldn't escape this music even if your name's Houdini
|
|||
|
|
Our tracks say Lah for Life and don't disappear like a Genie
|
|||
|
|
Communicating through your airwaves like a giant C.B.
|
|||
|
|
'Cause this one's for your radios or whether you recieve me
|
|||
|
|
Our music is so hot, it feels like the sun in Tahiti
|
|||
|
|
We rickety-rock, Gorillaz style is buck wild, believe me
|
|||
|
|
We heavyweights who phase ya like Ali did with Frasier
|
|||
|
|
We spit the most flava but musically, we'll amaze ya
|
|||
|
|
We've been blessed and we've been gifted like Jesus in his Manger
|
|||
|
|
Won't you shout 'Hallelujah!' Here comes your music saviour
|
|||
|
|
From your heart to your mind, your spirits to your souls,
|
|||
|
|
we've come to take control with the Gorillaz on patrol
|
|||
|
|
See, our rhymes possess the powers of a superhero
|
|||
|
|
Supernaturally we rock the mic but wit' a natural flow
|
|||
|
|
If you didn't know before, you know now - We told you so
|
|||
|
|
Gorillaz rock your dome just like the one in Tokyo
|
|||
|
|
|
|||
|
|
It's a hard dream to contemplate
|
|||
|
|
I could fall into the abyss-ah
|
|||
|
|
And I love this interlude
|
|||
|
|
It's the reason to deliver
|
|||
|
|
And they called onto me
|
|||
|
|
Says they came to talk to me though
|
|||
|
|
The more of us that lies,
|
|||
|
|
I guess the kids don't live or die
|
|||
|
|
|
|||
|
|
'Cause we're makin' this music that's making you lose it
|
|||
|
|
So people don't abuse it and there ain't no way for you to Refuse it
|
|||
|
|
Gorillaz be the army that's startin' this pardy-ardy
|
|||
|
|
Makin' more noise than carnivals mixed with the Mardi-Gradi
|
|||
|
|
We're comin' through your town with the sound that's so Profound
|
|||
|
|
Gorillaz with the rappers that straight from the Underground
|
|||
|
|
We're tearin' it down, makin' you feel this sort of force
|
|||
|
|
Knockin' you to your senses and knockin' you off your Course
|
|||
|
|
'Cause we're the source, got you feeling that's so Appealing
|
|||
|
|
We got you jumpin' around and bouncin' off of the ceiling
|
|||
|
|
Makin' music ya feeling from Baltimore into Bristol
|
|||
|
|
I know you're hearin' me 'cause my voice is clearer than Crystal
|
|||
|
|
The casual, supernatural flows I be exposin',
|
|||
|
|
Makin' sure that you're frozen and makin' sure that I'm Chosen
|
|||
|
|
To rip a score, makin' you damage the dance floor
|
|||
|
|
Gorillaz and Phi Life'll give you what you ask for
|
|||
|
|
|
|||
|
|
It's a hard dream to contemplate
|
|||
|
|
I could fall into the abyss-ah
|
|||
|
|
And I love this interlude
|
|||
|
|
It's the reason to deliver
|
|||
|
|
And they called onto me
|
|||
|
|
Says they came to talk to me though
|
|||
|
|
The more of us that lies,
|
|||
|
|
I guess the kids don't live or die
|
|||
|
|
|
|||
|
|
Let Gorillaz be your guiding light and your shining star,
|
|||
|
|
Whether you be home alone or drivin' in your car
|
|||
|
|
Don't matter who ya are, whether you be near or far,
|
|||
|
|
You'll be feelin' entertained be our music repertoire
|
|||
|
|
See, our poems, they be flowin' like rivers and resevoirs
|
|||
|
|
'Cause Gorllaz, we be out of this world like men of Mars
|
|||
|
|
We rap stars with supernatural spars
|
|||
|
|
We leave your brains amazed with this super music of ours
|
|||
|
|
So put your hands up and stand up - It's time to get down
|
|||
|
|
'Cause Gorillaz and Phi Life, we be breakin' you 'round
|
|||
|
|
From the right to the left, from the skies to the ground
|
|||
|
|
We're coverin' all angles and you can't escape the sound
|
|||
|
|
On the track, it's laid back - We've come to spray raps
|
|||
|
|
Keep it chilled and relaxed but we still sound phat
|
|||
|
|
It's like that when we write raps
|
|||
|
|
We're not from the Empire but we still Strike Back!
|
|||
|
|
|
|||
|
|
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
So put your hands up and stand up - It's time to get down
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
'Cause Gorillaz and Phi Life, we be breakin' you 'round
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
So put your hands up and stand up - It's time to get down
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
'Cause Gorillaz and Phi Life, we be breakin' you 'round
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
So put your hands up and stand up - It's time to get down
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
'Cause Gorillaz and Phi Life, we be breakin' you 'round
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
So put your hands up and stand up - It's time to get down
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
'Cause Gorillaz and Phi Life, we be breakin' you 'round
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
So put your hands up and stand up - It's time to get down
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
'Cause Gorillaz and Phi Life, we be breakin' you 'round
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
So put your hands up and stand up - It's time to get down
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
'Cause Gorillaz and Phi Life, we be breakin' you 'round
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
So put your hands up and stand up - It's time to get down
|
|||
|
|
Mmmmmmm-mmmmmmm-mmmmmmm (Scatting)
|
|||
|
|
'Cause Gorillaz and Phi Life, we be breakin' you 'round...
|
|||
|
|
|
|||
|
|
"
|
|||
|
|
153,The Speak It Mountains ,"It is the dawn
|
|||
|
|
It
|
|||
|
|
Is
|
|||
|
|
The
|
|||
|
|
Dawn
|
|||
|
|
Time has shifted
|
|||
|
|
Mountains
|
|||
|
|
Bloom
|
|||
|
|
The air is thinner
|
|||
|
|
(repeat all)
|
|||
|
|
One
|
|||
|
|
Two
|
|||
|
|
Three
|
|||
|
|
Four
|
|||
|
|
Five
|
|||
|
|
Six
|
|||
|
|
Seven"
|
|||
|
|
154,The swagga ,"Wooh!
|
|||
|
|
Wooh!
|
|||
|
|
Wooh!
|
|||
|
|
All right!
|
|||
|
|
|
|||
|
|
I wanna be your teacher in the team
|
|||
|
|
Get to come in naked , cause it's clean
|
|||
|
|
I wanna be your make-up, with the seam
|
|||
|
|
Just take a shaker, make it mean
|
|||
|
|
|
|||
|
|
I won't get over the dam
|
|||
|
|
Cause it's just like that old mile
|
|||
|
|
Every four o' clock in the morning
|
|||
|
|
I think I'm gonna die
|
|||
|
|
|
|||
|
|
Check I'll hold you
|
|||
|
|
I wish it was you
|
|||
|
|
Gotta get a cat up a CK
|
|||
|
|
Cause that's where we're at
|
|||
|
|
Gotta give a car the beetles
|
|||
|
|
Cause they're just sad
|
|||
|
|
|
|||
|
|
But I won't get over it now
|
|||
|
|
Cause it's half-drawn on the shout
|
|||
|
|
It could be four o' clock in the morning
|
|||
|
|
If you wish it'd got no style
|
|||
|
|
|
|||
|
|
I gotta shit out like I was never
|
|||
|
|
On the fallest town to be
|
|||
|
|
I could wish this way forever
|
|||
|
|
But I ever gonna be clean
|
|||
|
|
No, I can't get shot
|
|||
|
|
Albeit, no!
|
|||
|
|
I can't get shot
|
|||
|
|
Albeit, no!
|
|||
|
|
I can't get shot!
|
|||
|
|
|
|||
|
|
Wooh!
|
|||
|
|
|
|||
|
|
Wanna grow to keep it in June
|
|||
|
|
Gonna make it easy for you
|
|||
|
|
Wanna be the carever in the coal
|
|||
|
|
Just get this on with
|
|||
|
|
Everything the kids enjoy
|
|||
|
|
|
|||
|
|
But I won't get over it soon
|
|||
|
|
Cause there ain't light at full noon
|
|||
|
|
Cause at four o' clock in the morning
|
|||
|
|
I got cheering up to do
|
|||
|
|
If not, you get a real shot
|
|||
|
|
It's just like walls I never drived
|
|||
|
|
|
|||
|
|
But I go: ""Wooh!""
|
|||
|
|
I just go: ""Wooh!""
|
|||
|
|
We all go: ""Wooh!""
|
|||
|
|
Yeah!
|
|||
|
|
We all go: ""Wooh!""
|
|||
|
|
All right!
|
|||
|
|
|
|||
|
|
"
|
|||
|
|
155,The Tired Influencer ,"It's a cracked screen world
|
|||
|
|
Where white blooms above the city
|
|||
|
|
Catch sunrise and the freeway glows
|
|||
|
|
Perfumed with Palo Santo
|
|||
|
|
Early flights touch down
|
|||
|
|
Every day
|
|||
|
|
The tired influencer
|
|||
|
|
Ain't sleeping deep
|
|||
|
|
Waiting for an answer
|
|||
|
|
Gotta press on, brown eyes
|
|||
|
|
I'll always keep you close beside me
|
|||
|
|
Billing trees
|
|||
|
|
That's the way it's meant to be
|
|||
|
|
|
|||
|
|
'It was a different time'
|
|||
|
|
I hear that a lot up in the hills
|
|||
|
|
Logic kills on Silver Lake reflections
|
|||
|
|
Just trying to keep my head up
|
|||
|
|
But nothing real anymore
|
|||
|
|
In the world of the tired influencer
|
|||
|
|
Ain't sleeping deep
|
|||
|
|
Waiting for an answer
|
|||
|
|
Gotta press on, brown eyes
|
|||
|
|
I always keep you close beside me
|
|||
|
|
Billing trees
|
|||
|
|
That's the way it's meant to be
|
|||
|
|
|
|||
|
|
If you know
|
|||
|
|
Is it meant to be?
|
|||
|
|
If you know
|
|||
|
|
Wear your love
|
|||
|
|
Wear your love
|
|||
|
|
Wear your love
|
|||
|
|
Love
|
|||
|
|
Is it meant to be?
|
|||
|
|
Wear your love
|
|||
|
|
Wear your love
|
|||
|
|
Wear your love
|
|||
|
|
It's meant to be
|
|||
|
|
Wear your love
|
|||
|
|
Wear your love
|
|||
|
|
Wear your love
|
|||
|
|
Wear your love"
|
|||
|
|
156,The Valley of the Pagans ft. Beck ,"Welcome to the land of the permanent sun
|
|||
|
|
Where the flowers are melted and the future is fun
|
|||
|
|
The freeway lizards are all feelin' so good
|
|||
|
|
From a one-way trip back to West Hollywood, let's go
|
|||
|
|
|
|||
|
|
It feels so good to have a perfect song
|
|||
|
|
It feels so good to be in total control
|
|||
|
|
It feels so good to have a perfect song
|
|||
|
|
It feels so good to be in total control
|
|||
|
|
|
|||
|
|
There were spotlights flying through the sky
|
|||
|
|
From a winter wonderland, catching out
|
|||
|
|
The beasts hiding in the grounds, no future, Batman
|
|||
|
|
Long before Christmas, not very likely
|
|||
|
|
One hundred million Viagra tablets
|
|||
|
|
Starving away... in a valley
|
|||
|
|
|
|||
|
|
It feels so good to have a perfect song (uh-huh)
|
|||
|
|
It feels so good to be in total control (uh-huh)
|
|||
|
|
It feels so good to have a perfect song (uh-huh)
|
|||
|
|
It feels so good to be in total control (uh-huh)
|
|||
|
|
|
|||
|
|
It's so convincing, but something's missing
|
|||
|
|
The sun is kissing my face and erasing my doubts
|
|||
|
|
I'm going out with a bang, and the fangs of a parasite
|
|||
|
|
I'm feeling alright
|
|||
|
|
Alright, alright, alright, alright, alright
|
|||
|
|
|
|||
|
|
Say ""Sweet dreams"", etc. & ""Forever,
|
|||
|
|
I hope"", said no one
|
|||
|
|
|
|||
|
|
She's a plastic Cleopatra on a throne of ice
|
|||
|
|
She's a haemophiliac with a dying battery life
|
|||
|
|
Candy-colored fingers and schadenfreude eyes
|
|||
|
|
Thinkin' airbrushed thoughts with a logo on her mind
|
|||
|
|
|
|||
|
|
It's so delightful, it's so insightful
|
|||
|
|
It's so frightful, and I'm feeling it
|
|||
|
|
Every single fucking day-yay-yay-yay-yay-yay
|
|||
|
|
It's time to party
|
|||
|
|
It's time to party (whoo!)
|
|||
|
|
|
|||
|
|
In the valley where you wake up every beautiful day
|
|||
|
|
And the world you created in your image is golden
|
|||
|
|
Valley made of mirrors, oh, the light is so bright
|
|||
|
|
You can feel like a Pagan, you can feel like a Pagan
|
|||
|
|
In the valley where you wake up every beautiful day
|
|||
|
|
And the world you created in your image is golden
|
|||
|
|
Valley made of mirrors, oh, the light is so bright
|
|||
|
|
You can feel like a Pagan, you can feel like a Pagan
|
|||
|
|
|
|||
|
|
In the valley (valley)
|
|||
|
|
In the valley (valley)
|
|||
|
|
In the valley (valley)
|
|||
|
|
In the valley (valley)
|
|||
|
|
Feel like a Pagan now
|
|||
|
|
Feel like a Pagan
|
|||
|
|
In the valley (valley)
|
|||
|
|
In the valley (valley)
|
|||
|
|
Feel like a pagan"
|
|||
|
|
157,Ticker Tape (feat. Kali Uchis & Carly Simon) ,"[Verse 1: 2-D]
|
|||
|
|
Is it resolution?
|
|||
|
|
Or black and white flying balloons?
|
|||
|
|
Floating off, too colourful
|
|||
|
|
Or is it separation
|
|||
|
|
You put it to your counting sand
|
|||
|
|
Waiting for the world to start again?
|
|||
|
|
|
|||
|
|
[Hook: 2-D]
|
|||
|
|
Ticker tape
|
|||
|
|
Ticker tape
|
|||
|
|
Tick-tick-ticker tape
|
|||
|
|
|
|||
|
|
[Verse 2: 2-D]
|
|||
|
|
Is this how you're feeling?
|
|||
|
|
Falling with the world tonight
|
|||
|
|
Cauterized and beautiful
|
|||
|
|
Slide the light
|
|||
|
|
Is this how you're healing?
|
|||
|
|
Out there in the paradigm
|
|||
|
|
Waiting for a cavalcade to come again
|
|||
|
|
|
|||
|
|
[Hook: 2-D]
|
|||
|
|
Ticker tape
|
|||
|
|
Ticker tape
|
|||
|
|
Tick-tick-ticker tape
|
|||
|
|
Ticker tape
|
|||
|
|
|
|||
|
|
[Bridge: Carly Simon & 2-D]
|
|||
|
|
Black light glints with colour
|
|||
|
|
Sudden long and horizontal outlines the star
|
|||
|
|
A sudden draft and quick chill
|
|||
|
|
A single snowflake falls
|
|||
|
|
And that is all
|
|||
|
|
That is all
|
|||
|
|
The world's face hidden under falling wind
|
|||
|
|
Waiting for the world to start again
|
|||
|
|
Waiting for the world to start again
|
|||
|
|
Waiting for the world to start again
|
|||
|
|
Waiting for the world... again
|
|||
|
|
|
|||
|
|
[Outro: 2-D & Kali Uchis]
|
|||
|
|
Cause we're workin' through it
|
|||
|
|
Workin' through your nightmare
|
|||
|
|
Are you leaving for the rest of it?
|
|||
|
|
Watch the worker, please
|
|||
|
|
As they're working for it
|
|||
|
|
Working through the night shift
|
|||
|
|
And I'm workin' through it
|
|||
|
|
Workin' through the nightmare
|
|||
|
|
Coming back to ghosts inside
|
|||
|
|
Watch the worker, please
|
|||
|
|
As they're working for it
|
|||
|
|
Working through the night shift
|
|||
|
|
Or is it just too late for that?
|
|||
|
|
Cause we're workin' through it
|
|||
|
|
Workin' through the nightmare
|
|||
|
|
Watch the worker, please
|
|||
|
|
As they're working for it
|
|||
|
|
Working through the night shift
|
|||
|
|
And I'm workin' through it
|
|||
|
|
Workin' through the nightmare
|
|||
|
|
And I'm hoping for a little juice
|
|||
|
|
Watch the worker, please
|
|||
|
|
As they're working for it
|
|||
|
|
Working through the night shift"
|
|||
|
|
158,To binge ,"Waiting by the mailbox, by the train
|
|||
|
|
Passing by the hills 'til I hear the name
|
|||
|
|
I'm looking for a saw to cut these chains in half
|
|||
|
|
|
|||
|
|
And all I want is someone to rely on
|
|||
|
|
As thunder comes a rolling down
|
|||
|
|
Someone to rely on
|
|||
|
|
As lightning comes a staring in again
|
|||
|
|
|
|||
|
|
I'll wait to be forgiven
|
|||
|
|
Maybe I never will
|
|||
|
|
My star has left me
|
|||
|
|
To take the bitter pill
|
|||
|
|
|
|||
|
|
That shattered feeling
|
|||
|
|
Well, the cause of, it's a lesson learned
|
|||
|
|
Just don't know if I could roll into the sea again
|
|||
|
|
Just don't know if I could do it all again
|
|||
|
|
She said, ""It's true""
|
|||
|
|
|
|||
|
|
Waiting in my room and I lock the door
|
|||
|
|
I watch the colored animals across the floor
|
|||
|
|
And I'm looking from a distance
|
|||
|
|
And I'm listening to the whispers
|
|||
|
|
|
|||
|
|
And oh, it ain't the same
|
|||
|
|
When you're falling out of feeling
|
|||
|
|
And you're falling in and caught again
|
|||
|
|
Caught again
|
|||
|
|
|
|||
|
|
I'm caught again in the mystery
|
|||
|
|
You're by my side, but are you still with me?
|
|||
|
|
The answer's somwhere deep in it
|
|||
|
|
I'm sorry but you are feeling it
|
|||
|
|
|
|||
|
|
But I just have to tell you
|
|||
|
|
That I love you so much these days
|
|||
|
|
Have to tell you
|
|||
|
|
That I love you so much these days, it's true
|
|||
|
|
|
|||
|
|
My heart is in economy
|
|||
|
|
Due to this autonomy
|
|||
|
|
Rolling in and caught again
|
|||
|
|
Caught again, caught again, caught again
|
|||
|
|
|
|||
|
|
My heart is in economy
|
|||
|
|
(Caught again)
|
|||
|
|
Due to this autonomy
|
|||
|
|
(Caught again)
|
|||
|
|
Rolling in and caught again
|
|||
|
|
Caught again"
|
|||
|
|
159,Tomorrow comes today ,"Everybody's here with me
|
|||
|
|
We got no camera to see
|
|||
|
|
Don't think I'm all in this world
|
|||
|
|
The camera won't let me go
|
|||
|
|
And the verdict doesn't love our soul
|
|||
|
|
The digital won't let me go
|
|||
|
|
|
|||
|
|
Yeah yeah yeah
|
|||
|
|
I'll pay yeah yeah yeah
|
|||
|
|
When tomorrow
|
|||
|
|
Tomorrow comes today
|
|||
|
|
|
|||
|
|
Stereo I want it on
|
|||
|
|
It's taken me far too long
|
|||
|
|
Don't think, I'm all in this world
|
|||
|
|
Don't think, I'll be here too long
|
|||
|
|
Don't think, I'll be here too long
|
|||
|
|
Don't think, I'll be here too long
|
|||
|
|
|
|||
|
|
Yeah yeah yeah I'll pay
|
|||
|
|
When tomorrow
|
|||
|
|
Tomorrow comes today"
|
|||
|
|
160,Tormenta feat. Bad Bunny ,"[Chorus: 2-D & Bad Bunny]
|
|||
|
|
The sun in the storm (Sun in the storm; someone cryin')
|
|||
|
|
Someone cryin' (Someone, someone, someone, someone)
|
|||
|
|
Something is said (Someone cryin')
|
|||
|
|
Someone cryin' (Someone, someone, someone, someone)
|
|||
|
|
Ey, ey
|
|||
|
|
|
|||
|
|
[Refrain: Bad Bunny]
|
|||
|
|
Y aprovéchame hoy, que mañana me voy
|
|||
|
|
Y no sé cuándo vuelvo si en tus ojo' me pierdo
|
|||
|
|
Y aprovéchame hoy, que mañana me voy
|
|||
|
|
Y no sé cuándo vuelvo si en tus ojo' me pierdo
|
|||
|
|
|
|||
|
|
[Verse 1: Bad Bunny]
|
|||
|
|
Y nadie lo pidió (Pidió), pero estamo' aquí (Aquí)
|
|||
|
|
Yo no sé si fue Dio', ey, pero creo que lo vi, -i
|
|||
|
|
Cuando me besaste
|
|||
|
|
No sé cuando llegaste, pero no quiero que te vaya'
|
|||
|
|
Tú hace' contraste
|
|||
|
|
Con todo este desastre que me toca vivir
|
|||
|
|
Eh, eh, eh, eh-eh, eh
|
|||
|
|
La cura del miedo la tiene' tú
|
|||
|
|
Veo todo claro aunque se fue la lu', ey
|
|||
|
|
|
|||
|
|
[Refrain: Bad Bunny]
|
|||
|
|
Aprovéchame hoy
|
|||
|
|
Ey, ey
|
|||
|
|
|
|||
|
|
[Verse 2: Bad Bunny]
|
|||
|
|
Y yo no quiero ver el mundo arder
|
|||
|
|
Pero algo tan bonito, no, no se puede perder
|
|||
|
|
El reloj nos quiere morder
|
|||
|
|
Pero en tus brazo' me voy a esconder, ey
|
|||
|
|
Pa' que no me encuentren (Encuentren)
|
|||
|
|
To' el mundo siempre está pendiente (-diente)
|
|||
|
|
Pero no saben lo que se siente (Siente)
|
|||
|
|
Cruza conmigo ante' que se rompa el puente (Puente), je
|
|||
|
|
Y que se joda el resto
|
|||
|
|
¿Quién dice lo que está correcto?
|
|||
|
|
Si el amor nunca ha sido perfecto
|
|||
|
|
Ojalá sea por siempre este momento
|
|||
|
|
Pero si no
|
|||
|
|
|
|||
|
|
|
|||
|
|
[Chorus: 2-D]
|
|||
|
|
The sun in the storm (Sun in the storm; someone cryin')
|
|||
|
|
Someone cryin' (Someone, someone, someone, someone)
|
|||
|
|
Something is said (Someone cryin')
|
|||
|
|
Someone cryin' (Someone, someone, someone, someone)
|
|||
|
|
Something is—
|
|||
|
|
|
|||
|
|
[Instrumental]
|
|||
|
|
|
|||
|
|
[Outro: 2-D]
|
|||
|
|
The sun in the storm (Sun in the storm; someone cryin')
|
|||
|
|
Someone cryin' (Someone, someone, someone, someone, someone, someone, someone, someone)"
|
|||
|
|
161,Tranz ,"Oscillate yourself tonight
|
|||
|
|
When you're in your bed
|
|||
|
|
Assimilate the dopamine
|
|||
|
|
Passing through your head
|
|||
|
|
|
|||
|
|
When you get back on a Saturday night
|
|||
|
|
And the room is caving in
|
|||
|
|
Do you look like me? Do you feel like me?
|
|||
|
|
Do you turn into your effigy?
|
|||
|
|
Do you dance like this forever?
|
|||
|
|
|
|||
|
|
See yourself with cupid's flame
|
|||
|
|
Chipped in your head
|
|||
|
|
Pay them a lie, the satellites
|
|||
|
|
Passing by the edge
|
|||
|
|
|
|||
|
|
When you get back on a Saturday night
|
|||
|
|
And your head is caving in
|
|||
|
|
Do you look like me? Do you feel like me?
|
|||
|
|
Do you turn into your effigy?
|
|||
|
|
Do you dance like this forever?
|
|||
|
|
Do you dance like this forever?
|
|||
|
|
|
|||
|
|
Do you look like me
|
|||
|
|
Do you burn like me (x3)
|
|||
|
|
|
|||
|
|
Do you turn into your effigy?
|
|||
|
|
Do you dance like this forever?
|
|||
|
|
Do you dance like this forever?
|
|||
|
|
|
|||
|
|
Do you dance? (x4)"
|
|||
|
|
162,We Got the Power ,"We've got the power to be loving each other
|
|||
|
|
No matter what happens, we've got the power to do that
|
|||
|
|
On a le pouvoir de s'aimer, okay?
|
|||
|
|
We've got the power to be
|
|||
|
|
Ringing the great bell out there above us
|
|||
|
|
We've got the power for that
|
|||
|
|
We got the power to do that
|
|||
|
|
|
|||
|
|
They dream of home
|
|||
|
|
I dream of life out of here
|
|||
|
|
Their dreams are small
|
|||
|
|
My dreams don't know fear
|
|||
|
|
(I got all you)
|
|||
|
|
I got my heart full of hope
|
|||
|
|
I will change everything
|
|||
|
|
No matter what I'm told
|
|||
|
|
Or how impossible it seems
|
|||
|
|
(We got the power)
|
|||
|
|
We did it before
|
|||
|
|
And we'll do it again
|
|||
|
|
We're indestructible
|
|||
|
|
Even when we're tired
|
|||
|
|
And we've been here before
|
|||
|
|
Just you and I
|
|||
|
|
Don't try to rescue me
|
|||
|
|
I don't need to be rescued
|
|||
|
|
|
|||
|
|
We've got the power to be loving each other
|
|||
|
|
No matter what happens, we've got the power to do that
|
|||
|
|
On a le pouvoir de s'aimer, okay?
|
|||
|
|
We've got the power to be
|
|||
|
|
Ringing the great bell out there above us
|
|||
|
|
We've got the power for that
|
|||
|
|
We got the power to do that
|
|||
|
|
|
|||
|
|
Get yourself up to the silent altar
|
|||
|
|
And call me
|
|||
|
|
But don't forget the machines
|
|||
|
|
'Cause if your choice is chipping it down on the M1 (1, 1, 1)
|
|||
|
|
Then you'll wake up in the morning
|
|||
|
|
You'll be storming, oh, oh, oh
|
|||
|
|
|
|||
|
|
We've got the power to be loving each other
|
|||
|
|
No matter what happens, we've got the power to do that
|
|||
|
|
On a le pouvoir de s'aimer, okay?
|
|||
|
|
We've got the power to be
|
|||
|
|
Ringing the great bell out there above us
|
|||
|
|
We've got the power to do that
|
|||
|
|
We got the power, power, power-pow-power
|
|||
|
|
We got the power
|
|||
|
|
|
|||
|
|
We got the power"
|
|||
|
|
163,Welcome to the world of the Plastic Beach (feat. Snoop Dogg) ,"Gorillaz and the boss Dogg
|
|||
|
|
Planet of the Apes
|
|||
|
|
|
|||
|
|
The revolution will be televised
|
|||
|
|
And the pollution from the ocean
|
|||
|
|
Now with devotion
|
|||
|
|
Push peace and keep it in motion
|
|||
|
|
|
|||
|
|
Kids,gather around
|
|||
|
|
Yeah, I need your focus
|
|||
|
|
I know it seem like the world is so hopeless
|
|||
|
|
It's like wonderland
|
|||
|
|
|
|||
|
|
Now fascinate me, picture and animate me
|
|||
|
|
'Cause I'm rolling, deep holing
|
|||
|
|
Click clacking,crack-a-lacking
|
|||
|
|
Full packing, mo'stacking
|
|||
|
|
|
|||
|
|
Actic a fool when I teach
|
|||
|
|
Welcome to the world of the plastic beach
|
|||
|
|
Welcome to the world of the plastic beach
|
|||
|
|
|
|||
|
|
Mirror,mirror on the wall
|
|||
|
|
Boss Dogg, give it to 'em get involved
|
|||
|
|
Turn it up, speed it up, slow it up,
|
|||
|
|
Underground where the under us undercut
|
|||
|
|
|
|||
|
|
Shipped up, shipped out
|
|||
|
|
Swimming with the sharks
|
|||
|
|
With my gills up, turn the wheels up, real tough
|
|||
|
|
Drinking lemonade in the shade, getting blade with gang of
|
|||
|
|
pilgrims
|
|||
|
|
|
|||
|
|
Yeah,this my path
|
|||
|
|
Belly flopping, locking while I'm rocking on the bubble bath
|
|||
|
|
And I'm just like math,four zeros added up,that get you more cash
|
|||
|
|
So quick,so fast all the kids say they love it when I make 'em
|
|||
|
|
laugh
|
|||
|
|
|
|||
|
|
Welcome to the world of the plastic beach
|
|||
|
|
Welcome to the world of the plastic beach
|
|||
|
|
Welcome to the world of the plastic beach
|
|||
|
|
Welcome to the world of the plastic beach
|
|||
|
|
Welcome to the world of the plastic beach"
|
|||
|
|
164,White flag ,"Hey, look, yo!
|
|||
|
|
|
|||
|
|
No castaway, no survivor
|
|||
|
|
I ain't lost and this ain't shipwrecked
|
|||
|
|
I feel small in this big wide world
|
|||
|
|
And mommy ain't said, 'Honey, I shrunk the kids' yet'
|
|||
|
|
|
|||
|
|
I ain't Jesus but I'm walking on water
|
|||
|
|
There's no bums here, there's no wall 'cause
|
|||
|
|
I can break out of jail with a lighter
|
|||
|
|
So is there any point in making laws blood?
|
|||
|
|
|
|||
|
|
This ain't Atlantis, are you sure?
|
|||
|
|
I nearly suffocated when I touched the shore
|
|||
|
|
No rain, condoms get poured
|
|||
|
|
And up the road, you'll never guess who I saw
|
|||
|
|
|
|||
|
|
It's K.A. look, skip on the beat like Ali in the gym
|
|||
|
|
Honey, I'm home, this is where I wanna live
|
|||
|
|
Disbanded like leave, oh
|
|||
|
|
On the d-low.
|
|||
|
|
|
|||
|
|
I don;t know if it's greener but it's green though
|
|||
|
|
On the other side of the fence, bind to the ends
|
|||
|
|
Look,no fence, no stress, no rent, no supervision shit, this real flow
|
|||
|
|
Where the women look hot but the beach cold
|
|||
|
|
|
|||
|
|
And the speech goes like, ""Hi little lady
|
|||
|
|
Sex on the beach, wanna try for a baby""
|
|||
|
|
Word in the village, I'm a little bit crazy
|
|||
|
|
Swag up on a hundred degrees, no eighty
|
|||
|
|
|
|||
|
|
Look, if heaven had a VIP
|
|||
|
|
This is it, white sand, blue sea
|
|||
|
|
But I don't know who they are
|
|||
|
|
And I'm damn sure they don't know me
|
|||
|
|
But I come in peace
|
|||
|
|
|
|||
|
|
Cool,white flag,white flag
|
|||
|
|
|
|||
|
|
No war,no guns
|
|||
|
|
No corps, just life
|
|||
|
|
|
|||
|
|
Just love,no hate
|
|||
|
|
Just fun, no ties
|
|||
|
|
|
|||
|
|
Just me and my mind
|
|||
|
|
Just me and my wife
|
|||
|
|
|
|||
|
|
But tell me if I'm dreaming
|
|||
|
|
'Couse I don't wanna wake up till the evening
|
|||
|
|
And I don't wanna be left sleeping
|
|||
|
|
From all the diseases that I breathe in
|
|||
|
|
|
|||
|
|
Look,respect the island, no stealing
|
|||
|
|
And don't bring religion here, no three kings
|
|||
|
|
It's great and we ain't leaving
|
|||
|
|
We come on in peace, sing
|
|||
|
|
|
|||
|
|
White flag,white flag"
|
|||
|
|
165,White light ,"White light
|
|||
|
|
White light
|
|||
|
|
White light
|
|||
|
|
Alcohol, alcohol, alcohol, white light
|
|||
|
|
|
|||
|
|
White light
|
|||
|
|
White light
|
|||
|
|
White light
|
|||
|
|
Alcohol, alcohol, alcohol, white light..."
|
|||
|
|
166,With Love To An Ex ft. Moonchild Sanelly ,"[Intro: Moonchild Sanelly]
|
|||
|
|
Hahaha
|
|||
|
|
|
|||
|
|
[Verse 1: Moonchild Sanelly]
|
|||
|
|
Where I'm from they said I live on a cloud
|
|||
|
|
Simply 'cause I just dreamt too much
|
|||
|
|
Black sheep but I am all blue now
|
|||
|
|
It's the start but I've done blew up
|
|||
|
|
I haven't done none, yeah, the travel's tough
|
|||
|
|
Light white sands and the waves too far
|
|||
|
|
They said, ""No"", I said, ""That's too tough""
|
|||
|
|
Went to Google bombed their systems down
|
|||
|
|
|
|||
|
|
[Chorus: Moonchild Sanelly]
|
|||
|
|
Ex-niggas blowing up my DM
|
|||
|
|
Wanna meet for lunch, breakfast or a dinner
|
|||
|
|
Banesidina, asidiki, sesagqiba
|
|||
|
|
Banehaba, andisoze ndabashiya
|
|||
|
|
Ex-niggas blowing up my DM
|
|||
|
|
Wanna meet for lunch, breakfast or a dinner
|
|||
|
|
Banesidina, asidiki, sesagqiba
|
|||
|
|
Banehaba, andisoze ndabashiya
|
|||
|
|
|
|||
|
|
[Instrumental Break]
|
|||
|
|
|
|||
|
|
[Bridge]
|
|||
|
|
Ndifun' ibars, ndifun' ipounds, ndifun' imali
|
|||
|
|
Ndifun' ibuz, ndifun' ibusy, ndifun' ifuni
|
|||
|
|
Ndifun' ichange, ndifun'ifun, ndifun' isexi
|
|||
|
|
Ndifun' indoda, ndifun' umfazi, ndifun' ichanji
|
|||
|
|
Ndifun' ibars, ndifun' ipounds, ndifun' imali
|
|||
|
|
Ndifun' ibuz, ndifun' ibusy, ndifun' ifuni
|
|||
|
|
Ndifun' ichange, ndifun'ifun, ndifun' isexi
|
|||
|
|
Ndifun' indoda, ndifun' umfazi, ndifun' ichanji
|
|||
|
|
|
|||
|
|
|
|||
|
|
[Chorus: Moonchild Sanelly]
|
|||
|
|
Ex-niggas blowing up my DM
|
|||
|
|
Wanna meet for lunch, breakfast or a dinner
|
|||
|
|
Banesidina, asidiki, sesagqiba
|
|||
|
|
Banehaba, andisoze ndabashiya
|
|||
|
|
Ex-niggas blowing up my DM
|
|||
|
|
Wanna meet for lunch, breakfast or a dinner
|
|||
|
|
Banesidina, asidiki, sesagqiba
|
|||
|
|
Banehaba, andisoze ndabashiya
|
|||
|
|
|
|||
|
|
[Verse 2: Moonchild Sanelly]
|
|||
|
|
Exes be like, ""You dream too much, you're out too much
|
|||
|
|
You are too much, I want to munch
|
|||
|
|
I love you but, you've got big butt
|
|||
|
|
All the boys want, want what I got
|
|||
|
|
(Want what I got)
|
|||
|
|
(Want what I got)
|
|||
|
|
|
|||
|
|
[Chorus: Moonchild Sanelly]
|
|||
|
|
Ex niggas blowin' up my DM
|
|||
|
|
Wanna meet for lunch, breakfast or a dinner
|
|||
|
|
Banesidina, asidiki, sesagqiba
|
|||
|
|
Banehaba, andisoze ndabashiya
|
|||
|
|
(Want what I've got)"
|